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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #127F23 it is the complementary color #ED80DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #127F23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #127F23 shade: #177F1E, #289131, #39A344, #4AB557 and #5BC76A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #127F23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #127F23 shade: #127F23, #016D10, #005B00, #004900 and #003700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #127F23 shade: #127D23, #1E7D12, #3B7D12, #587D12 and #757D12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #127F23 shade: #127D23, #127D3F, #127D5C, #127D79 and #12647D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #127F23 shade matches the following richer shades: #127D23 and #06891B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #127F23 shade: #127D23, #1D712B, #296632, #355A3A and #404F42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #127F23 shade: #3B7D12, #1E7D12, #127D22, #127D3E and #127D5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #127F23 shade: #08350F, #0D5919, #127D23, #17A12D and #1CC537

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #127F23 shade: #127F23, #12577D and #7D122D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #127F23 shade: #127F23, #22127D and #7D2212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #127F23 shade: #127F23, #12577D, #7D126D and #7D3712

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #127F23 shade: #127F23, #12377D, #7D126D and #7D5712

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 72 / 50

HEX #127F23

RGB 18 127 35

HSL 129.36, 0.75%, 0.28%

LAB 46.22, -47.76, 40.02

 

Complementary color

CMYK 0 / 46 / 7 / 7

HEX #ED80DC

RGB 237 128 220

HSL 309.36, 0.75%, 0.72%

LAB 68.47, 53.99, -28.8

 

CMYK 82 / 0 / 76 / 50

HEX #177F1E

RGB 23 127 30

HSL 124.04, 0.69%, 0.29%

LAB 46.25, -47.59, 42.08

 

CMYK 72 / 0 / 66 / 43

HEX #289131

RGB 40 145 49

HSL 125.14, 0.57%, 0.36%

LAB 52.87, -49.14, 41.23

 

CMYK 65 / 0 / 58 / 36

HEX #39A344

RGB 57 163 68

HSL 126.23, 0.48%, 0.43%

LAB 59.42, -49.99, 39.98

 

CMYK 59 / 0 / 52 / 29

HEX #4AB557

RGB 74 181 87

HSL 127.29, 0.42%, 0.5%

LAB 65.9, -50.41, 38.6

 

CMYK 54 / 0 / 47 / 22

HEX #5BC76A

RGB 91 199 106

HSL 128.33, 0.49%, 0.57%

LAB 72.3, -50.56, 37.23

 

CMYK 86 / 0 / 72 / 50

HEX #127F23

RGB 18 127 35

HSL 129.36, 0.75%, 0.28%

LAB 46.22, -47.76, 40.02

 

CMYK 99 / 0 / 85 / 57

HEX #016D10

RGB 1 109 16

HSL 128.33, 0.98%, 0.22%

LAB 39.55, -45.17, 40.36

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 86 / 0 / 72 / 51

HEX #127D23

RGB 18 125 35

HSL 129.53, 0.75%, 0.28%

LAB 45.52, -47.09, 39.29

 

CMYK 76 / 0 / 86 / 51

HEX #1E7D12

RGB 30 125 18

HSL 113.27, 0.75%, 0.28%

LAB 45.62, -46.66, 45.53

 

CMYK 53 / 0 / 86 / 51

HEX #3B7D12

RGB 59 125 18

HSL 97.01, 0.75%, 0.28%

LAB 46.5, -39.44, 46.66

 

CMYK 30 / 0 / 86 / 51

HEX #587D12

RGB 88 125 18

HSL 80.75, 0.75%, 0.28%

LAB 47.99, -28.75, 48.56

 

CMYK 6 / 0 / 86 / 51

HEX #757D12

RGB 117 125 18

HSL 64.49, 0.75%, 0.28%

LAB 50.09, -16, 51.2

 

CMYK 86 / 0 / 72 / 51

HEX #127D23

RGB 18 125 35

HSL 129.53, 0.75%, 0.28%

LAB 45.52, -47.09, 39.29

 

CMYK 86 / 0 / 50 / 51

HEX #127D3F

RGB 18 125 63

HSL 145.23, 0.75%, 0.28%

LAB 45.85, -43.15, 25.83

 

CMYK 86 / 0 / 26 / 51

HEX #127D5C

RGB 18 125 92

HSL 161.5, 0.75%, 0.28%

LAB 46.4, -36.82, 10.06

 

CMYK 86 / 0 / 3 / 51

HEX #127D79

RGB 18 125 121

HSL 177.76, 0.75%, 0.28%

LAB 47.2, -28.52, -5.9

 

CMYK 86 / 20 / 0 / 51

HEX #12647D

RGB 18 100 125

HSL 194.02, 0.75%, 0.28%

LAB 39.11, -13.88, -20.58

 

CMYK 86 / 0 / 72 / 51

HEX #127D23

RGB 18 125 35

HSL 129.53, 0.75%, 0.28%

LAB 45.52, -47.09, 39.29

 

CMYK 96 / 0 / 80 / 46

HEX #06891B

RGB 6 137 27

HSL 129.62, 0.92%, 0.28%

LAB 49.51, -52.63, 46.31

 

CMYK 86 / 0 / 72 / 51

HEX #127D23

RGB 18 125 35

HSL 129.53, 0.75%, 0.28%

LAB 45.52, -47.09, 39.29

 

CMYK 74 / 0 / 62 / 56

HEX #1D712B

RGB 29 113 43

HSL 130, 0.59%, 0.28%

LAB 41.6, -40.24, 31.27

 

CMYK 60 / 0 / 51 / 60

HEX #296632

RGB 41 102 50

HSL 128.85, 0.43%, 0.28%

LAB 38.21, -31.93, 23.51

 

CMYK 41 / 0 / 36 / 65

HEX #355A3A

RGB 53 90 58

HSL 128.11, 0.26%, 0.28%

LAB 34.75, -20.92, 14.44

 

CMYK 19 / 0 / 16 / 69

HEX #404F42

RGB 64 79 66

HSL 128, 0.1%, 0.28%

LAB 31.98, -8.9, 5.74

 

CMYK 53 / 0 / 86 / 51

HEX #3B7D12

RGB 59 125 18

HSL 97.01, 0.75%, 0.28%

LAB 46.5, -39.44, 46.66

 

CMYK 76 / 0 / 86 / 51

HEX #1E7D12

RGB 30 125 18

HSL 113.27, 0.75%, 0.28%

LAB 45.62, -46.66, 45.53

 

CMYK 86 / 0 / 73 / 51

HEX #127D22

RGB 18 125 34

HSL 128.97, 0.75%, 0.28%

LAB 45.51, -47.19, 39.7

 

CMYK 86 / 0 / 50 / 51

HEX #127D3E

RGB 18 125 62

HSL 144.67, 0.75%, 0.28%

LAB 45.83, -43.33, 26.35

 

CMYK 86 / 0 / 27 / 51

HEX #127D5B

RGB 18 125 91

HSL 160.93, 0.75%, 0.28%

LAB 46.38, -37.07, 10.61

 

CMYK 85 / 0 / 72 / 79

HEX #08350F

RGB 8 53 15

HSL 129.33, 0.74%, 0.12%

LAB 18.51, -24.46, 19.28

 

CMYK 85 / 0 / 72 / 65

HEX #0D5919

RGB 13 89 25

HSL 129.47, 0.75%, 0.2%

LAB 32.48, -36.31, 29.76

 

CMYK 86 / 0 / 72 / 51

HEX #127D23

RGB 18 125 35

HSL 129.53, 0.75%, 0.28%

LAB 45.52, -47.09, 39.29

 

CMYK 86 / 0 / 72 / 37

HEX #17A12D

RGB 23 161 45

HSL 129.57, 0.75%, 0.36%

LAB 57.91, -57.22, 48.23

 

CMYK 86 / 0 / 72 / 23

HEX #1CC537

RGB 28 197 55

HSL 129.59, 0.75%, 0.44%

LAB 69.79, -66.88, 56.76

 

CMYK 86 / 0 / 72 / 50

HEX #127F23

RGB 18 127 35

HSL 129.36, 0.75%, 0.28%

LAB 46.22, -47.76, 40.02

 

CMYK 86 / 30 / 0 / 51

HEX #12577D

RGB 18 87 125

HSL 201.31, 0.75%, 0.28%

LAB 34.85, -6.09, -27.21

 

CMYK 0 / 86 / 64 / 51

HEX #7D122D

RGB 125 18 45

HSL 344.86, 0.75%, 0.28%

LAB 26.68, 45.15, 13.44

 

CMYK 86 / 0 / 72 / 50

HEX #127F23

RGB 18 127 35

HSL 129.36, 0.75%, 0.28%

LAB 46.22, -47.76, 40.02

 

CMYK 73 / 86 / 0 / 51

HEX #22127D

RGB 34 18 125

HSL 248.97, 0.75%, 0.28%

LAB 16.76, 40.69, -56.43

 

CMYK 0 / 73 / 86 / 51

HEX #7D2212

RGB 125 34 18

HSL 8.97, 0.75%, 0.28%

LAB 28.24, 38.37, 32.25

 

CMYK 86 / 0 / 72 / 50

HEX #127F23

RGB 18 127 35

HSL 129.36, 0.75%, 0.28%

LAB 46.22, -47.76, 40.02

 

CMYK 86 / 30 / 0 / 51

HEX #12577D

RGB 18 87 125

HSL 201.31, 0.75%, 0.28%

LAB 34.85, -6.09, -27.21

 

CMYK 0 / 86 / 13 / 51

HEX #7D126D

RGB 125 18 109

HSL 308.97, 0.75%, 0.28%

LAB 29.15, 52.21, -25.46

 

CMYK 0 / 56 / 86 / 51

HEX #7D3712

RGB 125 55 18

HSL 20.75, 0.75%, 0.28%

LAB 32.11, 28.12, 35.81

 

CMYK 86 / 0 / 72 / 50

HEX #127F23

RGB 18 127 35

HSL 129.36, 0.75%, 0.28%

LAB 46.22, -47.76, 40.02

 

CMYK 86 / 56 / 0 / 51

HEX #12377D

RGB 18 55 125

HSL 219.25, 0.75%, 0.28%

LAB 24.77, 15.5, -43.32

 

CMYK 0 / 86 / 13 / 51

HEX #7D126D

RGB 125 18 109

HSL 308.97, 0.75%, 0.28%

LAB 29.15, 52.21, -25.46

 

CMYK 0 / 30 / 86 / 51

HEX #7D5712

RGB 125 87 18

HSL 38.69, 0.75%, 0.28%

LAB 39.95, 9.5, 42.77

 

Description

Color code: HEX #127F23 | qconv.com Color code: HEX #127F23 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 127 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 127 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 72 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 72% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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