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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #127B47 it is the complementary color #ED84B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #127B47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #127B47 shade: #177B42, #288D55, #399F68, #4AB17B and #5BC38E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #127B47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #127B47 shade: #127B47, #016934, #005721, #00450E and #003300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #127B47 shade: #137C48, #137C2B, #167C13, #337C13 and #4F7C13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #127B47 shade: #137C48, #137C64, #13787C, #135B7C and #133F7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #127B47 shade matches the following richer shades: #137C48 and #078848

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #127B47 shade: #137C48, #1E7148, #2A6548, #355A48 and #414E47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #127B47 shade: #167C13, #137C2B, #137C47, #137C64 and #13797C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #127B47 shade: #08341E, #0D5833, #137C48, #18A05D and #1DC471

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #127B47 shade: #127B47, #13327C and #7C1D13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #127B47 shade: #127B47, #47137C and #7C4713

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #127B47 shade: #127B47, #13327C, #7C1347 and #7C5D13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #127B47 shade: #127B47, #13137C, #7C1347 and #7C7C13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 42 / 52

HEX #127B47

RGB 18 123 71

HSL 150.29, 0.74%, 0.28%

LAB 45.29, -40.85, 20.66

 

Complementary color

CMYK 0 / 44 / 22 / 7

HEX #ED84B8

RGB 237 132 184

HSL 330.29, 0.74%, 0.72%

LAB 68, 46.43, -9.42

 

CMYK 81 / 0 / 46 / 52

HEX #177B42

RGB 23 123 66

HSL 145.8, 0.68%, 0.29%

LAB 45.28, -41.24, 23.46

 

CMYK 72 / 0 / 40 / 45

HEX #288D55

RGB 40 141 85

HSL 146.73, 0.56%, 0.35%

LAB 52.01, -42.05, 21.78

 

CMYK 64 / 0 / 35 / 38

HEX #399F68

RGB 57 159 104

HSL 147.65, 0.47%, 0.42%

LAB 58.66, -42.43, 20.26

 

CMYK 58 / 0 / 31 / 31

HEX #4AB17B

RGB 74 177 123

HSL 148.54, 0.41%, 0.49%

LAB 65.22, -42.54, 18.89

 

CMYK 53 / 0 / 27 / 24

HEX #5BC38E

RGB 91 195 142

HSL 149.42, 0.46%, 0.56%

LAB 71.7, -42.51, 17.65

 

CMYK 85 / 0 / 42 / 52

HEX #127B47

RGB 18 123 71

HSL 150.29, 0.74%, 0.28%

LAB 45.29, -40.85, 20.66

 

CMYK 99 / 0 / 50 / 59

HEX #016934

RGB 1 105 52

HSL 149.42, 0.98%, 0.21%

LAB 38.48, -39.29, 22.55

 

CMYK 100 / 0 / 62 / 66

HEX #005721

RGB 0 87 33

HSL 142.76, 1%, 0.17%

LAB 31.64, -36.15, 24.68

 

CMYK 100 / 0 / 80 / 73

HEX #00450E

RGB 0 69 14

HSL 132.17, 1%, 0.14%

LAB 24.6, -32.35, 26.42

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 85 / 0 / 42 / 51

HEX #137C48

RGB 19 124 72

HSL 150.29, 0.73%, 0.28%

LAB 45.66, -40.92, 20.59

 

CMYK 85 / 0 / 65 / 51

HEX #137C2B

RGB 19 124 43

HSL 133.71, 0.73%, 0.28%

LAB 45.26, -45.73, 35.41

 

CMYK 82 / 0 / 85 / 51

HEX #167C13

RGB 22 124 19

HSL 118.29, 0.73%, 0.28%

LAB 45.13, -47.54, 44.74

 

CMYK 59 / 0 / 85 / 51

HEX #337C13

RGB 51 124 19

HSL 101.71, 0.73%, 0.28%

LAB 45.86, -41.39, 45.68

 

CMYK 36 / 0 / 85 / 51

HEX #4F7C13

RGB 79 124 19

HSL 85.71, 0.73%, 0.28%

LAB 47.14, -31.85, 47.32

 

CMYK 85 / 0 / 42 / 51

HEX #137C48

RGB 19 124 72

HSL 150.29, 0.73%, 0.28%

LAB 45.66, -40.92, 20.59

 

CMYK 85 / 0 / 19 / 51

HEX #137C64

RGB 19 124 100

HSL 166.29, 0.73%, 0.28%

LAB 46.28, -34.16, 5.17

 

CMYK 85 / 3 / 0 / 51

HEX #13787C

RGB 19 120 124

HSL 182.29, 0.73%, 0.28%

LAB 45.67, -24.97, -9.97

 

CMYK 85 / 27 / 0 / 51

HEX #135B7C

RGB 19 91 124

HSL 198.86, 0.73%, 0.28%

LAB 36.13, -8.84, -24.6

 

CMYK 85 / 49 / 0 / 51

HEX #133F7C

RGB 19 63 124

HSL 214.86, 0.73%, 0.28%

LAB 27.15, 9.52, -38.83

 

CMYK 85 / 0 / 42 / 51

HEX #137C48

RGB 19 124 72

HSL 150.29, 0.73%, 0.28%

LAB 45.66, -40.92, 20.59

 

CMYK 95 / 0 / 47 / 47

HEX #078848

RGB 7 136 72

HSL 150.23, 0.9%, 0.28%

LAB 49.64, -46.42, 25.74

 

CMYK 85 / 0 / 42 / 51

HEX #137C48

RGB 19 124 72

HSL 150.29, 0.73%, 0.28%

LAB 45.66, -40.92, 20.59

 

CMYK 73 / 0 / 36 / 56

HEX #1E7148

RGB 30 113 72

HSL 150.36, 0.58%, 0.28%

LAB 42.08, -34.86, 15.85

 

CMYK 58 / 0 / 29 / 60

HEX #2A6548

RGB 42 101 72

HSL 150.51, 0.41%, 0.28%

LAB 38.32, -26.78, 10.75

 

CMYK 41 / 0 / 20 / 65

HEX #355A48

RGB 53 90 72

HSL 150.81, 0.26%, 0.28%

LAB 35.08, -17.87, 6.27

 

CMYK 17 / 0 / 9 / 69

HEX #414E47

RGB 65 78 71

HSL 147.69, 0.09%, 0.28%

LAB 31.87, -6.79, 2.42

 

CMYK 82 / 0 / 85 / 51

HEX #167C13

RGB 22 124 19

HSL 118.29, 0.73%, 0.28%

LAB 45.13, -47.54, 44.74

 

CMYK 85 / 0 / 65 / 51

HEX #137C2B

RGB 19 124 43

HSL 133.71, 0.73%, 0.28%

LAB 45.26, -45.73, 35.41

 

CMYK 85 / 0 / 43 / 51

HEX #137C47

RGB 19 124 71

HSL 149.71, 0.73%, 0.28%

LAB 45.65, -41.13, 21.13

 

CMYK 85 / 0 / 19 / 51

HEX #137C64

RGB 19 124 100

HSL 166.29, 0.73%, 0.28%

LAB 46.28, -34.16, 5.17

 

CMYK 85 / 2 / 0 / 51

HEX #13797C

RGB 19 121 124

HSL 181.71, 0.73%, 0.28%

LAB 46, -25.48, -9.48

 

CMYK 85 / 0 / 42 / 80

HEX #08341E

RGB 8 52 30

HSL 150, 0.73%, 0.12%

LAB 18.37, -21.02, 9.79

 

CMYK 85 / 0 / 42 / 65

HEX #0D5833

RGB 13 88 51

HSL 150.4, 0.74%, 0.2%

LAB 32.49, -31.49, 15.4

 

CMYK 85 / 0 / 42 / 51

HEX #137C48

RGB 19 124 72

HSL 150.29, 0.73%, 0.28%

LAB 45.66, -40.92, 20.59

 

CMYK 85 / 0 / 42 / 37

HEX #18A05D

RGB 24 160 93

HSL 150.44, 0.74%, 0.36%

LAB 58.16, -49.9, 25.46

 

CMYK 85 / 0 / 42 / 23

HEX #1DC471

RGB 29 196 113

HSL 150.18, 0.74%, 0.44%

LAB 70.13, -58.65, 30.61

 

CMYK 85 / 0 / 42 / 52

HEX #127B47

RGB 18 123 71

HSL 150.29, 0.74%, 0.28%

LAB 45.29, -40.85, 20.66

 

CMYK 85 / 60 / 0 / 51

HEX #13327C

RGB 19 50 124

HSL 222.29, 0.73%, 0.28%

LAB 23.25, 18.74, -45.15

 

CMYK 0 / 77 / 85 / 51

HEX #7C1D13

RGB 124 29 19

HSL 5.71, 0.73%, 0.28%

LAB 27.33, 40.03, 30.76

 

CMYK 85 / 0 / 42 / 52

HEX #127B47

RGB 18 123 71

HSL 150.29, 0.74%, 0.28%

LAB 45.29, -40.85, 20.66

 

CMYK 43 / 85 / 0 / 51

HEX #47137C

RGB 71 19 124

HSL 269.71, 0.73%, 0.28%

LAB 21.06, 44.41, -48.56

 

CMYK 0 / 43 / 85 / 51

HEX #7C4713

RGB 124 71 19

HSL 29.71, 0.73%, 0.28%

LAB 35.67, 18.58, 38.53

 

CMYK 85 / 0 / 42 / 52

HEX #127B47

RGB 18 123 71

HSL 150.29, 0.74%, 0.28%

LAB 45.29, -40.85, 20.66

 

CMYK 85 / 60 / 0 / 51

HEX #13327C

RGB 19 50 124

HSL 222.29, 0.73%, 0.28%

LAB 23.25, 18.74, -45.15

 

CMYK 0 / 85 / 43 / 51

HEX #7C1347

RGB 124 19 71

HSL 330.29, 0.73%, 0.28%

LAB 27.31, 46.82, -3.31

 

CMYK 0 / 25 / 85 / 51

HEX #7C5D13

RGB 124 93 19

HSL 42.29, 0.73%, 0.28%

LAB 41.47, 5.49, 43.7

 

CMYK 85 / 0 / 42 / 52

HEX #127B47

RGB 18 123 71

HSL 150.29, 0.74%, 0.28%

LAB 45.29, -40.85, 20.66

 

CMYK 85 / 85 / 0 / 51

HEX #13137C

RGB 19 19 124

HSL 240, 0.73%, 0.28%

LAB 15.8, 38.86, -57.43

 

CMYK 0 / 85 / 43 / 51

HEX #7C1347

RGB 124 19 71

HSL 330.29, 0.73%, 0.28%

LAB 27.31, 46.82, -3.31

 

CMYK 0 / 0 / 85 / 51

HEX #7C7C13

RGB 124 124 19

HSL 60, 0.73%, 0.28%

LAB 50.39, -12.19, 51.42

 

Description

Color code: HEX #127B47 | qconv.com Color code: HEX #127B47 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 123 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 123 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 42 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 42% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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