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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #127853 it is the complementary color #ED87AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #127853. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #127853 shade: #17784E, #288A61, #399C74, #4AAE87 and #5BC09A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #127853. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #127853 shade: #127853, #016640, #00542D, #00421A and #003007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #127853 shade: #127853, #127837, #12781C, #237812 and #3F7812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #127853 shade: #127853, #12786E, #126678, #124A78 and #122F78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #127853 shade matches the following richer shades: #127853 and #078356

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #127853 shade: #127853, #1D6D50, #28624D, #33564A and #3E4B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #127853 shade: #12781C, #127837, #127852, #12786E and #126778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #127853 shade: #073021, #0D543A, #127853, #179C6C and #1DC084

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #127853 shade: #127853, #122378 and #782A12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #127853 shade: #127853, #521278 and #785212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #127853 shade: #127853, #122378, #781237 and #786712

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #127853 shade: #127853, #1F1278, #781237 and #6A7812

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

Complementary color

CMYK 0 / 43 / 27 / 7

HEX #ED87AC

RGB 237 135 172

HSL 338.24, 0.74%, 0.73%

LAB 68.25, 43.25, -2.31

 

CMYK 81 / 0 / 35 / 53

HEX #17784E

RGB 23 120 78

HSL 154.02, 0.68%, 0.28%

LAB 44.47, -37.53, 15.56

 

CMYK 71 / 0 / 30 / 46

HEX #288A61

RGB 40 138 97

HSL 154.9, 0.55%, 0.35%

LAB 51.26, -38.23, 13.99

 

CMYK 63 / 0 / 26 / 39

HEX #399C74

RGB 57 156 116

HSL 155.76, 0.46%, 0.42%

LAB 57.95, -38.54, 12.61

 

CMYK 57 / 0 / 22 / 32

HEX #4AAE87

RGB 74 174 135

HSL 156.6, 0.4%, 0.49%

LAB 64.55, -38.64, 11.38

 

CMYK 53 / 0 / 20 / 25

HEX #5BC09A

RGB 91 192 154

HSL 157.43, 0.44%, 0.55%

LAB 71.05, -38.61, 10.27

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 99 / 0 / 37 / 60

HEX #016640

RGB 1 102 64

HSL 157.43, 0.98%, 0.2%

LAB 37.63, -35.55, 14.46

 

CMYK 100 / 0 / 46 / 67

HEX #00542D

RGB 0 84 45

HSL 152.14, 1%, 0.16%

LAB 30.71, -32.75, 16.64

 

CMYK 100 / 0 / 61 / 74

HEX #00421A

RGB 0 66 26

HSL 143.64, 1%, 0.13%

LAB 23.58, -29.51, 18.93

 

CMYK 100 / 0 / 85 / 81

HEX #003007

RGB 0 48 7

HSL 128.75, 1%, 0.09%

LAB 16.15, -25.65, 19.92

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 85 / 0 / 54 / 53

HEX #127837

RGB 18 120 55

HSL 141.76, 0.74%, 0.27%

LAB 44, -42.68, 27.84

 

CMYK 85 / 0 / 77 / 53

HEX #12781C

RGB 18 120 28

HSL 125.88, 0.74%, 0.27%

LAB 43.72, -46.09, 40.27

 

CMYK 71 / 0 / 85 / 53

HEX #237812

RGB 35 120 18

HSL 110, 0.74%, 0.27%

LAB 43.99, -43.96, 44.08

 

CMYK 48 / 0 / 85 / 53

HEX #3F7812

RGB 63 120 18

HSL 93.53, 0.74%, 0.27%

LAB 44.99, -36.04, 45.36

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 85 / 0 / 8 / 53

HEX #12786E

RGB 18 120 110

HSL 174.12, 0.74%, 0.27%

LAB 45.2, -29.5, -2.32

 

CMYK 85 / 15 / 0 / 53

HEX #126678

RGB 18 102 120

HSL 190.59, 0.74%, 0.27%

LAB 39.56, -16.84, -16.84

 

CMYK 85 / 38 / 0 / 53

HEX #124A78

RGB 18 74 120

HSL 207.06, 0.74%, 0.27%

LAB 30.36, 0.24, -31.21

 

CMYK 85 / 61 / 0 / 53

HEX #122F78

RGB 18 47 120

HSL 222.94, 0.74%, 0.27%

LAB 22.01, 19.12, -44.65

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 95 / 0 / 34 / 49

HEX #078356

RGB 7 131 86

HSL 158.23, 0.9%, 0.27%

LAB 48.2, -41.59, 16

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 73 / 0 / 27 / 57

HEX #1D6D50

RGB 29 109 80

HSL 158.25, 0.58%, 0.27%

LAB 40.86, -31.36, 9.42

 

CMYK 59 / 0 / 21 / 62

HEX #28624D

RGB 40 98 77

HSL 158.28, 0.42%, 0.27%

LAB 37.34, -24.58, 6.32

 

CMYK 41 / 0 / 14 / 66

HEX #33564A

RGB 51 86 74

HSL 159.43, 0.26%, 0.27%

LAB 33.68, -15.82, 3.01

 

CMYK 17 / 0 / 5 / 71

HEX #3E4B47

RGB 62 75 71

HSL 161.54, 0.09%, 0.27%

LAB 30.67, -6.13, 0.64

 

CMYK 85 / 0 / 77 / 53

HEX #12781C

RGB 18 120 28

HSL 125.88, 0.74%, 0.27%

LAB 43.72, -46.09, 40.27

 

CMYK 85 / 0 / 54 / 53

HEX #127837

RGB 18 120 55

HSL 141.76, 0.74%, 0.27%

LAB 44, -42.68, 27.84

 

CMYK 85 / 0 / 32 / 53

HEX #127852

RGB 18 120 82

HSL 157.65, 0.74%, 0.27%

LAB 44.48, -37.18, 13.23

 

CMYK 85 / 0 / 8 / 53

HEX #12786E

RGB 18 120 110

HSL 174.12, 0.74%, 0.27%

LAB 45.2, -29.5, -2.32

 

CMYK 85 / 14 / 0 / 53

HEX #126778

RGB 18 103 120

HSL 190, 0.74%, 0.27%

LAB 39.89, -17.4, -16.33

 

CMYK 85 / 0 / 31 / 81

HEX #073021

RGB 7 48 33

HSL 158.05, 0.75%, 0.11%

LAB 16.84, -18.43, 5.65

 

CMYK 85 / 0 / 31 / 67

HEX #0D543A

RGB 13 84 58

HSL 158.03, 0.73%, 0.19%

LAB 31.19, -28.04, 9.33

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 85 / 0 / 31 / 39

HEX #179C6C

RGB 23 156 108

HSL 158.35, 0.74%, 0.35%

LAB 57.12, -45.26, 15.82

 

CMYK 85 / 0 / 31 / 25

HEX #1DC084

RGB 29 192 132

HSL 157.91, 0.74%, 0.43%

LAB 69.2, -53.34, 19.36

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 85 / 71 / 0 / 53

HEX #122378

RGB 18 35 120

HSL 230, 0.74%, 0.27%

LAB 18.74, 27.58, -50

 

CMYK 0 / 65 / 85 / 53

HEX #782A12

RGB 120 42 18

HSL 14.12, 0.74%, 0.27%

LAB 28.62, 32.85, 32.26

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 32 / 85 / 0 / 53

HEX #521278

RGB 82 18 120

HSL 277.65, 0.74%, 0.27%

LAB 22.24, 45.61, -44.01

 

CMYK 0 / 32 / 85 / 53

HEX #785212

RGB 120 82 18

HSL 37.65, 0.74%, 0.27%

LAB 37.97, 10.08, 40.79

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 85 / 71 / 0 / 53

HEX #122378

RGB 18 35 120

HSL 230, 0.74%, 0.27%

LAB 18.74, 27.58, -50

 

CMYK 0 / 85 / 54 / 53

HEX #781237

RGB 120 18 55

HSL 338.24, 0.74%, 0.27%

LAB 25.87, 44.46, 5.34

 

CMYK 0 / 14 / 85 / 53

HEX #786712

RGB 120 103 18

HSL 50, 0.74%, 0.27%

LAB 43.85, -2.34, 45.94

 

CMYK 85 / 0 / 31 / 53

HEX #127853

RGB 18 120 83

HSL 158.24, 0.74%, 0.27%

LAB 44.5, -36.94, 12.67

 

CMYK 74 / 85 / 0 / 53

HEX #1F1278

RGB 31 18 120

HSL 247.65, 0.74%, 0.27%

LAB 15.9, 38.86, -54.66

 

CMYK 0 / 85 / 54 / 53

HEX #781237

RGB 120 18 55

HSL 338.24, 0.74%, 0.27%

LAB 25.87, 44.46, 5.34

 

CMYK 12 / 0 / 85 / 53

HEX #6A7812

RGB 106 120 18

HSL 68.24, 0.74%, 0.27%

LAB 47.68, -18.38, 48.77

 

Description

Color code: HEX #127853 | qconv.com Color code: HEX #127853 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 120 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 120 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 31 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 31% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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