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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1273E8 it is the complementary color #ED8C17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1273E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1273E8 shade: #1773E3, #2885F6, #3997FF, #4AA9FF and #5BBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1273E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1273E8 shade: #1273E8, #0161D5, #004FC2, #003DAF and #002B9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1273E8 shade: #1173E8, #1139E8, #2411E8, #5E11E8 and #9811E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1273E8 shade: #1173E8, #1139E8 and #1111E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1273E8 shade matches the following richer shades: #1173E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1273E8 shade: #1173E8, #2675D4, #3A77C0, #4E79AC and #627A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1273E8 shade: #11E8E8, #11AFE8, #1176E8, #113CE8 and #2011E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1273E8 shade: #0C4D9C, #0F60C2, #1173E8, #3389F0 and #5A9FF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1273E8 shade: #1273E8, #AF11E8 and #CCE811

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1273E8 shade: #1273E8, #E81176 and #76E811

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1273E8 shade: #1273E8, #AF11E8, #E88411 and #4BE811

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1273E8 shade: #1273E8, #E811E1, #E88411 and #11E819

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 50 / 0 / 9

HEX #1273E8

RGB 18 115 232

HSL 212.8, 0.86%, 0.49%

LAB 49.76, 18.57, -66.16

 

Complementary color

CMYK 0 / 41 / 90 / 7

HEX #ED8C17

RGB 237 140 23

HSL 32.8, 0.86%, 0.51%

LAB 67.14, 29.75, 69.09

 

CMYK 90 / 49 / 0 / 11

HEX #1773E3

RGB 23 115 227

HSL 212.94, 0.82%, 0.49%

LAB 49.48, 16.86, -63.78

 

CMYK 84 / 46 / 0 / 4

HEX #2885F6

RGB 40 133 246

HSL 212.91, 0.92%, 0.56%

LAB 55.97, 13.94, -63.92

 

CMYK 78 / 41 / 0 / 0

HEX #3997FF

RGB 57 151 255

HSL 211.52, 1%, 0.61%

LAB 61.85, 7.9, -59.42

 

CMYK 71 / 34 / 0 / 0

HEX #4AA9FF

RGB 74 169 255

HSL 208.51, 1%, 0.65%

LAB 67.32, -0.53, -50.7

 

CMYK 64 / 27 / 0 / 0

HEX #5BBBFF

RGB 91 187 255

HSL 204.88, 1%, 0.68%

LAB 72.88, -8, -41.92

 

CMYK 92 / 50 / 0 / 9

HEX #1273E8

RGB 18 115 232

HSL 212.8, 0.86%, 0.49%

LAB 49.76, 18.57, -66.16

 

CMYK 100 / 54 / 0 / 16

HEX #0161D5

RGB 1 97 213

HSL 212.83, 0.99%, 0.42%

LAB 43.3, 22.17, -65.87

 

CMYK 100 / 59 / 0 / 24

HEX #004FC2

RGB 0 79 194

HSL 215.57, 1%, 0.38%

LAB 36.91, 26.46, -65.32

 

CMYK 100 / 65 / 0 / 31

HEX #003DAF

RGB 0 61 175

HSL 219.09, 1%, 0.34%

LAB 30.48, 30.94, -64.64

 

CMYK 100 / 72 / 0 / 39

HEX #002B9C

RGB 0 43 156

HSL 223.46, 1%, 0.31%

LAB 24.09, 35.42, -63.69

 

CMYK 93 / 50 / 0 / 9

HEX #1173E8

RGB 17 115 232

HSL 212.65, 0.86%, 0.49%

LAB 49.75, 18.53, -66.17

 

CMYK 93 / 75 / 0 / 9

HEX #1139E8

RGB 17 57 232

HSL 228.84, 0.86%, 0.49%

LAB 35.74, 54.56, -89.14

 

CMYK 84 / 93 / 0 / 9

HEX #2411E8

RGB 36 17 232

HSL 245.3, 0.86%, 0.49%

LAB 30.88, 71.05, -97.2

 

CMYK 59 / 93 / 0 / 9

HEX #5E11E8

RGB 94 17 232

HSL 261.49, 0.86%, 0.49%

LAB 35.22, 73.54, -89.87

 

CMYK 34 / 93 / 0 / 9

HEX #9811E8

RGB 152 17 232

HSL 277.67, 0.86%, 0.49%

LAB 42.62, 78.9, -77.41

 

CMYK 93 / 50 / 0 / 9

HEX #1173E8

RGB 17 115 232

HSL 212.65, 0.86%, 0.49%

LAB 49.75, 18.53, -66.17

 

CMYK 93 / 75 / 0 / 9

HEX #1139E8

RGB 17 57 232

HSL 228.84, 0.86%, 0.49%

LAB 35.74, 54.56, -89.14

 

CMYK 93 / 93 / 0 / 9

HEX #1111E8

RGB 17 17 232

HSL 240, 0.86%, 0.49%

LAB 30.27, 70.75, -98.24

 

CMYK 93 / 50 / 0 / 9

HEX #1173E8

RGB 17 115 232

HSL 212.65, 0.86%, 0.49%

LAB 49.75, 18.53, -66.17

 

CMYK 93 / 50 / 0 / 9

HEX #1173E8

RGB 17 115 232

HSL 212.65, 0.86%, 0.49%

LAB 49.75, 18.53, -66.17

 

CMYK 82 / 45 / 0 / 17

HEX #2675D4

RGB 38 117 212

HSL 212.76, 0.7%, 0.49%

LAB 49.36, 10.86, -55.48

 

CMYK 70 / 38 / 0 / 25

HEX #3A77C0

RGB 58 119 192

HSL 212.69, 0.54%, 0.49%

LAB 49.37, 4.58, -44

 

CMYK 55 / 30 / 0 / 33

HEX #4E79AC

RGB 78 121 172

HSL 212.55, 0.38%, 0.49%

LAB 49.83, 0.31, -31.68

 

CMYK 36 / 20 / 0 / 40

HEX #627A98

RGB 98 122 152

HSL 213.33, 0.22%, 0.49%

LAB 50.43, -1.01, -18.99

 

CMYK 93 / 0 / 0 / 9

HEX #11E8E8

RGB 17 232 232

HSL 180, 0.86%, 0.49%

LAB 83.79, -44.35, -13.06

 

CMYK 93 / 25 / 0 / 9

HEX #11AFE8

RGB 17 175 232

HSL 195.91, 0.86%, 0.49%

LAB 66.98, -16.76, -38.76

 

CMYK 93 / 49 / 0 / 9

HEX #1176E8

RGB 17 118 232

HSL 211.81, 0.86%, 0.49%

LAB 50.57, 16.63, -64.84

 

CMYK 93 / 74 / 0 / 9

HEX #113CE8

RGB 17 60 232

HSL 228, 0.86%, 0.49%

LAB 36.32, 52.9, -88.17

 

CMYK 86 / 93 / 0 / 9

HEX #2011E8

RGB 32 17 232

HSL 244.19, 0.86%, 0.49%

LAB 30.72, 70.97, -97.47

 

CMYK 92 / 51 / 0 / 39

HEX #0C4D9C

RGB 12 77 156

HSL 212.92, 0.86%, 0.33%

LAB 33.53, 12.74, -48.25

 

CMYK 92 / 51 / 0 / 24

HEX #0F60C2

RGB 15 96 194

HSL 212.85, 0.86%, 0.41%

LAB 41.79, 15.72, -57.38

 

CMYK 93 / 50 / 0 / 9

HEX #1173E8

RGB 17 115 232

HSL 212.65, 0.86%, 0.49%

LAB 49.75, 18.53, -66.17

 

CMYK 79 / 43 / 0 / 6

HEX #3389F0

RGB 51 137 240

HSL 212.7, 0.86%, 0.57%

LAB 56.96, 10.24, -58.98

 

CMYK 63 / 35 / 0 / 5

HEX #5A9FF3

RGB 90 159 243

HSL 212.94, 0.86%, 0.65%

LAB 64.52, 3.63, -48.54

 

CMYK 92 / 50 / 0 / 9

HEX #1273E8

RGB 18 115 232

HSL 212.8, 0.86%, 0.49%

LAB 49.76, 18.57, -66.16

 

CMYK 25 / 93 / 0 / 9

HEX #AF11E8

RGB 175 17 232

HSL 284.09, 0.86%, 0.49%

LAB 46.1, 81.78, -71.58

 

CMYK 12 / 0 / 93 / 9

HEX #CCE811

RGB 204 232 17

HSL 67.81, 0.86%, 0.49%

LAB 87.29, -31.44, 84.04

 

CMYK 92 / 50 / 0 / 9

HEX #1273E8

RGB 18 115 232

HSL 212.8, 0.86%, 0.49%

LAB 49.76, 18.57, -66.16

 

CMYK 0 / 93 / 49 / 9

HEX #E81176

RGB 232 17 118

HSL 331.81, 0.86%, 0.49%

LAB 50.53, 77.49, 3.25

 

CMYK 49 / 0 / 93 / 9

HEX #76E811

RGB 118 232 17

HSL 91.81, 0.86%, 0.49%

LAB 82.7, -62.25, 78.46

 

CMYK 92 / 50 / 0 / 9

HEX #1273E8

RGB 18 115 232

HSL 212.8, 0.86%, 0.49%

LAB 49.76, 18.57, -66.16

 

CMYK 25 / 93 / 0 / 9

HEX #AF11E8

RGB 175 17 232

HSL 284.09, 0.86%, 0.49%

LAB 46.1, 81.78, -71.58

 

CMYK 0 / 43 / 93 / 9

HEX #E88411

RGB 232 132 17

HSL 32.09, 0.86%, 0.49%

LAB 64.72, 31.78, 68.33

 

CMYK 68 / 0 / 93 / 9

HEX #4BE811

RGB 75 232 17

HSL 103.81, 0.86%, 0.49%

LAB 81.43, -72.63, 76.89

 

CMYK 92 / 50 / 0 / 9

HEX #1273E8

RGB 18 115 232

HSL 212.8, 0.86%, 0.49%

LAB 49.76, 18.57, -66.16

 

CMYK 0 / 93 / 3 / 9

HEX #E811E1

RGB 232 17 225

HSL 301.95, 0.86%, 0.49%

LAB 55.07, 89.27, -52.67

 

CMYK 0 / 43 / 93 / 9

HEX #E88411

RGB 232 132 17

HSL 32.09, 0.86%, 0.49%

LAB 64.72, 31.78, 68.33

 

CMYK 93 / 0 / 89 / 9

HEX #11E819

RGB 17 232 25

HSL 122.23, 0.86%, 0.49%

LAB 80.68, -79.12, 74.83

 

Description

Color code: HEX #1273E8 | qconv.com Color code: HEX #1273E8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 115 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 115 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 50 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 50% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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