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Color name
HEX #126A35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #126A35 it is the complementary color #ED95CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #126A35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #126A35 shade: #176A30, #287C43, #398E56, #4AA069 and #5BB27C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #126A35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #126A35 shade: #126A35, #015822, #00460F, #003400 and #002200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #126A35 shade: #126934, #12691D, #1E6912, #356912 and #4D6912

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #126A35 shade: #126934, #12694C, #126963, #125769 and #123F69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #126A35 shade matches the following richer shades: #126934 and #087332

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #126A35 shade: #126934, #1C5F36, #265538, #2F4B3A and #39413C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #126A35 shade: #1F6912, #12691C, #126933, #12694A and #126961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #126A35 shade: #062211, #0C4523, #126934, #188C46 and #1EAF58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #126A35 shade: #126A35, #123669 and #691213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #126A35 shade: #126A35, #331269 and #693312

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #126A35 shade: #126A35, #123669, #691247 and #694412

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #126A35 shade: #126A35, #121C69, #691247 and #695F12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 50 / 58

HEX #126A35

RGB 18 106 53

HSL 143.86, 0.71%, 0.24%

LAB 39.06, -37.73, 22.77

 

Complementary color

CMYK 0 / 37 / 15 / 7

HEX #ED95CA

RGB 237 149 202

HSL 323.86, 0.71%, 0.76%

LAB 72.07, 40.38, -13.35

 

CMYK 78 / 0 / 55 / 58

HEX #176A30

RGB 23 106 48

HSL 138.07, 0.64%, 0.25%

LAB 39.08, -37.86, 25.59

 

CMYK 68 / 0 / 46 / 51

HEX #287C43

RGB 40 124 67

HSL 139.29, 0.51%, 0.32%

LAB 46, -38.56, 23.92

 

CMYK 60 / 0 / 39 / 44

HEX #398E56

RGB 57 142 86

HSL 140.47, 0.43%, 0.39%

LAB 52.83, -38.79, 22.38

 

CMYK 54 / 0 / 34 / 37

HEX #4AA069

RGB 74 160 105

HSL 141.63, 0.37%, 0.46%

LAB 59.54, -38.77, 20.99

 

CMYK 49 / 0 / 30 / 30

HEX #5BB27C

RGB 91 178 124

HSL 142.76, 0.36%, 0.53%

LAB 66.15, -38.63, 19.72

 

CMYK 83 / 0 / 50 / 58

HEX #126A35

RGB 18 106 53

HSL 143.86, 0.71%, 0.24%

LAB 39.06, -37.73, 22.77

 

CMYK 99 / 0 / 61 / 65

HEX #015822

RGB 1 88 34

HSL 142.76, 0.98%, 0.17%

LAB 32.04, -36.22, 24.61

 

CMYK 100 / 0 / 79 / 73

HEX #00460F

RGB 0 70 15

HSL 132.86, 1%, 0.14%

LAB 25, -32.59, 26.38

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 83 / 0 / 50 / 59

HEX #126934

RGB 18 105 52

HSL 143.45, 0.71%, 0.24%

LAB 38.69, -37.53, 22.87

 

CMYK 83 / 0 / 72 / 59

HEX #12691D

RGB 18 105 29

HSL 127.59, 0.71%, 0.24%

LAB 38.41, -40.87, 34.34

 

CMYK 71 / 0 / 83 / 59

HEX #1E6912

RGB 30 105 18

HSL 111.72, 0.71%, 0.24%

LAB 38.59, -39.64, 38.97

 

CMYK 50 / 0 / 83 / 59

HEX #356912

RGB 53 105 18

HSL 95.86, 0.71%, 0.24%

LAB 39.42, -33.06, 40.04

 

CMYK 27 / 0 / 83 / 59

HEX #4D6912

RGB 77 105 18

HSL 79.31, 0.71%, 0.24%

LAB 40.78, -23.59, 41.8

 

CMYK 83 / 0 / 50 / 59

HEX #126934

RGB 18 105 52

HSL 143.45, 0.71%, 0.24%

LAB 38.69, -37.53, 22.87

 

CMYK 83 / 0 / 28 / 59

HEX #12694C

RGB 18 105 76

HSL 160, 0.71%, 0.24%

LAB 39.16, -32.2, 9.41

 

CMYK 83 / 0 / 6 / 59

HEX #126963

RGB 18 105 99

HSL 175.86, 0.71%, 0.24%

LAB 39.8, -25.57, -3.65

 

CMYK 83 / 17 / 0 / 59

HEX #125769

RGB 18 87 105

HSL 192.41, 0.71%, 0.24%

LAB 33.91, -13.77, -16.26

 

CMYK 83 / 40 / 0 / 59

HEX #123F69

RGB 18 63 105

HSL 208.97, 0.71%, 0.24%

LAB 25.87, 1.42, -28.83

 

CMYK 83 / 0 / 50 / 59

HEX #126934

RGB 18 105 52

HSL 143.45, 0.71%, 0.24%

LAB 38.69, -37.53, 22.87

 

CMYK 93 / 0 / 57 / 55

HEX #087332

RGB 8 115 50

HSL 143.55, 0.87%, 0.24%

LAB 42.07, -42.65, 28.12

 

CMYK 83 / 0 / 50 / 59

HEX #126934

RGB 18 105 52

HSL 143.45, 0.71%, 0.24%

LAB 38.69, -37.53, 22.87

 

CMYK 71 / 0 / 43 / 63

HEX #1C5F36

RGB 28 95 54

HSL 143.28, 0.54%, 0.24%

LAB 35.4, -31.27, 17.51

 

CMYK 55 / 0 / 34 / 67

HEX #265538

RGB 38 85 56

HSL 142.98, 0.38%, 0.24%

LAB 32.25, -23.63, 12.14

 

CMYK 37 / 0 / 23 / 71

HEX #2F4B3A

RGB 47 75 58

HSL 143.57, 0.23%, 0.24%

LAB 29.27, -14.87, 6.83

 

CMYK 12 / 0 / 8 / 75

HEX #39413C

RGB 57 65 60

HSL 142.5, 0.07%, 0.24%

LAB 26.67, -4.47, 1.93

 

CMYK 70 / 0 / 83 / 59

HEX #1F6912

RGB 31 105 18

HSL 111.03, 0.71%, 0.24%

LAB 38.62, -39.41, 39

 

CMYK 83 / 0 / 73 / 59

HEX #12691C

RGB 18 105 28

HSL 126.9, 0.71%, 0.24%

LAB 38.4, -40.98, 34.77

 

CMYK 83 / 0 / 51 / 59

HEX #126933

RGB 18 105 51

HSL 142.76, 0.71%, 0.24%

LAB 38.67, -37.71, 23.41

 

CMYK 83 / 0 / 30 / 59

HEX #12694A

RGB 18 105 74

HSL 158.62, 0.71%, 0.24%

LAB 39.12, -32.71, 10.55

 

CMYK 83 / 0 / 8 / 59

HEX #126961

RGB 18 105 97

HSL 174.48, 0.71%, 0.24%

LAB 39.74, -26.19, -2.52

 

CMYK 82 / 0 / 50 / 87

HEX #062211

RGB 6 34 17

HSL 143.57, 0.7%, 0.08%

LAB 10.73, -15.59, 8.1

 

CMYK 83 / 0 / 49 / 73

HEX #0C4523

RGB 12 69 35

HSL 144.21, 0.7%, 0.16%

LAB 25.12, -26.93, 15.51

 

CMYK 83 / 0 / 50 / 59

HEX #126934

RGB 18 105 52

HSL 143.45, 0.71%, 0.24%

LAB 38.69, -37.53, 22.87

 

CMYK 83 / 0 / 50 / 45

HEX #188C46

RGB 24 140 70

HSL 143.79, 0.71%, 0.32%

LAB 51.14, -46.78, 28.76

 

CMYK 83 / 0 / 50 / 31

HEX #1EAF58

RGB 30 175 88

HSL 144, 0.71%, 0.4%

LAB 63.04, -55.58, 34.36

 

CMYK 83 / 0 / 50 / 58

HEX #126A35

RGB 18 106 53

HSL 143.86, 0.71%, 0.24%

LAB 39.06, -37.73, 22.77

 

CMYK 83 / 49 / 0 / 59

HEX #123669

RGB 18 54 105

HSL 215.17, 0.71%, 0.24%

LAB 22.95, 7.71, -33.49

 

CMYK 0 / 83 / 82 / 59

HEX #691213

RGB 105 18 19

HSL 359.31, 0.71%, 0.24%

LAB 21.88, 37.55, 23.94

 

CMYK 83 / 0 / 50 / 58

HEX #126A35

RGB 18 106 53

HSL 143.86, 0.71%, 0.24%

LAB 39.06, -37.73, 22.77

 

CMYK 51 / 83 / 0 / 59

HEX #331269

RGB 51 18 105

HSL 262.76, 0.71%, 0.24%

LAB 16.29, 36.63, -44.22

 

CMYK 0 / 51 / 83 / 59

HEX #693312

RGB 105 51 18

HSL 22.76, 0.71%, 0.24%

LAB 27.88, 21.6, 30.64

 

CMYK 83 / 0 / 50 / 58

HEX #126A35

RGB 18 106 53

HSL 143.86, 0.71%, 0.24%

LAB 39.06, -37.73, 22.77

 

CMYK 83 / 49 / 0 / 59

HEX #123669

RGB 18 54 105

HSL 215.17, 0.71%, 0.24%

LAB 22.95, 7.71, -33.49

 

CMYK 0 / 83 / 32 / 59

HEX #691247

RGB 105 18 71

HSL 323.45, 0.71%, 0.24%

LAB 23.31, 41.93, -9.72

 

CMYK 0 / 35 / 83 / 59

HEX #694412

RGB 105 68 18

HSL 34.48, 0.71%, 0.24%

LAB 32.22, 11.31, 34.8

 

CMYK 83 / 0 / 50 / 58

HEX #126A35

RGB 18 106 53

HSL 143.86, 0.71%, 0.24%

LAB 39.06, -37.73, 22.77

 

CMYK 83 / 73 / 0 / 59

HEX #121C69

RGB 18 28 105

HSL 233.1, 0.71%, 0.24%

LAB 15.38, 26.45, -45.82

 

CMYK 0 / 83 / 32 / 59

HEX #691247

RGB 105 18 71

HSL 323.45, 0.71%, 0.24%

LAB 23.31, 41.93, -9.72

 

CMYK 0 / 10 / 83 / 59

HEX #695F12

RGB 105 95 18

HSL 53.1, 0.71%, 0.24%

LAB 39.97, -4.98, 41.93

 

Description

Color code: HEX #126A35 | qconv.com Color code: HEX #126A35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 106 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 106 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 50 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 50% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

41% - Oceanico Golf | Alga...
Link: http://www.oceanicogolf.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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