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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #125713 it is the complementary color #EDA8EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #125713. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #125713 shade: #17570E, #286921, #397B34, #4A8D47 and #5B9F5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #125713. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #125713 shade: #125713, #014500, #003300, #002100 and #000F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #125713 shade: #125913, #245912, #375912, #4A5912 and #595412

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #125713 shade: #125913, #125926, #125939, #12594C and #125259

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #125713 shade matches the following richer shades: #125913, #0A620B and #016A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #125713 shade: #125913, #1B501C, #244824, #2C3F2C and #353635

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #125713 shade: #385912, #255912, #125912, #125925 and #125938

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #125713 shade: #041404, #0B370C, #125913, #197B1B and #209D22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #125713 shade: #125713, #124B59 and #59122E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #125713 shade: #125713, #121259 and #591212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #125713 shade: #125713, #124B59, #591259 and #592012

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #125713 shade: #125713, #123659, #591259 and #593612

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 78 / 66

HEX #125713

RGB 18 87 19

HSL 120.87, 0.66%, 0.21%

LAB 31.79, -35.39, 31.76

 

Complementary color

CMYK 0 / 29 / 0 / 7

HEX #EDA8EC

RGB 237 168 236

HSL 300.87, 0.66%, 0.79%

LAB 77.32, 36.16, -24

 

CMYK 74 / 0 / 84 / 66

HEX #17570E

RGB 23 87 14

HSL 112.6, 0.72%, 0.2%

LAB 31.88, -34.78, 33.87

 

CMYK 62 / 0 / 69 / 59

HEX #286921

RGB 40 105 33

HSL 114.17, 0.52%, 0.27%

LAB 39.01, -35.82, 33.31

 

CMYK 54 / 0 / 58 / 52

HEX #397B34

RGB 57 123 52

HSL 115.77, 0.41%, 0.34%

LAB 46.02, -36.19, 32.1

 

CMYK 48 / 0 / 50 / 45

HEX #4A8D47

RGB 74 141 71

HSL 117.43, 0.33%, 0.42%

LAB 52.91, -36.22, 30.74

 

CMYK 43 / 0 / 43 / 38

HEX #5B9F5A

RGB 91 159 90

HSL 119.13, 0.28%, 0.49%

LAB 59.67, -36.1, 29.39

 

CMYK 79 / 0 / 78 / 66

HEX #125713

RGB 18 87 19

HSL 120.87, 0.66%, 0.21%

LAB 31.79, -35.39, 31.76

 

CMYK 99 / 0 / 100 / 73

HEX #014500

RGB 1 69 0

HSL 119.13, 1%, 0.14%

LAB 24.52, -33.46, 32.12

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 80 / 0 / 79 / 65

HEX #125913

RGB 18 89 19

HSL 120.85, 0.66%, 0.21%

LAB 32.53, -36.13, 32.51

 

CMYK 60 / 0 / 80 / 65

HEX #245912

RGB 36 89 18

HSL 104.79, 0.66%, 0.21%

LAB 33.06, -31.8, 33.63

 

CMYK 38 / 0 / 80 / 65

HEX #375912

RGB 55 89 18

HSL 88.73, 0.66%, 0.21%

LAB 33.98, -24.94, 34.86

 

CMYK 17 / 0 / 80 / 65

HEX #4A5912

RGB 74 89 18

HSL 72.68, 0.66%, 0.21%

LAB 35.29, -16.55, 36.58

 

CMYK 0 / 6 / 80 / 65

HEX #595412

RGB 89 84 18

HSL 55.77, 0.66%, 0.21%

LAB 35.02, -6.42, 36.79

 

CMYK 80 / 0 / 79 / 65

HEX #125913

RGB 18 89 19

HSL 120.85, 0.66%, 0.21%

LAB 32.53, -36.13, 32.51

 

CMYK 80 / 0 / 57 / 65

HEX #125926

RGB 18 89 38

HSL 136.9, 0.66%, 0.21%

LAB 32.73, -33.67, 23.31

 

CMYK 80 / 0 / 36 / 65

HEX #125939

RGB 18 89 57

HSL 152.96, 0.66%, 0.21%

LAB 33.07, -29.81, 12.55

 

CMYK 80 / 0 / 15 / 65

HEX #12594C

RGB 18 89 76

HSL 169.01, 0.66%, 0.21%

LAB 33.55, -24.68, 1.42

 

CMYK 80 / 8 / 0 / 65

HEX #125259

RGB 18 82 89

HSL 185.92, 0.66%, 0.21%

LAB 31.54, -16.71, -9.78

 

CMYK 80 / 0 / 79 / 65

HEX #125913

RGB 18 89 19

HSL 120.85, 0.66%, 0.21%

LAB 32.53, -36.13, 32.51

 

CMYK 90 / 0 / 89 / 62

HEX #0A620B

RGB 10 98 11

HSL 120.68, 0.81%, 0.21%

LAB 35.64, -41.01, 38.28

 

CMYK 99 / 0 / 98 / 58

HEX #016A02

RGB 1 106 2

HSL 120.57, 0.98%, 0.21%

LAB 38.41, -44.98, 43.08

 

CMYK 80 / 0 / 79 / 65

HEX #125913

RGB 18 89 19

HSL 120.85, 0.66%, 0.21%

LAB 32.53, -36.13, 32.51

 

CMYK 66 / 0 / 65 / 69

HEX #1B501C

RGB 27 80 28

HSL 121.13, 0.5%, 0.21%

LAB 29.55, -29.51, 25.06

 

CMYK 50 / 0 / 50 / 72

HEX #244824

RGB 36 72 36

HSL 120, 0.33%, 0.21%

LAB 27.12, -21.72, 17.63

 

CMYK 30 / 0 / 30 / 75

HEX #2C3F2C

RGB 44 63 44

HSL 120, 0.18%, 0.21%

LAB 24.55, -12.16, 9.28

 

CMYK 2 / 0 / 2 / 79

HEX #353635

RGB 53 54 53

HSL 120, 0.01%, 0.21%

LAB 22.49, -0.66, 0.47

 

CMYK 37 / 0 / 80 / 65

HEX #385912

RGB 56 89 18

HSL 87.89, 0.66%, 0.21%

LAB 34.04, -24.53, 34.94

 

CMYK 58 / 0 / 80 / 65

HEX #255912

RGB 37 89 18

HSL 103.94, 0.66%, 0.21%

LAB 33.1, -31.49, 33.69

 

CMYK 80 / 0 / 80 / 65

HEX #125912

RGB 18 89 18

HSL 120, 0.66%, 0.21%

LAB 32.52, -36.22, 32.92

 

CMYK 80 / 0 / 58 / 65

HEX #125925

RGB 18 89 37

HSL 136.06, 0.66%, 0.21%

LAB 32.72, -33.84, 23.85

 

CMYK 80 / 0 / 37 / 65

HEX #125938

RGB 18 89 56

HSL 152.11, 0.66%, 0.21%

LAB 33.05, -30.05, 13.13

 

CMYK 80 / 0 / 80 / 92

HEX #041404

RGB 4 20 4

HSL 120, 0.67%, 0.05%

LAB 4.83, -7.63, 5.45

 

CMYK 80 / 0 / 78 / 78

HEX #0B370C

RGB 11 55 12

HSL 121.36, 0.67%, 0.13%

LAB 19.35, -25.02, 21.76

 

CMYK 80 / 0 / 79 / 65

HEX #125913

RGB 18 89 19

HSL 120.85, 0.66%, 0.21%

LAB 32.53, -36.13, 32.51

 

CMYK 80 / 0 / 78 / 52

HEX #197B1B

RGB 25 123 27

HSL 121.22, 0.66%, 0.29%

LAB 44.87, -46.21, 41.84

 

CMYK 80 / 0 / 78 / 38

HEX #209D22

RGB 32 157 34

HSL 120.96, 0.66%, 0.37%

LAB 56.62, -55.79, 50.98

 

CMYK 79 / 0 / 78 / 66

HEX #125713

RGB 18 87 19

HSL 120.87, 0.66%, 0.21%

LAB 31.79, -35.39, 31.76

 

CMYK 80 / 16 / 0 / 65

HEX #124B59

RGB 18 75 89

HSL 191.83, 0.66%, 0.21%

LAB 29.11, -12.65, -13.48

 

CMYK 0 / 80 / 48 / 65

HEX #59122E

RGB 89 18 46

HSL 336.34, 0.66%, 0.21%

LAB 19.03, 34.2, 0.93

 

CMYK 79 / 0 / 78 / 66

HEX #125713

RGB 18 87 19

HSL 120.87, 0.66%, 0.21%

LAB 31.79, -35.39, 31.76

 

CMYK 80 / 80 / 0 / 65

HEX #121259

RGB 18 18 89

HSL 240, 0.66%, 0.21%

LAB 11.15, 26.93, -42.14

 

CMYK 0 / 80 / 80 / 65

HEX #591212

RGB 89 18 18

HSL 0, 0.66%, 0.21%

LAB 18.37, 32.02, 19.65

 

CMYK 79 / 0 / 78 / 66

HEX #125713

RGB 18 87 19

HSL 120.87, 0.66%, 0.21%

LAB 31.79, -35.39, 31.76

 

CMYK 80 / 16 / 0 / 65

HEX #124B59

RGB 18 75 89

HSL 191.83, 0.66%, 0.21%

LAB 29.11, -12.65, -13.48

 

CMYK 0 / 80 / 0 / 65

HEX #591259

RGB 89 18 89

HSL 300, 0.66%, 0.21%

LAB 21.12, 40.6, -25.5

 

CMYK 0 / 64 / 80 / 65

HEX #592012

RGB 89 32 18

HSL 11.83, 0.66%, 0.21%

LAB 20.83, 25.36, 22.47

 

CMYK 79 / 0 / 78 / 66

HEX #125713

RGB 18 87 19

HSL 120.87, 0.66%, 0.21%

LAB 31.79, -35.39, 31.76

 

CMYK 80 / 39 / 0 / 65

HEX #123659

RGB 18 54 89

HSL 209.58, 0.66%, 0.21%

LAB 21.9, 0.92, -24.73

 

CMYK 0 / 80 / 0 / 65

HEX #591259

RGB 89 18 89

HSL 300, 0.66%, 0.21%

LAB 21.12, 40.6, -25.5

 

CMYK 0 / 39 / 80 / 65

HEX #593612

RGB 89 54 18

HSL 30.42, 0.66%, 0.21%

LAB 26.17, 12.17, 28.11

 

Description

Color code: HEX #125713 | qconv.com Color code: HEX #125713 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 87 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 87 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 78 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 78% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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