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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #124F38 it is the complementary color #EDB0C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #124F38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #124F38 shade: #174F33, #286146, #397359, #4A856C and #5B977F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #124F38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #124F38 shade: #124F38, #013D25, #002B12, #001900 and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #124F38 shade: #124F38, #124F27, #124F17, #1D4F12 and #2E4F12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #124F38 shade: #124F38, #124F48, #12454F, #12354F and #12244F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #124F38 shade matches the following richer shades: #124F38, #0A573A and #025F3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #124F38 shade: #124F38, #1A4736, #223F34, #293732 and #313030

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #124F38 shade: #124F17, #124F27, #124F38, #124F48 and #12464F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #124F38 shade: #030C08, #0A2D20, #124F38, #1A7150 and #219268

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #124F38 shade: #124F38, #121D4F and #4F1F12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #124F38 shade: #124F38, #38124F and #4F3812

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #124F38 shade: #124F38, #121D4F, #4F1229 and #4F4412

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #124F38 shade: #124F38, #19124F, #4F1229 and #484F12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

Complementary color

CMYK 0 / 26 / 16 / 7

HEX #EDB0C7

RGB 237 176 199

HSL 337.38, 0.63%, 0.81%

LAB 77.98, 25.63, -2.92

 

CMYK 71 / 0 / 35 / 69

HEX #174F33

RGB 23 79 51

HSL 150, 0.55%, 0.2%

LAB 29.45, -25.72, 11.35

 

CMYK 59 / 0 / 28 / 62

HEX #286146

RGB 40 97 70

HSL 151.58, 0.42%, 0.27%

LAB 36.82, -25.82, 9.87

 

CMYK 50 / 0 / 23 / 55

HEX #397359

RGB 57 115 89

HSL 153.1, 0.34%, 0.34%

LAB 44.02, -25.69, 8.62

 

CMYK 44 / 0 / 19 / 48

HEX #4A856C

RGB 74 133 108

HSL 154.58, 0.29%, 0.41%

LAB 51.05, -25.47, 7.53

 

CMYK 40 / 0 / 16 / 41

HEX #5B977F

RGB 91 151 127

HSL 156, 0.25%, 0.47%

LAB 57.93, -25.24, 6.55

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 98 / 0 / 39 / 76

HEX #013D25

RGB 1 61 37

HSL 156, 0.97%, 0.12%

LAB 21.86, -24.82, 9.87

 

CMYK 100 / 0 / 58 / 83

HEX #002B12

RGB 0 43 18

HSL 145.12, 1%, 0.08%

LAB 14.24, -21.77, 12.21

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 77 / 0 / 51 / 69

HEX #124F27

RGB 18 79 39

HSL 140.66, 0.63%, 0.19%

LAB 29.07, -29.35, 18.18

 

CMYK 77 / 0 / 71 / 69

HEX #124F17

RGB 18 79 23

HSL 124.92, 0.63%, 0.19%

LAB 28.86, -31.9, 26.79

 

CMYK 63 / 0 / 77 / 69

HEX #1D4F12

RGB 29 79 18

HSL 109.18, 0.63%, 0.19%

LAB 29.15, -29.68, 29.58

 

CMYK 42 / 0 / 77 / 69

HEX #2E4F12

RGB 46 79 18

HSL 92.46, 0.63%, 0.19%

LAB 29.95, -23.69, 30.66

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 77 / 0 / 9 / 69

HEX #124F48

RGB 18 79 72

HSL 173.11, 0.63%, 0.19%

LAB 29.88, -20.79, -1.4

 

CMYK 77 / 13 / 0 / 69

HEX #12454F

RGB 18 69 79

HSL 189.84, 0.63%, 0.19%

LAB 26.59, -12.78, -10.87

 

CMYK 77 / 33 / 0 / 69

HEX #12354F

RGB 18 53 79

HSL 205.57, 0.63%, 0.19%

LAB 20.98, -2.54, -19.55

 

CMYK 77 / 54 / 0 / 69

HEX #12244F

RGB 18 36 79

HSL 222.3, 0.63%, 0.19%

LAB 15.25, 9.75, -28.66

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 89 / 0 / 33 / 66

HEX #0A573A

RGB 10 87 58

HSL 157.4, 0.79%, 0.19%

LAB 32.23, -29.76, 10.76

 

CMYK 98 / 0 / 37 / 63

HEX #025F3C

RGB 2 95 60

HSL 157.42, 0.96%, 0.19%

LAB 35.05, -33.54, 13.38

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 63 / 0 / 24 / 72

HEX #1A4736

RGB 26 71 54

HSL 157.33, 0.46%, 0.19%

LAB 26.71, -20.25, 5.65

 

CMYK 46 / 0 / 17 / 75

HEX #223F34

RGB 34 63 52

HSL 157.24, 0.3%, 0.19%

LAB 24.14, -14, 3.35

 

CMYK 25 / 0 / 9 / 78

HEX #293732

RGB 41 55 50

HSL 158.57, 0.15%, 0.19%

LAB 21.7, -7.07, 1.24

 

CMYK 0 / 2 / 2 / 81

HEX #313030

RGB 49 48 48

HSL 0, 0.01%, 0.19%

LAB 19.96, 0.44, 0.15

 

CMYK 77 / 0 / 71 / 69

HEX #124F17

RGB 18 79 23

HSL 124.92, 0.63%, 0.19%

LAB 28.86, -31.9, 26.79

 

CMYK 77 / 0 / 51 / 69

HEX #124F27

RGB 18 79 39

HSL 140.66, 0.63%, 0.19%

LAB 29.07, -29.35, 18.18

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 77 / 0 / 9 / 69

HEX #124F48

RGB 18 79 72

HSL 173.11, 0.63%, 0.19%

LAB 29.88, -20.79, -1.4

 

CMYK 77 / 11 / 0 / 69

HEX #12464F

RGB 18 70 79

HSL 188.85, 0.63%, 0.19%

LAB 26.94, -13.37, -10.33

 

CMYK 75 / 0 / 33 / 95

HEX #030C08

RGB 3 12 8

HSL 153.33, 0.6%, 0.03%

LAB 2.71, -2.95, 0.72

 

CMYK 78 / 0 / 29 / 82

HEX #0A2D20

RGB 10 45 32

HSL 157.71, 0.64%, 0.11%

LAB 15.72, -16.43, 4.79

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 77 / 0 / 29 / 56

HEX #1A7150

RGB 26 113 80

HSL 157.24, 0.63%, 0.27%

LAB 42.17, -33.64, 11.23

 

CMYK 77 / 0 / 29 / 43

HEX #219268

RGB 33 146 104

HSL 157.7, 0.63%, 0.35%

LAB 53.9, -41.03, 13.65

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 77 / 63 / 0 / 69

HEX #121D4F

RGB 18 29 79

HSL 229.18, 0.63%, 0.19%

LAB 13.06, 15.06, -32.21

 

CMYK 0 / 61 / 77 / 69

HEX #4F1F12

RGB 79 31 18

HSL 12.79, 0.63%, 0.19%

LAB 18.74, 21.58, 19.59

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 29 / 77 / 0 / 69

HEX #38124F

RGB 56 18 79

HSL 277.38, 0.63%, 0.19%

LAB 14.61, 30.48, -29.5

 

CMYK 0 / 29 / 77 / 69

HEX #4F3812

RGB 79 56 18

HSL 37.38, 0.63%, 0.19%

LAB 25.36, 5.85, 26.84

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 77 / 63 / 0 / 69

HEX #121D4F

RGB 18 29 79

HSL 229.18, 0.63%, 0.19%

LAB 13.06, 15.06, -32.21

 

CMYK 0 / 77 / 48 / 69

HEX #4F1229

RGB 79 18 41

HSL 337.38, 0.63%, 0.19%

LAB 16.77, 30.32, 0.97

 

CMYK 0 / 14 / 77 / 69

HEX #4F4412

RGB 79 68 18

HSL 49.18, 0.63%, 0.19%

LAB 29.01, -1.77, 30.58

 

CMYK 77 / 0 / 29 / 69

HEX #124F38

RGB 18 79 56

HSL 157.38, 0.63%, 0.19%

LAB 29.43, -25.45, 8.15

 

CMYK 68 / 77 / 0 / 69

HEX #19124F

RGB 25 18 79

HSL 246.89, 0.63%, 0.19%

LAB 10.59, 24.1, -36.23

 

CMYK 0 / 77 / 48 / 69

HEX #4F1229

RGB 79 18 41

HSL 337.38, 0.63%, 0.19%

LAB 16.77, 30.32, 0.97

 

CMYK 9 / 0 / 77 / 69

HEX #484F12

RGB 72 79 18

HSL 66.89, 0.63%, 0.19%

LAB 31.84, -11.89, 33.17

 

Description

Color code: HEX #124F38 | qconv.com Color code: HEX #124F38 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 79 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 79 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 29 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 29% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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