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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #124CCB it is the complementary color #EDB334. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #124CCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #124CCB shade: #174CC6, #285ED9, #3970EC, #4A82FF and #5B94FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #124CCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #124CCB shade: #124CCB, #013AB8, #0028A5, #001692 and #00047F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #124CCB shade: #124BCA, #121ACA, #3B12CA, #6D12CA and #9E12CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #124CCB shade: #124BCA, #121ACA and #1212CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #124CCB shade matches the following richer shades: #124BCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #124CCB shade: #124BCA, #2352B8, #3559A6, #475F95 and #596683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #124CCB shade: #12AECA, #127DCA, #124CCA, #121BCA and #3912CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #124CCB shade: #0B2F7E, #0E3DA4, #124BCA, #1A5BEB and #3F76EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #124CCB shade: #124CCB, #B412CA and #96CA12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #124CCB shade: #124CCB, #CA124C and #4CCA12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #124CCB shade: #124CCB, #B412CA, #CA8F12 and #27CA12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #124CCB shade: #124CCB, #CA12A8, #CA8F12 and #12CA33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 63 / 0 / 20

HEX #124CCB

RGB 18 76 203

HSL 221.19, 0.84%, 0.43%

LAB 37.13, 32.59, -70.18

 

Complementary color

CMYK 0 / 24 / 78 / 7

HEX #EDB334

RGB 237 179 52

HSL 41.19, 0.84%, 0.57%

LAB 76.37, 9.91, 68.21

 

CMYK 88 / 62 / 0 / 22

HEX #174CC6

RGB 23 76 198

HSL 221.83, 0.79%, 0.43%

LAB 36.8, 30.91, -67.82

 

CMYK 82 / 57 / 0 / 15

HEX #285ED9

RGB 40 94 217

HSL 221.69, 0.7%, 0.5%

LAB 43.46, 27.63, -67.88

 

CMYK 76 / 53 / 0 / 7

HEX #3970EC

RGB 57 112 236

HSL 221.56, 0.82%, 0.57%

LAB 50.11, 24.89, -67.78

 

CMYK 71 / 49 / 0 / 0

HEX #4A82FF

RGB 74 130 255

HSL 221.44, 1%, 0.65%

LAB 56.72, 22.59, -67.61

 

CMYK 64 / 42 / 0 / 0

HEX #5B94FF

RGB 91 148 255

HSL 219.15, 1%, 0.68%

LAB 62.19, 14.24, -58.81

 

CMYK 91 / 63 / 0 / 20

HEX #124CCB

RGB 18 76 203

HSL 221.19, 0.84%, 0.43%

LAB 37.13, 32.59, -70.18

 

CMYK 99 / 68 / 0 / 28

HEX #013AB8

RGB 1 58 184

HSL 221.31, 0.99%, 0.36%

LAB 30.62, 36.46, -69.75

 

CMYK 100 / 76 / 0 / 35

HEX #0028A5

RGB 0 40 165

HSL 225.45, 1%, 0.32%

LAB 24.43, 40.67, -68.61

 

CMYK 100 / 85 / 0 / 43

HEX #001692

RGB 0 22 146

HSL 230.96, 1%, 0.29%

LAB 18.58, 44.05, -66.67

 

CMYK 100 / 97 / 0 / 50

HEX #00047F

RGB 0 4 127

HSL 238.11, 1%, 0.25%

LAB 13.35, 45.58, -63.45

 

CMYK 91 / 63 / 0 / 21

HEX #124BCA

RGB 18 75 202

HSL 221.41, 0.84%, 0.43%

LAB 36.79, 32.86, -70.16

 

CMYK 91 / 87 / 0 / 21

HEX #121ACA

RGB 18 26 202

HSL 237.39, 0.84%, 0.43%

LAB 27.11, 59.9, -86.18

 

CMYK 71 / 91 / 0 / 21

HEX #3B12CA

RGB 59 18 202

HSL 253.37, 0.84%, 0.43%

LAB 28.45, 63.89, -83.88

 

CMYK 46 / 91 / 0 / 21

HEX #6D12CA

RGB 109 18 202

HSL 269.67, 0.84%, 0.43%

LAB 33.87, 67.75, -74.73

 

CMYK 22 / 91 / 0 / 21

HEX #9E12CA

RGB 158 18 202

HSL 285.65, 0.84%, 0.43%

LAB 41.16, 73.88, -62.51

 

CMYK 91 / 63 / 0 / 21

HEX #124BCA

RGB 18 75 202

HSL 221.41, 0.84%, 0.43%

LAB 36.79, 32.86, -70.16

 

CMYK 91 / 87 / 0 / 21

HEX #121ACA

RGB 18 26 202

HSL 237.39, 0.84%, 0.43%

LAB 27.11, 59.9, -86.18

 

CMYK 91 / 91 / 0 / 21

HEX #1212CA

RGB 18 18 202

HSL 240, 0.84%, 0.43%

LAB 26.23, 62.56, -87.64

 

CMYK 91 / 63 / 0 / 21

HEX #124BCA

RGB 18 75 202

HSL 221.41, 0.84%, 0.43%

LAB 36.79, 32.86, -70.16

 

CMYK 91 / 63 / 0 / 21

HEX #124BCA

RGB 18 75 202

HSL 221.41, 0.84%, 0.43%

LAB 36.79, 32.86, -70.16

 

CMYK 81 / 55 / 0 / 28

HEX #2352B8

RGB 35 82 184

HSL 221.07, 0.68%, 0.43%

LAB 37.58, 22.4, -58.34

 

CMYK 68 / 46 / 0 / 35

HEX #3559A6

RGB 53 89 166

HSL 220.88, 0.52%, 0.43%

LAB 38.99, 13.26, -45.38

 

CMYK 52 / 36 / 0 / 42

HEX #475F95

RGB 71 95 149

HSL 221.54, 0.35%, 0.43%

LAB 40.73, 7.13, -32.41

 

CMYK 32 / 22 / 0 / 49

HEX #596683

RGB 89 102 131

HSL 221.43, 0.19%, 0.43%

LAB 43.16, 2.4, -17.71

 

CMYK 91 / 14 / 0 / 21

HEX #12AECA

RGB 18 174 202

HSL 189.13, 0.84%, 0.43%

LAB 65.49, -26.47, -24.56

 

CMYK 91 / 38 / 0 / 21

HEX #127DCA

RGB 18 125 202

HSL 205.11, 0.84%, 0.43%

LAB 50.76, 0.67, -47.58

 

CMYK 91 / 62 / 0 / 21

HEX #124CCA

RGB 18 76 202

HSL 221.09, 0.84%, 0.43%

LAB 37.04, 32.2, -69.74

 

CMYK 91 / 87 / 0 / 21

HEX #121BCA

RGB 18 27 202

HSL 237.07, 0.84%, 0.43%

LAB 27.23, 59.53, -85.97

 

CMYK 72 / 91 / 0 / 21

HEX #3912CA

RGB 57 18 202

HSL 252.72, 0.84%, 0.43%

LAB 28.29, 63.79, -84.15

 

CMYK 91 / 63 / 0 / 51

HEX #0B2F7E

RGB 11 47 126

HSL 221.22, 0.84%, 0.27%

LAB 22.34, 21.09, -47.92

 

CMYK 91 / 63 / 0 / 36

HEX #0E3DA4

RGB 14 61 164

HSL 221.2, 0.84%, 0.35%

LAB 29.69, 27.09, -59.33

 

CMYK 91 / 63 / 0 / 21

HEX #124BCA

RGB 18 75 202

HSL 221.41, 0.84%, 0.43%

LAB 36.79, 32.86, -70.16

 

CMYK 89 / 61 / 0 / 8

HEX #1A5BEB

RGB 26 91 235

HSL 221.34, 0.84%, 0.51%

LAB 43.8, 35.43, -77.54

 

CMYK 74 / 50 / 0 / 7

HEX #3F76EE

RGB 63 118 238

HSL 221.14, 0.84%, 0.59%

LAB 52.05, 22.55, -65.76

 

CMYK 91 / 63 / 0 / 20

HEX #124CCB

RGB 18 76 203

HSL 221.19, 0.84%, 0.43%

LAB 37.13, 32.59, -70.18

 

CMYK 11 / 91 / 0 / 21

HEX #B412CA

RGB 180 18 202

HSL 292.83, 0.84%, 0.43%

LAB 44.8, 77.22, -56.44

 

CMYK 26 / 0 / 91 / 21

HEX #96CA12

RGB 150 202 18

HSL 76.96, 0.84%, 0.43%

LAB 75.31, -39.3, 72.95

 

CMYK 91 / 63 / 0 / 20

HEX #124CCB

RGB 18 76 203

HSL 221.19, 0.84%, 0.43%

LAB 37.13, 32.59, -70.18

 

CMYK 0 / 91 / 62 / 21

HEX #CA124C

RGB 202 18 76

HSL 341.09, 0.84%, 0.43%

LAB 43.52, 67.5, 18.58

 

CMYK 62 / 0 / 91 / 21

HEX #4CCA12

RGB 76 202 18

HSL 101.09, 0.84%, 0.43%

LAB 72.11, -62.83, 69.01

 

CMYK 91 / 63 / 0 / 20

HEX #124CCB

RGB 18 76 203

HSL 221.19, 0.84%, 0.43%

LAB 37.13, 32.59, -70.18

 

CMYK 11 / 91 / 0 / 21

HEX #B412CA

RGB 180 18 202

HSL 292.83, 0.84%, 0.43%

LAB 44.8, 77.22, -56.44

 

CMYK 0 / 29 / 91 / 21

HEX #CA8F12

RGB 202 143 18

HSL 40.76, 0.84%, 0.43%

LAB 63.54, 13.07, 65.58

 

CMYK 81 / 0 / 91 / 21

HEX #27CA12

RGB 39 202 18

HSL 113.15, 0.84%, 0.43%

LAB 71.36, -69.26, 68.08

 

CMYK 91 / 63 / 0 / 20

HEX #124CCB

RGB 18 76 203

HSL 221.19, 0.84%, 0.43%

LAB 37.13, 32.59, -70.18

 

CMYK 0 / 91 / 17 / 21

HEX #CA12A8

RGB 202 18 168

HSL 311.09, 0.84%, 0.43%

LAB 46.73, 76.13, -33.18

 

CMYK 0 / 29 / 91 / 21

HEX #CA8F12

RGB 202 143 18

HSL 40.76, 0.84%, 0.43%

LAB 63.54, 13.07, 65.58

 

CMYK 91 / 0 / 75 / 21

HEX #12CA33

RGB 18 202 51

HSL 130.76, 0.84%, 0.43%

LAB 71.29, -69.4, 59.67

 

Description

Color code: HEX #124CCB | qconv.com Color code: HEX #124CCB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 76 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 76 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 63 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 63% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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