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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #124BA5CE it is the complementary color #EDB45ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #124BA5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #124BA5CE shade: #174BA0CE, #285DB3CE, #396FC6CE, #4A81D9CE and #5B93ECCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #124BA5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #124BA5CE shade: #124BA5CE, #013992CE, #00277FCE, #00156CCE and #000359CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #124BA5CE shade: #124BA5, #1224A5, #2912A5, #5012A5 and #7812A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #124BA5CE shade: #124BA5, #1224A5 and #1212A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #124BA5CE shade matches the following richer shades: #124BA5 and #0448B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #124BA5CE shade: #124BA5, #214F96, #305288, #3F5579 and #4E596A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #124BA5CE shade: #129BA5, #1274A5, #124DA5, #1226A5 and #2612A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #124BA5CE shade: #0A295B, #0E3A80, #124BA5, #165CCA and #246FE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #124BA5CE shade: #124BA5, #8812A5 and #88A512

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #124BA5CE shade: #124BA5, #A5124D and #4DA512

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #124BA5CE shade: #124BA5, #8812A5, #A56A12 and #30A512

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #124BA5CE shade: #124BA5, #A51297, #A56A12 and #12A521

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 44 / 0 / 29

HEX #124BA5CE

RGBA 18 75 165 0.81

HSLA 216.73, 0.8%, 0.36%, 0.81

LABA 33.73, 18.17, -53.34, 0.81

 

Complementary color

CMYK 0 / 19 / 50 / 6

HEX #EDB45ACE

RGBA 237 180 90 0.81

HSLA 36.73, 0.8%, 0.64%, 0.81

LABA 76.91, 11.3, 52.94, 0.81

 

CMYK 69 / 43 / 0 / 30

HEX #174BA0CE

RGBA 23 75 160 0.81

HSLA 217.23, 0.75%, 0.36%, 0.81

LABA 33.46, 16.5, -50.76, 0.81

 

CMYK 63 / 39 / 0 / 24

HEX #285DB3CE

RGBA 40 93 179 0.81

HSLA 217.12, 0.63%, 0.43%, 0.81

LABA 40.47, 13.74, -50.72, 0.81

 

CMYK 58 / 36 / 0 / 18

HEX #396FC6CE

RGBA 57 111 198 0.81

HSLA 217.02, 0.55%, 0.5%, 0.81

LABA 47.39, 11.58, -50.62, 0.81

 

CMYK 53 / 33 / 0 / 12

HEX #4A81D9CE

RGBA 74 129 217 0.81

HSLA 216.92, 0.65%, 0.57%, 0.81

LABA 54.2, 9.87, -50.5, 0.81

 

CMYK 50 / 31 / 0 / 6

HEX #5B93ECCE

RGBA 91 147 236 0.81

HSLA 216.83, 0.79%, 0.64%, 0.81

LABA 60.91, 8.49, -50.39, 0.81

 

CMYK 72 / 44 / 0 / 29

HEX #124BA5CE

RGBA 18 75 165 0.81

HSLA 216.73, 0.8%, 0.36%, 0.81

LABA 33.73, 18.17, -53.34, 0.81

 

CMYK 80 / 49 / 0 / 35

HEX #013992CE

RGBA 1 57 146 0.81

HSLA 216.83, 0.99%, 0.29%, 0.81

LABA 26.76, 21.87, -53.17, 0.81

 

CMYK 81 / 56 / 0 / 41

HEX #00277FCE

RGBA 0 39 127 0.81

HSLA 221.57, 1%, 0.25%, 0.81

LABA 19.98, 26.56, -52.44, 0.81

 

CMYK 81 / 65 / 0 / 47

HEX #00156CCE

RGBA 0 21 108 0.81

HSLA 228.33, 1%, 0.21%, 0.81

LABA 13.35, 31.08, -51.17, 0.81

 

CMYK 81 / 78 / 0 / 53

HEX #000359CE

RGBA 0 3 89 0.81

HSLA 237.98, 1%, 0.17%, 0.81

LABA 7.1, 34.57, -48.89, 0.81

 

CMYK 89 / 55 / 0 / 35

HEX #124BA5

RGB 18 75 165

HSL 216.73, 0.8%, 0.36%

LAB 33.73, 18.17, -53.34

 

CMYK 89 / 78 / 0 / 35

HEX #1224A5

RGB 18 36 165

HSL 232.65, 0.8%, 0.36%

LAB 24.02, 43.58, -69.27

 

CMYK 75 / 89 / 0 / 35

HEX #2912A5

RGB 41 18 165

HSL 249.39, 0.8%, 0.36%

LAB 22.38, 53, -71.98

 

CMYK 52 / 89 / 0 / 35

HEX #5012A5

RGB 80 18 165

HSL 265.31, 0.8%, 0.36%

LAB 26.32, 56.1, -65.32

 

CMYK 27 / 89 / 0 / 35

HEX #7812A5

RGB 120 18 165

HSL 281.63, 0.8%, 0.36%

LAB 32.13, 61.26, -55.57

 

CMYK 89 / 55 / 0 / 35

HEX #124BA5

RGB 18 75 165

HSL 216.73, 0.8%, 0.36%

LAB 33.73, 18.17, -53.34

 

CMYK 89 / 78 / 0 / 35

HEX #1224A5

RGB 18 36 165

HSL 232.65, 0.8%, 0.36%

LAB 24.02, 43.58, -69.27

 

CMYK 89 / 89 / 0 / 35

HEX #1212A5

RGB 18 18 165

HSL 240, 0.8%, 0.36%

LAB 21.12, 52.1, -74.09

 

CMYK 89 / 55 / 0 / 35

HEX #124BA5

RGB 18 75 165

HSL 216.73, 0.8%, 0.36%

LAB 33.73, 18.17, -53.34

 

CMYK 98 / 60 / 0 / 29

HEX #0448B4

RGB 4 72 180

HSL 216.82, 0.96%, 0.36%

LAB 33.89, 25.67, -62.02

 

CMYK 89 / 55 / 0 / 35

HEX #124BA5

RGB 18 75 165

HSL 216.73, 0.8%, 0.36%

LAB 33.73, 18.17, -53.34

 

CMYK 78 / 47 / 0 / 41

HEX #214F96

RGB 33 79 150

HSL 216.41, 0.64%, 0.36%

LAB 34.23, 10.8, -43.47

 

CMYK 65 / 40 / 0 / 47

HEX #305288

RGB 48 82 136

HSL 216.82, 0.48%, 0.36%

LAB 34.88, 5.84, -33.86

 

CMYK 48 / 30 / 0 / 53

HEX #3F5579

RGB 63 85 121

HSL 217.24, 0.32%, 0.36%

LAB 35.86, 2.24, -23.04

 

CMYK 26 / 16 / 0 / 58

HEX #4E596A

RGB 78 89 106

HSL 216.43, 0.15%, 0.36%

LAB 37.49, -0.03, -11.15

 

CMYK 89 / 6 / 0 / 35

HEX #129BA5

RGB 18 155 165

HSL 184.08, 0.8%, 0.36%

LAB 58.31, -29.17, -14.74

 

CMYK 89 / 30 / 0 / 35

HEX #1274A5

RGB 18 116 165

HSL 200, 0.8%, 0.36%

LAB 46.09, -8.14, -33.58

 

CMYK 89 / 53 / 0 / 35

HEX #124DA5

RGB 18 77 165

HSL 215.92, 0.8%, 0.36%

LAB 34.3, 16.81, -52.41

 

CMYK 89 / 77 / 0 / 35

HEX #1226A5

RGB 18 38 165

HSL 231.84, 0.8%, 0.36%

LAB 24.42, 42.43, -68.61

 

CMYK 77 / 89 / 0 / 35

HEX #2612A5

RGB 38 18 165

HSL 248.16, 0.8%, 0.36%

LAB 22.16, 52.85, -72.33

 

CMYK 89 / 55 / 0 / 64

HEX #0A295B

RGB 10 41 91

HSL 217.04, 0.8%, 0.2%

LAB 17.49, 10.2, -33.14

 

CMYK 89 / 55 / 0 / 50

HEX #0E3A80

RGB 14 58 128

HSL 216.84, 0.8%, 0.28%

LAB 25.8, 14.29, -43.55

 

CMYK 89 / 55 / 0 / 35

HEX #124BA5

RGB 18 75 165

HSL 216.73, 0.8%, 0.36%

LAB 33.73, 18.17, -53.34

 

CMYK 89 / 54 / 0 / 21

HEX #165CCA

RGB 22 92 202

HSL 216.67, 0.8%, 0.44%

LAB 41.36, 21.88, -62.7

 

CMYK 84 / 52 / 0 / 9

HEX #246FE7

RGB 36 111 231

HSL 216.92, 0.8%, 0.52%

LAB 48.9, 21.74, -66.97

 

CMYK 89 / 55 / 0 / 35

HEX #124BA5

RGB 18 75 165

HSL 216.73, 0.8%, 0.36%

LAB 33.73, 18.17, -53.34

 

CMYK 18 / 89 / 0 / 35

HEX #8812A5

RGB 136 18 165

HSL 288.16, 0.8%, 0.36%

LAB 34.77, 63.77, -51.16

 

CMYK 18 / 0 / 89 / 35

HEX #88A512

RGB 136 165 18

HSL 71.84, 0.8%, 0.36%

LAB 63.5, -27.88, 62.98

 

CMYK 89 / 55 / 0 / 35

HEX #124BA5

RGB 18 75 165

HSL 216.73, 0.8%, 0.36%

LAB 33.73, 18.17, -53.34

 

CMYK 0 / 89 / 53 / 35

HEX #A5124D

RGB 165 18 77

HSL 335.92, 0.8%, 0.36%

LAB 35.92, 58.31, 6.27

 

CMYK 53 / 0 / 89 / 35

HEX #4DA512

RGB 77 165 18

HSL 95.92, 0.8%, 0.36%

LAB 60.37, -49.54, 59.09

 

CMYK 89 / 55 / 0 / 35

HEX #124BA5

RGB 18 75 165

HSL 216.73, 0.8%, 0.36%

LAB 33.73, 18.17, -53.34

 

CMYK 18 / 89 / 0 / 35

HEX #8812A5

RGB 136 18 165

HSL 288.16, 0.8%, 0.36%

LAB 34.77, 63.77, -51.16

 

CMYK 0 / 36 / 89 / 35

HEX #A56A12

RGB 165 106 18

HSL 35.92, 0.8%, 0.36%

LAB 49.92, 17.08, 53.12

 

CMYK 71 / 0 / 89 / 35

HEX #30A512

RGB 48 165 18

HSL 107.76, 0.8%, 0.36%

LAB 59.51, -56.58, 58.01

 

CMYK 89 / 55 / 0 / 35

HEX #124BA5

RGB 18 75 165

HSL 216.73, 0.8%, 0.36%

LAB 33.73, 18.17, -53.34

 

CMYK 0 / 89 / 8 / 35

HEX #A51297

RGB 165 18 151

HSL 305.71, 0.8%, 0.36%

LAB 39.01, 66.67, -35.6

 

CMYK 0 / 36 / 89 / 35

HEX #A56A12

RGB 165 106 18

HSL 35.92, 0.8%, 0.36%

LAB 49.92, 17.08, 53.12

 

CMYK 89 / 0 / 80 / 35

HEX #12A521

RGB 18 165 33

HSL 126.12, 0.8%, 0.36%

LAB 59.11, -59.83, 53.64

 

Description

Color code: HEX #124BA5CE | qconv.com Color code: HEX #124BA5CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 75 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 75 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 44 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 44% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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