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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1246624C it is the complementary color #EDB99D4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1246624C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1246624C shade: #17465D4C, #2858704C, #396A834C, #4A7C964C and #5B8EA94C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1246624C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1246624C shade: #1246624C, #01344F4C, #00223C4C, #0010294C and #0000164C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1246624C shade: #124763, #123163, #121B63, #1F1263 and #351263

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1246624C shade: #124763, #123163, #121B63 and #121263

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1246624C shade matches the following richer shades: #124763 and #094A6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1246624C shade: #124763, #1C445A, #254150, #2F3E47 and #383B3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1246624C shade: #126354, #125C63, #124763, #123163 and #121C63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1246624C shade: #05151D, #0C2E40, #124763, #196086 and #1F79A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1246624C shade: #124662, #3F1263 and #635F12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1246624C shade: #124662, #631247 and #476312

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1246624C shade: #124662, #3F1263, #632F12 and #376312

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1246624C shade: #124662, #571263, #632F12 and #1E6312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 9 / 0 / 18

HEX #1246624C

RGBA 18 70 98 0.3

HSLA 201, 0.69%, 0.23%, 0.3

LABA 27.82, -6.09, -21.26, 0.3

 

Complementary color

CMYK 0 / 7 / 10 / 2

HEX #EDB99D4C

RGBA 237 185 157 0.3

HSLA 21, 0.69%, 0.77%, 0.3

LABA 79.12, 14.97, 21.4, 0.3

 

CMYK 23 / 7 / 0 / 19

HEX #17465D4C

RGBA 23 70 93 0.3

HSLA 199.71, 0.6%, 0.23%, 0.3

LABA 27.72, -7.3, -18.2, 0.3

 

CMYK 19 / 6 / 0 / 17

HEX #2858704C

RGBA 40 88 112 0.3

HSLA 200, 0.47%, 0.3%, 0.3

LABA 35.2, -8.27, -18.57, 0.3

 

CMYK 17 / 6 / 0 / 15

HEX #396A834C

RGBA 57 106 131 0.3

HSLA 200.27, 0.39%, 0.37%, 0.3

LABA 42.49, -8.89, -18.91, 0.3

 

CMYK 15 / 5 / 0 / 12

HEX #4A7C964C

RGBA 74 124 150 0.3

HSLA 200.53, 0.34%, 0.44%, 0.3

LABA 49.58, -9.31, -19.23, 0.3

 

CMYK 14 / 5 / 0 / 10

HEX #5B8EA94C

RGBA 91 142 169 0.3

HSLA 200.77, 0.31%, 0.51%, 0.3

LABA 56.52, -9.6, -19.55, 0.3

 

CMYK 24 / 9 / 0 / 18

HEX #1246624C

RGBA 18 70 98 0.3

HSLA 201, 0.69%, 0.23%, 0.3

LABA 27.82, -6.09, -21.26, 0.3

 

CMYK 30 / 10 / 0 / 21

HEX #01344F4C

RGBA 1 52 79 0.3

HSLA 200.77, 0.98%, 0.16%, 0.3

LABA 20.15, -4.18, -20.88, 0.3

 

CMYK 30 / 13 / 0 / 23

HEX #00223C4C

RGBA 0 34 60 0.3

HSLA 206, 1%, 0.12%, 0.3

LABA 12.42, -0.29, -20.08, 0.3

 

CMYK 30 / 18 / 0 / 25

HEX #0010294C

RGBA 0 16 41 0.3

HSLA 216.59, 1%, 0.08%, 0.3

LABA 4.79, 3.32, -18.37, 0.3

 

CMYK 30 / 30 / 0 / 27

HEX #0000164C

RGBA 0 0 22 0.3

HSLA 240, 1%, 0.04%, 0.3

LABA 0.52, 3.68, -10.01, 0.3

 

CMYK 82 / 28 / 0 / 61

HEX #124763

RGB 18 71 99

HSL 200.74, 0.69%, 0.23%

LAB 28.21, -6.33, -21.29

 

CMYK 82 / 51 / 0 / 61

HEX #123163

RGB 18 49 99

HSL 217.04, 0.69%, 0.23%

LAB 20.93, 8.74, -32.85

 

CMYK 82 / 73 / 0 / 61

HEX #121B63

RGB 18 27 99

HSL 233.33, 0.69%, 0.23%

LAB 14.48, 24.76, -43.35

 

CMYK 69 / 82 / 0 / 61

HEX #1F1263

RGB 31 18 99

HSL 249.63, 0.69%, 0.23%

LAB 13.38, 31.96, -45.12

 

CMYK 46 / 82 / 0 / 61

HEX #351263

RGB 53 18 99

HSL 265.93, 0.69%, 0.23%

LAB 15.95, 35.26, -40.8

 

CMYK 82 / 28 / 0 / 61

HEX #124763

RGB 18 71 99

HSL 200.74, 0.69%, 0.23%

LAB 28.21, -6.33, -21.29

 

CMYK 82 / 51 / 0 / 61

HEX #123163

RGB 18 49 99

HSL 217.04, 0.69%, 0.23%

LAB 20.93, 8.74, -32.85

 

CMYK 82 / 73 / 0 / 61

HEX #121B63

RGB 18 27 99

HSL 233.33, 0.69%, 0.23%

LAB 14.48, 24.76, -43.35

 

CMYK 82 / 82 / 0 / 61

HEX #121263

RGB 18 18 99

HSL 240, 0.69%, 0.23%

LAB 12.36, 30.64, -46.83

 

CMYK 82 / 28 / 0 / 61

HEX #124763

RGB 18 71 99

HSL 200.74, 0.69%, 0.23%

LAB 28.21, -6.33, -21.29

 

CMYK 92 / 32 / 0 / 57

HEX #094A6D

RGB 9 74 109

HSL 201, 0.85%, 0.23%

LAB 29.56, -5.11, -25.55

 

CMYK 82 / 28 / 0 / 61

HEX #124763

RGB 18 71 99

HSL 200.74, 0.69%, 0.23%

LAB 28.21, -6.33, -21.29

 

CMYK 69 / 24 / 0 / 65

HEX #1C445A

RGB 28 68 90

HSL 201.29, 0.53%, 0.23%

LAB 27.07, -6.24, -17.25

 

CMYK 54 / 19 / 0 / 69

HEX #254150

RGB 37 65 80

HSL 200.93, 0.37%, 0.23%

LAB 26.02, -5.75, -12.32

 

CMYK 34 / 13 / 0 / 72

HEX #2F3E47

RGB 47 62 71

HSL 202.5, 0.2%, 0.23%

LAB 25.27, -3.52, -7.47

 

CMYK 8 / 3 / 0 / 76

HEX #383B3D

RGB 56 59 61

HSL 204, 0.04%, 0.23%

LAB 24.66, -0.79, -1.68

 

CMYK 82 / 0 / 15 / 61

HEX #126354

RGB 18 99 84

HSL 168.89, 0.69%, 0.23%

LAB 37.28, -27.2, 1.86

 

CMYK 82 / 7 / 0 / 61

HEX #125C63

RGB 18 92 99

HSL 185.19, 0.69%, 0.23%

LAB 35.37, -18.76, -10.29

 

CMYK 82 / 28 / 0 / 61

HEX #124763

RGB 18 71 99

HSL 200.74, 0.69%, 0.23%

LAB 28.21, -6.33, -21.29

 

CMYK 82 / 51 / 0 / 61

HEX #123163

RGB 18 49 99

HSL 217.04, 0.69%, 0.23%

LAB 20.93, 8.74, -32.85

 

CMYK 82 / 72 / 0 / 61

HEX #121C63

RGB 18 28 99

HSL 232.59, 0.69%, 0.23%

LAB 14.73, 24.06, -42.92

 

CMYK 83 / 28 / 0 / 89

HEX #05151D

RGB 5 21 29

HSL 200, 0.71%, 0.07%

LAB 5.94, -2.96, -7.42

 

CMYK 81 / 28 / 0 / 75

HEX #0C2E40

RGB 12 46 64

HSL 200.77, 0.68%, 0.15%

LAB 17.47, -5, -14.88

 

CMYK 82 / 28 / 0 / 61

HEX #124763

RGB 18 71 99

HSL 200.74, 0.69%, 0.23%

LAB 28.21, -6.33, -21.29

 

CMYK 81 / 28 / 0 / 47

HEX #196086

RGB 25 96 134

HSL 200.92, 0.69%, 0.31%

LAB 38.36, -7.39, -27.2

 

CMYK 82 / 28 / 0 / 34

HEX #1F79A9

RGB 31 121 169

HSL 200.87, 0.69%, 0.39%

LAB 48.05, -8.5, -32.84

 

CMYK 82 / 29 / 0 / 62

HEX #124662

RGB 18 70 98

HSL 201, 0.69%, 0.23%

LAB 27.82, -6.09, -21.26

 

CMYK 36 / 82 / 0 / 61

HEX #3F1263

RGB 63 18 99

HSL 273.33, 0.69%, 0.23%

LAB 17.41, 37.1, -38.35

 

CMYK 0 / 4 / 82 / 61

HEX #635F12

RGB 99 95 18

HSL 57.04, 0.69%, 0.23%

LAB 39.38, -7.91, 41.17

 

CMYK 82 / 29 / 0 / 62

HEX #124662

RGB 18 70 98

HSL 201, 0.69%, 0.23%

LAB 27.82, -6.09, -21.26

 

CMYK 0 / 82 / 28 / 61

HEX #631247

RGB 99 18 71

HSL 320.74, 0.69%, 0.23%

LAB 22.09, 40.28, -11.69

 

CMYK 28 / 0 / 82 / 61

HEX #476312

RGB 71 99 18

HSL 80.74, 0.69%, 0.23%

LAB 38.39, -23.17, 39.43

 

CMYK 82 / 29 / 0 / 62

HEX #124662

RGB 18 70 98

HSL 201, 0.69%, 0.23%

LAB 27.82, -6.09, -21.26

 

CMYK 36 / 82 / 0 / 61

HEX #3F1263

RGB 63 18 99

HSL 273.33, 0.69%, 0.23%

LAB 17.41, 37.1, -38.35

 

CMYK 0 / 53 / 82 / 61

HEX #632F12

RGB 99 47 18

HSL 21.48, 0.69%, 0.23%

LAB 25.95, 21.23, 28.39

 

CMYK 44 / 0 / 82 / 61

HEX #376312

RGB 55 99 18

HSL 92.59, 0.69%, 0.23%

LAB 37.44, -29.67, 38.21

 

CMYK 82 / 29 / 0 / 62

HEX #124662

RGB 18 70 98

HSL 201, 0.69%, 0.23%

LAB 27.82, -6.09, -21.26

 

CMYK 12 / 82 / 0 / 61

HEX #571263

RGB 87 18 99

HSL 291.11, 0.69%, 0.23%

LAB 21.43, 42.07, -31.66

 

CMYK 0 / 53 / 82 / 61

HEX #632F12

RGB 99 47 18

HSL 21.48, 0.69%, 0.23%

LAB 25.95, 21.23, 28.39

 

CMYK 70 / 0 / 82 / 61

HEX #1E6312

RGB 30 99 18

HSL 111.11, 0.69%, 0.23%

LAB 36.45, -37.4, 36.9

 

Description

Color code: HEX #1246624C | qconv.com Color code: HEX #1246624C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 70 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 70 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 9 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 9% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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