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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12462A it is the complementary color #EDB9D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12462A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12462A shade: #174625, #285838, #396A4B, #4A7C5E and #5B8E71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12462A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12462A shade: #12462A, #013417, #002204, #001000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12462A shade: #124529, #12451C, #164512, #244512 and #314512

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12462A shade: #124529, #124537, #124545, #123745 and #122945

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12462A shade matches the following richer shades: #124529, #0B4C29 and #045328

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12462A shade: #124529, #193E2A, #20372A, #27302B and #2E292C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12462A shade: #164512, #12451B, #124529, #124536 and #124544

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12462A shade: #010302, #092416, #124529, #1A663D and #238751

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12462A shade: #12462A, #122445 and #451412

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12462A shade: #12462A, #291245 and #452912

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12462A shade: #12462A, #122445, #45122E and #453312

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12462A shade: #12462A, #121445, #45122E and #454212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 40 / 73

HEX #12462A

RGB 18 70 42

HSL 147.69, 0.59%, 0.17%

LAB 25.79, -24.66, 12.04

 

Complementary color

CMYK 0 / 22 / 10 / 7

HEX #EDB9D5

RGB 237 185 213

HSL 327.69, 0.59%, 0.83%

LAB 80.46, 23.1, -6.84

 

CMYK 67 / 0 / 47 / 73

HEX #174625

RGB 23 70 37

HSL 137.87, 0.51%, 0.18%

LAB 25.85, -24.56, 15.27

 

CMYK 55 / 0 / 36 / 65

HEX #285838

RGB 40 88 56

HSL 140, 0.38%, 0.25%

LAB 33.38, -24.54, 13.7

 

CMYK 46 / 0 / 29 / 58

HEX #396A4B

RGB 57 106 75

HSL 142.04, 0.3%, 0.32%

LAB 40.71, -24.32, 12.35

 

CMYK 40 / 0 / 24 / 51

HEX #4A7C5E

RGB 74 124 94

HSL 144, 0.25%, 0.39%

LAB 47.85, -24.04, 11.17

 

CMYK 36 / 0 / 20 / 44

HEX #5B8E71

RGB 91 142 113

HSL 145.88, 0.22%, 0.46%

LAB 54.83, -23.75, 10.11

 

CMYK 74 / 0 / 40 / 73

HEX #12462A

RGB 18 70 42

HSL 147.69, 0.59%, 0.17%

LAB 25.79, -24.66, 12.04

 

CMYK 98 / 0 / 56 / 80

HEX #013417

RGB 1 52 23

HSL 145.88, 0.96%, 0.1%

LAB 18.03, -24.25, 13.86

 

CMYK 100 / 0 / 88 / 87

HEX #002204

RGB 0 34 4

HSL 127.06, 1%, 0.07%

LAB 10.2, -19.66, 13.22

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 74 / 0 / 41 / 73

HEX #124529

RGB 18 69 41

HSL 147.06, 0.59%, 0.17%

LAB 25.4, -24.42, 12.14

 

CMYK 74 / 0 / 59 / 73

HEX #12451C

RGB 18 69 28

HSL 131.76, 0.59%, 0.17%

LAB 25.16, -27.02, 19.79

 

CMYK 68 / 0 / 74 / 73

HEX #164512

RGB 22 69 18

HSL 115.29, 0.59%, 0.17%

LAB 25.17, -27.42, 25.27

 

CMYK 48 / 0 / 74 / 73

HEX #244512

RGB 36 69 18

HSL 98.82, 0.59%, 0.17%

LAB 25.79, -22.73, 26.12

 

CMYK 29 / 0 / 74 / 73

HEX #314512

RGB 49 69 18

HSL 83.53, 0.59%, 0.17%

LAB 26.6, -17.21, 27.23

 

CMYK 74 / 0 / 41 / 73

HEX #124529

RGB 18 69 41

HSL 147.06, 0.59%, 0.17%

LAB 25.4, -24.42, 12.14

 

CMYK 74 / 0 / 20 / 73

HEX #124537

RGB 18 69 55

HSL 163.53, 0.59%, 0.17%

LAB 25.75, -20.75, 3.59

 

CMYK 74 / 0 / 0 / 73

HEX #124545

RGB 18 69 69

HSL 180, 0.59%, 0.17%

LAB 26.2, -16.32, -4.91

 

CMYK 74 / 20 / 0 / 73

HEX #123745

RGB 18 55 69

HSL 196.47, 0.59%, 0.17%

LAB 21.17, -7.86, -12.54

 

CMYK 74 / 41 / 0 / 73

HEX #122945

RGB 18 41 69

HSL 212.94, 0.59%, 0.17%

LAB 16.23, 1.76, -20.26

 

CMYK 74 / 0 / 41 / 73

HEX #124529

RGB 18 69 41

HSL 147.06, 0.59%, 0.17%

LAB 25.4, -24.42, 12.14

 

CMYK 86 / 0 / 46 / 70

HEX #0B4C29

RGB 11 76 41

HSL 147.69, 0.75%, 0.17%

LAB 27.85, -28.85, 15.35

 

CMYK 95 / 0 / 52 / 67

HEX #045328

RGB 4 83 40

HSL 147.34, 0.91%, 0.17%

LAB 30.32, -32.88, 19.11

 

CMYK 74 / 0 / 41 / 73

HEX #124529

RGB 18 69 41

HSL 147.06, 0.59%, 0.17%

LAB 25.4, -24.42, 12.14

 

CMYK 60 / 0 / 32 / 76

HEX #193E2A

RGB 25 62 42

HSL 147.57, 0.43%, 0.17%

LAB 23.06, -18.86, 8.36

 

CMYK 42 / 0 / 24 / 78

HEX #20372A

RGB 32 55 42

HSL 146.09, 0.26%, 0.17%

LAB 20.85, -12.57, 5.33

 

CMYK 19 / 0 / 10 / 81

HEX #27302B

RGB 39 48 43

HSL 146.67, 0.1%, 0.17%

LAB 18.88, -5.12, 1.91

 

CMYK 0 / 11 / 4 / 82

HEX #2E292C

RGB 46 41 44

HSL 324, 0.06%, 0.17%

LAB 17.22, 2.97, -1.13

 

CMYK 68 / 0 / 74 / 73

HEX #164512

RGB 22 69 18

HSL 115.29, 0.59%, 0.17%

LAB 25.17, -27.42, 25.27

 

CMYK 74 / 0 / 61 / 73

HEX #12451B

RGB 18 69 27

HSL 130.59, 0.59%, 0.17%

LAB 25.15, -27.19, 20.35

 

CMYK 74 / 0 / 41 / 73

HEX #124529

RGB 18 69 41

HSL 147.06, 0.59%, 0.17%

LAB 25.4, -24.42, 12.14

 

CMYK 74 / 0 / 22 / 73

HEX #124536

RGB 18 69 54

HSL 162.35, 0.59%, 0.17%

LAB 25.72, -21.04, 4.2

 

CMYK 74 / 0 / 1 / 73

HEX #124544

RGB 18 69 68

HSL 178.82, 0.59%, 0.17%

LAB 26.16, -16.66, -4.31

 

CMYK 67 / 0 / 33 / 99

HEX #010302

RGB 1 3 2

HSL 150, 0.5%, 0.01%

LAB 0.69, -0.66, 0.19

 

CMYK 75 / 0 / 39 / 86

HEX #092416

RGB 9 36 22

HSL 148.89, 0.6%, 0.09%

LAB 11.81, -14.54, 6.37

 

CMYK 74 / 0 / 41 / 73

HEX #124529

RGB 18 69 41

HSL 147.06, 0.59%, 0.17%

LAB 25.4, -24.42, 12.14

 

CMYK 75 / 0 / 40 / 60

HEX #1A663D

RGB 26 102 61

HSL 147.63, 0.59%, 0.25%

LAB 37.95, -33.23, 16.74

 

CMYK 74 / 0 / 40 / 47

HEX #238751

RGB 35 135 81

HSL 147.6, 0.59%, 0.33%

LAB 49.83, -41.27, 21.09

 

CMYK 74 / 0 / 40 / 73

HEX #12462A

RGB 18 70 42

HSL 147.69, 0.59%, 0.17%

LAB 25.79, -24.66, 12.04

 

CMYK 74 / 48 / 0 / 73

HEX #122445

RGB 18 36 69

HSL 218.82, 0.59%, 0.17%

LAB 14.51, 5.46, -22.98

 

CMYK 0 / 71 / 74 / 73

HEX #451412

RGB 69 20 18

HSL 2.35, 0.59%, 0.17%

LAB 14.45, 23.41, 13.86

 

CMYK 74 / 0 / 40 / 73

HEX #12462A

RGB 18 70 42

HSL 147.69, 0.59%, 0.17%

LAB 25.79, -24.66, 12.04

 

CMYK 41 / 74 / 0 / 73

HEX #291245

RGB 41 18 69

HSL 267.06, 0.59%, 0.17%

LAB 11.51, 24.03, -27.7

 

CMYK 0 / 41 / 74 / 73

HEX #452912

RGB 69 41 18

HSL 27.06, 0.59%, 0.17%

LAB 19.62, 10.52, 20.18

 

CMYK 74 / 0 / 40 / 73

HEX #12462A

RGB 18 70 42

HSL 147.69, 0.59%, 0.17%

LAB 25.79, -24.66, 12.04

 

CMYK 74 / 48 / 0 / 73

HEX #122445

RGB 18 36 69

HSL 218.82, 0.59%, 0.17%

LAB 14.51, 5.46, -22.98

 

CMYK 0 / 74 / 33 / 73

HEX #45122E

RGB 69 18 46

HSL 327.06, 0.59%, 0.17%

LAB 14.93, 27.53, -5.6

 

CMYK 0 / 26 / 74 / 73

HEX #453312

RGB 69 51 18

HSL 38.82, 0.59%, 0.17%

LAB 22.57, 3.92, 23.47

 

CMYK 74 / 0 / 40 / 73

HEX #12462A

RGB 18 70 42

HSL 147.69, 0.59%, 0.17%

LAB 25.79, -24.66, 12.04

 

CMYK 74 / 71 / 0 / 73

HEX #121445

RGB 18 20 69

HSL 237.65, 0.59%, 0.17%

LAB 9.47, 17.65, -31.13

 

CMYK 0 / 74 / 33 / 73

HEX #45122E

RGB 69 18 46

HSL 327.06, 0.59%, 0.17%

LAB 14.93, 27.53, -5.6

 

CMYK 0 / 4 / 74 / 73

HEX #454212

RGB 69 66 18

HSL 56.47, 0.59%, 0.17%

LAB 27.31, -5.65, 28.51

 

Description

Color code: HEX #12462A | qconv.com Color code: HEX #12462A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 70 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 70 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 40 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 40% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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