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Color name
HEX #123794

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #123794 it is the complementary color #EDC86B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #123794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #123794 shade: #17378F, #2849A2, #395BB5, #4A6DC8 and #5B7FDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #123794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #123794 shade: #123794, #012581, #00136E, #00015B and #000048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #123794 shade: #133896, #131496, #341396, #571396 and #7B1396

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #123794 shade: #133896, #131496 and #131396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #123794 shade matches the following richer shades: #133896 and #0532A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #123794 shade: #133896, #203E88, #2E447B, #3B496D and #494F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #123794 shade: #138096, #135D96, #133A96, #131796 and #311396

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #123794 shade: #091C4C, #0E2A71, #133896, #1746BB and #1C53DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #123794 shade: #123794, #891396 and #6E9613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #123794 shade: #123794, #96133A and #3A9613

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #123794 shade: #123794, #891396, #966E13 and #209613

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #123794 shade: #123794, #96137C, #966E13 and #13962D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 63 / 0 / 42

HEX #123794

RGB 18 55 148

HSL 222.92, 0.78%, 0.33%

LAB 26.73, 25, -54.43

 

Complementary color

CMYK 0 / 16 / 55 / 7

HEX #EDC86B

RGB 237 200 107

HSL 42.92, 0.78%, 0.67%

LAB 82.04, 2.07, 50.81

 

CMYK 84 / 62 / 0 / 44

HEX #17378F

RGB 23 55 143

HSL 224, 0.72%, 0.33%

LAB 26.44, 23.38, -51.82

 

CMYK 75 / 55 / 0 / 36

HEX #2849A2

RGB 40 73 162

HSL 223.77, 0.6%, 0.4%

LAB 33.62, 20.43, -51.69

 

CMYK 69 / 50 / 0 / 29

HEX #395BB5

RGB 57 91 181

HSL 223.55, 0.52%, 0.47%

LAB 40.72, 18.13, -51.46

 

CMYK 63 / 46 / 0 / 22

HEX #4A6DC8

RGB 74 109 200

HSL 223.33, 0.53%, 0.54%

LAB 47.7, 16.31, -51.22

 

CMYK 58 / 42 / 0 / 14

HEX #5B7FDB

RGB 91 127 219

HSL 223.13, 0.64%, 0.61%

LAB 54.57, 14.84, -50.99

 

CMYK 88 / 63 / 0 / 42

HEX #123794

RGB 18 55 148

HSL 222.92, 0.78%, 0.33%

LAB 26.73, 25, -54.43

 

CMYK 99 / 71 / 0 / 49

HEX #012581

RGB 1 37 129

HSL 223.13, 0.98%, 0.25%

LAB 19.7, 28.82, -54.16

 

CMYK 100 / 83 / 0 / 57

HEX #00136E

RGB 0 19 110

HSL 229.64, 1%, 0.22%

LAB 13.18, 33.07, -52.75

 

CMYK 100 / 99 / 0 / 64

HEX #00015B

RGB 0 1 91

HSL 239.34, 1%, 0.18%

LAB 7.02, 36.46, -50.39

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 87 / 63 / 0 / 41

HEX #133896

RGB 19 56 150

HSL 223.05, 0.78%, 0.33%

LAB 27.21, 25.19, -54.87

 

CMYK 87 / 87 / 0 / 41

HEX #131496

RGB 19 20 150

HSL 239.54, 0.78%, 0.33%

LAB 19.39, 46.79, -67.78

 

CMYK 65 / 87 / 0 / 41

HEX #341396

RGB 52 19 150

HSL 255.11, 0.78%, 0.33%

LAB 21.57, 49.16, -64.1

 

CMYK 42 / 87 / 0 / 41

HEX #571396

RGB 87 19 150

HSL 271.15, 0.78%, 0.33%

LAB 25.84, 53.04, -56.9

 

CMYK 18 / 87 / 0 / 41

HEX #7B1396

RGB 123 19 150

HSL 287.63, 0.78%, 0.33%

LAB 31.53, 58.6, -47.39

 

CMYK 87 / 63 / 0 / 41

HEX #133896

RGB 19 56 150

HSL 223.05, 0.78%, 0.33%

LAB 27.21, 25.19, -54.87

 

CMYK 87 / 87 / 0 / 41

HEX #131496

RGB 19 20 150

HSL 239.54, 0.78%, 0.33%

LAB 19.39, 46.79, -67.78

 

CMYK 87 / 87 / 0 / 41

HEX #131396

RGB 19 19 150

HSL 240, 0.78%, 0.33%

LAB 19.25, 47.22, -68.02

 

CMYK 87 / 63 / 0 / 41

HEX #133896

RGB 19 56 150

HSL 223.05, 0.78%, 0.33%

LAB 27.21, 25.19, -54.87

 

CMYK 97 / 69 / 0 / 36

HEX #0532A3

RGB 5 50 163

HSL 222.91, 0.94%, 0.33%

LAB 26.61, 33.73, -63.79

 

CMYK 87 / 63 / 0 / 41

HEX #133896

RGB 19 56 150

HSL 223.05, 0.78%, 0.33%

LAB 27.21, 25.19, -54.87

 

CMYK 76 / 54 / 0 / 47

HEX #203E88

RGB 32 62 136

HSL 222.69, 0.62%, 0.33%

LAB 28.19, 16.69, -44.62

 

CMYK 63 / 45 / 0 / 52

HEX #2E447B

RGB 46 68 123

HSL 222.86, 0.46%, 0.33%

LAB 29.78, 9.94, -33.94

 

CMYK 46 / 33 / 0 / 57

HEX #3B496D

RGB 59 73 109

HSL 223.2, 0.3%, 0.33%

LAB 31.34, 4.97, -22.61

HEX #3B496D

CMYK 23 / 17 / 0 / 63

HEX #494F5F

RGB 73 79 95

HSL 223.64, 0.13%, 0.33%

LAB 33.64, 1.55, -10.14

HEX #494F5F

CMYK 87 / 15 / 0 / 41

HEX #138096

RGB 19 128 150

HSL 190.08, 0.78%, 0.33%

LAB 49.23, -20.32, -19.92

 

CMYK 87 / 38 / 0 / 41

HEX #135D96

RGB 19 93 150

HSL 206.11, 0.78%, 0.33%

LAB 38.14, 0.18, -37.23

 

CMYK 87 / 61 / 0 / 41

HEX #133A96

RGB 19 58 150

HSL 222.14, 0.78%, 0.33%

LAB 27.75, 23.81, -53.98

 

CMYK 87 / 85 / 0 / 41

HEX #131796

RGB 19 23 150

HSL 238.17, 0.78%, 0.33%

LAB 19.86, 45.42, -67.01

 

CMYK 67 / 87 / 0 / 41

HEX #311396

RGB 49 19 150

HSL 253.74, 0.78%, 0.33%

LAB 21.29, 48.92, -64.58

 

CMYK 88 / 63 / 0 / 70

HEX #091C4C

RGB 9 28 76

HSL 222.99, 0.79%, 0.17%

LAB 12.03, 13.27, -31.85

 

CMYK 88 / 63 / 0 / 56

HEX #0E2A71

RGB 14 42 113

HSL 223.03, 0.78%, 0.25%

LAB 19.81, 19.42, -43.76

 

CMYK 87 / 63 / 0 / 41

HEX #133896

RGB 19 56 150

HSL 223.05, 0.78%, 0.33%

LAB 27.21, 25.19, -54.87

 

CMYK 88 / 63 / 0 / 27

HEX #1746BB

RGB 23 70 187

HSL 222.8, 0.78%, 0.41%

LAB 34.29, 30.61, -65.48

 

CMYK 87 / 63 / 0 / 13

HEX #1C53DF

RGB 28 83 223

HSL 223.08, 0.78%, 0.49%

LAB 40.83, 36.14, -75.6

 

CMYK 88 / 63 / 0 / 42

HEX #123794

RGB 18 55 148

HSL 222.92, 0.78%, 0.33%

LAB 26.73, 25, -54.43

 

CMYK 9 / 87 / 0 / 41

HEX #891396

RGB 137 19 150

HSL 294.05, 0.78%, 0.33%

LAB 33.95, 61.07, -43.36

 

CMYK 27 / 0 / 87 / 41

HEX #6E9613

RGB 110 150 19

HSL 78.32, 0.78%, 0.33%

LAB 57.25, -31.51, 56.85

 

CMYK 88 / 63 / 0 / 42

HEX #123794

RGB 18 55 148

HSL 222.92, 0.78%, 0.33%

LAB 26.73, 25, -54.43

 

CMYK 0 / 87 / 61 / 41

HEX #96133A

RGB 150 19 58

HSL 342.14, 0.78%, 0.33%

LAB 32.38, 52.81, 13.32

 

CMYK 61 / 0 / 87 / 41

HEX #3A9613

RGB 58 150 19

HSL 102.14, 0.78%, 0.33%

LAB 54.82, -49.19, 53.81

 

CMYK 88 / 63 / 0 / 42

HEX #123794

RGB 18 55 148

HSL 222.92, 0.78%, 0.33%

LAB 26.73, 25, -54.43

 

CMYK 9 / 87 / 0 / 41

HEX #891396

RGB 137 19 150

HSL 294.05, 0.78%, 0.33%

LAB 33.95, 61.07, -43.36

 

CMYK 0 / 27 / 87 / 41

HEX #966E13

RGB 150 110 19

HSL 41.68, 0.78%, 0.33%

LAB 49.11, 7.92, 51.41

 

CMYK 79 / 0 / 87 / 41

HEX #209613

RGB 32 150 19

HSL 114.05, 0.78%, 0.33%

LAB 54.2, -54.45, 53.03

 

CMYK 88 / 63 / 0 / 42

HEX #123794

RGB 18 55 148

HSL 222.92, 0.78%, 0.33%

LAB 26.73, 25, -54.43

 

CMYK 0 / 87 / 17 / 41

HEX #96137C

RGB 150 19 124

HSL 311.91, 0.78%, 0.33%

LAB 34.81, 59.61, -25.75

 

CMYK 0 / 27 / 87 / 41

HEX #966E13

RGB 150 110 19

HSL 41.68, 0.78%, 0.33%

LAB 49.11, 7.92, 51.41

 

CMYK 87 / 0 / 70 / 41

HEX #13962D

RGB 19 150 45

HSL 131.91, 0.78%, 0.33%

LAB 54.18, -54.12, 44.29

 

Description

Color code: HEX #123794 | qconv.com Color code: HEX #123794 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 55 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 55 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 63 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 63% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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