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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12374B it is the complementary color #EDC8B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12374B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12374B shade: #173746, #284959, #395B6C, #4A6D7F and #5B7F92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12374B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12374B shade: #12374B, #012538, #001325, #000112 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12374B shade: #12364A, #12274A, #12184A, #1B124A and #2A124A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12374B shade: #12364A, #12274A, #12184A and #12124A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12374B shade matches the following richer shades: #12364A, #0A3851 and #033B59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12374B shade: #12364A, #193442, #21323B, #283034 and #302D2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12374B shade: #124A40, #12454A, #12364A, #12274A and #12184A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12374B shade: #020507, #0A1E29, #12364A, #1A4F6B and #22678C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12374B shade: #12374B, #31124A and #4A4712

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12374B shade: #12374B, #4A1236 and #364A12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12374B shade: #12374B, #31124A, #4A2612 and #2B4A12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12374B shade: #12374B, #41124A, #4A2612 and #1A4A12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 27 / 0 / 71

HEX #12374B

RGB 18 55 75

HSL 201.05, 0.61%, 0.18%

LAB 21.46, -5.51, -16.11

 

Complementary color

CMYK 0 / 16 / 24 / 7

HEX #EDC8B4

RGB 237 200 180

HSL 21.05, 0.61%, 0.82%

LAB 83.24, 10.09, 14.86

 

CMYK 67 / 21 / 0 / 73

HEX #173746

RGB 23 55 70

HSL 199.15, 0.51%, 0.18%

LAB 21.42, -6.41, -12.81

 

CMYK 55 / 18 / 0 / 65

HEX #284959

RGB 40 73 89

HSL 199.59, 0.38%, 0.25%

LAB 29.25, -6.96, -13.19

 

CMYK 47 / 16 / 0 / 58

HEX #395B6C

RGB 57 91 108

HSL 200, 0.31%, 0.32%

LAB 36.81, -7.27, -13.56

 

CMYK 42 / 14 / 0 / 50

HEX #4A6D7F

RGB 74 109 127

HSL 200.38, 0.26%, 0.39%

LAB 44.13, -7.47, -13.92

 

CMYK 38 / 13 / 0 / 43

HEX #5B7F92

RGB 91 127 146

HSL 200.73, 0.23%, 0.46%

LAB 51.24, -7.62, -14.28

 

CMYK 76 / 27 / 0 / 71

HEX #12374B

RGB 18 55 75

HSL 201.05, 0.61%, 0.18%

LAB 21.46, -5.51, -16.11

 

CMYK 98 / 34 / 0 / 78

HEX #012538

RGB 1 37 56

HSL 200.73, 0.96%, 0.11%

LAB 13.32, -4.18, -15.82

 

CMYK 100 / 49 / 0 / 85

HEX #001325

RGB 0 19 37

HSL 209.19, 1%, 0.07%

LAB 5.41, -0.12, -14.37

 

CMYK 100 / 94 / 0 / 93

HEX #000112

RGB 0 1 18

HSL 236.67, 1%, 0.04%

LAB 0.59, 2.37, -7.26

 

CMYK 76 / 27 / 0 / 71

HEX #12364A

RGB 18 54 74

HSL 201.43, 0.61%, 0.18%

LAB 21.06, -5.24, -16.07

 

CMYK 76 / 47 / 0 / 71

HEX #12274A

RGB 18 39 74

HSL 217.5, 0.61%, 0.18%

LAB 15.87, 5.36, -24.25

 

CMYK 76 / 68 / 0 / 71

HEX #12184A

RGB 18 24 74

HSL 233.57, 0.61%, 0.18%

LAB 11.11, 16.73, -31.94

 

CMYK 64 / 76 / 0 / 71

HEX #1B124A

RGB 27 18 74

HSL 249.64, 0.61%, 0.18%

LAB 10.26, 22.62, -33.3

 

CMYK 43 / 76 / 0 / 71

HEX #2A124A

RGB 42 18 74

HSL 265.71, 0.61%, 0.18%

LAB 12.09, 25.78, -30.24

 

CMYK 76 / 27 / 0 / 71

HEX #12364A

RGB 18 54 74

HSL 201.43, 0.61%, 0.18%

LAB 21.06, -5.24, -16.07

 

CMYK 76 / 47 / 0 / 71

HEX #12274A

RGB 18 39 74

HSL 217.5, 0.61%, 0.18%

LAB 15.87, 5.36, -24.25

 

CMYK 76 / 68 / 0 / 71

HEX #12184A

RGB 18 24 74

HSL 233.57, 0.61%, 0.18%

LAB 11.11, 16.73, -31.94

 

CMYK 76 / 76 / 0 / 71

HEX #12124A

RGB 18 18 74

HSL 240, 0.61%, 0.18%

LAB 9.45, 21.12, -34.66

 

CMYK 76 / 27 / 0 / 71

HEX #12364A

RGB 18 54 74

HSL 201.43, 0.61%, 0.18%

LAB 21.06, -5.24, -16.07

 

CMYK 88 / 31 / 0 / 68

HEX #0A3851

RGB 10 56 81

HSL 201.13, 0.78%, 0.18%

LAB 21.9, -4.91, -19.46

 

CMYK 97 / 34 / 0 / 65

HEX #033B59

RGB 3 59 89

HSL 200.93, 0.93%, 0.18%

LAB 23.23, -4.28, -22.65

 

CMYK 76 / 27 / 0 / 71

HEX #12364A

RGB 18 54 74

HSL 201.43, 0.61%, 0.18%

LAB 21.06, -5.24, -16.07

 

CMYK 62 / 21 / 0 / 74

HEX #193442

RGB 25 52 66

HSL 200.49, 0.45%, 0.18%

LAB 20.27, -5.43, -11.88

 

CMYK 44 / 15 / 0 / 77

HEX #21323B

RGB 33 50 59

HSL 200.77, 0.28%, 0.18%

LAB 19.72, -4.15, -7.9

 

CMYK 23 / 8 / 0 / 80

HEX #283034

RGB 40 48 52

HSL 200, 0.13%, 0.18%

LAB 19.28, -2.34, -3.7

 

CMYK 0 / 6 / 8 / 81

HEX #302D2C

RGB 48 45 44

HSL 15, 0.04%, 0.18%

LAB 18.74, 1.13, 1.13

 

CMYK 76 / 0 / 14 / 71

HEX #124A40

RGB 18 74 64

HSL 169.29, 0.61%, 0.18%

LAB 27.84, -20.66, 0.76

 

CMYK 76 / 7 / 0 / 71

HEX #12454A

RGB 18 69 74

HSL 185.36, 0.61%, 0.18%

LAB 26.39, -14.58, -7.91

 

CMYK 76 / 27 / 0 / 71

HEX #12364A

RGB 18 54 74

HSL 201.43, 0.61%, 0.18%

LAB 21.06, -5.24, -16.07

 

CMYK 76 / 47 / 0 / 71

HEX #12274A

RGB 18 39 74

HSL 217.5, 0.61%, 0.18%

LAB 15.87, 5.36, -24.25

 

CMYK 76 / 68 / 0 / 71

HEX #12184A

RGB 18 24 74

HSL 233.57, 0.61%, 0.18%

LAB 11.11, 16.73, -31.94

 

CMYK 71 / 29 / 0 / 97

HEX #020507

RGB 2 5 7

HSL 204, 0.56%, 0.02%

LAB 1.24, -0.51, -1.03

 

CMYK 76 / 27 / 0 / 84

HEX #0A1E29

RGB 10 30 41

HSL 201.29, 0.61%, 0.1%

LAB 10.21, -3.78, -9.85

 

CMYK 76 / 27 / 0 / 71

HEX #12364A

RGB 18 54 74

HSL 201.43, 0.61%, 0.18%

LAB 21.06, -5.24, -16.07

 

CMYK 76 / 26 / 0 / 58

HEX #1A4F6B

RGB 26 79 107

HSL 200.74, 0.61%, 0.26%

LAB 31.52, -7.11, -21.2

 

CMYK 76 / 26 / 0 / 45

HEX #22678C

RGB 34 103 140

HSL 200.94, 0.61%, 0.34%

LAB 41.11, -8.22, -26.52

 

CMYK 76 / 27 / 0 / 71

HEX #12374B

RGB 18 55 75

HSL 201.05, 0.61%, 0.18%

LAB 21.46, -5.51, -16.11

 

CMYK 34 / 76 / 0 / 71

HEX #31124A

RGB 49 18 74

HSL 273.21, 0.61%, 0.18%

LAB 13.11, 27.45, -28.54

 

CMYK 0 / 4 / 76 / 71

HEX #4A4712

RGB 74 71 18

HSL 56.79, 0.61%, 0.18%

LAB 29.43, -6.16, 30.83

 

CMYK 76 / 27 / 0 / 71

HEX #12374B

RGB 18 55 75

HSL 201.05, 0.61%, 0.18%

LAB 21.46, -5.51, -16.11

 

CMYK 0 / 76 / 27 / 71

HEX #4A1236

RGB 74 18 54

HSL 321.43, 0.61%, 0.18%

LAB 16.28, 30.42, -9.19

 

CMYK 27 / 0 / 76 / 71

HEX #364A12

RGB 54 74 18

HSL 81.43, 0.61%, 0.18%

LAB 28.71, -17.65, 29.54

 

CMYK 76 / 27 / 0 / 71

HEX #12374B

RGB 18 55 75

HSL 201.05, 0.61%, 0.18%

LAB 21.46, -5.51, -16.11

 

CMYK 34 / 76 / 0 / 71

HEX #31124A

RGB 49 18 74

HSL 273.21, 0.61%, 0.18%

LAB 13.11, 27.45, -28.54

 

CMYK 0 / 49 / 76 / 71

HEX #4A2612

RGB 74 38 18

HSL 21.43, 0.61%, 0.18%

LAB 19.58, 14.96, 20.34

 

CMYK 42 / 0 / 76 / 71

HEX #2B4A12

RGB 43 74 18

HSL 93.21, 0.61%, 0.18%

LAB 27.99, -22.42, 28.58

 

CMYK 76 / 27 / 0 / 71

HEX #12374B

RGB 18 55 75

HSL 201.05, 0.61%, 0.18%

LAB 21.46, -5.51, -16.11

 

CMYK 12 / 76 / 0 / 71

HEX #41124A

RGB 65 18 74

HSL 290.36, 0.61%, 0.18%

LAB 15.75, 31.56, -24.15

 

CMYK 0 / 49 / 76 / 71

HEX #4A2612

RGB 74 38 18

HSL 21.43, 0.61%, 0.18%

LAB 19.58, 14.96, 20.34

 

CMYK 65 / 0 / 76 / 71

HEX #1A4A12

RGB 26 74 18

HSL 111.43, 0.61%, 0.18%

LAB 27.19, -28.42, 27.48

 

Description

Color code: HEX #12374B | qconv.com Color code: HEX #12374B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 55 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 55 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 27 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 27% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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