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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #121168 it is the complementary color #EDEE97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #121168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #121168 shade: #171163, #282376, #393589, #4A479C and #5B59AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #121168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #121168 shade: #121168, #010055, #000042, #00002F and #00001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #121168 shade: #121169, #291169, #411169, #591169 and #691161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #121168 shade: #121169 and #111169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #121168 shade matches the following richer shades: #121169 and #080773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #121168 shade: #121169, #1B1B5F, #252455, #2F2E4B and #383841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #121168 shade: #114069, #112869, #111169, #281169 and #401169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #121168 shade: #050522, #0C0B45, #121169, #18168C and #1E1CB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #121168 shade: #121168, #691157 and #346911

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #121168 shade: #121168, #691111 and #116911

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #121168 shade: #121168, #691157, #696911 and #116922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #121168 shade: #121168, #69113D, #696911 and #11693D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 84 / 0 / 59

HEX #121168

RGB 18 17 104

HSL 240.69, 0.72%, 0.24%

LAB 12.79, 33.01, -49.44

 

Complementary color

CMYK 0 / 0 / 37 / 7

HEX #EDEE97

RGB 237 238 151

HSL 60.69, 0.72%, 0.76%

LAB 92.3, -12.97, 42.03

 

CMYK 77 / 83 / 0 / 61

HEX #171163

RGB 23 17 99

HSL 244.39, 0.71%, 0.23%

LAB 12.51, 31.66, -46.59

 

CMYK 66 / 70 / 0 / 54

HEX #282376

RGB 40 35 118

HSL 243.61, 0.54%, 0.3%

LAB 19.89, 29.43, -46.78

 

CMYK 58 / 61 / 0 / 46

HEX #393589

RGB 57 53 137

HSL 242.86, 0.44%, 0.37%

LAB 27.36, 27.34, -46.53

 

CMYK 53 / 54 / 0 / 39

HEX #4A479C

RGB 74 71 156

HSL 242.12, 0.37%, 0.45%

LAB 34.73, 25.59, -46.18

 

CMYK 48 / 49 / 0 / 31

HEX #5B59AF

RGB 91 89 175

HSL 241.4, 0.35%, 0.52%

LAB 41.94, 24.14, -45.85

 

CMYK 83 / 84 / 0 / 59

HEX #121168

RGB 18 17 104

HSL 240.69, 0.72%, 0.24%

LAB 12.79, 33.01, -49.44

 

CMYK 99 / 100 / 0 / 67

HEX #010055

RGB 1 0 85

HSL 240.71, 1%, 0.17%

LAB 5.98, 34.77, -48.03

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 100 / 100 / 0 / 89

HEX #00001C

RGB 0 0 28

HSL 240, 1%, 0.05%

LAB 0.76, 5.32, -14.39

 

CMYK 83 / 84 / 0 / 59

HEX #121169

RGB 18 17 105

HSL 240.68, 0.72%, 0.24%

LAB 12.92, 33.36, -49.88

 

CMYK 61 / 84 / 0 / 59

HEX #291169

RGB 41 17 105

HSL 256.36, 0.72%, 0.24%

LAB 14.91, 35.68, -46.52

 

CMYK 38 / 84 / 0 / 59

HEX #411169

RGB 65 17 105

HSL 272.73, 0.72%, 0.24%

LAB 18.12, 39.41, -41.14

 

CMYK 15 / 84 / 0 / 59

HEX #591169

RGB 89 17 105

HSL 289.09, 0.72%, 0.24%

LAB 22.11, 44.03, -34.49

 

CMYK 0 / 84 / 8 / 59

HEX #691161

RGB 105 17 97

HSL 305.45, 0.72%, 0.24%

LAB 24.54, 46.06, -25.2

 

CMYK 83 / 84 / 0 / 59

HEX #121169

RGB 18 17 105

HSL 240.68, 0.72%, 0.24%

LAB 12.92, 33.36, -49.88

 

CMYK 84 / 84 / 0 / 59

HEX #111169

RGB 17 17 105

HSL 240, 0.72%, 0.24%

LAB 12.86, 33.29, -49.98

 

CMYK 83 / 84 / 0 / 59

HEX #121169

RGB 18 17 105

HSL 240.68, 0.72%, 0.24%

LAB 12.92, 33.36, -49.88

 

CMYK 93 / 94 / 0 / 55

HEX #080773

RGB 8 7 115

HSL 240.56, 0.89%, 0.24%

LAB 12.23, 40.95, -57.58

 

CMYK 83 / 84 / 0 / 59

HEX #121169

RGB 18 17 105

HSL 240.68, 0.72%, 0.24%

LAB 12.92, 33.36, -49.88

 

CMYK 72 / 72 / 0 / 63

HEX #1B1B5F

RGB 27 27 95

HSL 240, 0.56%, 0.24%

LAB 14.64, 24.33, -40.4

 

CMYK 56 / 58 / 0 / 67

HEX #252455

RGB 37 36 85

HSL 241.22, 0.4%, 0.24%

LAB 17.04, 16.18, -29.77

 

CMYK 37 / 39 / 0 / 71

HEX #2F2E4B

RGB 47 46 75

HSL 242.07, 0.24%, 0.24%

LAB 20.31, 8.56, -17.78

 

CMYK 14 / 14 / 0 / 75

HEX #383841

RGB 56 56 65

HSL 240, 0.07%, 0.24%

LAB 23.84, 2.19, -5.57

 

CMYK 84 / 39 / 0 / 59

HEX #114069

RGB 17 64 105

HSL 207.95, 0.72%, 0.24%

LAB 26.17, 0.61, -28.35

 

CMYK 84 / 62 / 0 / 59

HEX #112869

RGB 17 40 105

HSL 224.32, 0.72%, 0.24%

LAB 18.61, 17.78, -40.52

 

CMYK 84 / 84 / 0 / 59

HEX #111169

RGB 17 17 105

HSL 240, 0.72%, 0.24%

LAB 12.86, 33.29, -49.98

 

CMYK 62 / 84 / 0 / 59

HEX #281169

RGB 40 17 105

HSL 255.68, 0.72%, 0.24%

LAB 14.8, 35.55, -46.71

 

CMYK 39 / 84 / 0 / 59

HEX #401169

RGB 64 17 105

HSL 272.05, 0.72%, 0.24%

LAB 17.97, 39.23, -41.39

 

CMYK 85 / 85 / 0 / 87

HEX #050522

RGB 5 5 34

HSL 240, 0.74%, 0.08%

LAB 2.32, 6.64, -16.8

 

CMYK 83 / 84 / 0 / 73

HEX #0C0B45

RGB 12 11 69

HSL 241.03, 0.73%, 0.16%

LAB 6.75, 22.9, -35.61

 

CMYK 83 / 84 / 0 / 59

HEX #121169

RGB 18 17 105

HSL 240.68, 0.72%, 0.24%

LAB 12.92, 33.36, -49.88

 

CMYK 83 / 84 / 0 / 45

HEX #18168C

RGB 24 22 140

HSL 241.02, 0.73%, 0.32%

LAB 18.63, 42.9, -62.82

 

CMYK 83 / 84 / 0 / 31

HEX #1E1CB0

RGB 30 28 176

HSL 240.81, 0.73%, 0.4%

LAB 24.45, 51.72, -75.18

 

CMYK 83 / 84 / 0 / 59

HEX #121168

RGB 18 17 104

HSL 240.69, 0.72%, 0.24%

LAB 12.79, 33.01, -49.44

 

CMYK 0 / 84 / 17 / 59

HEX #691157

RGB 105 17 87

HSL 312.27, 0.72%, 0.24%

LAB 23.97, 44.48, -19.47

 

CMYK 50 / 0 / 84 / 59

HEX #346911

RGB 52 105 17

HSL 96.14, 0.72%, 0.24%

LAB 39.37, -33.46, 40.31

 

CMYK 83 / 84 / 0 / 59

HEX #121168

RGB 18 17 104

HSL 240.69, 0.72%, 0.24%

LAB 12.79, 33.01, -49.44

 

CMYK 0 / 84 / 84 / 59

HEX #691111

RGB 105 17 17

HSL 0, 0.72%, 0.24%

LAB 21.74, 37.8, 25.01

 

CMYK 84 / 0 / 84 / 59

HEX #116911

RGB 17 105 17

HSL 120, 0.72%, 0.24%

LAB 38.31, -42.07, 38.94

 

CMYK 83 / 84 / 0 / 59

HEX #121168

RGB 18 17 104

HSL 240.69, 0.72%, 0.24%

LAB 12.79, 33.01, -49.44

 

CMYK 0 / 84 / 17 / 59

HEX #691157

RGB 105 17 87

HSL 312.27, 0.72%, 0.24%

LAB 23.97, 44.48, -19.47

 

CMYK 0 / 0 / 84 / 59

HEX #696911

RGB 105 105 17

HSL 60, 0.72%, 0.24%

LAB 42.98, -10.74, 44.93

 

CMYK 84 / 0 / 68 / 59

HEX #116922

RGB 17 105 34

HSL 131.59, 0.72%, 0.24%

LAB 38.44, -40.43, 32.05

 

CMYK 83 / 84 / 0 / 59

HEX #121168

RGB 18 17 104

HSL 240.69, 0.72%, 0.24%

LAB 12.79, 33.01, -49.44

 

CMYK 0 / 84 / 42 / 59

HEX #69113D

RGB 105 17 61

HSL 330, 0.72%, 0.24%

LAB 22.8, 41.04, -3.64

 

CMYK 0 / 0 / 84 / 59

HEX #696911

RGB 105 105 17

HSL 60, 0.72%, 0.24%

LAB 42.98, -10.74, 44.93

 

CMYK 84 / 0 / 42 / 59

HEX #11693D

RGB 17 105 61

HSL 150, 0.72%, 0.24%

LAB 38.83, -35.87, 17.88

 

Description

Color code: HEX #121168 | qconv.com Color code: HEX #121168 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 17 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 17 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 84 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 84% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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