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Color name
HEX #11F03B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11F03B it is the complementary color #EE0FC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11F03B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11F03B shade: #16F036, #27FF49, #38FF5C, #49FF6F and #5AFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11F03B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11F03B shade: #11F03B, #00DE28, #00CC15, #00BA02 and #00A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11F03B shade: #0FF03A, #22F00F, #5EF00F, #9BF00F and #D7F00F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11F03B shade: #0FF03A, #0FF076, #0FF0B3, #0FF0EF and #0FB4F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11F03B shade matches the following richer shades: #0FF03A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11F03B shade: #0FF03A, #24DB46, #39C653, #4DB260 and #629D6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11F03B shade: #5EF00F, #22F00F, #0FF038, #0FF074 and #0FF0B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11F03B shade: #0AA227, #0DC930, #0FF03A, #36F25A and #5DF579

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11F03B shade: #11F03B, #0F9AF0 and #F00F40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11F03B shade: #11F03B, #380FF0 and #F0380F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11F03B shade: #11F03B, #0F9AF0, #F00FC7 and #F0650F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11F03B shade: #11F03B, #0F56F0, #F00FC7 and #F0A90F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 75 / 6

HEX #11F03B

RGB 17 240 59

HSL 131.3, 0.88%, 0.5%

LAB 83.31, -79.59, 68.97

 

Complementary color

CMYK 0 / 94 / 18 / 7

HEX #EE0FC4

RGB 238 15 196

HSL 311.3, 0.88%, 0.5%

LAB 54.56, 86.7, -36.83

 

CMYK 91 / 0 / 78 / 6

HEX #16F036

RGB 22 240 54

HSL 128.81, 0.88%, 0.51%

LAB 83.31, -79.68, 70.51

 

CMYK 85 / 0 / 71 / 0

HEX #27FF49

RGB 39 255 73

HSL 129.44, 1%, 0.58%

LAB 88.18, -81.34, 69.26

 

CMYK 78 / 0 / 64 / 0

HEX #38FF5C

RGB 56 255 92

HSL 130.85, 1%, 0.61%

LAB 88.51, -77.91, 62.53

 

CMYK 71 / 0 / 56 / 0

HEX #49FF6F

RGB 73 255 111

HSL 132.53, 1%, 0.64%

LAB 88.96, -73.48, 55.07

 

CMYK 65 / 0 / 49 / 0

HEX #5AFF82

RGB 90 255 130

HSL 134.55, 1%, 0.68%

LAB 89.54, -68.09, 47.16

 

CMYK 93 / 0 / 75 / 6

HEX #11F03B

RGB 17 240 59

HSL 131.3, 0.88%, 0.5%

LAB 83.31, -79.59, 68.97

 

CMYK 100 / 0 / 82 / 13

HEX #00DE28

RGB 0 222 40

HSL 130.81, 1%, 0.44%

LAB 77.52, -76.43, 68.87

 

CMYK 100 / 0 / 90 / 20

HEX #00CC15

RGB 0 204 21

HSL 126.18, 1%, 0.4%

LAB 71.72, -72.37, 67.78

 

CMYK 100 / 0 / 99 / 27

HEX #00BA02

RGB 0 186 2

HSL 120.65, 1%, 0.36%

LAB 65.84, -67.95, 65.38

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 94 / 0 / 76 / 6

HEX #0FF03A

RGB 15 240 58

HSL 131.47, 0.88%, 0.5%

LAB 83.3, -79.74, 69.27

 

CMYK 86 / 0 / 94 / 6

HEX #22F00F

RGB 34 240 15

HSL 114.93, 0.88%, 0.5%

LAB 83.28, -80.44, 78.39

 

CMYK 61 / 0 / 94 / 6

HEX #5EF00F

RGB 94 240 15

HSL 98.93, 0.88%, 0.5%

LAB 84.35, -71.23, 79.7

 

CMYK 35 / 0 / 94 / 6

HEX #9BF00F

RGB 155 240 15

HSL 82.67, 0.88%, 0.5%

LAB 86.66, -53.5, 82.54

 

CMYK 10 / 0 / 94 / 6

HEX #D7F00F

RGB 215 240 15

HSL 66.67, 0.88%, 0.5%

LAB 90.23, -30.72, 86.86

 

CMYK 94 / 0 / 76 / 6

HEX #0FF03A

RGB 15 240 58

HSL 131.47, 0.88%, 0.5%

LAB 83.3, -79.74, 69.27

 

CMYK 94 / 0 / 51 / 6

HEX #0FF076

RGB 15 240 118

HSL 147.47, 0.88%, 0.5%

LAB 83.82, -73.17, 45.51

 

CMYK 94 / 0 / 25 / 6

HEX #0FF0B3

RGB 15 240 179

HSL 163.73, 0.88%, 0.5%

LAB 84.83, -61.51, 16.28

 

CMYK 94 / 0 / 0 / 6

HEX #0FF0EF

RGB 15 240 239

HSL 179.73, 0.88%, 0.5%

LAB 86.33, -45.88, -12.94

 

CMYK 94 / 25 / 0 / 6

HEX #0FB4F0

RGB 15 180 240

HSL 196, 0.88%, 0.5%

LAB 68.78, -16.69, -40.32

 

CMYK 94 / 0 / 76 / 6

HEX #0FF03A

RGB 15 240 58

HSL 131.47, 0.88%, 0.5%

LAB 83.3, -79.74, 69.27

 

CMYK 94 / 0 / 76 / 6

HEX #0FF03A

RGB 15 240 58

HSL 131.47, 0.88%, 0.5%

LAB 83.3, -79.74, 69.27

 

CMYK 84 / 0 / 68 / 14

HEX #24DB46

RGB 36 219 70

HSL 131.15, 0.72%, 0.5%

LAB 76.97, -71.38, 58.63

 

CMYK 71 / 0 / 58 / 22

HEX #39C653

RGB 57 198 83

HSL 131.06, 0.55%, 0.5%

LAB 70.79, -60.53, 46.27

 

CMYK 57 / 0 / 46 / 30

HEX #4DB260

RGB 77 178 96

HSL 131.29, 0.4%, 0.5%

LAB 65.17, -47.16, 33.18

 

CMYK 38 / 0 / 31 / 38

HEX #629D6D

RGB 98 157 109

HSL 131.19, 0.23%, 0.5%

LAB 59.72, -29.71, 19.2

 

CMYK 61 / 0 / 94 / 6

HEX #5EF00F

RGB 94 240 15

HSL 98.93, 0.88%, 0.5%

LAB 84.35, -71.23, 79.7

 

CMYK 86 / 0 / 94 / 6

HEX #22F00F

RGB 34 240 15

HSL 114.93, 0.88%, 0.5%

LAB 83.28, -80.44, 78.39

 

CMYK 94 / 0 / 77 / 6

HEX #0FF038

RGB 15 240 56

HSL 130.93, 0.88%, 0.5%

LAB 83.29, -79.87, 69.87

 

CMYK 94 / 0 / 52 / 6

HEX #0FF074

RGB 15 240 116

HSL 146.93, 0.88%, 0.5%

LAB 83.8, -73.47, 46.42

 

CMYK 94 / 0 / 27 / 6

HEX #0FF0B0

RGB 15 240 176

HSL 162.93, 0.88%, 0.5%

LAB 84.77, -62.19, 17.75

 

CMYK 94 / 0 / 76 / 36

HEX #0AA227

RGB 10 162 39

HSL 131.45, 0.88%, 0.34%

LAB 58.09, -59.03, 50.62

 

CMYK 94 / 0 / 76 / 21

HEX #0DC930

RGB 13 201 48

HSL 131.17, 0.88%, 0.42%

LAB 70.92, -69.6, 60.3

 

CMYK 94 / 0 / 76 / 6

HEX #0FF03A

RGB 15 240 58

HSL 131.47, 0.88%, 0.5%

LAB 83.3, -79.74, 69.27

 

CMYK 78 / 0 / 63 / 5

HEX #36F25A

RGB 54 242 90

HSL 131.49, 0.88%, 0.58%

LAB 84.5, -74.39, 58.88

 

CMYK 62 / 0 / 51 / 4

HEX #5DF579

RGB 93 245 121

HSL 131.05, 0.88%, 0.66%

LAB 86.51, -65.24, 47.67

 

CMYK 93 / 0 / 75 / 6

HEX #11F03B

RGB 17 240 59

HSL 131.3, 0.88%, 0.5%

LAB 83.31, -79.59, 68.97

 

CMYK 94 / 36 / 0 / 6

HEX #0F9AF0

RGB 15 154 240

HSL 202.93, 0.88%, 0.5%

LAB 61.22, -2.24, -52.22

 

CMYK 0 / 94 / 73 / 6

HEX #F00F40

RGB 240 15 64

HSL 346.93, 0.88%, 0.5%

LAB 50.96, 76.55, 36.84

 

CMYK 93 / 0 / 75 / 6

HEX #11F03B

RGB 17 240 59

HSL 131.3, 0.88%, 0.5%

LAB 83.31, -79.59, 68.97

 

CMYK 77 / 94 / 0 / 6

HEX #380FF0

RGB 56 15 240

HSL 250.93, 0.88%, 0.5%

LAB 32.86, 74, -98.42

 

CMYK 0 / 77 / 94 / 6

HEX #F0380F

RGB 240 56 15

HSL 10.93, 0.88%, 0.5%

LAB 53.37, 67.49, 61.96

 

CMYK 93 / 0 / 75 / 6

HEX #11F03B

RGB 17 240 59

HSL 131.3, 0.88%, 0.5%

LAB 83.31, -79.59, 68.97

 

CMYK 94 / 36 / 0 / 6

HEX #0F9AF0

RGB 15 154 240

HSL 202.93, 0.88%, 0.5%

LAB 61.22, -2.24, -52.22

 

CMYK 0 / 94 / 17 / 6

HEX #F00FC7

RGB 240 15 199

HSL 310.93, 0.88%, 0.5%

LAB 55.06, 87.44, -37.74

 

CMYK 0 / 58 / 94 / 6

HEX #F0650F

RGB 240 101 15

HSL 22.93, 0.88%, 0.5%

LAB 59.77, 50.2, 65.93

 

CMYK 93 / 0 / 75 / 6

HEX #11F03B

RGB 17 240 59

HSL 131.3, 0.88%, 0.5%

LAB 83.31, -79.59, 68.97

 

CMYK 94 / 64 / 0 / 6

HEX #0F56F0

RGB 15 86 240

HSL 221.07, 0.88%, 0.5%

LAB 42.84, 40.04, -81.95

 

CMYK 0 / 94 / 17 / 6

HEX #F00FC7

RGB 240 15 199

HSL 310.93, 0.88%, 0.5%

LAB 55.06, 87.44, -37.74

 

CMYK 0 / 30 / 94 / 6

HEX #F0A90F

RGB 240 169 15

HSL 41.07, 0.88%, 0.5%

LAB 74.15, 15.62, 75.83

 

Description

Color code: HEX #11F03B | qconv.com Color code: HEX #11F03B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 240 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 240 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 75 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 75% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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