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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11E543 it is the complementary color #EE1ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11E543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11E543 shade: #16E53E, #27F751, #38FF64, #49FF77 and #5AFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11E543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11E543 shade: #11E543, #00D330, #00C11D, #00AF0A and #009D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11E543 shade: #11E443, #18E411, #51E411, #8AE411 and #C3E411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11E543 shade: #11E443, #11E47C, #11E4B4, #11DAE4 and #11A1E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11E543 shade matches the following richer shades: #11E443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11E543 shade: #11E443, #25D04D, #39BC58, #4DA862 and #60946D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11E543 shade: #50E411, #18E411, #11E442, #11E47A and #11E4B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11E543 shade: #0B972C, #0EBD38, #11E443, #2FEF5C and #55F27A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11E543 shade: #11E543, #1188E4 and #E41134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11E543 shade: #11E543, #4211E4 and #E44211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11E543 shade: #11E543, #1188E4, #E411B3 and #E46C11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11E543 shade: #11E543, #1149E4, #E411B3 and #E4AC11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 71 / 10

HEX #11E543

RGB 17 229 67

HSL 134.15, 0.86%, 0.48%

LAB 79.93, -75.88, 62.84

 

Complementary color

CMYK 0 / 89 / 21 / 7

HEX #EE1ABC

RGB 238 26 188

HSL 314.15, 0.86%, 0.52%

LAB 54.6, 84.53, -32.13

 

CMYK 90 / 0 / 73 / 10

HEX #16E53E

RGB 22 229 62

HSL 131.59, 0.82%, 0.49%

LAB 79.93, -76.04, 64.61

 

CMYK 84 / 0 / 67 / 3

HEX #27F751

RGB 39 247 81

HSL 132.12, 0.93%, 0.56%

LAB 85.78, -78.34, 63.82

 

CMYK 78 / 0 / 61 / 0

HEX #38FF64

RGB 56 255 100

HSL 133.27, 1%, 0.61%

LAB 88.58, -77.05, 59.32

 

CMYK 71 / 0 / 53 / 0

HEX #49FF77

RGB 73 255 119

HSL 135.16, 1%, 0.64%

LAB 89.05, -72.45, 51.58

 

CMYK 65 / 0 / 46 / 0

HEX #5AFF8A

RGB 90 255 138

HSL 137.45, 1%, 0.68%

LAB 89.64, -66.91, 43.49

 

CMYK 93 / 0 / 71 / 10

HEX #11E543

RGB 17 229 67

HSL 134.15, 0.86%, 0.48%

LAB 79.93, -75.88, 62.84

 

CMYK 100 / 0 / 77 / 17

HEX #00D330

RGB 0 211 48

HSL 133.65, 1%, 0.41%

LAB 74.06, -72.93, 63.35

 

CMYK 100 / 0 / 85 / 24

HEX #00C11D

RGB 0 193 29

HSL 129.02, 1%, 0.38%

LAB 68.19, -69.04, 63.08

 

CMYK 100 / 0 / 94 / 31

HEX #00AF0A

RGB 0 175 10

HSL 123.43, 1%, 0.34%

LAB 62.24, -64.74, 61.42

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 93 / 0 / 71 / 11

HEX #11E443

RGB 17 228 67

HSL 134.22, 0.86%, 0.48%

LAB 79.62, -75.6, 62.51

 

CMYK 89 / 0 / 93 / 11

HEX #18E411

RGB 24 228 17

HSL 118.01, 0.86%, 0.48%

LAB 79.46, -77.88, 74.95

 

CMYK 64 / 0 / 93 / 11

HEX #51E411

RGB 81 228 17

HSL 101.8, 0.86%, 0.48%

LAB 80.33, -70.18, 76.04

 

CMYK 39 / 0 / 93 / 11

HEX #8AE411

RGB 138 228 17

HSL 85.59, 0.86%, 0.48%

LAB 82.34, -54.49, 78.51

 

CMYK 14 / 0 / 93 / 11

HEX #C3E411

RGB 195 228 17

HSL 69.38, 0.86%, 0.48%

LAB 85.57, -33.23, 82.44

 

CMYK 93 / 0 / 71 / 11

HEX #11E443

RGB 17 228 67

HSL 134.22, 0.86%, 0.48%

LAB 79.62, -75.6, 62.51

 

CMYK 93 / 0 / 46 / 11

HEX #11E47C

RGB 17 228 124

HSL 150.43, 0.86%, 0.48%

LAB 80.21, -68.29, 38.08

 

CMYK 93 / 0 / 21 / 11

HEX #11E4B4

RGB 17 228 180

HSL 166.35, 0.86%, 0.48%

LAB 81.24, -56.65, 10.68

 

CMYK 93 / 4 / 0 / 11

HEX #11DAE4

RGB 17 218 228

HSL 182.84, 0.86%, 0.48%

LAB 79.54, -39.28, -17.33

 

CMYK 93 / 29 / 0 / 11

HEX #11A1E4

RGB 17 161 228

HSL 199.05, 0.86%, 0.48%

LAB 62.68, -10.56, -43.29

 

CMYK 93 / 0 / 71 / 11

HEX #11E443

RGB 17 228 67

HSL 134.22, 0.86%, 0.48%

LAB 79.62, -75.6, 62.51

 

CMYK 93 / 0 / 71 / 11

HEX #11E443

RGB 17 228 67

HSL 134.22, 0.86%, 0.48%

LAB 79.62, -75.6, 62.51

 

CMYK 82 / 0 / 63 / 18

HEX #25D04D

RGB 37 208 77

HSL 134.04, 0.7%, 0.48%

LAB 73.57, -67.19, 52.05

 

CMYK 70 / 0 / 53 / 26

HEX #39BC58

RGB 57 188 88

HSL 134.2, 0.53%, 0.48%

LAB 67.68, -56.36, 40.19

 

CMYK 54 / 0 / 42 / 34

HEX #4DA862

RGB 77 168 98

HSL 133.85, 0.37%, 0.48%

LAB 62.05, -42.72, 28.12

 

CMYK 35 / 0 / 26 / 42

HEX #60946D

RGB 96 148 109

HSL 135, 0.21%, 0.48%

LAB 56.85, -25.96, 15.25

 

CMYK 65 / 0 / 93 / 11

HEX #50E411

RGB 80 228 17

HSL 102.09, 0.86%, 0.48%

LAB 80.31, -70.39, 76.01

 

CMYK 89 / 0 / 93 / 11

HEX #18E411

RGB 24 228 17

HSL 118.01, 0.86%, 0.48%

LAB 79.46, -77.88, 74.95

 

CMYK 93 / 0 / 71 / 11

HEX #11E442

RGB 17 228 66

HSL 133.93, 0.86%, 0.48%

LAB 79.61, -75.68, 62.87

 

CMYK 93 / 0 / 46 / 11

HEX #11E47A

RGB 17 228 122

HSL 149.86, 0.86%, 0.48%

LAB 80.19, -68.63, 39.02

 

CMYK 93 / 0 / 21 / 11

HEX #11E4B3

RGB 17 228 179

HSL 166.07, 0.86%, 0.48%

LAB 81.21, -56.89, 11.18

 

CMYK 93 / 0 / 71 / 41

HEX #0B972C

RGB 11 151 44

HSL 134.14, 0.86%, 0.32%

LAB 54.43, -55.16, 44.96

 

CMYK 93 / 0 / 70 / 26

HEX #0EBD38

RGB 14 189 56

HSL 134.4, 0.86%, 0.4%

LAB 67.11, -65.39, 53.56

 

CMYK 93 / 0 / 71 / 11

HEX #11E443

RGB 17 228 67

HSL 134.22, 0.86%, 0.48%

LAB 79.62, -75.6, 62.51

 

CMYK 80 / 0 / 62 / 6

HEX #2FEF5C

RGB 47 239 92

HSL 134.06, 0.86%, 0.56%

LAB 83.5, -74.05, 56.89

 

CMYK 65 / 0 / 50 / 5

HEX #55F27A

RGB 85 242 122

HSL 134.14, 0.86%, 0.64%

LAB 85.42, -65.59, 45.81

 

CMYK 93 / 0 / 71 / 10

HEX #11E543

RGB 17 229 67

HSL 134.15, 0.86%, 0.48%

LAB 79.93, -75.88, 62.84

 

CMYK 93 / 40 / 0 / 11

HEX #1188E4

RGB 17 136 228

HSL 206.16, 0.86%, 0.48%

LAB 55.41, 3.95, -54.82

 

CMYK 0 / 93 / 77 / 11

HEX #E41134

RGB 228 17 52

HSL 350.05, 0.86%, 0.48%

LAB 48.44, 73.01, 40.31

 

CMYK 93 / 0 / 71 / 10

HEX #11E543

RGB 17 229 67

HSL 134.15, 0.86%, 0.48%

LAB 79.93, -75.88, 62.84

 

CMYK 71 / 93 / 0 / 11

HEX #4211E4

RGB 66 17 228

HSL 253.93, 0.86%, 0.48%

LAB 32.17, 71.02, -92.72

 

CMYK 0 / 71 / 93 / 11

HEX #E44211

RGB 228 66 17

HSL 13.93, 0.86%, 0.48%

LAB 52.32, 60.6, 59.62

 

CMYK 93 / 0 / 71 / 10

HEX #11E543

RGB 17 229 67

HSL 134.15, 0.86%, 0.48%

LAB 79.93, -75.88, 62.84

 

CMYK 93 / 40 / 0 / 11

HEX #1188E4

RGB 17 136 228

HSL 206.16, 0.86%, 0.48%

LAB 55.41, 3.95, -54.82

 

CMYK 0 / 93 / 21 / 11

HEX #E411B3

RGB 228 17 179

HSL 313.93, 0.86%, 0.48%

LAB 52.01, 82.6, -31.07

 

CMYK 0 / 53 / 93 / 11

HEX #E46C11

RGB 228 108 17

HSL 25.88, 0.86%, 0.48%

LAB 59.21, 42.39, 64.22

 

CMYK 93 / 0 / 71 / 10

HEX #11E543

RGB 17 229 67

HSL 134.15, 0.86%, 0.48%

LAB 79.93, -75.88, 62.84

 

CMYK 93 / 68 / 0 / 11

HEX #1149E4

RGB 17 73 228

HSL 224.08, 0.86%, 0.48%

LAB 38.7, 43.81, -81.96

 

CMYK 0 / 93 / 21 / 11

HEX #E411B3

RGB 228 17 179

HSL 313.93, 0.86%, 0.48%

LAB 52.01, 82.6, -31.07

 

CMYK 0 / 25 / 93 / 11

HEX #E4AC11

RGB 228 172 17

HSL 44.08, 0.86%, 0.48%

LAB 73.57, 8.88, 74.51

 

Description

Color code: HEX #11E543 | qconv.com Color code: HEX #11E543 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 229 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 229 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 71 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 71% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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