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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11E19F it is the complementary color #EE1E60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11E19F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11E19F shade: #16E19A, #27F3AD, #38FFC0, #49FFD3 and #5AFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11E19F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11E19F shade: #11E19F, #00CF8C, #00BD79, #00AB66 and #009953

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11E19F shade: #11DF9E, #11DF66, #11DF2E, #2BDF11 and #62DF11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11E19F shade: #11DF9E, #11DFD5, #11B1DF, #117ADF and #1142DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11E19F shade matches the following richer shades: #11DF9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11E19F shade: #11DF9E, #24CC96, #38B88F, #4BA588 and #5E9181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11E19F shade: #11DF2C, #11DF63, #11DF9A, #11DFD1 and #11B6DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11E19F shade: #0B9267, #0EB982, #11DF9E, #2AEFB0 and #50F2BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11E19F shade: #11E19F, #112CDF and #DF4811

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11E19F shade: #11E19F, #9A11DF and #DF9A11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11E19F shade: #11E19F, #112CDF, #DF1155 and #DFC311

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11E19F shade: #11E19F, #3311DF, #DF1155 and #BDDF11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 29 / 12

HEX #11E19F

RGB 17 225 159

HSL 160.96, 0.86%, 0.47%

LAB 79.88, -60.4, 19.8

 

Complementary color

CMYK 0 / 87 / 60 / 7

HEX #EE1E60

RGB 238 30 96

HSL 340.96, 0.86%, 0.53%

LAB 51.78, 75.65, 18.58

 

CMYK 90 / 0 / 32 / 12

HEX #16E19A

RGB 22 225 154

HSL 159.01, 0.82%, 0.48%

LAB 79.81, -61.26, 22.31

 

CMYK 84 / 0 / 29 / 5

HEX #27F3AD

RGB 39 243 173

HSL 159.41, 0.89%, 0.55%

LAB 85.78, -62.68, 20.73

 

CMYK 78 / 0 / 25 / 0

HEX #38FFC0

RGB 56 255 192

HSL 161.01, 1%, 0.61%

LAB 89.94, -61.5, 16.79

 

CMYK 71 / 0 / 17 / 0

HEX #49FFD3

RGB 73 255 211

HSL 165.49, 1%, 0.64%

LAB 90.62, -55.21, 8.01

 

CMYK 65 / 0 / 10 / 0

HEX #5AFFE6

RGB 90 255 230

HSL 170.91, 1%, 0.68%

LAB 91.42, -48.23, -0.62

 

CMYK 92 / 0 / 29 / 12

HEX #11E19F

RGB 17 225 159

HSL 160.96, 0.86%, 0.47%

LAB 79.88, -60.4, 19.8

 

CMYK 100 / 0 / 32 / 19

HEX #00CF8C

RGB 0 207 140

HSL 160.58, 1%, 0.41%

LAB 73.88, -58.55, 21.49

 

CMYK 100 / 0 / 36 / 26

HEX #00BD79

RGB 0 189 121

HSL 158.41, 1%, 0.37%

LAB 67.85, -56.09, 23.36

 

CMYK 100 / 0 / 40 / 33

HEX #00AB66

RGB 0 171 102

HSL 155.79, 1%, 0.34%

LAB 61.73, -53.53, 25.31

 

CMYK 100 / 0 / 46 / 40

HEX #009953

RGB 0 153 83

HSL 152.55, 1%, 0.3%

LAB 55.49, -50.84, 27.32

 

CMYK 92 / 0 / 29 / 13

HEX #11DF9E

RGB 17 223 158

HSL 161.07, 0.86%, 0.47%

LAB 79.25, -59.88, 19.44

 

CMYK 92 / 0 / 54 / 13

HEX #11DF66

RGB 17 223 102

HSL 144.76, 0.86%, 0.47%

LAB 78.38, -70.12, 46.37

 

CMYK 92 / 0 / 79 / 13

HEX #11DF2E

RGB 17 223 46

HSL 128.45, 0.86%, 0.47%

LAB 77.93, -75.73, 67.67

 

CMYK 81 / 0 / 92 / 13

HEX #2BDF11

RGB 43 223 17

HSL 112.43, 0.86%, 0.47%

LAB 78.07, -74.83, 73.87

 

CMYK 56 / 0 / 92 / 13

HEX #62DF11

RGB 98 223 17

HSL 96.41, 0.86%, 0.47%

LAB 79.28, -64.57, 75.37

 

CMYK 92 / 0 / 29 / 13

HEX #11DF9E

RGB 17 223 158

HSL 161.07, 0.86%, 0.47%

LAB 79.25, -59.88, 19.44

 

CMYK 92 / 0 / 4 / 13

HEX #11DFD5

RGB 17 223 213

HSL 177.09, 0.86%, 0.47%

LAB 80.57, -45.89, -7.78

 

CMYK 92 / 21 / 0 / 13

HEX #11B1DF

RGB 17 177 223

HSL 193.4, 0.86%, 0.47%

LAB 67.2, -20.94, -33.5

 

CMYK 92 / 45 / 0 / 13

HEX #117ADF

RGB 17 122 223

HSL 209.42, 0.86%, 0.47%

LAB 51.11, 10.62, -58.91

 

CMYK 92 / 70 / 0 / 13

HEX #1142DF

RGB 17 66 223

HSL 225.73, 0.86%, 0.47%

LAB 36.64, 46.28, -82.51

 

CMYK 92 / 0 / 29 / 13

HEX #11DF9E

RGB 17 223 158

HSL 161.07, 0.86%, 0.47%

LAB 79.25, -59.88, 19.44

 

CMYK 92 / 0 / 29 / 13

HEX #11DF9E

RGB 17 223 158

HSL 161.07, 0.86%, 0.47%

LAB 79.25, -59.88, 19.44

 

CMYK 82 / 0 / 26 / 20

HEX #24CC96

RGB 36 204 150

HSL 160.71, 0.7%, 0.47%

LAB 73.39, -53.31, 15.54

 

CMYK 70 / 0 / 22 / 28

HEX #38B88F

RGB 56 184 143

HSL 160.78, 0.53%, 0.47%

LAB 67.36, -44.45, 10.89

 

CMYK 55 / 0 / 18 / 35

HEX #4BA588

RGB 75 165 136

HSL 160.67, 0.38%, 0.47%

LAB 61.81, -34.09, 6.94

 

CMYK 35 / 0 / 11 / 43

HEX #5E9181

RGB 94 145 129

HSL 161.18, 0.21%, 0.47%

LAB 56.3, -20.82, 3.08

 

CMYK 92 / 0 / 80 / 13

HEX #11DF2C

RGB 17 223 44

HSL 127.86, 0.86%, 0.47%

LAB 77.92, -75.85, 68.22

 

CMYK 92 / 0 / 56 / 13

HEX #11DF63

RGB 17 223 99

HSL 143.88, 0.86%, 0.47%

LAB 78.34, -70.54, 47.72

 

CMYK 92 / 0 / 31 / 13

HEX #11DF9A

RGB 17 223 154

HSL 159.9, 0.86%, 0.47%

LAB 79.17, -60.76, 21.42

 

CMYK 92 / 0 / 6 / 13

HEX #11DFD1

RGB 17 223 209

HSL 175.92, 0.86%, 0.47%

LAB 80.46, -47.02, -5.82

 

CMYK 92 / 18 / 0 / 13

HEX #11B6DF

RGB 17 182 223

HSL 191.94, 0.86%, 0.47%

LAB 68.68, -23.52, -31.2

 

CMYK 92 / 0 / 29 / 43

HEX #0B9267

RGB 11 146 103

HSL 160.89, 0.86%, 0.31%

LAB 53.61, -43.32, 13.77

 

CMYK 92 / 0 / 30 / 27

HEX #0EB982

RGB 14 185 130

HSL 160.7, 0.86%, 0.39%

LAB 66.83, -52.08, 17.14

 

CMYK 92 / 0 / 29 / 13

HEX #11DF9E

RGB 17 223 158

HSL 161.07, 0.86%, 0.47%

LAB 79.25, -59.88, 19.44

 

CMYK 82 / 0 / 26 / 6

HEX #2AEFB0

RGB 42 239 176

HSL 160.81, 0.86%, 0.55%

LAB 84.67, -60.29, 17.64

 

CMYK 67 / 0 / 21 / 5

HEX #50F2BF

RGB 80 242 191

HSL 161.11, 0.86%, 0.63%

LAB 86.49, -53.62, 12.5

 

CMYK 92 / 0 / 29 / 12

HEX #11E19F

RGB 17 225 159

HSL 160.96, 0.86%, 0.47%

LAB 79.88, -60.4, 19.8

 

CMYK 92 / 80 / 0 / 13

HEX #112CDF

RGB 17 44 223

HSL 232.14, 0.86%, 0.47%

LAB 32.37, 58.39, -89.59

 

CMYK 0 / 68 / 92 / 13

HEX #DF4811

RGB 223 72 17

HSL 16.02, 0.86%, 0.47%

LAB 52.25, 56.73, 59.13

 

CMYK 92 / 0 / 29 / 12

HEX #11E19F

RGB 17 225 159

HSL 160.96, 0.86%, 0.47%

LAB 79.88, -60.4, 19.8

 

CMYK 31 / 92 / 0 / 13

HEX #9A11DF

RGB 154 17 223

HSL 279.9, 0.86%, 0.47%

LAB 42.15, 77.4, -73.03

 

CMYK 0 / 31 / 92 / 13

HEX #DF9A11

RGB 223 154 17

HSL 39.9, 0.86%, 0.47%

LAB 68.63, 16.3, 70.63

 

CMYK 92 / 0 / 29 / 12

HEX #11E19F

RGB 17 225 159

HSL 160.96, 0.86%, 0.47%

LAB 79.88, -60.4, 19.8

 

CMYK 92 / 80 / 0 / 13

HEX #112CDF

RGB 17 44 223

HSL 232.14, 0.86%, 0.47%

LAB 32.37, 58.39, -89.59

 

CMYK 0 / 92 / 62 / 13

HEX #DF1155

RGB 223 17 85

HSL 340.19, 0.86%, 0.47%

LAB 47.94, 73.23, 19.62

 

CMYK 0 / 13 / 92 / 13

HEX #DFC311

RGB 223 195 17

HSL 51.84, 0.86%, 0.47%

LAB 78.9, -5.3, 78.27

 

CMYK 92 / 0 / 29 / 12

HEX #11E19F

RGB 17 225 159

HSL 160.96, 0.86%, 0.47%

LAB 79.88, -60.4, 19.8

 

CMYK 77 / 92 / 0 / 13

HEX #3311DF

RGB 51 17 223

HSL 249.9, 0.86%, 0.47%

LAB 30.48, 69.17, -92.7

 

CMYK 0 / 92 / 62 / 13

HEX #DF1155

RGB 223 17 85

HSL 340.19, 0.86%, 0.47%

LAB 47.94, 73.23, 19.62

 

CMYK 15 / 0 / 92 / 13

HEX #BDDF11

RGB 189 223 17

HSL 69.9, 0.86%, 0.47%

LAB 83.78, -33.35, 80.87

 

Description

Color code: HEX #11E19F | qconv.com Color code: HEX #11E19F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 225 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 225 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 29 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 29% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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