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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11D534 it is the complementary color #EE2ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11D534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11D534 shade: #16D52F, #27E742, #38F955, #49FF68 and #5AFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11D534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11D534 shade: #11D534, #00C321, #00B10E, #009F00 and #008D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11D534 shade: #11D434, #23D411, #58D411, #8CD411 and #C1D411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11D534 shade: #11D434, #11D469, #11D49D, #11D4D2 and #11A2D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11D534 shade matches the following richer shades: #11D434

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11D534 shade: #11D434, #24C240, #36AF4C, #499D58 and #5B8A64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11D534 shade: #59D411, #25D411, #11D432, #11D466 and #11D49A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11D534 shade: #0B8821, #0EAE2B, #11D434, #22ED46 and #48F066

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11D534 shade: #11D534, #118DD4 and #D4113F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11D534 shade: #11D534, #3211D4 and #D43211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11D534 shade: #11D534, #118DD4, #D411B4 and #D45911

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11D534 shade: #11D534, #1152D4, #D411B4 and #D49311

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 76 / 16

HEX #11D534

RGB 17 213 52

HSL 130.71, 0.85%, 0.45%

LAB 74.8, -72.53, 62.82

 

Complementary color

CMYK 0 / 82 / 15 / 7

HEX #EE2ACB

RGB 238 42 203

HSL 310.71, 0.85%, 0.55%

LAB 56.23, 83.67, -38.23

 

CMYK 90 / 0 / 78 / 16

HEX #16D52F

RGB 22 213 47

HSL 127.85, 0.81%, 0.46%

LAB 74.8, -72.58, 64.41

 

CMYK 83 / 0 / 71 / 9

HEX #27E742

RGB 39 231 66

HSL 128.44, 0.8%, 0.53%

LAB 80.73, -75, 64.07

 

CMYK 78 / 0 / 66 / 2

HEX #38F955

RGB 56 249 85

HSL 129.02, 0.94%, 0.6%

LAB 86.63, -76.79, 63.25

 

CMYK 71 / 0 / 59 / 0

HEX #49FF68

RGB 73 255 104

HSL 130.22, 1%, 0.64%

LAB 88.89, -74.31, 58.04

 

CMYK 65 / 0 / 52 / 0

HEX #5AFF7B

RGB 90 255 123

HSL 132, 1%, 0.68%

LAB 89.45, -69.06, 50.32

 

CMYK 92 / 0 / 76 / 16

HEX #11D534

RGB 17 213 52

HSL 130.71, 0.85%, 0.45%

LAB 74.8, -72.53, 62.82

 

CMYK 100 / 0 / 83 / 24

HEX #00C321

RGB 0 195 33

HSL 130.15, 1%, 0.38%

LAB 68.85, -69.4, 62.7

 

CMYK 100 / 0 / 92 / 31

HEX #00B10E

RGB 0 177 14

HSL 124.75, 1%, 0.35%

LAB 62.91, -65.19, 61.41

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 92 / 0 / 75 / 17

HEX #11D434

RGB 17 212 52

HSL 130.77, 0.85%, 0.45%

LAB 74.48, -72.25, 62.51

 

CMYK 83 / 0 / 92 / 17

HEX #23D411

RGB 35 212 17

HSL 114.46, 0.85%, 0.45%

LAB 74.5, -72.58, 70.85

 

CMYK 58 / 0 / 92 / 17

HEX #58D411

RGB 88 212 17

HSL 98.15, 0.85%, 0.45%

LAB 75.58, -63.35, 72.18

 

CMYK 34 / 0 / 92 / 17

HEX #8CD411

RGB 140 212 17

HSL 82.15, 0.85%, 0.45%

LAB 77.7, -47.35, 74.8

 

CMYK 9 / 0 / 92 / 17

HEX #C1D411

RGB 193 212 17

HSL 65.85, 0.85%, 0.45%

LAB 81, -26.56, 78.81

 

CMYK 92 / 0 / 75 / 17

HEX #11D434

RGB 17 212 52

HSL 130.77, 0.85%, 0.45%

LAB 74.48, -72.25, 62.51

 

CMYK 92 / 0 / 50 / 17

HEX #11D469

RGB 17 212 105

HSL 147.08, 0.85%, 0.45%

LAB 74.97, -66.18, 40.76

 

CMYK 92 / 0 / 26 / 17

HEX #11D49D

RGB 17 212 157

HSL 163.08, 0.85%, 0.45%

LAB 75.85, -55.99, 15.23

 

CMYK 92 / 0 / 1 / 17

HEX #11D4D2

RGB 17 212 210

HSL 179.38, 0.85%, 0.45%

LAB 77.2, -41.94, -11.2

 

CMYK 92 / 24 / 0 / 17

HEX #11A2D4

RGB 17 162 212

HSL 195.38, 0.85%, 0.45%

LAB 62.26, -16.84, -35.08

 

CMYK 92 / 0 / 75 / 17

HEX #11D434

RGB 17 212 52

HSL 130.77, 0.85%, 0.45%

LAB 74.48, -72.25, 62.51

 

CMYK 92 / 0 / 75 / 17

HEX #11D434

RGB 17 212 52

HSL 130.77, 0.85%, 0.45%

LAB 74.48, -72.25, 62.51

 

CMYK 81 / 0 / 67 / 24

HEX #24C240

RGB 36 194 64

HSL 130.63, 0.69%, 0.45%

LAB 68.99, -64.32, 52.44

 

CMYK 69 / 0 / 57 / 31

HEX #36AF4C

RGB 54 175 76

HSL 130.91, 0.53%, 0.45%

LAB 63.31, -53.92, 40.73

 

CMYK 54 / 0 / 44 / 38

HEX #499D58

RGB 73 157 88

HSL 130.71, 0.37%, 0.45%

LAB 58.26, -40.79, 28.49

 

CMYK 34 / 0 / 28 / 46

HEX #5B8A64

RGB 91 138 100

HSL 131.49, 0.21%, 0.45%

LAB 53.3, -24.34, 15.4

 

CMYK 58 / 0 / 92 / 17

HEX #59D411

RGB 89 212 17

HSL 97.85, 0.85%, 0.45%

LAB 75.61, -63.1, 72.22

 

CMYK 83 / 0 / 92 / 17

HEX #25D411

RGB 37 212 17

HSL 113.85, 0.85%, 0.45%

LAB 74.52, -72.37, 70.88

 

CMYK 92 / 0 / 76 / 17

HEX #11D432

RGB 17 212 50

HSL 130.15, 0.85%, 0.45%

LAB 74.47, -72.39, 63.14

 

CMYK 92 / 0 / 52 / 17

HEX #11D466

RGB 17 212 102

HSL 146.15, 0.85%, 0.45%

LAB 74.93, -66.64, 42.17

 

CMYK 92 / 0 / 27 / 17

HEX #11D49A

RGB 17 212 154

HSL 162.15, 0.85%, 0.45%

LAB 75.79, -56.69, 16.73

 

CMYK 92 / 0 / 76 / 47

HEX #0B8821

RGB 11 136 33

HSL 130.56, 0.85%, 0.29%

LAB 49.24, -51.49, 43.92

 

CMYK 92 / 0 / 75 / 32

HEX #0EAE2B

RGB 14 174 43

HSL 130.88, 0.85%, 0.37%

LAB 62.12, -62.06, 53.25

 

CMYK 92 / 0 / 75 / 17

HEX #11D434

RGB 17 212 52

HSL 130.77, 0.85%, 0.45%

LAB 74.48, -72.25, 62.51

 

CMYK 86 / 0 / 70 / 7

HEX #22ED46

RGB 34 237 70

HSL 130.64, 0.85%, 0.53%

LAB 82.57, -76.84, 64.52

 

CMYK 70 / 0 / 58 / 6

HEX #48F066

RGB 72 240 102

HSL 130.71, 0.85%, 0.61%

LAB 84.31, -69.82, 53.59

 

CMYK 92 / 0 / 76 / 16

HEX #11D534

RGB 17 213 52

HSL 130.71, 0.85%, 0.45%

LAB 74.8, -72.53, 62.82

 

CMYK 92 / 33 / 0 / 17

HEX #118DD4

RGB 17 141 212

HSL 201.85, 0.85%, 0.45%

LAB 56.01, -5.08, -44.9

 

CMYK 0 / 92 / 70 / 17

HEX #D4113F

RGB 212 17 63

HSL 345.85, 0.85%, 0.45%

LAB 45.3, 69.45, 29.32

 

CMYK 92 / 0 / 76 / 16

HEX #11D534

RGB 17 213 52

HSL 130.71, 0.85%, 0.45%

LAB 74.8, -72.53, 62.82

 

CMYK 76 / 92 / 0 / 17

HEX #3211D4

RGB 50 17 212

HSL 250.15, 0.85%, 0.45%

LAB 28.99, 66.32, -88.84

 

CMYK 0 / 76 / 92 / 17

HEX #D43211

RGB 212 50 17

HSL 10.15, 0.85%, 0.45%

LAB 47.39, 61.01, 54.95

 

CMYK 92 / 0 / 76 / 16

HEX #11D534

RGB 17 213 52

HSL 130.71, 0.85%, 0.45%

LAB 74.8, -72.53, 62.82

 

CMYK 92 / 33 / 0 / 17

HEX #118DD4

RGB 17 141 212

HSL 201.85, 0.85%, 0.45%

LAB 56.01, -5.08, -44.9

 

CMYK 0 / 92 / 15 / 17

HEX #D411B4

RGB 212 17 180

HSL 309.85, 0.85%, 0.45%

LAB 49.12, 79.69, -36.39

 

CMYK 0 / 58 / 92 / 17

HEX #D45911

RGB 212 89 17

HSL 22.15, 0.85%, 0.45%

LAB 53.15, 45.47, 58.85

 

CMYK 92 / 0 / 76 / 16

HEX #11D534

RGB 17 213 52

HSL 130.71, 0.85%, 0.45%

LAB 74.8, -72.53, 62.82

 

CMYK 92 / 61 / 0 / 17

HEX #1152D4

RGB 17 82 212

HSL 220, 0.85%, 0.45%

LAB 39.42, 32.1, -71.62

 

CMYK 0 / 92 / 15 / 17

HEX #D411B4

RGB 212 17 180

HSL 309.85, 0.85%, 0.45%

LAB 49.12, 79.69, -36.39

 

CMYK 0 / 31 / 92 / 17

HEX #D49311

RGB 212 147 17

HSL 40, 0.85%, 0.45%

LAB 65.67, 15.28, 67.88

 

Description

Color code: HEX #11D534 | qconv.com Color code: HEX #11D534 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 213 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 213 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 76 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 76% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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