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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11CD37 it is the complementary color #EE32C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11CD37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11CD37 shade: #16CD32, #27DF45, #38F158, #49FF6B and #5AFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11CD37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11CD37 shade: #11CD37, #00BB24, #00A911, #009700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11CD37 shade: #11D037, #1ED011, #51D011, #85D011 and #B8D011

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11CD37 shade: #11D037, #11D06B, #11D09E, #11CDD0 and #119AD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11CD37 shade matches the following richer shades: #11D037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11CD37 shade: #11D037, #23BD42, #35AB4D, #479958 and #598763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11CD37 shade: #50D011, #1ED011, #11D037, #11D06A and #11D09D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11CD37 shade: #0B8323, #0EA92D, #11D037, #1DED47 and #43F066

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11CD37 shade: #11CD37, #1183D0 and #D01137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11CD37 shade: #11CD37, #3711D0 and #D03711

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11CD37 shade: #11CD37, #1183D0, #D011A9 and #D05D11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11CD37 shade: #11CD37, #114AD0, #D011A9 and #D09611

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 73 / 20

HEX #11CD37

RGB 17 205 55

HSL 132.13, 0.85%, 0.44%

LAB 72.27, -70.01, 59.26

 

Complementary color

CMYK 0 / 79 / 16 / 7

HEX #EE32C8

RGB 238 50 200

HSL 312.13, 0.85%, 0.56%

LAB 56.71, 81.49, -35.76

 

CMYK 89 / 0 / 76 / 20

HEX #16CD32

RGB 22 205 50

HSL 129.18, 0.81%, 0.45%

LAB 72.27, -70.09, 60.99

 

CMYK 83 / 0 / 69 / 13

HEX #27DF45

RGB 39 223 69

HSL 129.78, 0.74%, 0.51%

LAB 78.25, -72.38, 60.39

 

CMYK 77 / 0 / 63 / 5

HEX #38F158

RGB 56 241 88

HSL 130.38, 0.87%, 0.58%

LAB 84.2, -74.05, 59.38

 

CMYK 71 / 0 / 58 / 0

HEX #49FF6B

RGB 73 255 107

HSL 131.21, 1%, 0.64%

LAB 88.92, -73.96, 56.78

 

CMYK 65 / 0 / 51 / 0

HEX #5AFF7E

RGB 90 255 126

HSL 133.09, 1%, 0.68%

LAB 89.49, -68.65, 48.97

 

CMYK 92 / 0 / 73 / 20

HEX #11CD37

RGB 17 205 55

HSL 132.13, 0.85%, 0.44%

LAB 72.27, -70.01, 59.26

 

CMYK 100 / 0 / 81 / 27

HEX #00BB24

RGB 0 187 36

HSL 131.55, 1%, 0.37%

LAB 66.27, -66.99, 59.49

 

CMYK 100 / 0 / 90 / 34

HEX #00A911

RGB 0 169 17

HSL 126.04, 1%, 0.33%

LAB 60.26, -62.86, 58.64

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 92 / 0 / 74 / 18

HEX #11D037

RGB 17 208 55

HSL 131.94, 0.85%, 0.44%

LAB 73.22, -70.87, 60.24

 

CMYK 86 / 0 / 92 / 18

HEX #1ED011

RGB 30 208 17

HSL 115.92, 0.85%, 0.44%

LAB 73.17, -71.92, 69.71

 

CMYK 61 / 0 / 92 / 18

HEX #51D011

RGB 81 208 17

HSL 99.9, 0.85%, 0.44%

LAB 74.13, -63.69, 70.9

 

CMYK 36 / 0 / 92 / 18

HEX #85D011

RGB 133 208 17

HSL 83.56, 0.85%, 0.44%

LAB 76.15, -48.19, 73.4

 

CMYK 12 / 0 / 92 / 18

HEX #B8D011

RGB 184 208 17

HSL 67.54, 0.85%, 0.44%

LAB 79.24, -28.39, 77.16

 

CMYK 92 / 0 / 74 / 18

HEX #11D037

RGB 17 208 55

HSL 131.94, 0.85%, 0.44%

LAB 73.22, -70.87, 60.24

 

CMYK 92 / 0 / 49 / 18

HEX #11D06B

RGB 17 208 107

HSL 148.27, 0.85%, 0.44%

LAB 73.73, -64.56, 38.24

 

CMYK 92 / 0 / 24 / 18

HEX #11D09E

RGB 17 208 158

HSL 164.29, 0.85%, 0.44%

LAB 74.64, -54.22, 12.99

 

CMYK 92 / 1 / 0 / 18

HEX #11CDD0

RGB 17 205 208

HSL 180.94, 0.85%, 0.44%

LAB 75.04, -39.39, -13.36

 

CMYK 92 / 26 / 0 / 18

HEX #119AD0

RGB 17 154 208

HSL 196.96, 0.85%, 0.44%

LAB 59.69, -13.91, -36.87

 

CMYK 92 / 0 / 74 / 18

HEX #11D037

RGB 17 208 55

HSL 131.94, 0.85%, 0.44%

LAB 73.22, -70.87, 60.24

 

CMYK 92 / 0 / 74 / 18

HEX #11D037

RGB 17 208 55

HSL 131.94, 0.85%, 0.44%

LAB 73.22, -70.87, 60.24

 

CMYK 81 / 0 / 65 / 26

HEX #23BD42

RGB 35 189 66

HSL 132.08, 0.69%, 0.44%

LAB 67.39, -62.65, 49.85

 

CMYK 69 / 0 / 55 / 33

HEX #35AB4D

RGB 53 171 77

HSL 132.2, 0.53%, 0.44%

LAB 62.01, -52.52, 38.68

 

CMYK 54 / 0 / 42 / 40

HEX #479958

RGB 71 153 88

HSL 132.44, 0.37%, 0.44%

LAB 56.91, -39.61, 26.73

 

CMYK 34 / 0 / 27 / 47

HEX #598763

RGB 89 135 99

HSL 133.04, 0.21%, 0.44%

LAB 52.23, -23.69, 14.49

 

CMYK 62 / 0 / 92 / 18

HEX #50D011

RGB 80 208 17

HSL 100.21, 0.85%, 0.44%

LAB 74.1, -63.93, 70.86

 

CMYK 86 / 0 / 92 / 18

HEX #1ED011

RGB 30 208 17

HSL 115.92, 0.85%, 0.44%

LAB 73.17, -71.92, 69.71

 

CMYK 92 / 0 / 74 / 18

HEX #11D037

RGB 17 208 55

HSL 131.94, 0.85%, 0.44%

LAB 73.22, -70.87, 60.24

 

CMYK 92 / 0 / 49 / 18

HEX #11D06A

RGB 17 208 106

HSL 147.96, 0.85%, 0.44%

LAB 73.72, -64.72, 38.72

 

CMYK 92 / 0 / 25 / 18

HEX #11D09D

RGB 17 208 157

HSL 163.98, 0.85%, 0.44%

LAB 74.61, -54.46, 13.5

 

CMYK 92 / 0 / 73 / 49

HEX #0B8323

RGB 11 131 35

HSL 132, 0.85%, 0.28%

LAB 47.53, -49.72, 41.37

 

CMYK 92 / 0 / 73 / 34

HEX #0EA92D

RGB 14 169 45

HSL 132, 0.85%, 0.36%

LAB 60.48, -60.4, 50.86

 

CMYK 92 / 0 / 74 / 18

HEX #11D037

RGB 17 208 55

HSL 131.94, 0.85%, 0.44%

LAB 73.22, -70.87, 60.24

 

CMYK 88 / 0 / 70 / 7

HEX #1DED47

RGB 29 237 71

HSL 132.12, 0.85%, 0.52%

LAB 82.53, -77.13, 64.11

 

CMYK 72 / 0 / 58 / 6

HEX #43F066

RGB 67 240 102

HSL 132.14, 0.85%, 0.6%

LAB 84.21, -70.61, 53.45

 

CMYK 92 / 0 / 73 / 20

HEX #11CD37

RGB 17 205 55

HSL 132.13, 0.85%, 0.44%

LAB 72.27, -70.01, 59.26

 

CMYK 92 / 37 / 0 / 18

HEX #1183D0

RGB 17 131 208

HSL 204.19, 0.85%, 0.44%

LAB 52.85, -0.69, -47.66

 

CMYK 0 / 92 / 74 / 18

HEX #D01137

RGB 208 17 55

HSL 348.06, 0.85%, 0.44%

LAB 44.36, 68.13, 32.85

 

CMYK 92 / 0 / 73 / 20

HEX #11CD37

RGB 17 205 55

HSL 132.13, 0.85%, 0.44%

LAB 72.27, -70.01, 59.26

 

CMYK 74 / 92 / 0 / 18

HEX #3711D0

RGB 55 17 208

HSL 251.94, 0.85%, 0.44%

LAB 28.82, 65.5, -86.78

 

CMYK 0 / 74 / 92 / 18

HEX #D03711

RGB 208 55 17

HSL 11.94, 0.85%, 0.44%

LAB 47.21, 58.15, 54.47

 

CMYK 92 / 0 / 73 / 20

HEX #11CD37

RGB 17 205 55

HSL 132.13, 0.85%, 0.44%

LAB 72.27, -70.01, 59.26

 

CMYK 92 / 37 / 0 / 18

HEX #1183D0

RGB 17 131 208

HSL 204.19, 0.85%, 0.44%

LAB 52.85, -0.69, -47.66

 

CMYK 0 / 92 / 19 / 18

HEX #D011A9

RGB 208 17 169

HSL 312.25, 0.85%, 0.44%

LAB 47.85, 77.54, -31.95

 

CMYK 0 / 55 / 92 / 18

HEX #D05D11

RGB 208 93 17

HSL 23.87, 0.85%, 0.44%

LAB 53.25, 42.03, 58.63

 

CMYK 92 / 0 / 73 / 20

HEX #11CD37

RGB 17 205 55

HSL 132.13, 0.85%, 0.44%

LAB 72.27, -70.01, 59.26

 

CMYK 92 / 64 / 0 / 18

HEX #114AD0

RGB 17 74 208

HSL 222.09, 0.85%, 0.44%

LAB 37.06, 35.76, -73.19

 

CMYK 0 / 92 / 19 / 18

HEX #D011A9

RGB 208 17 169

HSL 312.25, 0.85%, 0.44%

LAB 47.85, 77.54, -31.95

 

CMYK 0 / 28 / 92 / 18

HEX #D09611

RGB 208 150 17

HSL 41.78, 0.85%, 0.44%

LAB 65.95, 11.9, 67.88

 

Description

Color code: HEX #11CD37 | qconv.com Color code: HEX #11CD37 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 205 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 205 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 73 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 73% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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