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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11B814 it is the complementary color #EE47EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11B814. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11B814 shade: #16B80F, #27CA22, #38DC35, #49EE48 and #5AFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11B814. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11B814 shade: #11B814, #00A601, #009400, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11B814 shade: #11B614, #3AB611, #67B611, #93B611 and #B6AC11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11B814 shade: #11B614, #11B640, #11B66D, #11B699 and #11A6B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11B814 shade matches the following richer shades: #11B614 and #01C604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11B814 shade: #11B614, #21A623, #319633, #418642 and #517652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11B814 shade: #66B611, #3AB611, #11B614, #11B640 and #11B66C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11B814 shade: #0A6A0C, #0D9010, #11B614, #14DC18 and #2EEC31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11B814 shade: #11B814, #1192B6 and #B61150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11B814 shade: #11B814, #1411B6 and #B61411

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11B814 shade: #11B814, #1192B6, #B611B3 and #B63511

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11B814 shade: #11B814, #1161B6, #B611B3 and #B66611

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 89 / 28

HEX #11B814

RGB 17 184 20

HSL 121.08, 0.83%, 0.39%

LAB 65.32, -66.07, 62.49

 

Complementary color

CMYK 0 / 70 / 1 / 7

HEX #EE47EB

RGB 238 71 235

HSL 301.08, 0.83%, 0.61%

LAB 60.5, 80.53, -49.6

 

CMYK 88 / 0 / 92 / 28

HEX #16B80F

RGB 22 184 15

HSL 117.51, 0.85%, 0.39%

LAB 65.35, -65.87, 63.38

 

CMYK 81 / 0 / 83 / 21

HEX #27CA22

RGB 39 202 34

HSL 118.21, 0.71%, 0.46%

LAB 71.41, -68.64, 64.9

 

CMYK 75 / 0 / 76 / 14

HEX #38DC35

RGB 56 220 53

HSL 118.92, 0.7%, 0.54%

LAB 77.45, -70.64, 65.26

 

CMYK 69 / 0 / 70 / 7

HEX #49EE48

RGB 73 238 72

HSL 119.64, 0.83%, 0.61%

LAB 83.46, -72.07, 64.9

 

CMYK 65 / 0 / 64 / 0

HEX #5AFF5B

RGB 90 255 91

HSL 120.36, 1%, 0.68%

LAB 89.13, -72.74, 63.8

 

CMYK 91 / 0 / 89 / 28

HEX #11B814

RGB 17 184 20

HSL 121.08, 0.83%, 0.39%

LAB 65.32, -66.07, 62.49

 

CMYK 100 / 0 / 99 / 35

HEX #00A601

RGB 0 166 1

HSL 120.36, 1%, 0.33%

LAB 59.23, -62.47, 60.18

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 91 / 0 / 89 / 29

HEX #11B614

RGB 17 182 20

HSL 121.09, 0.83%, 0.39%

LAB 64.66, -65.51, 61.92

 

CMYK 68 / 0 / 91 / 29

HEX #3AB611

RGB 58 182 17

HSL 105.09, 0.83%, 0.39%

LAB 65.28, -60.17, 63.23

 

CMYK 43 / 0 / 91 / 29

HEX #67B611

RGB 103 182 17

HSL 88.73, 0.83%, 0.39%

LAB 66.81, -47.99, 65.13

 

CMYK 19 / 0 / 91 / 29

HEX #93B611

RGB 147 182 17

HSL 72.73, 0.83%, 0.39%

LAB 69.25, -31.41, 68.14

 

CMYK 0 / 5 / 91 / 29

HEX #B6AC11

RGB 182 172 17

HSL 56.36, 0.83%, 0.39%

LAB 69.11, -11.39, 69.16

 

CMYK 91 / 0 / 89 / 29

HEX #11B614

RGB 17 182 20

HSL 121.09, 0.83%, 0.39%

LAB 64.66, -65.51, 61.92

 

CMYK 91 / 0 / 65 / 29

HEX #11B640

RGB 17 182 64

HSL 137.09, 0.83%, 0.39%

LAB 64.92, -62.27, 47.92

 

CMYK 91 / 0 / 40 / 29

HEX #11B66D

RGB 17 182 109

HSL 153.45, 0.83%, 0.39%

LAB 65.5, -55.29, 26.59

 

CMYK 91 / 0 / 16 / 29

HEX #11B699

RGB 17 182 153

HSL 169.45, 0.83%, 0.39%

LAB 66.42, -45.02, 3.99

 

CMYK 91 / 9 / 0 / 29

HEX #11A6B6

RGB 17 166 182

HSL 185.82, 0.83%, 0.39%

LAB 62.31, -29.12, -18.26

 

CMYK 91 / 0 / 89 / 29

HEX #11B614

RGB 17 182 20

HSL 121.09, 0.83%, 0.39%

LAB 64.66, -65.51, 61.92

 

CMYK 99 / 0 / 98 / 22

HEX #01C604

RGB 1 198 4

HSL 120.91, 0.99%, 0.39%

LAB 69.76, -71.11, 68.32

 

CMYK 91 / 0 / 89 / 29

HEX #11B614

RGB 17 182 20

HSL 121.09, 0.83%, 0.39%

LAB 64.66, -65.51, 61.92

 

CMYK 80 / 0 / 79 / 35

HEX #21A623

RGB 33 166 35

HSL 120.9, 0.67%, 0.39%

LAB 59.63, -58.43, 53.57

 

CMYK 67 / 0 / 66 / 41

HEX #319633

RGB 49 150 51

HSL 121.19, 0.51%, 0.39%

LAB 54.77, -48.94, 42.5

 

CMYK 51 / 0 / 51 / 47

HEX #418642

RGB 65 134 66

HSL 120.87, 0.35%, 0.39%

LAB 50.18, -36.6, 29.91

 

CMYK 31 / 0 / 31 / 54

HEX #517652

RGB 81 118 82

HSL 121.62, 0.19%, 0.39%

LAB 46.06, -20.97, 15.76

 

CMYK 44 / 0 / 91 / 29

HEX #66B611

RGB 102 182 17

HSL 89.09, 0.83%, 0.39%

LAB 66.76, -48.32, 65.08

 

CMYK 68 / 0 / 91 / 29

HEX #3AB611

RGB 58 182 17

HSL 105.09, 0.83%, 0.39%

LAB 65.28, -60.17, 63.23

 

CMYK 91 / 0 / 89 / 29

HEX #11B614

RGB 17 182 20

HSL 121.09, 0.83%, 0.39%

LAB 64.66, -65.51, 61.92

 

CMYK 91 / 0 / 65 / 29

HEX #11B640

RGB 17 182 64

HSL 137.09, 0.83%, 0.39%

LAB 64.92, -62.27, 47.92

 

CMYK 91 / 0 / 41 / 29

HEX #11B66C

RGB 17 182 108

HSL 153.09, 0.83%, 0.39%

LAB 65.48, -55.48, 27.1

 

CMYK 91 / 0 / 89 / 58

HEX #0A6A0C

RGB 10 106 12

HSL 121.25, 0.83%, 0.23%

LAB 38.55, -43.56, 40.64

 

CMYK 91 / 0 / 89 / 44

HEX #0D9010

RGB 13 144 16

HSL 121.37, 0.83%, 0.31%

LAB 51.92, -54.88, 51.6

 

CMYK 91 / 0 / 89 / 29

HEX #11B614

RGB 17 182 20

HSL 121.09, 0.83%, 0.39%

LAB 64.66, -65.51, 61.92

 

CMYK 91 / 0 / 89 / 14

HEX #14DC18

RGB 20 220 24

HSL 121.2, 0.83%, 0.47%

LAB 76.92, -75.75, 71.78

 

CMYK 81 / 0 / 79 / 7

HEX #2EEC31

RGB 46 236 49

HSL 120.95, 0.83%, 0.55%

LAB 82.27, -76.91, 71.02

 

CMYK 91 / 0 / 89 / 28

HEX #11B814

RGB 17 184 20

HSL 121.08, 0.83%, 0.39%

LAB 65.32, -66.07, 62.49

 

CMYK 91 / 20 / 0 / 29

HEX #1192B6

RGB 17 146 182

HSL 193.09, 0.83%, 0.39%

LAB 56.14, -18.84, -27.73

 

CMYK 0 / 91 / 56 / 29

HEX #B61150

RGB 182 17 80

HSL 337.09, 0.83%, 0.39%

LAB 39.45, 62.96, 9.82

 

CMYK 91 / 0 / 89 / 28

HEX #11B814

RGB 17 184 20

HSL 121.08, 0.83%, 0.39%

LAB 65.32, -66.07, 62.49

 

CMYK 89 / 91 / 0 / 29

HEX #1411B6

RGB 20 17 182

HSL 241.09, 0.83%, 0.39%

LAB 23.43, 57.37, -80.49

 

CMYK 0 / 89 / 91 / 29

HEX #B61411

RGB 182 20 17

HSL 1.09, 0.83%, 0.39%

LAB 38.7, 59.83, 46.17

 

CMYK 91 / 0 / 89 / 28

HEX #11B814

RGB 17 184 20

HSL 121.08, 0.83%, 0.39%

LAB 65.32, -66.07, 62.49

 

CMYK 91 / 20 / 0 / 29

HEX #1192B6

RGB 17 146 182

HSL 193.09, 0.83%, 0.39%

LAB 56.14, -18.84, -27.73

 

CMYK 0 / 91 / 2 / 29

HEX #B611B3

RGB 182 17 179

HSL 301.09, 0.83%, 0.39%

LAB 43.65, 74.08, -44.81

 

CMYK 0 / 71 / 91 / 29

HEX #B63511

RGB 182 53 17

HSL 13.09, 0.83%, 0.39%

LAB 42.05, 50.45, 48.58

 

CMYK 91 / 0 / 89 / 28

HEX #11B814

RGB 17 184 20

HSL 121.08, 0.83%, 0.39%

LAB 65.32, -66.07, 62.49

 

CMYK 91 / 47 / 0 / 29

HEX #1161B6

RGB 17 97 182

HSL 210.91, 0.83%, 0.39%

LAB 41.29, 10.34, -51.19

 

CMYK 0 / 91 / 2 / 29

HEX #B611B3

RGB 182 17 179

HSL 301.09, 0.83%, 0.39%

LAB 43.65, 74.08, -44.81

 

CMYK 0 / 44 / 91 / 29

HEX #B66611

RGB 182 102 17

HSL 30.91, 0.83%, 0.39%

LAB 51.25, 26.77, 55.42

 

Description

Color code: HEX #11B814 | qconv.com Color code: HEX #11B814 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 184 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 184 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 89 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 89% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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