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Color name
HEX #11AD6B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11AD6B it is the complementary color #EE5294. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11AD6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11AD6B shade: #16AD66, #27BF79, #38D18C, #49E39F and #5AF5B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11AD6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11AD6B shade: #11AD6B, #009B58, #008945, #007732 and #00651F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11AD6B shade: #11AC6A, #11AC41, #11AC17, #35AC11 and #5FAC11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11AD6B shade: #11AC6A, #11AC94, #119AAC, #1170AC and #1146AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11AD6B shade matches the following richer shades: #11AC6A and #02BB6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11AD6B shade: #11AC6A, #209C68, #308D66, #3F7E63 and #4E6F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11AD6B shade: #11AC16, #11AC3F, #11AC69, #11AC92 and #119CAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11AD6B shade: #0A613C, #0D8653, #11AC6A, #15D181 and #26EA97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11AD6B shade: #11AD6B, #1135AC and #AC2B11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11AD6B shade: #11AD6B, #6911AC and #AC6911

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11AD6B shade: #11AD6B, #1135AC, #AC1154 and #AC8811

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11AD6B shade: #11AD6B, #1B11AC, #AC1154 and #A1AC11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 38 / 32

HEX #11AD6B

RGB 17 173 107

HSL 154.62, 0.82%, 0.37%

LAB 62.56, -52.42, 23.76

 

Complementary color

CMYK 0 / 66 / 38 / 7

HEX #EE5294

RGB 238 82 148

HSL 334.62, 0.82%, 0.63%

LAB 58.37, 65.13, -3.07

 

CMYK 87 / 0 / 41 / 32

HEX #16AD66

RGB 22 173 102

HSL 151.79, 0.77%, 0.38%

LAB 62.52, -53.08, 26.38

 

CMYK 80 / 0 / 37 / 25

HEX #27BF79

RGB 39 191 121

HSL 152.37, 0.66%, 0.45%

LAB 68.8, -54.33, 24.7

 

CMYK 73 / 0 / 33 / 18

HEX #38D18C

RGB 56 209 140

HSL 152.94, 0.62%, 0.52%

LAB 75.04, -55.15, 23.16

 

CMYK 68 / 0 / 30 / 11

HEX #49E39F

RGB 73 227 159

HSL 153.51, 0.73%, 0.59%

LAB 81.21, -55.68, 21.75

 

CMYK 63 / 0 / 27 / 4

HEX #5AF5B2

RGB 90 245 178

HSL 154.06, 0.89%, 0.66%

LAB 87.34, -55.99, 20.45

 

CMYK 90 / 0 / 38 / 32

HEX #11AD6B

RGB 17 173 107

HSL 154.62, 0.82%, 0.37%

LAB 62.56, -52.42, 23.76

 

CMYK 100 / 0 / 43 / 39

HEX #009B58

RGB 0 155 88

HSL 154.06, 1%, 0.3%

LAB 56.23, -50.59, 25.6

 

CMYK 100 / 0 / 50 / 46

HEX #008945

RGB 0 137 69

HSL 150.22, 1%, 0.27%

LAB 49.88, -47.78, 27.65

 

CMYK 100 / 0 / 58 / 53

HEX #007732

RGB 0 119 50

HSL 145.21, 1%, 0.23%

LAB 43.4, -44.72, 29.7

 

CMYK 100 / 0 / 69 / 60

HEX #00651F

RGB 0 101 31

HSL 138.42, 1%, 0.2%

LAB 36.76, -41.29, 31.55

 

CMYK 90 / 0 / 38 / 33

HEX #11AC6A

RGB 17 172 106

HSL 154.45, 0.82%, 0.37%

LAB 62.22, -52.26, 23.84

 

CMYK 90 / 0 / 62 / 33

HEX #11AC41

RGB 17 172 65

HSL 138.58, 0.82%, 0.37%

LAB 61.66, -59.02, 43.8

 

CMYK 90 / 0 / 87 / 33

HEX #11AC17

RGB 17 172 23

HSL 122.32, 0.82%, 0.37%

LAB 61.38, -62.52, 58.41

 

CMYK 69 / 0 / 90 / 33

HEX #35AC11

RGB 53 172 17

HSL 106.06, 0.82%, 0.37%

LAB 61.91, -57.92, 60.32

 

CMYK 45 / 0 / 90 / 33

HEX #5FAC11

RGB 95 172 17

HSL 89.81, 0.82%, 0.37%

LAB 63.33, -46.65, 62.08

 

CMYK 90 / 0 / 38 / 33

HEX #11AC6A

RGB 17 172 106

HSL 154.45, 0.82%, 0.37%

LAB 62.22, -52.26, 23.84

 

CMYK 90 / 0 / 14 / 33

HEX #11AC94

RGB 17 172 148

HSL 170.71, 0.82%, 0.37%

LAB 63.15, -42.13, 2.01

 

CMYK 90 / 10 / 0 / 33

HEX #119AAC

RGB 17 154 172

HSL 186.97, 0.82%, 0.37%

LAB 58.23, -26.43, -18.83

 

CMYK 90 / 35 / 0 / 33

HEX #1170AC

RGB 17 112 172

HSL 203.23, 0.82%, 0.37%

LAB 45.2, -3.1, -39.09

 

CMYK 90 / 59 / 0 / 33

HEX #1146AC

RGB 17 70 172

HSL 219.48, 0.82%, 0.37%

LAB 32.87, 24.35, -58.92

 

CMYK 90 / 0 / 38 / 33

HEX #11AC6A

RGB 17 172 106

HSL 154.45, 0.82%, 0.37%

LAB 62.22, -52.26, 23.84

 

CMYK 99 / 0 / 42 / 27

HEX #02BB6D

RGB 2 187 109

HSL 154.7, 0.98%, 0.37%

LAB 67.02, -57.72, 28.58

 

CMYK 90 / 0 / 38 / 33

HEX #11AC6A

RGB 17 172 106

HSL 154.45, 0.82%, 0.37%

LAB 62.22, -52.26, 23.84

 

CMYK 79 / 0 / 33 / 39

HEX #209C68

RGB 32 156 104

HSL 154.84, 0.66%, 0.37%

LAB 57.16, -45.23, 18.12

 

CMYK 66 / 0 / 28 / 45

HEX #308D66

RGB 48 141 102

HSL 154.84, 0.49%, 0.37%

LAB 52.55, -36.93, 12.96

 

CMYK 50 / 0 / 21 / 51

HEX #3F7E63

RGB 63 126 99

HSL 154.29, 0.33%, 0.37%

LAB 48.11, -27.16, 8.53

 

CMYK 30 / 0 / 13 / 56

HEX #4E6F61

RGB 78 111 97

HSL 154.55, 0.17%, 0.37%

LAB 44.02, -15.16, 3.99

 

CMYK 90 / 0 / 87 / 33

HEX #11AC16

RGB 17 172 22

HSL 121.94, 0.82%, 0.37%

LAB 61.38, -62.56, 58.63

 

CMYK 90 / 0 / 63 / 33

HEX #11AC3F

RGB 17 172 63

HSL 137.81, 0.82%, 0.37%

LAB 61.64, -59.26, 44.68

 

CMYK 90 / 0 / 39 / 33

HEX #11AC69

RGB 17 172 105

HSL 154.06, 0.82%, 0.37%

LAB 62.21, -52.47, 24.35

 

CMYK 90 / 0 / 15 / 33

HEX #11AC92

RGB 17 172 146

HSL 169.94, 0.82%, 0.37%

LAB 63.09, -42.68, 3.05

 

CMYK 90 / 9 / 0 / 33

HEX #119CAC

RGB 17 156 172

HSL 186.19, 0.82%, 0.37%

LAB 58.86, -27.44, -17.88

 

CMYK 90 / 0 / 38 / 62

HEX #0A613C

RGB 10 97 60

HSL 154.48, 0.81%, 0.21%

LAB 35.87, -33.57, 14.5

 

CMYK 90 / 0 / 38 / 47

HEX #0D8653

RGB 13 134 83

HSL 154.71, 0.82%, 0.29%

LAB 49.2, -43.04, 19.07

 

CMYK 90 / 0 / 38 / 33

HEX #11AC6A

RGB 17 172 106

HSL 154.45, 0.82%, 0.37%

LAB 62.22, -52.26, 23.84

 

CMYK 90 / 0 / 38 / 18

HEX #15D181

RGB 21 209 129

HSL 154.47, 0.82%, 0.45%

LAB 74.41, -60.72, 27.97

 

CMYK 84 / 0 / 35 / 8

HEX #26EA97

RGB 38 234 151

HSL 154.59, 0.82%, 0.53%

LAB 82.64, -64.06, 27.72

 

CMYK 90 / 0 / 38 / 32

HEX #11AD6B

RGB 17 173 107

HSL 154.62, 0.82%, 0.37%

LAB 62.56, -52.42, 23.76

 

CMYK 90 / 69 / 0 / 33

HEX #1135AC

RGB 17 53 172

HSL 226.06, 0.82%, 0.37%

LAB 28.5, 35.69, -66.1

 

CMYK 0 / 75 / 90 / 33

HEX #AC2B11

RGB 172 43 17

HSL 10.06, 0.82%, 0.37%

LAB 38.79, 50.84, 45.31

 

CMYK 90 / 0 / 38 / 32

HEX #11AD6B

RGB 17 173 107

HSL 154.62, 0.82%, 0.37%

LAB 62.56, -52.42, 23.76

 

CMYK 39 / 90 / 0 / 33

HEX #6911AC

RGB 105 17 172

HSL 274.06, 0.82%, 0.37%

LAB 30.36, 60.88, -62.77

 

CMYK 0 / 39 / 90 / 33

HEX #AC6911

RGB 172 105 17

HSL 34.06, 0.82%, 0.37%

LAB 50.59, 20.75, 54.31

 

CMYK 90 / 0 / 38 / 32

HEX #11AD6B

RGB 17 173 107

HSL 154.62, 0.82%, 0.37%

LAB 62.56, -52.42, 23.76

 

CMYK 90 / 69 / 0 / 33

HEX #1135AC

RGB 17 53 172

HSL 226.06, 0.82%, 0.37%

LAB 28.5, 35.69, -66.1

 

CMYK 0 / 90 / 51 / 33

HEX #AC1154

RGB 172 17 84

HSL 334.06, 0.82%, 0.37%

LAB 37.5, 60.78, 4.2

 

CMYK 0 / 21 / 90 / 33

HEX #AC8811

RGB 172 136 17

HSL 46.06, 0.82%, 0.37%

LAB 58.43, 3.4, 60.42

 

CMYK 90 / 0 / 38 / 32

HEX #11AD6B

RGB 17 173 107

HSL 154.62, 0.82%, 0.37%

LAB 62.56, -52.42, 23.76

 

CMYK 84 / 90 / 0 / 33

HEX #1B11AC

RGB 27 17 172

HSL 243.87, 0.82%, 0.37%

LAB 22.35, 54.73, -76.28

 

CMYK 0 / 90 / 51 / 33

HEX #AC1154

RGB 172 17 84

HSL 334.06, 0.82%, 0.37%

LAB 37.5, 60.78, 4.2

 

CMYK 6 / 0 / 90 / 33

HEX #A1AC11

RGB 161 172 17

HSL 64.26, 0.82%, 0.37%

LAB 67.37, -20.62, 67.05

 

Description

Color code: HEX #11AD6B | qconv.com Color code: HEX #11AD6B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 173 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 173 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 38 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 38% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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