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Color name
HEX #11AA4D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11AA4D it is the complementary color #EE55B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11AA4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11AA4D shade: #16AA48, #27BC5B, #38CE6E, #49E081 and #5AF294

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11AA4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11AA4D shade: #11AA4D, #00983A, #008627, #007414 and #006201

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11AA4D shade: #11AC4E, #11AC24, #28AC11, #51AC11 and #7BAC11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11AA4D shade: #11AC4E, #11AC77, #11ACA1, #118DAC and #1163AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11AA4D shade matches the following richer shades: #11AC4E and #02BB4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11AA4D shade: #11AC4E, #209C51, #308D54, #3F7E58 and #4E6F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11AA4D shade: #28AC11, #11AC23, #11AC4C, #11AC76 and #11AC9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11AA4D shade: #0A612C, #0D863D, #11AC4E, #15D15F and #26EA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11AA4D shade: #11AA4D, #1151AC and #AC1114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11AA4D shade: #11AA4D, #4C11AC and #AC4C11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11AA4D shade: #11AA4D, #1151AC, #AC1170 and #AC6B11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11AA4D shade: #11AA4D, #1123AC, #AC1170 and #AC9A11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 55 / 33

HEX #11AA4D

RGB 17 170 77

HSL 143.53, 0.82%, 0.37%

LAB 61.14, -56.72, 37.49

 

Complementary color

CMYK 0 / 64 / 25 / 7

HEX #EE55B2

RGB 238 85 178

HSL 323.53, 0.82%, 0.63%

LAB 59.79, 67.43, -18.36

 

CMYK 87 / 0 / 58 / 33

HEX #16AA48

RGB 22 170 72

HSL 140.27, 0.77%, 0.38%

LAB 61.12, -57.07, 39.92

 

CMYK 79 / 0 / 52 / 26

HEX #27BC5B

RGB 39 188 91

HSL 140.94, 0.66%, 0.45%

LAB 67.39, -58.58, 38.29

 

CMYK 73 / 0 / 47 / 19

HEX #38CE6E

RGB 56 206 110

HSL 141.6, 0.6%, 0.51%

LAB 73.62, -59.57, 36.7

 

CMYK 67 / 0 / 42 / 12

HEX #49E081

RGB 73 224 129

HSL 142.25, 0.71%, 0.58%

LAB 79.79, -60.18, 35.19

 

CMYK 63 / 0 / 39 / 5

HEX #5AF294

RGB 90 242 148

HSL 142.89, 0.85%, 0.65%

LAB 85.91, -60.53, 33.76

 

CMYK 90 / 0 / 55 / 33

HEX #11AA4D

RGB 17 170 77

HSL 143.53, 0.82%, 0.37%

LAB 61.14, -56.72, 37.49

 

CMYK 100 / 0 / 62 / 40

HEX #00983A

RGB 0 152 58

HSL 142.89, 1%, 0.3%

LAB 54.83, -54.51, 39.18

 

CMYK 100 / 0 / 71 / 47

HEX #008627

RGB 0 134 39

HSL 137.46, 1%, 0.26%

LAB 48.51, -51.07, 40.71

 

CMYK 100 / 0 / 83 / 55

HEX #007414

RGB 0 116 20

HSL 130.34, 1%, 0.23%

LAB 42.06, -47.16, 41.45

 

CMYK 100 / 0 / 99 / 62

HEX #006201

RGB 0 98 1

HSL 120.61, 1%, 0.19%

LAB 35.47, -42.7, 40.97

 

CMYK 90 / 0 / 55 / 33

HEX #11AC4E

RGB 17 172 78

HSL 143.61, 0.82%, 0.37%

LAB 61.8, -57.24, 37.81

 

CMYK 90 / 0 / 79 / 33

HEX #11AC24

RGB 17 172 36

HSL 127.35, 0.82%, 0.37%

LAB 61.44, -61.79, 54.93

 

CMYK 77 / 0 / 90 / 33

HEX #28AC11

RGB 40 172 17

HSL 111.1, 0.82%, 0.37%

LAB 61.65, -60.2, 59.99

 

CMYK 53 / 0 / 90 / 33

HEX #51AC11

RGB 81 172 17

HSL 95.23, 0.82%, 0.37%

LAB 62.76, -51.02, 61.37

 

CMYK 28 / 0 / 90 / 33

HEX #7BAC11

RGB 123 172 17

HSL 78.97, 0.82%, 0.37%

LAB 64.77, -36.46, 63.86

 

CMYK 90 / 0 / 55 / 33

HEX #11AC4E

RGB 17 172 78

HSL 143.61, 0.82%, 0.37%

LAB 61.8, -57.24, 37.81

 

CMYK 90 / 0 / 31 / 33

HEX #11AC77

RGB 17 172 119

HSL 159.48, 0.82%, 0.37%

LAB 62.47, -49.45, 17.12

 

CMYK 90 / 0 / 6 / 33

HEX #11ACA1

RGB 17 172 161

HSL 175.74, 0.82%, 0.37%

LAB 63.51, -38.44, -4.72

 

CMYK 90 / 18 / 0 / 33

HEX #118DAC

RGB 17 141 172

HSL 192, 0.82%, 0.37%

LAB 54.18, -19.69, -25.04

 

CMYK 90 / 42 / 0 / 33

HEX #1163AC

RGB 17 99 172

HSL 208.26, 0.82%, 0.37%

LAB 41.25, 5.03, -45.38

 

CMYK 90 / 0 / 55 / 33

HEX #11AC4E

RGB 17 172 78

HSL 143.61, 0.82%, 0.37%

LAB 61.8, -57.24, 37.81

 

CMYK 99 / 0 / 60 / 27

HEX #02BB4A

RGB 2 187 74

HSL 143.35, 0.98%, 0.37%

LAB 66.56, -63.33, 45.31

 

CMYK 90 / 0 / 55 / 33

HEX #11AC4E

RGB 17 172 78

HSL 143.61, 0.82%, 0.37%

LAB 61.8, -57.24, 37.81

 

CMYK 79 / 0 / 48 / 39

HEX #209C51

RGB 32 156 81

HSL 143.71, 0.66%, 0.37%

LAB 56.76, -49.76, 30.06

 

CMYK 66 / 0 / 40 / 45

HEX #308D54

RGB 48 141 84

HSL 143.23, 0.49%, 0.37%

LAB 52.2, -40.74, 22.61

 

CMYK 50 / 0 / 30 / 51

HEX #3F7E58

RGB 63 126 88

HSL 143.81, 0.33%, 0.37%

LAB 47.86, -29.6, 14.59

 

CMYK 30 / 0 / 18 / 56

HEX #4E6F5B

RGB 78 111 91

HSL 143.64, 0.17%, 0.37%

LAB 43.86, -16.5, 7.36

 

CMYK 77 / 0 / 90 / 33

HEX #28AC11

RGB 40 172 17

HSL 111.1, 0.82%, 0.37%

LAB 61.65, -60.2, 59.99

 

CMYK 90 / 0 / 80 / 33

HEX #11AC23

RGB 17 172 35

HSL 126.97, 0.82%, 0.37%

LAB 61.43, -61.85, 55.24

 

CMYK 90 / 0 / 56 / 33

HEX #11AC4C

RGB 17 172 76

HSL 142.84, 0.82%, 0.37%

LAB 61.78, -57.53, 38.76

 

CMYK 90 / 0 / 31 / 33

HEX #11AC76

RGB 17 172 118

HSL 159.1, 0.82%, 0.37%

LAB 62.45, -49.67, 17.64

 

CMYK 90 / 0 / 8 / 33

HEX #11AC9F

RGB 17 172 159

HSL 174.97, 0.82%, 0.37%

LAB 63.45, -39.02, -3.69

 

CMYK 90 / 0 / 55 / 62

HEX #0A612C

RGB 10 97 44

HSL 143.45, 0.81%, 0.21%

LAB 35.59, -36.85, 23.44

 

CMYK 90 / 0 / 54 / 47

HEX #0D863D

RGB 13 134 61

HSL 143.8, 0.82%, 0.29%

LAB 48.85, -47.21, 30.62

 

CMYK 90 / 0 / 55 / 33

HEX #11AC4E

RGB 17 172 78

HSL 143.61, 0.82%, 0.37%

LAB 61.8, -57.24, 37.81

 

CMYK 90 / 0 / 55 / 18

HEX #15D15F

RGB 21 209 95

HSL 143.62, 0.82%, 0.45%

LAB 73.92, -66.5, 44.29

 

CMYK 84 / 0 / 51 / 8

HEX #26EA72

RGB 38 234 114

HSL 143.27, 0.82%, 0.53%

LAB 82.09, -70.48, 45.31

 

CMYK 90 / 0 / 55 / 33

HEX #11AA4D

RGB 17 170 77

HSL 143.53, 0.82%, 0.37%

LAB 61.14, -56.72, 37.49

 

CMYK 90 / 53 / 0 / 33

HEX #1151AC

RGB 17 81 172

HSL 215.23, 0.82%, 0.37%

LAB 35.95, 16.9, -53.91

 

CMYK 0 / 90 / 88 / 33

HEX #AC1114

RGB 172 17 20

HSL 358.84, 0.82%, 0.37%

LAB 36.41, 57.68, 42.12

 

CMYK 90 / 0 / 55 / 33

HEX #11AA4D

RGB 17 170 77

HSL 143.53, 0.82%, 0.37%

LAB 61.14, -56.72, 37.49

 

CMYK 56 / 90 / 0 / 33

HEX #4C11AC

RGB 76 17 172

HSL 262.84, 0.82%, 0.37%

LAB 26.49, 57.72, -69.28

 

CMYK 0 / 56 / 90 / 33

HEX #AC4C11

RGB 172 76 17

HSL 22.84, 0.82%, 0.37%

LAB 44.2, 36.39, 49.41

 

CMYK 90 / 0 / 55 / 33

HEX #11AA4D

RGB 17 170 77

HSL 143.53, 0.82%, 0.37%

LAB 61.14, -56.72, 37.49

 

CMYK 90 / 53 / 0 / 33

HEX #1151AC

RGB 17 81 172

HSL 215.23, 0.82%, 0.37%

LAB 35.95, 16.9, -53.91

 

CMYK 0 / 90 / 35 / 33

HEX #AC1170

RGB 172 17 112

HSL 323.23, 0.82%, 0.37%

LAB 38.45, 63.39, -12.24

 

CMYK 0 / 38 / 90 / 33

HEX #AC6B11

RGB 172 107 17

HSL 34.84, 0.82%, 0.37%

LAB 51.07, 19.63, 54.68

 

CMYK 90 / 0 / 55 / 33

HEX #11AA4D

RGB 17 170 77

HSL 143.53, 0.82%, 0.37%

LAB 61.14, -56.72, 37.49

 

CMYK 90 / 80 / 0 / 33

HEX #1123AC

RGB 17 35 172

HSL 233.03, 0.82%, 0.37%

LAB 24.64, 46.47, -72.48

 

CMYK 0 / 90 / 35 / 33

HEX #AC1170

RGB 172 17 112

HSL 323.23, 0.82%, 0.37%

LAB 38.45, 63.39, -12.24

 

CMYK 0 / 10 / 90 / 33

HEX #AC9A11

RGB 172 154 17

HSL 53.03, 0.82%, 0.37%

LAB 63.28, -6.39, 64.21

 

Description

Color code: HEX #11AA4D | qconv.com Color code: HEX #11AA4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 170 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 170 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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