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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11A978 it is the complementary color #EE5687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11A978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11A978 shade: #16A973, #27BB86, #38CD99, #49DFAC and #5AF1BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11A978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11A978 shade: #11A978, #009765, #008552, #00733F and #00612C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11A978 shade: #11A777, #11A74E, #11A725, #24A711 and #4DA711

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11A978 shade: #11A777, #11A79F, #1186A7, #115EA7 and #1135A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11A978 shade matches the following richer shades: #11A777 and #02B67C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11A978 shade: #11A777, #1F9871, #2E896C, #3D7B67 and #4C6C61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11A978 shade: #11A725, #11A74D, #11A775, #11A79D and #1189A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11A978 shade: #095C41, #0D825C, #11A777, #14CD91 and #21E9A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11A978 shade: #11A978, #1125A7 and #A73911

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11A978 shade: #11A978, #7511A7 and #A77511

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11A978 shade: #11A978, #1125A7, #A71143 and #A79311

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11A978 shade: #11A978, #2A11A7, #A71143 and #8EA711

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 29 / 34

HEX #11A978

RGB 17 169 120

HSL 160.66, 0.82%, 0.36%

LAB 61.53, -48.05, 15.26

 

Complementary color

CMYK 0 / 64 / 43 / 7

HEX #EE5687

RGB 238 86 135

HSL 340.66, 0.82%, 0.64%

LAB 58.59, 62.23, 4.85

 

CMYK 87 / 0 / 32 / 34

HEX #16A973

RGB 22 169 115

HSL 157.96, 0.77%, 0.37%

LAB 61.47, -48.85, 17.94

 

CMYK 79 / 0 / 28 / 27

HEX #27BB86

RGB 39 187 134

HSL 158.51, 0.65%, 0.44%

LAB 67.79, -50.01, 16.35

 

CMYK 73 / 0 / 25 / 20

HEX #38CD99

RGB 56 205 153

HSL 159.06, 0.6%, 0.51%

LAB 74.06, -50.78, 14.93

 

CMYK 67 / 0 / 23 / 13

HEX #49DFAC

RGB 73 223 172

HSL 159.6, 0.7%, 0.58%

LAB 80.28, -51.28, 13.63

 

CMYK 63 / 0 / 21 / 5

HEX #5AF1BF

RGB 90 241 191

HSL 160.13, 0.84%, 0.65%

LAB 86.43, -51.58, 12.45

 

CMYK 90 / 0 / 29 / 34

HEX #11A978

RGB 17 169 120

HSL 160.66, 0.82%, 0.36%

LAB 61.53, -48.05, 15.26

 

CMYK 100 / 0 / 33 / 41

HEX #009765

RGB 0 151 101

HSL 160.13, 1%, 0.3%

LAB 55.15, -46.34, 17

 

CMYK 100 / 0 / 38 / 48

HEX #008552

RGB 0 133 82

HSL 156.99, 1%, 0.26%

LAB 48.74, -43.72, 19

 

CMYK 100 / 0 / 45 / 55

HEX #00733F

RGB 0 115 63

HSL 152.87, 1%, 0.23%

LAB 42.19, -40.94, 21.09

 

CMYK 100 / 0 / 55 / 62

HEX #00612C

RGB 0 97 44

HSL 147.22, 1%, 0.19%

LAB 35.46, -37.91, 23.26

 

CMYK 90 / 0 / 29 / 35

HEX #11A777

RGB 17 167 119

HSL 160.8, 0.82%, 0.36%

LAB 60.86, -47.5, 14.89

 

CMYK 90 / 0 / 53 / 35

HEX #11A74E

RGB 17 167 78

HSL 144.4, 0.82%, 0.36%

LAB 60.16, -55.57, 35.81

 

CMYK 90 / 0 / 78 / 35

HEX #11A725

RGB 17 167 37

HSL 128, 0.82%, 0.36%

LAB 59.79, -60.23, 53.01

 

CMYK 78 / 0 / 90 / 35

HEX #24A711

RGB 36 167 17

HSL 112.4, 0.82%, 0.36%

LAB 59.94, -59.25, 58.49

 

CMYK 54 / 0 / 90 / 35

HEX #4DA711

RGB 77 167 17

HSL 96, 0.82%, 0.36%

LAB 61.01, -50.32, 59.83

 

CMYK 90 / 0 / 29 / 35

HEX #11A777

RGB 17 167 119

HSL 160.8, 0.82%, 0.36%

LAB 60.86, -47.5, 14.89

 

CMYK 90 / 0 / 5 / 35

HEX #11A79F

RGB 17 167 159

HSL 176.8, 0.82%, 0.36%

LAB 61.88, -36.77, -6.01

 

CMYK 90 / 20 / 0 / 35

HEX #1186A7

RGB 17 134 167

HSL 193.2, 0.82%, 0.36%

LAB 51.79, -17.68, -25.86

 

CMYK 90 / 44 / 0 / 35

HEX #115EA7

RGB 17 94 167

HSL 209.2, 0.82%, 0.36%

LAB 39.44, 6.25, -45.32

 

CMYK 90 / 68 / 0 / 35

HEX #1135A7

RGB 17 53 167

HSL 225.6, 0.82%, 0.36%

LAB 27.99, 33.78, -63.92

 

CMYK 90 / 0 / 29 / 35

HEX #11A777

RGB 17 167 119

HSL 160.8, 0.82%, 0.36%

LAB 60.86, -47.5, 14.89

 

CMYK 99 / 0 / 32 / 29

HEX #02B67C

RGB 2 182 124

HSL 160.67, 0.98%, 0.36%

LAB 65.69, -52.79, 18.81

 

CMYK 90 / 0 / 29 / 35

HEX #11A777

RGB 17 167 119

HSL 160.8, 0.82%, 0.36%

LAB 60.86, -47.5, 14.89

 

CMYK 80 / 0 / 26 / 40

HEX #1F9871

RGB 31 152 113

HSL 160.66, 0.66%, 0.36%

LAB 56.03, -41.63, 11.52

 

CMYK 66 / 0 / 21 / 46

HEX #2E896C

RGB 46 137 108

HSL 160.88, 0.5%, 0.36%

LAB 51.33, -34.07, 7.79

 

CMYK 50 / 0 / 16 / 52

HEX #3D7B67

RGB 61 123 103

HSL 160.65, 0.34%, 0.36%

LAB 47.15, -25.24, 4.81

 

CMYK 30 / 0 / 10 / 58

HEX #4C6C61

RGB 76 108 97

HSL 159.38, 0.17%, 0.36%

LAB 42.95, -14.18, 2.43

 

CMYK 90 / 0 / 78 / 35

HEX #11A725

RGB 17 167 37

HSL 128, 0.82%, 0.36%

LAB 59.79, -60.23, 53.01

 

CMYK 90 / 0 / 54 / 35

HEX #11A74D

RGB 17 167 77

HSL 144, 0.82%, 0.36%

LAB 60.15, -55.72, 36.29

 

CMYK 90 / 0 / 30 / 35

HEX #11A775

RGB 17 167 117

HSL 160, 0.82%, 0.36%

LAB 60.82, -47.96, 15.94

 

CMYK 90 / 0 / 6 / 35

HEX #11A79D

RGB 17 167 157

HSL 176, 0.82%, 0.36%

LAB 61.82, -37.36, -4.97

 

CMYK 90 / 18 / 0 / 35

HEX #1189A7

RGB 17 137 167

HSL 192, 0.82%, 0.36%

LAB 52.73, -19.3, -24.41

 

CMYK 90 / 0 / 29 / 64

HEX #095C41

RGB 9 92 65

HSL 160.48, 0.82%, 0.2%

LAB 34.18, -30.27, 9.14

 

CMYK 90 / 0 / 29 / 49

HEX #0D825C

RGB 13 130 92

HSL 160.51, 0.82%, 0.28%

LAB 48.04, -39.35, 12.33

 

CMYK 90 / 0 / 29 / 35

HEX #11A777

RGB 17 167 119

HSL 160.8, 0.82%, 0.36%

LAB 60.86, -47.5, 14.89

 

CMYK 90 / 0 / 29 / 20

HEX #14CD91

RGB 20 205 145

HSL 160.54, 0.82%, 0.44%

LAB 73.45, -55.95, 18.27

 

CMYK 86 / 0 / 27 / 9

HEX #21E9A9

RGB 33 233 169

HSL 160.8, 0.82%, 0.52%

LAB 82.63, -60.28, 18.41

 

CMYK 90 / 0 / 29 / 34

HEX #11A978

RGB 17 169 120

HSL 160.66, 0.82%, 0.36%

LAB 61.53, -48.05, 15.26

 

CMYK 90 / 78 / 0 / 35

HEX #1125A7

RGB 17 37 167

HSL 232, 0.82%, 0.36%

LAB 24.43, 43.66, -69.82

 

CMYK 0 / 66 / 90 / 35

HEX #A73911

RGB 167 57 17

HSL 16, 0.82%, 0.36%

LAB 39.89, 43.57, 45.73

 

CMYK 90 / 0 / 29 / 34

HEX #11A978

RGB 17 169 120

HSL 160.66, 0.82%, 0.36%

LAB 61.53, -48.05, 15.26

 

CMYK 30 / 90 / 0 / 35

HEX #7511A7

RGB 117 17 167

HSL 280, 0.82%, 0.36%

LAB 31.74, 61.44, -57.42

 

CMYK 0 / 30 / 90 / 35

HEX #A77511

RGB 167 117 17

HSL 40, 0.82%, 0.36%

LAB 52.93, 11.74, 55.86

 

CMYK 90 / 0 / 29 / 34

HEX #11A978

RGB 17 169 120

HSL 160.66, 0.82%, 0.36%

LAB 61.53, -48.05, 15.26

 

CMYK 90 / 78 / 0 / 35

HEX #1125A7

RGB 17 37 167

HSL 232, 0.82%, 0.36%

LAB 24.43, 43.66, -69.82

 

CMYK 0 / 90 / 60 / 35

HEX #A71143

RGB 167 17 67

HSL 340, 0.82%, 0.36%

LAB 36.03, 58.29, 12.97

 

CMYK 0 / 12 / 90 / 35

HEX #A79311

RGB 167 147 17

HSL 52, 0.82%, 0.36%

LAB 60.89, -4.9, 62.13

 

CMYK 90 / 0 / 29 / 34

HEX #11A978

RGB 17 169 120

HSL 160.66, 0.82%, 0.36%

LAB 61.53, -48.05, 15.26

 

CMYK 75 / 90 / 0 / 35

HEX #2A11A7

RGB 42 17 167

HSL 250, 0.82%, 0.36%

LAB 22.6, 53.95, -72.82

 

CMYK 0 / 90 / 60 / 35

HEX #A71143

RGB 167 17 67

HSL 340, 0.82%, 0.36%

LAB 36.03, 58.29, 12.97

 

CMYK 15 / 0 / 90 / 35

HEX #8EA711

RGB 142 167 17

HSL 70, 0.82%, 0.36%

LAB 64.51, -26.33, 64.16

 

Description

Color code: HEX #11A978 | qconv.com Color code: HEX #11A978 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 169 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 169 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 29 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 29% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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