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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #119EB6 it is the complementary color #EE6149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #119EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #119EB6 shade: #169EB1, #27B0C4, #38C2D7, #49D4EA and #5AE6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #119EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #119EB6 shade: #119EB6, #008CA3, #007A90, #00687D and #00566A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #119EB6 shade: #119EB6, #1171B6, #1145B6, #1118B6 and #3611B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #119EB6 shade: #119EB6, #1171B6, #1145B6, #1118B6 and #1111B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #119EB6 shade matches the following richer shades: #119EB6 and #01A9C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #119EB6 shade: #119EB6, #2193A6, #318796, #417C86 and #517076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #119EB6 shade: #11B674, #11B6A0, #11A0B6, #1174B6 and #1148B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #119EB6 shade: #0A5C6A, #0D7D90, #119EB6, #14BFDC and #2ED0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #119EB6 shade: #119EB6, #4811B6 and #B68A11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #119EB6 shade: #119EB6, #B611A0 and #A0B611

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #119EB6 shade: #119EB6, #4811B6, #B62711 and #7FB611

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #119EB6 shade: #119EB6, #7911B6, #B62711 and #4DB611

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

Complementary color

CMYK 0 / 59 / 69 / 7

HEX #EE6149

RGB 238 97 73

HSL 8.73, 0.83%, 0.61%

LAB 59.17, 52.99, 41.18

 

CMYK 88 / 11 / 0 / 31

HEX #169EB1

RGB 22 158 177

HSL 187.35, 0.78%, 0.39%

LAB 59.71, -26.5, -19.41

 

CMYK 80 / 10 / 0 / 23

HEX #27B0C4

RGB 39 176 196

HSL 187.64, 0.67%, 0.46%

LAB 66.11, -28, -20.26

 

CMYK 74 / 10 / 0 / 16

HEX #38C2D7

RGB 56 194 215

HSL 187.92, 0.67%, 0.53%

LAB 72.45, -29.16, -21.01

 

CMYK 69 / 9 / 0 / 8

HEX #49D4EA

RGB 73 212 234

HSL 188.2, 0.79%, 0.6%

LAB 78.72, -30.05, -21.69

 

CMYK 64 / 9 / 0 / 1

HEX #5AE6FD

RGB 90 230 253

HSL 188.47, 0.98%, 0.67%

LAB 84.92, -30.74, -22.32

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 100 / 14 / 0 / 36

HEX #008CA3

RGB 0 140 163

HSL 188.47, 1%, 0.32%

LAB 53.39, -23.06, -21.11

 

CMYK 100 / 15 / 0 / 44

HEX #007A90

RGB 0 122 144

HSL 189.17, 1%, 0.28%

LAB 46.89, -20.27, -20

 

CMYK 100 / 17 / 0 / 51

HEX #00687D

RGB 0 104 125

HSL 190.08, 1%, 0.25%

LAB 40.22, -17.39, -18.89

 

CMYK 100 / 19 / 0 / 58

HEX #00566A

RGB 0 86 106

HSL 191.32, 1%, 0.21%

LAB 33.34, -14.38, -17.78

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 91 / 38 / 0 / 29

HEX #1171B6

RGB 17 113 182

HSL 205.09, 0.83%, 0.39%

LAB 46.05, 0.19, -43.56

 

CMYK 91 / 62 / 0 / 29

HEX #1145B6

RGB 17 69 182

HSL 221.09, 0.83%, 0.39%

LAB 33.46, 29, -63.9

 

CMYK 91 / 87 / 0 / 29

HEX #1118B6

RGB 17 24 182

HSL 237.45, 0.83%, 0.39%

LAB 24.16, 54.8, -79.27

 

CMYK 70 / 91 / 0 / 29

HEX #3611B6

RGB 54 17 182

HSL 253.45, 0.83%, 0.39%

LAB 25.45, 58.67, -77.07

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 91 / 38 / 0 / 29

HEX #1171B6

RGB 17 113 182

HSL 205.09, 0.83%, 0.39%

LAB 46.05, 0.19, -43.56

 

CMYK 91 / 62 / 0 / 29

HEX #1145B6

RGB 17 69 182

HSL 221.09, 0.83%, 0.39%

LAB 33.46, 29, -63.9

 

CMYK 91 / 87 / 0 / 29

HEX #1118B6

RGB 17 24 182

HSL 237.45, 0.83%, 0.39%

LAB 24.16, 54.8, -79.27

 

CMYK 91 / 91 / 0 / 29

HEX #1111B6

RGB 17 17 182

HSL 240, 0.83%, 0.39%

LAB 23.33, 57.31, -80.66

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 99 / 15 / 0 / 22

HEX #01A9C6

RGB 1 169 198

HSL 188.83, 0.99%, 0.39%

LAB 63.72, -25.88, -25.05

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 80 / 11 / 0 / 35

HEX #2193A6

RGB 33 147 166

HSL 188.57, 0.67%, 0.39%

LAB 56.03, -23.65, -18.75

 

CMYK 67 / 10 / 0 / 41

HEX #318796

RGB 49 135 150

HSL 188.91, 0.51%, 0.39%

LAB 52.04, -20.5, -15.57

 

CMYK 51 / 7 / 0 / 47

HEX #417C86

RGB 65 124 134

HSL 188.7, 0.35%, 0.39%

LAB 48.59, -16.29, -11.38

 

CMYK 31 / 5 / 0 / 54

HEX #517076

RGB 81 112 118

HSL 189.73, 0.19%, 0.39%

LAB 45.15, -9.58, -6.94

 

CMYK 91 / 0 / 36 / 29

HEX #11B674

RGB 17 182 116

HSL 156, 0.83%, 0.39%

LAB 65.62, -53.87, 23.03

 

CMYK 91 / 0 / 12 / 29

HEX #11B6A0

RGB 17 182 160

HSL 172, 0.83%, 0.39%

LAB 66.61, -43.12, 0.39

 

CMYK 91 / 12 / 0 / 29

HEX #11A0B6

RGB 17 160 182

HSL 188, 0.83%, 0.39%

LAB 60.46, -26.13, -21.08

 

CMYK 91 / 36 / 0 / 29

HEX #1174B6

RGB 17 116 182

HSL 204, 0.83%, 0.39%

LAB 46.96, -1.65, -42.12

 

CMYK 91 / 60 / 0 / 29

HEX #1148B6

RGB 17 72 182

HSL 220, 0.83%, 0.39%

LAB 34.25, 26.99, -62.6

 

CMYK 91 / 13 / 0 / 58

HEX #0A5C6A

RGB 10 92 106

HSL 188.75, 0.83%, 0.23%

LAB 35.52, -17.02, -14.43

 

CMYK 91 / 13 / 0 / 44

HEX #0D7D90

RGB 13 125 144

HSL 188.7, 0.83%, 0.31%

LAB 47.96, -21.21, -18.34

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 91 / 13 / 0 / 14

HEX #14BFDC

RGB 20 191 220

HSL 188.7, 0.83%, 0.47%

LAB 71.27, -28.91, -25.58

 

CMYK 81 / 12 / 0 / 7

HEX #2ED0EC

RGB 46 208 236

HSL 188.84, 0.83%, 0.55%

LAB 77.13, -30.44, -25.23

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 60 / 91 / 0 / 29

HEX #4811B6

RGB 72 17 182

HSL 260, 0.83%, 0.39%

LAB 27.17, 59.88, -74.15

 

CMYK 0 / 24 / 91 / 29

HEX #B68A11

RGB 182 138 17

HSL 44, 0.83%, 0.39%

LAB 60.04, 6.85, 62.13

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 0 / 91 / 12 / 29

HEX #B611A0

RGB 182 17 160

HSL 308, 0.83%, 0.39%

LAB 42.59, 71.36, -35.18

 

CMYK 12 / 0 / 91 / 29

HEX #A0B611

RGB 160 182 17

HSL 68, 0.83%, 0.39%

LAB 70.15, -25.98, 69.24

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 60 / 91 / 0 / 29

HEX #4811B6

RGB 72 17 182

HSL 260, 0.83%, 0.39%

LAB 27.17, 59.88, -74.15

 

CMYK 0 / 79 / 91 / 29

HEX #B62711

RGB 182 39 17

HSL 8, 0.83%, 0.39%

LAB 40.31, 55.28, 47.31

 

CMYK 30 / 0 / 91 / 29

HEX #7FB611

RGB 127 182 17

HSL 80, 0.83%, 0.39%

LAB 68.03, -39.36, 66.63

 

CMYK 91 / 13 / 0 / 29

HEX #119EB6

RGB 17 158 182

HSL 188.73, 0.83%, 0.39%

LAB 59.84, -25.11, -22.03

 

CMYK 34 / 91 / 0 / 29

HEX #7911B6

RGB 121 17 182

HSL 277.82, 0.83%, 0.39%

LAB 33.65, 65.06, -63.25

 

CMYK 0 / 79 / 91 / 29

HEX #B62711

RGB 182 39 17

HSL 8, 0.83%, 0.39%

LAB 40.31, 55.28, 47.31

 

CMYK 58 / 0 / 91 / 29

HEX #4DB611

RGB 77 182 17

HSL 98.18, 0.83%, 0.39%

LAB 65.81, -55.77, 63.89

 

Description

Color code: HEX #119EB6 | qconv.com Color code: HEX #119EB6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 158 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 158 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 13 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 13% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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