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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #119DA3 it is the complementary color #EE625C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #119DA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #119DA3 shade: #169D9E, #27AFB1, #38C1C4, #49D3D7 and #5AE5EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #119DA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #119DA3 shade: #119DA3, #008B90, #00797D, #00676A and #005557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #119DA3 shade: #119CA2, #1175A2, #114EA2, #1127A2 and #2211A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #119DA3 shade: #119CA2, #1175A2, #114EA2, #1127A2 and #1111A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #119DA3 shade matches the following richer shades: #119CA2 and #03A9B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #119DA3 shade: #119CA2, #1F8E93, #2E8185, #3C7476 and #4B6768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #119DA3 shade: #11A259, #11A280, #119DA2, #1176A2 and #1150A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #119DA3 shade: #095457, #0D787C, #119CA2, #15C0C7 and #1EDFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #119DA3 shade: #119DA3, #3311A2 and #A26D11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #119DA3 shade: #119DA3, #A2119D and #9DA211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #119DA3 shade: #119DA3, #3311A2, #A21611 and #80A211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #119DA3 shade: #119DA3, #5E11A2, #A21611 and #54A211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 4 / 0 / 36

HEX #119DA3

RGB 17 157 163

HSL 182.47, 0.81%, 0.35%

LAB 58.86, -30.84, -12.77

 

Complementary color

CMYK 0 / 59 / 61 / 7

HEX #EE625C

RGB 238 98 92

HSL 2.47, 0.81%, 0.65%

LAB 59.6, 53.63, 31.17

 

CMYK 86 / 1 / 0 / 38

HEX #169D9E

RGB 22 157 158

HSL 180.44, 0.76%, 0.35%

LAB 58.75, -32.1, -10.11

 

CMYK 78 / 1 / 0 / 31

HEX #27AFB1

RGB 39 175 177

HSL 180.87, 0.64%, 0.42%

LAB 65.17, -33.4, -11.13

 

CMYK 71 / 2 / 0 / 23

HEX #38C1C4

RGB 56 193 196

HSL 181.29, 0.56%, 0.49%

LAB 71.53, -34.36, -12.04

 

CMYK 66 / 2 / 0 / 16

HEX #49D3D7

RGB 73 211 215

HSL 181.69, 0.64%, 0.56%

LAB 77.82, -35.07, -12.87

 

CMYK 62 / 2 / 0 / 8

HEX #5AE5EA

RGB 90 229 234

HSL 182.08, 0.77%, 0.64%

LAB 84.05, -35.6, -13.62

 

CMYK 90 / 4 / 0 / 36

HEX #119DA3

RGB 17 157 163

HSL 182.47, 0.81%, 0.35%

LAB 58.86, -30.84, -12.77

 

CMYK 100 / 3 / 0 / 44

HEX #008B90

RGB 0 139 144

HSL 182.08, 1%, 0.28%

LAB 52.37, -28.99, -11.65

 

CMYK 100 / 3 / 0 / 51

HEX #00797D

RGB 0 121 125

HSL 181.92, 1%, 0.25%

LAB 45.85, -26.37, -10.32

 

CMYK 100 / 3 / 0 / 58

HEX #00676A

RGB 0 103 106

HSL 181.7, 1%, 0.21%

LAB 39.14, -23.68, -8.94

 

CMYK 100 / 2 / 0 / 66

HEX #005557

RGB 0 85 87

HSL 181.38, 1%, 0.17%

LAB 32.22, -20.91, -7.51

 

CMYK 90 / 4 / 0 / 36

HEX #119CA2

RGB 17 156 162

HSL 182.48, 0.81%, 0.35%

LAB 58.51, -30.68, -12.73

 

CMYK 90 / 28 / 0 / 36

HEX #1175A2

RGB 17 117 162

HSL 198.62, 0.81%, 0.35%

LAB 46.24, -9.93, -31.58

 

CMYK 90 / 52 / 0 / 36

HEX #114EA2

RGB 17 78 162

HSL 214.76, 0.81%, 0.35%

LAB 34.35, 14.84, -50.54

 

CMYK 90 / 76 / 0 / 36

HEX #1127A2

RGB 17 39 162

HSL 230.9, 0.81%, 0.35%

LAB 24.25, 40.74, -67.07

 

CMYK 79 / 90 / 0 / 36

HEX #2211A2

RGB 34 17 162

HSL 247.03, 0.81%, 0.35%

LAB 21.39, 52.15, -71.8

 

CMYK 90 / 4 / 0 / 36

HEX #119CA2

RGB 17 156 162

HSL 182.48, 0.81%, 0.35%

LAB 58.51, -30.68, -12.73

 

CMYK 90 / 28 / 0 / 36

HEX #1175A2

RGB 17 117 162

HSL 198.62, 0.81%, 0.35%

LAB 46.24, -9.93, -31.58

 

CMYK 90 / 52 / 0 / 36

HEX #114EA2

RGB 17 78 162

HSL 214.76, 0.81%, 0.35%

LAB 34.35, 14.84, -50.54

 

CMYK 90 / 76 / 0 / 36

HEX #1127A2

RGB 17 39 162

HSL 230.9, 0.81%, 0.35%

LAB 24.25, 40.74, -67.07

 

CMYK 90 / 90 / 0 / 36

HEX #1111A2

RGB 17 17 162

HSL 240, 0.81%, 0.35%

LAB 20.55, 51.56, -73.22

 

CMYK 90 / 4 / 0 / 36

HEX #119CA2

RGB 17 156 162

HSL 182.48, 0.81%, 0.35%

LAB 58.51, -30.68, -12.73

 

CMYK 98 / 4 / 0 / 31

HEX #03A9B0

RGB 3 169 176

HSL 182.43, 0.97%, 0.35%

LAB 62.95, -33.03, -13.94

 

CMYK 90 / 4 / 0 / 36

HEX #119CA2

RGB 17 156 162

HSL 182.48, 0.81%, 0.35%

LAB 58.51, -30.68, -12.73

 

CMYK 79 / 3 / 0 / 42

HEX #1F8E93

RGB 31 142 147

HSL 182.59, 0.65%, 0.35%

LAB 53.75, -27.47, -11.28

 

CMYK 65 / 3 / 0 / 48

HEX #2E8185

RGB 46 129 133

HSL 182.76, 0.49%, 0.35%

LAB 49.47, -23.18, -9.54

 

CMYK 49 / 2 / 0 / 54

HEX #3C7476

RGB 60 116 118

HSL 182.07, 0.33%, 0.35%

LAB 45.3, -17.81, -6.82

 

CMYK 28 / 1 / 0 / 59

HEX #4B6768

RGB 75 103 104

HSL 182.07, 0.16%, 0.35%

LAB 41.53, -9.96, -3.91

 

CMYK 90 / 0 / 45 / 36

HEX #11A259

RGB 17 162 89

HSL 149.79, 0.81%, 0.35%

LAB 58.68, -51.96, 28.26

 

CMYK 90 / 0 / 21 / 36

HEX #11A280

RGB 17 162 128

HSL 165.93, 0.81%, 0.35%

LAB 59.45, -43.24, 7.89

 

CMYK 90 / 3 / 0 / 36

HEX #119DA2

RGB 17 157 162

HSL 182.07, 0.81%, 0.35%

LAB 58.83, -31.16, -12.26

 

CMYK 90 / 27 / 0 / 36

HEX #1176A2

RGB 17 118 162

HSL 198.21, 0.81%, 0.35%

LAB 46.56, -10.51, -31.09

 

CMYK 90 / 51 / 0 / 36

HEX #1150A2

RGB 17 80 162

HSL 213.93, 0.81%, 0.35%

LAB 34.93, 13.49, -49.59

 

CMYK 90 / 3 / 0 / 66

HEX #095457

RGB 9 84 87

HSL 182.31, 0.81%, 0.19%

LAB 32, -19.52, -7.83

 

CMYK 90 / 3 / 0 / 51

HEX #0D787C

RGB 13 120 124

HSL 182.16, 0.81%, 0.27%

LAB 45.6, -25.44, -10.09

 

CMYK 90 / 4 / 0 / 36

HEX #119CA2

RGB 17 156 162

HSL 182.48, 0.81%, 0.35%

LAB 58.51, -30.68, -12.73

 

CMYK 89 / 4 / 0 / 22

HEX #15C0C7

RGB 21 192 199

HSL 182.36, 0.81%, 0.43%

LAB 70.86, -35.98, -14.74

 

CMYK 87 / 3 / 0 / 9

HEX #1EDFE7

RGB 30 223 231

HSL 182.39, 0.81%, 0.51%

LAB 81.19, -40.08, -16.42

 

CMYK 90 / 4 / 0 / 36

HEX #119DA3

RGB 17 157 163

HSL 182.47, 0.81%, 0.35%

LAB 58.86, -30.84, -12.77

 

CMYK 69 / 90 / 0 / 36

HEX #3311A2

RGB 51 17 162

HSL 254.07, 0.81%, 0.35%

LAB 22.7, 53.11, -69.59

 

CMYK 0 / 33 / 90 / 36

HEX #A26D11

RGB 162 109 17

HSL 38.07, 0.81%, 0.35%

LAB 50.29, 13.99, 53.53

 

CMYK 90 / 4 / 0 / 36

HEX #119DA3

RGB 17 157 163

HSL 182.47, 0.81%, 0.35%

LAB 58.86, -30.84, -12.77

 

CMYK 0 / 90 / 3 / 36

HEX #A2119D

RGB 162 17 157

HSL 302.07, 0.81%, 0.35%

LAB 38.75, 67.15, -39.68

 

CMYK 3 / 0 / 90 / 36

HEX #9DA211

RGB 157 162 17

HSL 62.07, 0.81%, 0.35%

LAB 64.2, -17.31, 64.39

 

CMYK 90 / 4 / 0 / 36

HEX #119DA3

RGB 17 157 163

HSL 182.47, 0.81%, 0.35%

LAB 58.86, -30.84, -12.77

 

CMYK 69 / 90 / 0 / 36

HEX #3311A2

RGB 51 17 162

HSL 254.07, 0.81%, 0.35%

LAB 22.7, 53.11, -69.59

 

CMYK 0 / 86 / 90 / 36

HEX #A21611

RGB 162 22 17

HSL 2.07, 0.81%, 0.35%

LAB 34.59, 53.86, 41.22

 

CMYK 21 / 0 / 90 / 36

HEX #80A211

RGB 128 162 17

HSL 74.07, 0.81%, 0.35%

LAB 62.06, -29.82, 61.76

 

CMYK 90 / 4 / 0 / 36

HEX #119DA3

RGB 17 157 163

HSL 182.47, 0.81%, 0.35%

LAB 58.86, -30.84, -12.77

 

CMYK 42 / 90 / 0 / 36

HEX #5E11A2

RGB 94 17 162

HSL 271.86, 0.81%, 0.35%

LAB 27.82, 57.27, -60.97

 

CMYK 0 / 86 / 90 / 36

HEX #A21611

RGB 162 22 17

HSL 2.07, 0.81%, 0.35%

LAB 34.59, 53.86, 41.22

 

CMYK 48 / 0 / 90 / 36

HEX #54A211

RGB 84 162 17

HSL 92.28, 0.81%, 0.35%

LAB 59.68, -46.27, 58.81

 

Description

Color code: HEX #119DA3 | qconv.com Color code: HEX #119DA3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 157 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 157 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 4 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 4% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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