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Color name
HEX #119C51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #119C51 it is the complementary color #EE63AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #119C51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #119C51 shade: #169C4C, #27AE5F, #38C072, #49D285 and #5AE498

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #119C51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #119C51 shade: #119C51, #008A3E, #00782B, #006618 and #005405

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #119C51 shade: #119C51, #119C2C, #1C9C11, #429C11 and #679C11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #119C51 shade: #119C51, #119C77, #119C9C, #11779C and #11519C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #119C51 shade matches the following richer shades: #119C51 and #03AA50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #119C51 shade: #119C51, #1F8E52, #2D8053, #3B7255 and #496456

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #119C51 shade: #1D9C11, #119C2B, #119C50, #119C75 and #119C9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #119C51 shade: #09522B, #0D773E, #119C51, #15C165 and #1AE678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #119C51 shade: #119C51, #11429C and #9C1811

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #119C51 shade: #119C51, #50119C and #9C5011

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #119C51 shade: #119C51, #11429C, #9C115E and #9C6C11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #119C51 shade: #119C51, #11189C, #9C115E and #9C9511

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

Complementary color

CMYK 0 / 58 / 27 / 7

HEX #EE63AE

RGB 238 99 174

HSL 327.63, 0.8%, 0.66%

LAB 61.79, 61.1, -13.03

 

CMYK 86 / 0 / 51 / 39

HEX #169C4C

RGB 22 156 76

HSL 144.18, 0.75%, 0.35%

LAB 56.55, -51.71, 32.38

 

CMYK 78 / 0 / 45 / 32

HEX #27AE5F

RGB 39 174 95

HSL 144.89, 0.63%, 0.42%

LAB 62.95, -52.98, 30.67

 

CMYK 71 / 0 / 41 / 25

HEX #38C072

RGB 56 192 114

HSL 145.59, 0.55%, 0.49%

LAB 69.29, -53.75, 29.08

 

CMYK 65 / 0 / 37 / 18

HEX #49D285

RGB 73 210 133

HSL 146.28, 0.6%, 0.55%

LAB 75.58, -54.19, 27.6

 

CMYK 61 / 0 / 33 / 11

HEX #5AE498

RGB 90 228 152

HSL 146.96, 0.72%, 0.62%

LAB 81.8, -54.41, 26.23

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 100 / 0 / 55 / 46

HEX #008A3E

RGB 0 138 62

HSL 146.96, 1%, 0.27%

LAB 50.13, -49.32, 31.63

 

CMYK 100 / 0 / 64 / 53

HEX #00782B

RGB 0 120 43

HSL 141.5, 1%, 0.24%

LAB 43.66, -46.08, 33.54

 

CMYK 100 / 0 / 76 / 60

HEX #006618

RGB 0 102 24

HSL 134.12, 1%, 0.2%

LAB 37.06, -42.4, 35

 

CMYK 100 / 0 / 94 / 67

HEX #005405

RGB 0 84 5

HSL 123.57, 1%, 0.16%

LAB 30.28, -38.08, 35.28

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 89 / 0 / 72 / 39

HEX #119C2C

RGB 17 156 44

HSL 131.65, 0.8%, 0.34%

LAB 56.17, -56.29, 46.79

 

CMYK 82 / 0 / 89 / 39

HEX #1C9C11

RGB 28 156 17

HSL 115.25, 0.8%, 0.34%

LAB 56.15, -56.94, 55.16

 

CMYK 58 / 0 / 89 / 39

HEX #429C11

RGB 66 156 17

HSL 98.85, 0.8%, 0.34%

LAB 57.05, -49.34, 56.29

 

CMYK 34 / 0 / 89 / 39

HEX #679C11

RGB 103 156 17

HSL 82.88, 0.8%, 0.34%

LAB 58.7, -37.07, 58.34

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 89 / 0 / 24 / 39

HEX #119C77

RGB 17 156 119

HSL 164.03, 0.8%, 0.34%

LAB 57.3, -43.06, 9.9

 

CMYK 89 / 0 / 0 / 39

HEX #119C9C

RGB 17 156 156

HSL 180, 0.8%, 0.34%

LAB 58.32, -32.56, -9.61

 

CMYK 89 / 24 / 0 / 39

HEX #11779C

RGB 17 119 156

HSL 195.97, 0.8%, 0.34%

LAB 46.6, -13.33, -27.51

 

CMYK 89 / 48 / 0 / 39

HEX #11519C

RGB 17 81 156

HSL 212.37, 0.8%, 0.34%

LAB 34.81, 10.35, -46.18

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 98 / 0 / 53 / 33

HEX #03AA50

RGB 3 170 80

HSL 147.66, 0.97%, 0.34%

LAB 61.09, -57, 35.92

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 78 / 0 / 42 / 44

HEX #1F8E52

RGB 31 142 82

HSL 147.57, 0.64%, 0.34%

LAB 52.11, -44.44, 23.53

 

CMYK 65 / 0 / 35 / 50

HEX #2D8053

RGB 45 128 83

HSL 147.47, 0.48%, 0.34%

LAB 47.78, -36.05, 17.25

 

CMYK 48 / 0 / 25 / 55

HEX #3B7255

RGB 59 114 85

HSL 148.36, 0.32%, 0.34%

LAB 43.68, -25.54, 10.54

 

CMYK 27 / 0 / 14 / 61

HEX #496456

RGB 73 100 86

HSL 148.89, 0.16%, 0.34%

LAB 39.92, -13.27, 4.72

 

CMYK 81 / 0 / 89 / 39

HEX #1D9C11

RGB 29 156 17

HSL 114.82, 0.8%, 0.34%

LAB 56.17, -56.82, 55.18

 

CMYK 89 / 0 / 72 / 39

HEX #119C2B

RGB 17 156 43

HSL 131.22, 0.8%, 0.34%

LAB 56.16, -56.38, 47.18

 

CMYK 89 / 0 / 49 / 39

HEX #119C50

RGB 17 156 80

HSL 147.19, 0.8%, 0.34%

LAB 56.56, -51.45, 30.3

 

CMYK 89 / 0 / 25 / 39

HEX #119C75

RGB 17 156 117

HSL 163.17, 0.8%, 0.34%

LAB 57.25, -43.56, 10.96

 

CMYK 89 / 0 / 1 / 39

HEX #119C9A

RGB 17 156 154

HSL 179.14, 0.8%, 0.34%

LAB 58.25, -33.18, -8.57

 

CMYK 89 / 0 / 48 / 68

HEX #09522B

RGB 9 82 43

HSL 147.95, 0.8%, 0.18%

LAB 30.08, -31.22, 17.04

 

CMYK 89 / 0 / 48 / 53

HEX #0D773E

RGB 13 119 62

HSL 147.74, 0.8%, 0.26%

LAB 43.69, -41.59, 23.63

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 89 / 0 / 48 / 24

HEX #15C165

RGB 21 193 101

HSL 147.91, 0.8%, 0.42%

LAB 68.92, -60.33, 35.17

 

CMYK 89 / 0 / 48 / 10

HEX #1AE678

RGB 26 230 120

HSL 147.65, 0.8%, 0.5%

LAB 80.83, -69.14, 40.83

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 89 / 58 / 0 / 39

HEX #11429C

RGB 17 66 156

HSL 218.85, 0.8%, 0.34%

LAB 30.44, 20.59, -53.26

 

CMYK 0 / 85 / 89 / 39

HEX #9C1811

RGB 156 24 17

HSL 3.02, 0.8%, 0.34%

LAB 33.48, 51.64, 39.8

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 49 / 89 / 0 / 39

HEX #50119C

RGB 80 17 156

HSL 267.19, 0.8%, 0.34%

LAB 25.28, 54.19, -61.55

 

CMYK 0 / 49 / 89 / 39

HEX #9C5011

RGB 156 80 17

HSL 27.19, 0.8%, 0.34%

LAB 42.53, 27.65, 47.02

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 89 / 58 / 0 / 39

HEX #11429C

RGB 17 66 156

HSL 218.85, 0.8%, 0.34%

LAB 30.44, 20.59, -53.26

 

CMYK 0 / 89 / 40 / 39

HEX #9C115E

RGB 156 17 94

HSL 326.76, 0.8%, 0.34%

LAB 34.55, 57.78, -6.96

 

CMYK 0 / 31 / 89 / 39

HEX #9C6C11

RGB 156 108 17

HSL 39.28, 0.8%, 0.34%

LAB 49.29, 11.81, 52.43

 

CMYK 89 / 0 / 48 / 39

HEX #119C51

RGB 17 156 81

HSL 147.63, 0.8%, 0.34%

LAB 56.58, -51.27, 29.79

 

CMYK 89 / 85 / 0 / 39

HEX #11189C

RGB 17 24 156

HSL 236.98, 0.8%, 0.34%

LAB 20.72, 46.79, -69.27

 

CMYK 0 / 89 / 40 / 39

HEX #9C115E

RGB 156 17 94

HSL 326.76, 0.8%, 0.34%

LAB 34.55, 57.78, -6.96

 

CMYK 0 / 4 / 89 / 39

HEX #9C9511

RGB 156 149 17

HSL 56.98, 0.8%, 0.34%

LAB 60.43, -10.98, 61.34

 

Description

Color code: HEX #119C51 | qconv.com Color code: HEX #119C51 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 156 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 156 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 48 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 48% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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