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Color name
HEX #118E28

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #118E28 it is the complementary color #EE71D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #118E28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #118E28 shade: #168E23, #27A036, #38B249, #49C45C and #5AD66F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #118E28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #118E28 shade: #118E28, #007C15, #006A02, #005800 and #004600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #118E28 shade: #118D28, #1B8D11, #3D8D11, #5F8D11 and #808D11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #118E28 shade: #118D28, #118D49, #118D6B, #118D8D and #116D8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #118E28 shade matches the following richer shades: #118D28 and #049A1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #118E28 shade: #118D28, #1D8130, #2A7438, #376740 and #445A48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #118E28 shade: #3C8D11, #1B8D11, #118D27, #118D49 and #118D6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #118E28 shade: #084413, #0C691D, #118D28, #15B232 and #19D73C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #118E28 shade: #118E28, #115E8D and #8D112C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #118E28 shade: #118E28, #27118D and #8D2711

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #118E28 shade: #118E28, #115E8D, #8D1177 and #8D4011

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #118E28 shade: #118E28, #11388D, #8D1177 and #8D6611

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 72 / 44

HEX #118E28

RGB 17 142 40

HSL 131.04, 0.79%, 0.31%

LAB 51.4, -52.25, 43.41

 

Complementary color

CMYK 0 / 53 / 10 / 7

HEX #EE71D7

RGB 238 113 215

HSL 311.04, 0.79%, 0.69%

LAB 65.67, 60.65, -30.33

 

CMYK 85 / 0 / 75 / 44

HEX #168E23

RGB 22 142 35

HSL 126.5, 0.73%, 0.32%

LAB 51.43, -52.19, 45.42

 

CMYK 76 / 0 / 66 / 37

HEX #27A036

RGB 39 160 54

HSL 127.44, 0.61%, 0.39%

LAB 57.88, -53.95, 44.55

 

CMYK 69 / 0 / 59 / 30

HEX #38B249

RGB 56 178 73

HSL 128.36, 0.52%, 0.46%

LAB 64.29, -55, 43.31

 

CMYK 63 / 0 / 53 / 23

HEX #49C45C

RGB 73 196 92

HSL 129.27, 0.51%, 0.53%

LAB 70.64, -55.6, 41.94

 

CMYK 58 / 0 / 48 / 16

HEX #5AD66F

RGB 90 214 111

HSL 130.16, 0.6%, 0.6%

LAB 76.93, -55.9, 40.56

 

CMYK 88 / 0 / 72 / 44

HEX #118E28

RGB 17 142 40

HSL 131.04, 0.79%, 0.31%

LAB 51.4, -52.25, 43.41

 

CMYK 100 / 0 / 83 / 51

HEX #007C15

RGB 0 124 21

HSL 130.16, 1%, 0.24%

LAB 44.9, -49.54, 43.83

 

CMYK 100 / 0 / 98 / 58

HEX #006A02

RGB 0 106 2

HSL 121.13, 1%, 0.21%

LAB 38.4, -45.09, 43.07

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 88 / 0 / 72 / 45

HEX #118D28

RGB 17 141 40

HSL 131.13, 0.78%, 0.31%

LAB 51.06, -51.93, 43.05

 

CMYK 81 / 0 / 88 / 45

HEX #1B8D11

RGB 27 141 17

HSL 115.16, 0.78%, 0.31%

LAB 51.06, -52.41, 50.68

 

CMYK 57 / 0 / 88 / 45

HEX #3D8D11

RGB 61 141 17

HSL 98.71, 0.78%, 0.31%

LAB 51.93, -45.14, 51.77

 

CMYK 33 / 0 / 88 / 45

HEX #5F8D11

RGB 95 141 17

HSL 82.26, 0.78%, 0.31%

LAB 53.52, -33.43, 53.77

 

CMYK 9 / 0 / 88 / 45

HEX #808D11

RGB 128 141 17

HSL 66.29, 0.78%, 0.31%

LAB 55.77, -19.42, 56.57

 

CMYK 88 / 0 / 72 / 45

HEX #118D28

RGB 17 141 40

HSL 131.13, 0.78%, 0.31%

LAB 51.06, -51.93, 43.05

 

CMYK 88 / 0 / 48 / 45

HEX #118D49

RGB 17 141 73

HSL 147.1, 0.78%, 0.31%

LAB 51.44, -47.33, 27.51

 

CMYK 88 / 0 / 24 / 45

HEX #118D6B

RGB 17 141 107

HSL 163.55, 0.78%, 0.31%

LAB 52.1, -39.86, 9.38

 

CMYK 88 / 0 / 0 / 45

HEX #118D8D

RGB 17 141 141

HSL 180, 0.78%, 0.31%

LAB 53.05, -30.07, -8.89

 

CMYK 88 / 23 / 0 / 45

HEX #116D8D

RGB 17 109 141

HSL 195.48, 0.78%, 0.31%

LAB 42.73, -13.19, -24.62

 

CMYK 88 / 0 / 72 / 45

HEX #118D28

RGB 17 141 40

HSL 131.13, 0.78%, 0.31%

LAB 51.06, -51.93, 43.05

 

CMYK 97 / 0 / 80 / 40

HEX #049A1F

RGB 4 154 31

HSL 130.8, 0.95%, 0.31%

LAB 55.31, -57.59, 50.6

 

CMYK 88 / 0 / 72 / 45

HEX #118D28

RGB 17 141 40

HSL 131.13, 0.78%, 0.31%

LAB 51.06, -51.93, 43.05

 

CMYK 78 / 0 / 63 / 49

HEX #1D8130

RGB 29 129 48

HSL 131.4, 0.63%, 0.31%

LAB 47.2, -45.46, 35.27

 

CMYK 64 / 0 / 52 / 55

HEX #2A7438

RGB 42 116 56

HSL 131.35, 0.47%, 0.31%

LAB 43.17, -36.69, 26.39

 

CMYK 47 / 0 / 38 / 60

HEX #376740

RGB 55 103 64

HSL 131.25, 0.3%, 0.31%

LAB 39.38, -25.69, 17.07

 

CMYK 24 / 0 / 20 / 65

HEX #445A48

RGB 68 90 72

HSL 130.91, 0.14%, 0.31%

LAB 36, -12.49, 7.71

 

CMYK 57 / 0 / 88 / 45

HEX #3C8D11

RGB 60 141 17

HSL 99.19, 0.78%, 0.31%

LAB 51.89, -45.43, 51.73

 

CMYK 81 / 0 / 88 / 45

HEX #1B8D11

RGB 27 141 17

HSL 115.16, 0.78%, 0.31%

LAB 51.06, -52.41, 50.68

 

CMYK 88 / 0 / 72 / 45

HEX #118D27

RGB 17 141 39

HSL 130.65, 0.78%, 0.31%

LAB 51.05, -52.03, 43.45

 

CMYK 88 / 0 / 48 / 45

HEX #118D49

RGB 17 141 73

HSL 147.1, 0.78%, 0.31%

LAB 51.44, -47.33, 27.51

 

CMYK 88 / 0 / 25 / 45

HEX #118D6A

RGB 17 141 106

HSL 163.06, 0.78%, 0.31%

LAB 52.07, -40.12, 9.92

 

CMYK 88 / 0 / 72 / 73

HEX #084413

RGB 8 68 19

HSL 131, 0.79%, 0.15%

LAB 24.43, -29.95, 23.84

 

CMYK 89 / 0 / 72 / 59

HEX #0C691D

RGB 12 105 29

HSL 130.97, 0.79%, 0.23%

LAB 38.32, -41.64, 34.22

 

CMYK 88 / 0 / 72 / 45

HEX #118D28

RGB 17 141 40

HSL 131.13, 0.78%, 0.31%

LAB 51.06, -51.93, 43.05

 

CMYK 88 / 0 / 72 / 30

HEX #15B232

RGB 21 178 50

HSL 131.08, 0.79%, 0.39%

LAB 63.53, -62.18, 52.14

 

CMYK 88 / 0 / 72 / 16

HEX #19D73C

RGB 25 215 60

HSL 131.05, 0.79%, 0.47%

LAB 75.53, -71.99, 60.84

 

CMYK 88 / 0 / 72 / 44

HEX #118E28

RGB 17 142 40

HSL 131.04, 0.79%, 0.31%

LAB 51.4, -52.25, 43.41

 

CMYK 88 / 33 / 0 / 45

HEX #115E8D

RGB 17 94 141

HSL 202.74, 0.78%, 0.31%

LAB 37.93, -4.2, -32.15

 

CMYK 0 / 88 / 69 / 45

HEX #8D112C

RGB 141 17 44

HSL 346.94, 0.78%, 0.31%

LAB 30.02, 49.92, 19.11

 

CMYK 88 / 0 / 72 / 44

HEX #118E28

RGB 17 142 40

HSL 131.04, 0.79%, 0.31%

LAB 51.4, -52.25, 43.41

 

CMYK 72 / 88 / 0 / 45

HEX #27118D

RGB 39 17 141

HSL 250.65, 0.78%, 0.31%

LAB 19.04, 46.34, -62.75

 

CMYK 0 / 72 / 88 / 45

HEX #8D2711

RGB 141 39 17

HSL 10.65, 0.78%, 0.31%

LAB 32.16, 41.94, 37.45

 

CMYK 88 / 0 / 72 / 44

HEX #118E28

RGB 17 142 40

HSL 131.04, 0.79%, 0.31%

LAB 51.4, -52.25, 43.41

 

CMYK 88 / 33 / 0 / 45

HEX #115E8D

RGB 17 94 141

HSL 202.74, 0.78%, 0.31%

LAB 37.93, -4.2, -32.15

 

CMYK 0 / 88 / 16 / 45

HEX #8D1177

RGB 141 17 119

HSL 310.65, 0.78%, 0.31%

LAB 32.69, 57.38, -26.05

 

CMYK 0 / 55 / 88 / 45

HEX #8D4011

RGB 141 64 17

HSL 22.74, 0.78%, 0.31%

LAB 36.69, 29.98, 41.27

 

CMYK 88 / 0 / 72 / 44

HEX #118E28

RGB 17 142 40

HSL 131.04, 0.79%, 0.31%

LAB 51.4, -52.25, 43.41

 

CMYK 88 / 60 / 0 / 45

HEX #11388D

RGB 17 56 141

HSL 221.13, 0.78%, 0.31%

LAB 26.36, 21.38, -50.72

 

CMYK 0 / 88 / 16 / 45

HEX #8D1177

RGB 141 17 119

HSL 310.65, 0.78%, 0.31%

LAB 32.69, 57.38, -26.05

 

CMYK 0 / 28 / 88 / 45

HEX #8D6611

RGB 141 102 17

HSL 41.13, 0.78%, 0.31%

LAB 45.91, 8.26, 48.93

 

Description

Color code: HEX #118E28 | qconv.com Color code: HEX #118E28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 142 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 142 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 72 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 72% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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