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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #118920 it is the complementary color #EE76DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #118920. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #118920 shade: #16891B, #279B2E, #38AD41, #49BF54 and #5AD167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #118920. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #118920 shade: #118920, #00770D, #006500, #005300 and #004100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #118920 shade: #118820, #228811, #428811, #628811 and #838811

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #118920 shade: #118820, #118840, #118860, #118880 and #117088

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #118920 shade matches the following richer shades: #118820 and #049516

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #118920 shade: #118820, #1D7C29, #2A6F32, #36633C and #425745

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #118920 shade: #438811, #238811, #11881F, #11883F and #11885E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #118920 shade: #083F0F, #0C6317, #118820, #15AD28 and #1AD231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #118920 shade: #118920, #116288 and #881133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #118920 shade: #118920, #1F1188 and #881F11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #118920 shade: #118920, #116288, #88117A and #883711

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #118920 shade: #118920, #113F88, #88117A and #885A11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 77 / 46

HEX #118920

RGB 17 137 32

HSL 127.5, 0.78%, 0.3%

LAB 49.64, -51.38, 44.71

 

Complementary color

CMYK 0 / 50 / 6 / 7

HEX #EE76DF

RGB 238 118 223

HSL 307.5, 0.78%, 0.7%

LAB 66.87, 59.6, -32.92

 

CMYK 84 / 0 / 80 / 46

HEX #16891B

RGB 22 137 27

HSL 122.61, 0.72%, 0.31%

LAB 49.67, -51.21, 46.52

 

CMYK 75 / 0 / 70 / 39

HEX #279B2E

RGB 39 155 46

HSL 123.62, 0.6%, 0.38%

LAB 56.16, -53.08, 46.07

 

CMYK 68 / 0 / 62 / 32

HEX #38AD41

RGB 56 173 65

HSL 124.62, 0.51%, 0.45%

LAB 62.6, -54.19, 45.04

 

CMYK 62 / 0 / 56 / 25

HEX #49BF54

RGB 73 191 84

HSL 125.59, 0.48%, 0.52%

LAB 68.98, -54.82, 43.77

 

CMYK 57 / 0 / 51 / 18

HEX #5AD167

RGB 90 209 103

HSL 126.55, 0.56%, 0.59%

LAB 75.3, -55.13, 42.43

 

CMYK 88 / 0 / 77 / 46

HEX #118920

RGB 17 137 32

HSL 127.5, 0.78%, 0.3%

LAB 49.64, -51.38, 44.71

 

CMYK 100 / 0 / 89 / 53

HEX #00770D

RGB 0 119 13

HSL 126.55, 1%, 0.23%

LAB 43.1, -48.5, 44.44

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 100 / 0 / 100 / 67

HEX #005300

RGB 0 83 0

HSL 120, 1%, 0.16%

LAB 29.88, -38.12, 36.79

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 88 / 0 / 76 / 47

HEX #118820

RGB 17 136 32

HSL 127.56, 0.78%, 0.3%

LAB 49.29, -51.06, 44.37

 

CMYK 75 / 0 / 88 / 47

HEX #228811

RGB 34 136 17

HSL 111.43, 0.78%, 0.3%

LAB 49.48, -49.68, 49.32

 

CMYK 51 / 0 / 88 / 47

HEX #428811

RGB 66 136 17

HSL 95.29, 0.78%, 0.3%

LAB 50.46, -41.69, 50.56

 

CMYK 28 / 0 / 88 / 47

HEX #628811

RGB 98 136 17

HSL 79.16, 0.78%, 0.3%

LAB 52.11, -29.9, 52.64

 

CMYK 4 / 0 / 88 / 47

HEX #838811

RGB 131 136 17

HSL 62.52, 0.78%, 0.3%

LAB 54.53, -15.46, 55.64

 

CMYK 88 / 0 / 76 / 47

HEX #118820

RGB 17 136 32

HSL 127.56, 0.78%, 0.3%

LAB 49.29, -51.06, 44.37

 

CMYK 88 / 0 / 53 / 47

HEX #118840

RGB 17 136 64

HSL 143.7, 0.78%, 0.3%

LAB 49.61, -47.09, 30

 

CMYK 88 / 0 / 29 / 47

HEX #118860

RGB 17 136 96

HSL 159.83, 0.78%, 0.3%

LAB 50.18, -40.53, 13.01

 

CMYK 88 / 0 / 6 / 47

HEX #118880

RGB 17 136 128

HSL 175.97, 0.78%, 0.3%

LAB 51.02, -31.72, -4.35

 

CMYK 88 / 18 / 0 / 47

HEX #117088

RGB 17 112 136

HSL 192.1, 0.78%, 0.3%

LAB 43.49, -16.72, -20.47

 

CMYK 88 / 0 / 76 / 47

HEX #118820

RGB 17 136 32

HSL 127.56, 0.78%, 0.3%

LAB 49.29, -51.06, 44.37

 

CMYK 97 / 0 / 85 / 42

HEX #049516

RGB 4 149 22

HSL 127.45, 0.95%, 0.3%

LAB 53.58, -56.67, 51.6

 

CMYK 88 / 0 / 76 / 47

HEX #118820

RGB 17 136 32

HSL 127.56, 0.78%, 0.3%

LAB 49.29, -51.06, 44.37

 

CMYK 77 / 0 / 67 / 51

HEX #1D7C29

RGB 29 124 41

HSL 127.58, 0.62%, 0.3%

LAB 45.41, -44.53, 36.56

 

CMYK 62 / 0 / 55 / 56

HEX #2A6F32

RGB 42 111 50

HSL 126.96, 0.45%, 0.3%

LAB 41.36, -35.54, 27.42

 

CMYK 45 / 0 / 39 / 61

HEX #36633C

RGB 54 99 60

HSL 128, 0.29%, 0.3%

LAB 37.9, -24.79, 17.45

 

CMYK 24 / 0 / 21 / 66

HEX #425745

RGB 66 87 69

HSL 128.57, 0.14%, 0.3%

LAB 34.81, -12.17, 7.88

 

CMYK 51 / 0 / 88 / 47

HEX #438811

RGB 67 136 17

HSL 94.79, 0.78%, 0.3%

LAB 50.5, -41.37, 50.61

 

CMYK 74 / 0 / 88 / 47

HEX #238811

RGB 35 136 17

HSL 110.92, 0.78%, 0.3%

LAB 49.5, -49.5, 49.35

 

CMYK 88 / 0 / 77 / 47

HEX #11881F

RGB 17 136 31

HSL 127.06, 0.78%, 0.3%

LAB 49.28, -51.14, 44.73

 

CMYK 88 / 0 / 54 / 47

HEX #11883F

RGB 17 136 63

HSL 143.19, 0.78%, 0.3%

LAB 49.6, -47.25, 30.51

 

CMYK 88 / 0 / 31 / 47

HEX #11885E

RGB 17 136 94

HSL 158.82, 0.78%, 0.3%

LAB 50.14, -41.01, 14.1

 

CMYK 87 / 0 / 76 / 75

HEX #083F0F

RGB 8 63 15

HSL 127.64, 0.77%, 0.14%

LAB 22.45, -28.52, 23.7

 

CMYK 88 / 0 / 77 / 61

HEX #0C6317

RGB 12 99 23

HSL 127.59, 0.78%, 0.22%

LAB 36.11, -40.19, 34.48

 

CMYK 88 / 0 / 76 / 47

HEX #118820

RGB 17 136 32

HSL 127.56, 0.78%, 0.3%

LAB 49.29, -51.06, 44.37

 

CMYK 88 / 0 / 77 / 32

HEX #15AD28

RGB 21 173 40

HSL 127.5, 0.78%, 0.38%

LAB 61.83, -61.49, 54.02

 

CMYK 88 / 0 / 77 / 18

HEX #1AD231

RGB 26 210 49

HSL 127.5, 0.78%, 0.46%

LAB 73.89, -71.31, 62.92

 

CMYK 88 / 0 / 77 / 46

HEX #118920

RGB 17 137 32

HSL 127.5, 0.78%, 0.3%

LAB 49.64, -51.38, 44.71

 

CMYK 88 / 28 / 0 / 47

HEX #116288

RGB 17 98 136

HSL 199.16, 0.78%, 0.3%

LAB 38.95, -8.61, -27.5

 

CMYK 0 / 88 / 63 / 47

HEX #881133

RGB 136 17 51

HSL 342.86, 0.78%, 0.3%

LAB 29.09, 48.94, 13.03

 

CMYK 88 / 0 / 77 / 46

HEX #118920

RGB 17 137 32

HSL 127.5, 0.78%, 0.3%

LAB 49.64, -51.38, 44.71

 

CMYK 77 / 88 / 0 / 47

HEX #1F1188

RGB 31 17 136

HSL 247.06, 0.78%, 0.3%

LAB 17.78, 44.32, -61.72

 

CMYK 0 / 77 / 88 / 47

HEX #881F11

RGB 136 31 17

HSL 7.06, 0.78%, 0.3%

LAB 30.05, 43.29, 35.24

 

CMYK 88 / 0 / 77 / 46

HEX #118920

RGB 17 137 32

HSL 127.5, 0.78%, 0.3%

LAB 49.64, -51.38, 44.71

 

CMYK 88 / 28 / 0 / 47

HEX #116288

RGB 17 98 136

HSL 199.16, 0.78%, 0.3%

LAB 38.95, -8.61, -27.5

 

CMYK 0 / 88 / 10 / 47

HEX #88117A

RGB 136 17 122

HSL 307.06, 0.78%, 0.3%

LAB 31.9, 56.76, -29.26

 

CMYK 0 / 60 / 88 / 47

HEX #883711

RGB 136 55 17

HSL 19.16, 0.78%, 0.3%

LAB 34, 32.65, 38.65

 

CMYK 88 / 0 / 77 / 46

HEX #118920

RGB 17 137 32

HSL 127.5, 0.78%, 0.3%

LAB 49.64, -51.38, 44.71

 

CMYK 88 / 54 / 0 / 47

HEX #113F88

RGB 17 63 136

HSL 216.81, 0.78%, 0.3%

LAB 27.98, 14.38, -44.98

 

CMYK 0 / 88 / 10 / 47

HEX #88117A

RGB 136 17 122

HSL 307.06, 0.78%, 0.3%

LAB 31.9, 56.76, -29.26

 

CMYK 0 / 34 / 88 / 47

HEX #885A11

RGB 136 90 17

HSL 36.81, 0.78%, 0.3%

LAB 42.13, 12.92, 45.54

 

Description

Color code: HEX #118920 | qconv.com Color code: HEX #118920 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 137 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 137 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 77 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 77% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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