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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #118076 it is the complementary color #EE7F89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #118076. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #118076 shade: #168071, #279284, #38A497, #49B6AA and #5AC8BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #118076. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #118076 shade: #118076, #006E63, #005C50, #004A3D and #00382A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #118076 shade: #107E74, #107E57, #107E39, #107E1C and #237E10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #118076 shade: #107E74, #106B7E, #104D7E, #102F7E and #10127E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #118076 shade matches the following richer shades: #107E74 and #058A7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #118076 shade: #107E74, #1C736B, #286762, #335C58 and #3F504F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #118076 shade: #107E39, #107E56, #107E73, #106C7E and #104F7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #118076 shade: #073531, #0C5A53, #107E74, #15A396 and #1AC7B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #118076 shade: #118076, #1B107E and #7E4710

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #118076 shade: #118076, #73107E and #7E7310

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #118076 shade: #118076, #1B107E, #7E101B and #737E10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #118076 shade: #118076, #3C107E, #7E101B and #527E10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 8 / 50

HEX #118076

RGB 17 128 118

HSL 174.59, 0.77%, 0.28%

LAB 48.09, -30.97, -2.82

 

Complementary color

CMYK 0 / 47 / 42 / 7

HEX #EE7F89

RGB 238 127 137

HSL 354.59, 0.77%, 0.72%

LAB 65.87, 43.5, 14.04

 

CMYK 83 / 0 / 12 / 50

HEX #168071

RGB 22 128 113

HSL 171.51, 0.71%, 0.29%

LAB 48.01, -32.01, 0.02

 

CMYK 73 / 0 / 10 / 43

HEX #279284

RGB 39 146 132

HSL 172.15, 0.58%, 0.36%

LAB 54.72, -32.93, -1.19

 

CMYK 66 / 0 / 8 / 36

HEX #38A497

RGB 56 164 151

HSL 172.78, 0.49%, 0.43%

LAB 61.33, -33.5, -2.25

 

CMYK 60 / 0 / 7 / 29

HEX #49B6AA

RGB 73 182 170

HSL 173.39, 0.43%, 0.5%

LAB 67.85, -33.85, -3.19

 

CMYK 55 / 0 / 5 / 22

HEX #5AC8BD

RGB 90 200 189

HSL 174, 0.5%, 0.57%

LAB 74.29, -34.05, -4.04

 

CMYK 87 / 0 / 8 / 50

HEX #118076

RGB 17 128 118

HSL 174.59, 0.77%, 0.28%

LAB 48.09, -30.97, -2.82

 

CMYK 100 / 0 / 10 / 57

HEX #006E63

RGB 0 110 99

HSL 174, 1%, 0.22%

LAB 41.3, -29.44, -1.47

 

CMYK 100 / 0 / 13 / 64

HEX #005C50

RGB 0 92 80

HSL 172.17, 1%, 0.18%

LAB 34.46, -26.8, 0.21

 

CMYK 100 / 0 / 18 / 71

HEX #004A3D

RGB 0 74 61

HSL 169.46, 1%, 0.15%

LAB 27.39, -24.07, 2.01

 

CMYK 100 / 0 / 25 / 78

HEX #00382A

RGB 0 56 42

HSL 165, 1%, 0.11%

LAB 20.03, -21.22, 3.99

 

CMYK 87 / 0 / 8 / 51

HEX #107E74

RGB 16 126 116

HSL 174.55, 0.77%, 0.28%

LAB 47.36, -30.71, -2.72

 

CMYK 87 / 0 / 31 / 51

HEX #107E57

RGB 16 126 87

HSL 158.73, 0.77%, 0.28%

LAB 46.6, -38.67, 13.25

 

CMYK 87 / 0 / 55 / 51

HEX #107E39

RGB 16 126 57

HSL 142.36, 0.77%, 0.28%

LAB 46.08, -44.75, 29.33

 

CMYK 87 / 0 / 78 / 51

HEX #107E1C

RGB 16 126 28

HSL 126.55, 0.77%, 0.28%

LAB 45.79, -48.29, 42.34

 

CMYK 72 / 0 / 87 / 51

HEX #237E10

RGB 35 126 16

HSL 109.64, 0.77%, 0.28%

LAB 46.06, -46.16, 46.52

 

CMYK 87 / 0 / 8 / 51

HEX #107E74

RGB 16 126 116

HSL 174.55, 0.77%, 0.28%

LAB 47.36, -30.71, -2.72

 

CMYK 87 / 15 / 0 / 51

HEX #106B7E

RGB 16 107 126

HSL 190.36, 0.77%, 0.28%

LAB 41.43, -17.64, -17.62

 

CMYK 87 / 39 / 0 / 51

HEX #104D7E

RGB 16 77 126

HSL 206.73, 0.77%, 0.28%

LAB 31.63, 0.54, -32.92

 

CMYK 87 / 63 / 0 / 51

HEX #102F7E

RGB 16 47 126

HSL 223.09, 0.77%, 0.28%

LAB 22.48, 21.45, -47.69

 

CMYK 87 / 86 / 0 / 51

HEX #10127E

RGB 16 18 126

HSL 238.91, 0.77%, 0.28%

LAB 15.74, 39.89, -58.8

 

CMYK 87 / 0 / 8 / 51

HEX #107E74

RGB 16 126 116

HSL 174.55, 0.77%, 0.28%

LAB 47.36, -30.71, -2.72

 

CMYK 96 / 0 / 9 / 46

HEX #058A7E

RGB 5 138 126

HSL 174.59, 0.93%, 0.28%

LAB 51.51, -33.94, -2.47

 

CMYK 87 / 0 / 8 / 51

HEX #107E74

RGB 16 126 116

HSL 174.55, 0.77%, 0.28%

LAB 47.36, -30.71, -2.72

 

CMYK 76 / 0 / 7 / 55

HEX #1C736B

RGB 28 115 107

HSL 174.48, 0.61%, 0.28%

LAB 43.61, -26.84, -2.85

 

CMYK 61 / 0 / 5 / 60

HEX #286762

RGB 40 103 98

HSL 175.24, 0.44%, 0.28%

LAB 39.64, -21.33, -3.23

 

CMYK 45 / 0 / 4 / 64

HEX #335C58

RGB 51 92 88

HSL 174.15, 0.29%, 0.28%

LAB 36.1, -15.47, -2.21

 

CMYK 21 / 0 / 1 / 69

HEX #3F504F

RGB 63 80 79

HSL 176.47, 0.12%, 0.28%

LAB 32.61, -6.86, -1.61

 

CMYK 87 / 0 / 55 / 51

HEX #107E39

RGB 16 126 57

HSL 142.36, 0.77%, 0.28%

LAB 46.08, -44.75, 29.33

 

CMYK 87 / 0 / 32 / 51

HEX #107E56

RGB 16 126 86

HSL 158.18, 0.77%, 0.28%

LAB 46.58, -38.91, 13.8

 

CMYK 87 / 0 / 9 / 51

HEX #107E73

RGB 16 126 115

HSL 174, 0.77%, 0.28%

LAB 47.33, -31.01, -2.17

 

CMYK 87 / 14 / 0 / 51

HEX #106C7E

RGB 16 108 126

HSL 189.82, 0.77%, 0.28%

LAB 41.75, -18.19, -17.12

 

CMYK 87 / 37 / 0 / 51

HEX #104F7E

RGB 16 79 126

HSL 205.64, 0.77%, 0.28%

LAB 32.28, -0.77, -31.9

 

CMYK 87 / 0 / 8 / 79

HEX #073531

RGB 7 53 49

HSL 174.78, 0.77%, 0.12%

LAB 19.28, -16.01, -1.83

 

CMYK 87 / 0 / 8 / 65

HEX #0C5A53

RGB 12 90 83

HSL 174.62, 0.76%, 0.2%

LAB 34.01, -23.73, -2.31

 

CMYK 87 / 0 / 8 / 51

HEX #107E74

RGB 16 126 116

HSL 174.55, 0.77%, 0.28%

LAB 47.36, -30.71, -2.72

 

CMYK 87 / 0 / 8 / 36

HEX #15A396

RGB 21 163 150

HSL 174.51, 0.77%, 0.36%

LAB 60.39, -37.36, -3.14

 

CMYK 87 / 0 / 8 / 22

HEX #1AC7B8

RGB 26 199 184

HSL 174.8, 0.77%, 0.44%

LAB 72.58, -43.27, -3.99

 

CMYK 87 / 0 / 8 / 50

HEX #118076

RGB 17 128 118

HSL 174.59, 0.77%, 0.28%

LAB 48.09, -30.97, -2.82

 

CMYK 79 / 87 / 0 / 51

HEX #1B107E

RGB 27 16 126

HSL 246, 0.77%, 0.28%

LAB 16.05, 41.41, -58.26

 

CMYK 0 / 44 / 87 / 51

HEX #7E4710

RGB 126 71 16

HSL 30, 0.77%, 0.28%

LAB 35.94, 19.4, 40.11

 

CMYK 87 / 0 / 8 / 50

HEX #118076

RGB 17 128 118

HSL 174.59, 0.77%, 0.28%

LAB 48.09, -30.97, -2.82

 

CMYK 9 / 87 / 0 / 51

HEX #73107E

RGB 115 16 126

HSL 294, 0.77%, 0.28%

LAB 28.17, 53.42, -37.95

 

CMYK 0 / 9 / 87 / 51

HEX #7E7310

RGB 126 115 16

HSL 54, 0.77%, 0.28%

LAB 47.92, -6.37, 50.22

 

CMYK 87 / 0 / 8 / 50

HEX #118076

RGB 17 128 118

HSL 174.59, 0.77%, 0.28%

LAB 48.09, -30.97, -2.82

 

CMYK 79 / 87 / 0 / 51

HEX #1B107E

RGB 27 16 126

HSL 246, 0.77%, 0.28%

LAB 16.05, 41.41, -58.26

 

CMYK 0 / 87 / 79 / 51

HEX #7E101B

RGB 126 16 27

HSL 354, 0.77%, 0.28%

LAB 26.41, 45.01, 25.1

 

CMYK 9 / 0 / 87 / 51

HEX #737E10

RGB 115 126 16

HSL 66, 0.77%, 0.28%

LAB 50.22, -17.51, 51.75

 

CMYK 87 / 0 / 8 / 50

HEX #118076

RGB 17 128 118

HSL 174.59, 0.77%, 0.28%

LAB 48.09, -30.97, -2.82

 

CMYK 52 / 87 / 0 / 51

HEX #3C107E

RGB 60 16 126

HSL 264, 0.77%, 0.28%

LAB 19.38, 44.51, -52.65

 

CMYK 0 / 87 / 79 / 51

HEX #7E101B

RGB 126 16 27

HSL 354, 0.77%, 0.28%

LAB 26.41, 45.01, 25.1

 

CMYK 35 / 0 / 87 / 51

HEX #527E10

RGB 82 126 16

HSL 84, 0.77%, 0.28%

LAB 47.95, -31.72, 48.91

 

Description

Color code: HEX #118076 | qconv.com Color code: HEX #118076 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 128 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 128 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 8 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 8% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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