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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #117FC3 it is the complementary color #EE803C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #117FC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #117FC3 shade: #167FBE, #2791D1, #38A3E4, #49B5F7 and #5AC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #117FC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #117FC3 shade: #117FC3, #006DB0, #005B9D, #00498A and #003777

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #117FC3 shade: #1180C5, #1150C5, #111FC5, #3411C5 and #6411C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #117FC3 shade: #1180C5, #1150C5, #111FC5 and #1111C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #117FC3 shade matches the following richer shades: #1180C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #117FC3 shade: #1180C5, #227CB4, #3478A2, #457491 and #567080

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #117FC3 shade: #11C5A7, #11B3C5, #1183C5, #1153C5 and #1123C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #117FC3 shade: #0B4F79, #0E689F, #1180C5, #1599EB and #3BA9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #117FC3 shade: #117FC3, #7711C5 and #C5BF11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #117FC3 shade: #117FC3, #C51183 and #83C511

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #117FC3 shade: #117FC3, #7711C5, #C55311 and #5FC511

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #117FC3 shade: #117FC3, #AD11C5, #C55311 and #29C511

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 35 / 0 / 24

HEX #117FC3

RGB 17 127 195

HSL 202.92, 0.84%, 0.42%

LAB 50.96, -3.27, -43.26

 

Complementary color

CMYK 0 / 46 / 75 / 7

HEX #EE803C

RGB 238 128 60

HSL 22.92, 0.84%, 0.58%

LAB 64.92, 37.41, 53.97

 

CMYK 88 / 33 / 0 / 25

HEX #167FBE

RGB 22 127 190

HSL 202.5, 0.79%, 0.42%

LAB 50.77, -4.89, -40.7

 

CMYK 81 / 31 / 0 / 18

HEX #2791D1

RGB 39 145 209

HSL 202.59, 0.69%, 0.49%

LAB 57.35, -7.01, -41.08

 

CMYK 75 / 29 / 0 / 11

HEX #38A3E4

RGB 56 163 228

HSL 202.67, 0.76%, 0.56%

LAB 63.87, -8.68, -41.4

 

CMYK 70 / 27 / 0 / 3

HEX #49B5F7

RGB 73 181 247

HSL 202.76, 0.92%, 0.63%

LAB 70.3, -10.03, -41.67

 

CMYK 65 / 22 / 0 / 0

HEX #5AC7FF

RGB 90 199 255

HSL 200.36, 1%, 0.68%

LAB 76.22, -14.57, -36.73

 

CMYK 91 / 35 / 0 / 24

HEX #117FC3

RGB 17 127 195

HSL 202.92, 0.84%, 0.42%

LAB 50.96, -3.27, -43.26

 

CMYK 100 / 38 / 0 / 31

HEX #006DB0

RGB 0 109 176

HSL 202.84, 1%, 0.35%

LAB 44.34, -0.45, -42.81

 

CMYK 100 / 42 / 0 / 38

HEX #005B9D

RGB 0 91 157

HSL 205.22, 1%, 0.31%

LAB 37.69, 3.24, -42.17

 

CMYK 100 / 47 / 0 / 46

HEX #00498A

RGB 0 73 138

HSL 208.26, 1%, 0.27%

LAB 30.88, 7.22, -41.56

 

CMYK 100 / 54 / 0 / 53

HEX #003777

RGB 0 55 119

HSL 212.27, 1%, 0.23%

LAB 23.88, 11.56, -40.98

 

CMYK 91 / 35 / 0 / 23

HEX #1180C5

RGB 17 128 197

HSL 203, 0.84%, 0.42%

LAB 51.37, -3.1, -43.76

 

CMYK 91 / 59 / 0 / 23

HEX #1150C5

RGB 17 80 197

HSL 219, 0.84%, 0.42%

LAB 37.64, 27.58, -65.86

 

CMYK 91 / 84 / 0 / 23

HEX #111FC5

RGB 17 31 197

HSL 235.33, 0.84%, 0.42%

LAB 27.1, 56.38, -83.25

 

CMYK 74 / 91 / 0 / 23

HEX #3411C5

RGB 52 17 197

HSL 251.67, 0.84%, 0.42%

LAB 27.19, 62.52, -83.06

 

CMYK 49 / 91 / 0 / 23

HEX #6411C5

RGB 100 17 197

HSL 267.67, 0.84%, 0.42%

LAB 32.13, 65.93, -74.73

 

CMYK 91 / 35 / 0 / 23

HEX #1180C5

RGB 17 128 197

HSL 203, 0.84%, 0.42%

LAB 51.37, -3.1, -43.76

 

CMYK 91 / 59 / 0 / 23

HEX #1150C5

RGB 17 80 197

HSL 219, 0.84%, 0.42%

LAB 37.64, 27.58, -65.86

 

CMYK 91 / 84 / 0 / 23

HEX #111FC5

RGB 17 31 197

HSL 235.33, 0.84%, 0.42%

LAB 27.1, 56.38, -83.25

 

CMYK 91 / 91 / 0 / 23

HEX #1111C5

RGB 17 17 197

HSL 240, 0.84%, 0.42%

LAB 25.42, 61.47, -86.07

 

CMYK 91 / 35 / 0 / 23

HEX #1180C5

RGB 17 128 197

HSL 203, 0.84%, 0.42%

LAB 51.37, -3.1, -43.76

 

CMYK 91 / 35 / 0 / 23

HEX #1180C5

RGB 17 128 197

HSL 203, 0.84%, 0.42%

LAB 51.37, -3.1, -43.76

 

CMYK 81 / 31 / 0 / 29

HEX #227CB4

RGB 34 124 180

HSL 203.01, 0.68%, 0.42%

LAB 49.56, -5.89, -36.84

 

CMYK 68 / 26 / 0 / 36

HEX #3478A2

RGB 52 120 162

HSL 202.91, 0.51%, 0.42%

LAB 47.97, -7.63, -28.83

 

CMYK 52 / 20 / 0 / 43

HEX #457491

RGB 69 116 145

HSL 202.89, 0.36%, 0.42%

LAB 46.71, -7.45, -20.72

 

CMYK 33 / 13 / 0 / 50

HEX #567080

RGB 86 112 128

HSL 202.86, 0.2%, 0.42%

LAB 45.81, -5.34, -11.91

 

CMYK 91 / 0 / 15 / 23

HEX #11C5A7

RGB 17 197 167

HSL 170, 0.84%, 0.42%

LAB 71.45, -47.55, 3.59

 

CMYK 91 / 9 / 0 / 23

HEX #11B3C5

RGB 17 179 197

HSL 186, 0.84%, 0.42%

LAB 66.82, -30.62, -19.76

 

CMYK 91 / 34 / 0 / 23

HEX #1183C5

RGB 17 131 197

HSL 202, 0.84%, 0.42%

LAB 52.27, -4.88, -42.33

 

CMYK 91 / 58 / 0 / 23

HEX #1153C5

RGB 17 83 197

HSL 218, 0.84%, 0.42%

LAB 38.44, 25.59, -64.56

 

CMYK 91 / 82 / 0 / 23

HEX #1123C5

RGB 17 35 197

HSL 234, 0.84%, 0.42%

LAB 27.72, 54.57, -82.23

 

CMYK 91 / 35 / 0 / 53

HEX #0B4F79

RGB 11 79 121

HSL 202.91, 0.83%, 0.26%

LAB 31.91, -3.23, -29.39

 

CMYK 91 / 35 / 0 / 38

HEX #0E689F

RGB 14 104 159

HSL 202.76, 0.84%, 0.34%

LAB 42, -3.48, -36.5

 

CMYK 91 / 35 / 0 / 23

HEX #1180C5

RGB 17 128 197

HSL 203, 0.84%, 0.42%

LAB 51.37, -3.1, -43.76

 

CMYK 91 / 35 / 0 / 8

HEX #1599EB

RGB 21 153 235

HSL 202.99, 0.84%, 0.5%

LAB 60.73, -3.28, -50.24

 

CMYK 75 / 29 / 0 / 7

HEX #3BA9EE

RGB 59 169 238

HSL 203.13, 0.84%, 0.58%

LAB 66.12, -8.23, -43.35

 

CMYK 91 / 35 / 0 / 24

HEX #117FC3

RGB 17 127 195

HSL 202.92, 0.84%, 0.42%

LAB 50.96, -3.27, -43.26

 

CMYK 40 / 91 / 0 / 23

HEX #7711C5

RGB 119 17 197

HSL 274, 0.84%, 0.42%

LAB 34.71, 67.95, -70.38

 

CMYK 0 / 3 / 91 / 23

HEX #C5BF11

RGB 197 191 17

HSL 58, 0.84%, 0.42%

LAB 75.56, -14.54, 74.72

 

CMYK 91 / 35 / 0 / 24

HEX #117FC3

RGB 17 127 195

HSL 202.92, 0.84%, 0.42%

LAB 50.96, -3.27, -43.26

 

CMYK 0 / 91 / 34 / 23

HEX #C51183

RGB 197 17 131

HSL 322, 0.84%, 0.42%

LAB 44.1, 70.92, -14.99

 

CMYK 34 / 0 / 91 / 23

HEX #83C511

RGB 131 197 17

HSL 82, 0.84%, 0.42%

LAB 72.76, -44.33, 70.59

 

CMYK 91 / 35 / 0 / 24

HEX #117FC3

RGB 17 127 195

HSL 202.92, 0.84%, 0.42%

LAB 50.96, -3.27, -43.26

 

CMYK 40 / 91 / 0 / 23

HEX #7711C5

RGB 119 17 197

HSL 274, 0.84%, 0.42%

LAB 34.71, 67.95, -70.38

 

CMYK 0 / 58 / 91 / 23

HEX #C55311

RGB 197 83 17

HSL 22, 0.84%, 0.42%

LAB 49.61, 42.67, 55.23

 

CMYK 52 / 0 / 91 / 23

HEX #5FC511

RGB 95 197 17

HSL 94, 0.84%, 0.42%

LAB 71.15, -56.2, 68.61

 

CMYK 91 / 35 / 0 / 24

HEX #117FC3

RGB 17 127 195

HSL 202.92, 0.84%, 0.42%

LAB 50.96, -3.27, -43.26

 

CMYK 12 / 91 / 0 / 23

HEX #AD11C5

RGB 173 17 197

HSL 292, 0.84%, 0.42%

LAB 43.24, 75.42, -56.12

 

CMYK 0 / 58 / 91 / 23

HEX #C55311

RGB 197 83 17

HSL 22, 0.84%, 0.42%

LAB 49.61, 42.67, 55.23

 

CMYK 79 / 0 / 91 / 23

HEX #29C511

RGB 41 197 17

HSL 112, 0.84%, 0.42%

LAB 69.78, -67.58, 66.91

 

Description

Color code: HEX #117FC3 | qconv.com Color code: HEX #117FC3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 127 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 127 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 35 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 35% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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