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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11753C it is the complementary color #EE8AC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11753C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11753C shade: #167537, #27874A, #38995D, #49AB70 and #5ABD83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11753C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11753C shade: #11753C, #006329, #005116, #003F03 and #002D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11753C shade: #11743B, #117421, #1B7411, #367411 and #517411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11753C shade: #11743B, #117456, #117471, #115C74 and #114174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11753C shade matches the following richer shades: #11743B and #067F3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11753C shade: #11743B, #1B693D, #265F3E, #315440 and #3B4941

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11753C shade: #1C7411, #11741F, #11743A, #117455 and #11746F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11753C shade: #062C16, #0B5029, #11743B, #16984E and #1BBC60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11753C shade: #11753C, #113774 and #741211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11753C shade: #11753C, #3A1174 and #743A11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11753C shade: #11753C, #113774, #74114B and #744E11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11753C shade: #11753C, #111974, #74114B and #746C11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 49 / 54

HEX #11753C

RGB 17 117 60

HSL 145.8, 0.75%, 0.26%

LAB 43.02, -40.8, 23.88

 

Complementary color

CMYK 0 / 42 / 18 / 7

HEX #EE8AC3

RGB 238 138 195

HSL 325.8, 0.75%, 0.74%

LAB 69.68, 45.32, -13.04

 

CMYK 81 / 0 / 53 / 54

HEX #167537

RGB 22 117 55

HSL 140.84, 0.68%, 0.27%

LAB 43.02, -41.06, 26.64

 

CMYK 71 / 0 / 45 / 47

HEX #27874A

RGB 39 135 74

HSL 141.88, 0.55%, 0.34%

LAB 49.8, -41.93, 24.95

 

CMYK 63 / 0 / 39 / 40

HEX #38995D

RGB 56 153 93

HSL 142.89, 0.46%, 0.41%

LAB 56.5, -42.31, 23.39

 

CMYK 57 / 0 / 35 / 33

HEX #49AB70

RGB 73 171 112

HSL 143.88, 0.4%, 0.48%

LAB 63.1, -42.41, 21.97

 

CMYK 52 / 0 / 31 / 26

HEX #5ABD83

RGB 90 189 131

HSL 144.85, 0.43%, 0.55%

LAB 69.62, -42.35, 20.68

 

CMYK 85 / 0 / 49 / 54

HEX #11753C

RGB 17 117 60

HSL 145.8, 0.75%, 0.26%

LAB 43.02, -40.8, 23.88

 

CMYK 100 / 0 / 59 / 61

HEX #006329

RGB 0 99 41

HSL 144.85, 1%, 0.19%

LAB 36.15, -39.15, 25.74

 

CMYK 100 / 0 / 73 / 68

HEX #005116

RGB 0 81 22

HSL 136.3, 1%, 0.16%

LAB 29.27, -35.59, 27.64

 

CMYK 100 / 0 / 95 / 75

HEX #003F03

RGB 0 63 3

HSL 122.86, 1%, 0.12%

LAB 22.17, -31.38, 28.5

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 85 / 0 / 49 / 55

HEX #11743B

RGB 17 116 59

HSL 145.45, 0.74%, 0.26%

LAB 42.65, -40.6, 23.97

 

CMYK 85 / 0 / 72 / 55

HEX #117421

RGB 17 116 33

HSL 129.7, 0.74%, 0.26%

LAB 42.34, -44.39, 36.76

 

CMYK 77 / 0 / 85 / 55

HEX #1B7411

RGB 27 116 17

HSL 113.94, 0.74%, 0.26%

LAB 42.41, -44.2, 42.84

 

CMYK 53 / 0 / 85 / 55

HEX #367411

RGB 54 116 17

HSL 97.58, 0.74%, 0.26%

LAB 43.23, -37.41, 43.91

 

CMYK 30 / 0 / 85 / 55

HEX #517411

RGB 81 116 17

HSL 81.21, 0.74%, 0.26%

LAB 44.63, -27.37, 45.69

 

CMYK 85 / 0 / 49 / 55

HEX #11743B

RGB 17 116 59

HSL 145.45, 0.74%, 0.26%

LAB 42.65, -40.6, 23.97

 

CMYK 85 / 0 / 26 / 55

HEX #117456

RGB 17 116 86

HSL 161.82, 0.74%, 0.26%

LAB 43.18, -34.57, 9.07

 

CMYK 85 / 0 / 3 / 55

HEX #117471

RGB 17 116 113

HSL 178.18, 0.74%, 0.26%

LAB 43.95, -26.7, -5.98

 

CMYK 85 / 21 / 0 / 55

HEX #115C74

RGB 17 92 116

HSL 194.55, 0.74%, 0.26%

LAB 36.05, -12.69, -19.79

 

CMYK 85 / 44 / 0 / 55

HEX #114174

RGB 17 65 116

HSL 210.91, 0.74%, 0.26%

LAB 27.19, 4.55, -33.74

 

CMYK 85 / 0 / 49 / 55

HEX #11743B

RGB 17 116 59

HSL 145.45, 0.74%, 0.26%

LAB 42.65, -40.6, 23.97

 

CMYK 95 / 0 / 54 / 50

HEX #067F3A

RGB 6 127 58

HSL 145.79, 0.91%, 0.26%

LAB 46.34, -45.75, 29.1

 

CMYK 85 / 0 / 49 / 55

HEX #11743B

RGB 17 116 59

HSL 145.45, 0.74%, 0.26%

LAB 42.65, -40.6, 23.97

 

CMYK 74 / 0 / 42 / 59

HEX #1B693D

RGB 27 105 61

HSL 146.15, 0.59%, 0.26%

LAB 39.02, -34.33, 18.17

 

CMYK 60 / 0 / 35 / 63

HEX #265F3E

RGB 38 95 62

HSL 145.26, 0.43%, 0.26%

LAB 35.88, -27.2, 13.42

 

CMYK 42 / 0 / 24 / 67

HEX #315440

RGB 49 84 64

HSL 145.71, 0.26%, 0.26%

LAB 32.62, -17.81, 7.77

 

CMYK 19 / 0 / 11 / 71

HEX #3B4941

RGB 59 73 65

HSL 145.71, 0.11%, 0.26%

LAB 29.6, -7.49, 2.93

 

CMYK 76 / 0 / 85 / 55

HEX #1C7411

RGB 28 116 17

HSL 113.33, 0.74%, 0.26%

LAB 42.43, -44.01, 42.87

 

CMYK 85 / 0 / 73 / 55

HEX #11741F

RGB 17 116 31

HSL 128.48, 0.74%, 0.26%

LAB 42.32, -44.59, 37.6

 

CMYK 85 / 0 / 50 / 55

HEX #11743A

RGB 17 116 58

HSL 144.85, 0.74%, 0.26%

LAB 42.64, -40.79, 24.51

 

CMYK 85 / 0 / 27 / 55

HEX #117455

RGB 17 116 85

HSL 161.21, 0.74%, 0.26%

LAB 43.16, -34.83, 9.63

 

CMYK 85 / 0 / 4 / 55

HEX #11746F

RGB 17 116 111

HSL 176.97, 0.74%, 0.26%

LAB 43.88, -27.34, -4.87

 

CMYK 86 / 0 / 50 / 83

HEX #062C16

RGB 6 44 22

HSL 145.26, 0.76%, 0.1%

LAB 14.94, -19.57, 10.56

 

CMYK 86 / 0 / 49 / 69

HEX #0B5029

RGB 11 80 41

HSL 146.09, 0.76%, 0.18%

LAB 29.33, -30.54, 17.29

 

CMYK 85 / 0 / 49 / 55

HEX #11743B

RGB 17 116 59

HSL 145.45, 0.74%, 0.26%

LAB 42.65, -40.6, 23.97

 

CMYK 86 / 0 / 49 / 40

HEX #16984E

RGB 22 152 78

HSL 145.85, 0.75%, 0.34%

LAB 55.25, -49.95, 29.71

 

CMYK 86 / 0 / 49 / 26

HEX #1BBC60

RGB 27 188 96

HSL 145.71, 0.75%, 0.42%

LAB 67.31, -59.02, 35.66

 

CMYK 85 / 0 / 49 / 54

HEX #11753C

RGB 17 117 60

HSL 145.8, 0.75%, 0.26%

LAB 43.02, -40.8, 23.88

 

CMYK 85 / 53 / 0 / 55

HEX #113774

RGB 17 55 116

HSL 216.97, 0.74%, 0.26%

LAB 24.04, 11.58, -38.8

 

CMYK 0 / 84 / 85 / 55

HEX #741211

RGB 116 18 17

HSL 0.61, 0.74%, 0.26%

LAB 24.28, 41.04, 28.38

 

CMYK 85 / 0 / 49 / 54

HEX #11753C

RGB 17 117 60

HSL 145.8, 0.75%, 0.26%

LAB 43.02, -40.8, 23.88

 

CMYK 50 / 85 / 0 / 55

HEX #3A1174

RGB 58 17 116

HSL 264.85, 0.74%, 0.26%

LAB 18.19, 41.17, -48.21

 

CMYK 0 / 50 / 85 / 55

HEX #743A11

RGB 116 58 17

HSL 24.85, 0.74%, 0.26%

LAB 31.3, 22.46, 34.99

 

CMYK 85 / 0 / 49 / 54

HEX #11753C

RGB 17 117 60

HSL 145.8, 0.75%, 0.26%

LAB 43.02, -40.8, 23.88

 

CMYK 85 / 53 / 0 / 55

HEX #113774

RGB 17 55 116

HSL 216.97, 0.74%, 0.26%

LAB 24.04, 11.58, -38.8

 

CMYK 0 / 85 / 35 / 55

HEX #74114B

RGB 116 17 75

HSL 324.85, 0.74%, 0.26%

LAB 25.63, 45.67, -8.69

 

CMYK 0 / 33 / 85 / 55

HEX #744E11

RGB 116 78 17

HSL 36.97, 0.74%, 0.26%

LAB 36.37, 10.53, 39.55

 

CMYK 85 / 0 / 49 / 54

HEX #11753C

RGB 17 117 60

HSL 145.8, 0.75%, 0.26%

LAB 43.02, -40.8, 23.88

 

CMYK 85 / 78 / 0 / 55

HEX #111974

RGB 17 25 116

HSL 235.15, 0.74%, 0.26%

LAB 15.88, 32.53, -52.15

 

CMYK 0 / 85 / 35 / 55

HEX #74114B

RGB 116 17 75

HSL 324.85, 0.74%, 0.26%

LAB 25.63, 45.67, -8.69

 

CMYK 0 / 7 / 85 / 55

HEX #746C11

RGB 116 108 17

HSL 55.15, 0.74%, 0.26%

LAB 44.91, -7.16, 47.01

 

Description

Color code: HEX #11753C | qconv.com Color code: HEX #11753C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 117 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 117 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 49 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 49% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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