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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #117390 it is the complementary color #EE8C6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #117390. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #117390 shade: #16738B, #27859E, #3897B1, #49A9C4 and #5ABBD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #117390. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #117390 shade: #117390, #00617D, #004F6A, #003D57 and #002B44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #117390 shade: #117592, #115292, #112F92, #161192 and #391192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #117390 shade: #117592, #115292, #112F92 and #111192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #117390 shade matches the following richer shades: #117592 and #047C9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #117390 shade: #117592, #1E6D85, #2C6678, #395F6A and #46585D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #117390 shade: #119269, #11928C, #117692, #115492 and #113192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #117390 shade: #083A48, #0D576D, #117592, #1592B7 and #1AB0DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #117390 shade: #117390, #471192 and #927A11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #117390 shade: #117390, #921176 and #769211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #117390 shade: #117390, #471192, #922D11 and #5C9211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #117390 shade: #117390, #6E1192, #922D11 and #369211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 20 / 0 / 44

HEX #117390

RGB 17 115 144

HSL 193.7, 0.79%, 0.32%

LAB 44.79, -15.49, -23.21

 

Complementary color

CMYK 0 / 41 / 53 / 7

HEX #EE8C6F

RGB 238 140 111

HSL 13.7, 0.79%, 0.68%

LAB 68.08, 34.39, 31.49

 

CMYK 84 / 17 / 0 / 45

HEX #16738B

RGB 22 115 139

HSL 192.31, 0.73%, 0.32%

LAB 44.65, -16.88, -20.45

 

CMYK 75 / 16 / 0 / 38

HEX #27859E

RGB 39 133 158

HSL 192.61, 0.6%, 0.39%

LAB 51.47, -18.25, -21.11

 

CMYK 68 / 15 / 0 / 31

HEX #3897B1

RGB 56 151 177

HSL 192.89, 0.52%, 0.46%

LAB 58.18, -19.23, -21.69

 

CMYK 63 / 14 / 0 / 23

HEX #49A9C4

RGB 73 169 196

HSL 193.17, 0.51%, 0.53%

LAB 64.79, -19.94, -22.21

 

CMYK 58 / 13 / 0 / 16

HEX #5ABBD7

RGB 90 187 215

HSL 193.44, 0.61%, 0.6%

LAB 71.3, -20.47, -22.69

 

CMYK 88 / 20 / 0 / 44

HEX #117390

RGB 17 115 144

HSL 193.7, 0.79%, 0.32%

LAB 44.79, -15.49, -23.21

 

CMYK 100 / 22 / 0 / 51

HEX #00617D

RGB 0 97 125

HSL 193.44, 1%, 0.25%

LAB 37.9, -13.41, -22.48

 

CMYK 100 / 25 / 0 / 58

HEX #004F6A

RGB 0 79 106

HSL 195.28, 1%, 0.21%

LAB 30.96, -10.21, -21.48

 

CMYK 100 / 30 / 0 / 66

HEX #003D57

RGB 0 61 87

HSL 197.93, 1%, 0.17%

LAB 23.76, -6.79, -20.52

 

CMYK 100 / 37 / 0 / 73

HEX #002B44

RGB 0 43 68

HSL 202.06, 1%, 0.13%

LAB 16.23, -3.06, -19.61

 

CMYK 88 / 20 / 0 / 43

HEX #117592

RGB 17 117 146

HSL 193.49, 0.79%, 0.32%

LAB 45.52, -15.88, -23.28

 

CMYK 88 / 44 / 0 / 43

HEX #115292

RGB 17 82 146

HSL 209.77, 0.79%, 0.32%

LAB 34.46, 5.56, -40.7

 

CMYK 88 / 68 / 0 / 43

HEX #112F92

RGB 17 47 146

HSL 226.05, 0.79%, 0.32%

LAB 24.41, 29.62, -57.01

 

CMYK 85 / 88 / 0 / 43

HEX #161192

RGB 22 17 146

HSL 242.33, 0.79%, 0.32%

LAB 18.57, 46.93, -66.67

 

CMYK 61 / 88 / 0 / 43

HEX #391192

RGB 57 17 146

HSL 258.6, 0.79%, 0.32%

LAB 21.38, 49.22, -61.92

 

CMYK 88 / 20 / 0 / 43

HEX #117592

RGB 17 117 146

HSL 193.49, 0.79%, 0.32%

LAB 45.52, -15.88, -23.28

 

CMYK 88 / 44 / 0 / 43

HEX #115292

RGB 17 82 146

HSL 209.77, 0.79%, 0.32%

LAB 34.46, 5.56, -40.7

 

CMYK 88 / 68 / 0 / 43

HEX #112F92

RGB 17 47 146

HSL 226.05, 0.79%, 0.32%

LAB 24.41, 29.62, -57.01

 

CMYK 88 / 88 / 0 / 43

HEX #111192

RGB 17 17 146

HSL 240, 0.79%, 0.32%

LAB 18.34, 46.75, -67.05

 

CMYK 88 / 20 / 0 / 43

HEX #117592

RGB 17 117 146

HSL 193.49, 0.79%, 0.32%

LAB 45.52, -15.88, -23.28

 

CMYK 97 / 22 / 0 / 38

HEX #047C9F

RGB 4 124 159

HSL 193.55, 0.95%, 0.32%

LAB 48.19, -15.7, -26.8

 

CMYK 88 / 20 / 0 / 43

HEX #117592

RGB 17 117 146

HSL 193.49, 0.79%, 0.32%

LAB 45.52, -15.88, -23.28

 

CMYK 77 / 18 / 0 / 48

HEX #1E6D85

RGB 30 109 133

HSL 193.98, 0.63%, 0.32%

LAB 42.62, -14.78, -19.98

 

CMYK 63 / 15 / 0 / 53

HEX #2C6678

RGB 44 102 120

HSL 194.21, 0.46%, 0.32%

LAB 40.24, -12.99, -15.74

 

CMYK 46 / 10 / 0 / 58

HEX #395F6A

RGB 57 95 106

HSL 193.47, 0.3%, 0.32%

LAB 38.01, -10.26, -10.5

 

CMYK 25 / 5 / 0 / 64

HEX #46585D

RGB 70 88 93

HSL 193.04, 0.14%, 0.32%

LAB 36.12, -5.62, -5.18

 

CMYK 88 / 0 / 28 / 43

HEX #119269

RGB 17 146 105

HSL 160.93, 0.79%, 0.32%

LAB 53.7, -42.44, 12.77

 

CMYK 88 / 0 / 4 / 43

HEX #11928C

RGB 17 146 140

HSL 177.21, 0.79%, 0.32%

LAB 54.63, -32.77, -5.96

 

CMYK 88 / 19 / 0 / 43

HEX #117692

RGB 17 118 146

HSL 193.02, 0.79%, 0.32%

LAB 45.84, -16.44, -22.78

 

CMYK 88 / 42 / 0 / 43

HEX #115492

RGB 17 84 146

HSL 208.84, 0.79%, 0.32%

LAB 35.07, 4.24, -39.71

 

CMYK 88 / 66 / 0 / 43

HEX #113192

RGB 17 49 146

HSL 225.12, 0.79%, 0.32%

LAB 24.92, 28.26, -56.17

 

CMYK 89 / 19 / 0 / 72

HEX #083A48

RGB 8 58 72

HSL 193.13, 0.8%, 0.16%

LAB 22.11, -10.15, -13.13

 

CMYK 88 / 20 / 0 / 57

HEX #0D576D

RGB 13 87 109

HSL 193.75, 0.79%, 0.24%

LAB 34, -12.78, -18.63

 

CMYK 88 / 20 / 0 / 43

HEX #117592

RGB 17 117 146

HSL 193.49, 0.79%, 0.32%

LAB 45.52, -15.88, -23.28

 

CMYK 89 / 20 / 0 / 28

HEX #1592B7

RGB 21 146 183

HSL 193.7, 0.79%, 0.4%

LAB 56.22, -18.26, -28.17

 

CMYK 88 / 20 / 0 / 14

HEX #1AB0DC

RGB 26 176 220

HSL 193.61, 0.79%, 0.48%

LAB 66.85, -21.02, -32.37

 

CMYK 88 / 20 / 0 / 44

HEX #117390

RGB 17 115 144

HSL 193.7, 0.79%, 0.32%

LAB 44.79, -15.49, -23.21

 

CMYK 51 / 88 / 0 / 43

HEX #471192

RGB 71 17 146

HSL 265.12, 0.79%, 0.32%

LAB 23.05, 50.67, -59.1

 

CMYK 0 / 16 / 88 / 43

HEX #927A11

RGB 146 122 17

HSL 48.84, 0.79%, 0.32%

LAB 51.92, -0.83, 54.07

 

CMYK 88 / 20 / 0 / 44

HEX #117390

RGB 17 115 144

HSL 193.7, 0.79%, 0.32%

LAB 44.79, -15.49, -23.21

 

CMYK 0 / 88 / 19 / 43

HEX #921176

RGB 146 17 118

HSL 313.02, 0.79%, 0.32%

LAB 33.6, 58.32, -23.92

 

CMYK 19 / 0 / 88 / 43

HEX #769211

RGB 118 146 17

HSL 73.02, 0.79%, 0.32%

LAB 56.54, -26.31, 56.91

 

CMYK 88 / 20 / 0 / 44

HEX #117390

RGB 17 115 144

HSL 193.7, 0.79%, 0.32%

LAB 44.79, -15.49, -23.21

 

CMYK 51 / 88 / 0 / 43

HEX #471192

RGB 71 17 146

HSL 265.12, 0.79%, 0.32%

LAB 23.05, 50.67, -59.1

 

CMYK 0 / 69 / 88 / 43

HEX #922D11

RGB 146 45 17

HSL 13.02, 0.79%, 0.32%

LAB 34.04, 41.21, 39.42

 

CMYK 37 / 0 / 88 / 43

HEX #5C9211

RGB 92 146 17

HSL 85.12, 0.79%, 0.32%

LAB 54.94, -36.83, 54.92

 

CMYK 88 / 20 / 0 / 44

HEX #117390

RGB 17 115 144

HSL 193.7, 0.79%, 0.32%

LAB 44.79, -15.49, -23.21

 

CMYK 25 / 88 / 0 / 43

HEX #6E1192

RGB 110 17 146

HSL 283.26, 0.79%, 0.32%

LAB 28.88, 56.12, -49.33

 

CMYK 0 / 69 / 88 / 43

HEX #922D11

RGB 146 45 17

HSL 13.02, 0.79%, 0.32%

LAB 34.04, 41.21, 39.42

 

CMYK 63 / 0 / 88 / 43

HEX #369211

RGB 54 146 17

HSL 102.79, 0.79%, 0.32%

LAB 53.37, -48.85, 52.94

 

Description

Color code: HEX #117390 | qconv.com Color code: HEX #117390 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 115 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 115 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 20 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 20% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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