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Color name
HEX #1157AE

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1157AE it is the complementary color #EEA851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1157AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1157AE shade: #1657A9, #2769BC, #387BCF, #498DE2 and #5A9FF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1157AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1157AE shade: #1157AE, #00459B, #003388, #002175 and #000F62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1157AE shade: #1156AC, #112CAC, #1F11AC, #4911AC and #7311AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1157AE shade: #1156AC, #112CAC and #1111AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1157AE shade matches the following richer shades: #1156AC and #0254BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1157AE shade: #1156AC, #20589C, #30598D, #3F5B7E and #4E5D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1157AE shade: #11A9AC, #1180AC, #1157AC, #112DAC and #1E11AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1157AE shade: #0A3061, #0D4386, #1156AC, #1569D1 and #267DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1157AE shade: #1157AE, #8511AC and #95AC11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1157AE shade: #1157AE, #AC1157 and #57AC11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1157AE shade: #1157AE, #8511AC, #AC6611 and #38AC11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1157AE shade: #1157AE, #AC11A4, #AC6611 and #11AC19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 50 / 0 / 32

HEX #1157AE

RGB 17 87 174

HSL 213.25, 0.82%, 0.37%

LAB 37.83, 13.69, -52.06

 

Complementary color

CMYK 0 / 29 / 66 / 7

HEX #EEA851

RGB 238 168 81

HSL 33.25, 0.82%, 0.63%

LAB 74.05, 17.5, 53.98

 

CMYK 87 / 49 / 0 / 34

HEX #1657A9

RGB 22 87 169

HSL 213.47, 0.77%, 0.37%

LAB 37.57, 12, -49.5

 

CMYK 79 / 44 / 0 / 26

HEX #2769BC

RGB 39 105 188

HSL 213.42, 0.66%, 0.45%

LAB 44.47, 9.35, -49.55

 

CMYK 73 / 41 / 0 / 19

HEX #387BCF

RGB 56 123 207

HSL 213.38, 0.61%, 0.52%

LAB 51.28, 7.28, -49.54

 

CMYK 68 / 38 / 0 / 11

HEX #498DE2

RGB 73 141 226

HSL 213.33, 0.73%, 0.59%

LAB 58, 5.62, -49.51

 

CMYK 63 / 35 / 0 / 4

HEX #5A9FF5

RGB 90 159 245

HSL 213.29, 0.89%, 0.66%

LAB 64.61, 4.29, -49.48

 

CMYK 90 / 50 / 0 / 32

HEX #1157AE

RGB 17 87 174

HSL 213.25, 0.82%, 0.37%

LAB 37.83, 13.69, -52.06

 

CMYK 100 / 55 / 0 / 39

HEX #00459B

RGB 0 69 155

HSL 213.29, 1%, 0.3%

LAB 30.93, 17.23, -51.87

 

CMYK 100 / 63 / 0 / 47

HEX #003388

RGB 0 51 136

HSL 217.5, 1%, 0.27%

LAB 24.15, 21.84, -51.25

 

CMYK 100 / 72 / 0 / 54

HEX #002175

RGB 0 33 117

HSL 223.08, 1%, 0.23%

LAB 17.33, 26.62, -50.42

 

CMYK 100 / 85 / 0 / 62

HEX #000F62

RGB 0 15 98

HSL 230.82, 1%, 0.19%

LAB 10.73, 30.97, -48.91

 

CMYK 90 / 50 / 0 / 33

HEX #1156AC

RGB 17 86 172

HSL 213.29, 0.82%, 0.37%

LAB 37.4, 13.55, -51.57

 

CMYK 90 / 74 / 0 / 33

HEX #112CAC

RGB 17 44 172

HSL 229.55, 0.82%, 0.37%

LAB 26.45, 41.33, -69.49

 

CMYK 82 / 90 / 0 / 33

HEX #1F11AC

RGB 31 17 172

HSL 245.42, 0.82%, 0.37%

LAB 22.55, 54.87, -75.94

 

CMYK 58 / 90 / 0 / 33

HEX #4911AC

RGB 73 17 172

HSL 261.68, 0.82%, 0.37%

LAB 26.15, 57.45, -69.86

 

CMYK 33 / 90 / 0 / 33

HEX #7311AC

RGB 115 17 172

HSL 277.94, 0.82%, 0.37%

LAB 31.86, 62.19, -60.25

 

CMYK 90 / 50 / 0 / 33

HEX #1156AC

RGB 17 86 172

HSL 213.29, 0.82%, 0.37%

LAB 37.4, 13.55, -51.57

 

CMYK 90 / 74 / 0 / 33

HEX #112CAC

RGB 17 44 172

HSL 229.55, 0.82%, 0.37%

LAB 26.45, 41.33, -69.49

 

CMYK 90 / 90 / 0 / 33

HEX #1111AC

RGB 17 17 172

HSL 240, 0.82%, 0.37%

LAB 21.94, 54.47, -76.97

 

CMYK 90 / 50 / 0 / 33

HEX #1156AC

RGB 17 86 172

HSL 213.29, 0.82%, 0.37%

LAB 37.4, 13.55, -51.57

 

CMYK 99 / 55 / 0 / 27

HEX #0254BB

RGB 2 84 187

HSL 213.41, 0.98%, 0.37%

LAB 37.74, 20.35, -59.87

 

CMYK 90 / 50 / 0 / 33

HEX #1156AC

RGB 17 86 172

HSL 213.29, 0.82%, 0.37%

LAB 37.4, 13.55, -51.57

 

CMYK 79 / 44 / 0 / 39

HEX #20589C

RGB 32 88 156

HSL 212.9, 0.66%, 0.37%

LAB 37.27, 7.09, -42.21

 

CMYK 66 / 37 / 0 / 45

HEX #30598D

RGB 48 89 141

HSL 213.55, 0.49%, 0.37%

LAB 37.29, 3.14, -33.09

 

CMYK 50 / 28 / 0 / 51

HEX #3F5B7E

RGB 63 91 126

HSL 213.33, 0.33%, 0.37%

LAB 37.92, 0.07, -22.9

 

CMYK 30 / 16 / 0 / 56

HEX #4E5D6F

RGB 78 93 111

HSL 212.73, 0.17%, 0.37%

LAB 38.89, -1.15, -12.12

 

CMYK 90 / 2 / 0 / 33

HEX #11A9AC

RGB 17 169 172

HSL 181.16, 0.82%, 0.37%

LAB 62.91, -33.74, -11.77

 

CMYK 90 / 26 / 0 / 33

HEX #1180AC

RGB 17 128 172

HSL 197.03, 0.82%, 0.37%

LAB 50.14, -12.52, -31.32

 

CMYK 90 / 49 / 0 / 33

HEX #1157AC

RGB 17 87 172

HSL 212.9, 0.82%, 0.37%

LAB 37.69, 12.88, -51.1

 

CMYK 90 / 74 / 0 / 33

HEX #112DAC

RGB 17 45 172

HSL 229.16, 0.82%, 0.37%

LAB 26.66, 40.72, -69.13

 

CMYK 83 / 90 / 0 / 33

HEX #1E11AC

RGB 30 17 172

HSL 245.03, 0.82%, 0.37%

LAB 22.5, 54.83, -76.03

 

CMYK 90 / 51 / 0 / 62

HEX #0A3061

RGB 10 48 97

HSL 213.79, 0.81%, 0.21%

LAB 20.21, 7.69, -32.71

 

CMYK 90 / 50 / 0 / 47

HEX #0D4386

RGB 13 67 134

HSL 213.22, 0.82%, 0.29%

LAB 28.96, 10.44, -42.18

 

CMYK 90 / 50 / 0 / 33

HEX #1156AC

RGB 17 86 172

HSL 213.29, 0.82%, 0.37%

LAB 37.4, 13.55, -51.57

 

CMYK 90 / 50 / 0 / 18

HEX #1569D1

RGB 21 105 209

HSL 213.19, 0.82%, 0.45%

LAB 45.45, 16.12, -60.09

 

CMYK 84 / 47 / 0 / 8

HEX #267DEA

RGB 38 125 234

HSL 213.37, 0.82%, 0.53%

LAB 52.97, 14.22, -62.07

 

CMYK 90 / 50 / 0 / 32

HEX #1157AE

RGB 17 87 174

HSL 213.25, 0.82%, 0.37%

LAB 37.83, 13.69, -52.06

 

CMYK 23 / 90 / 0 / 33

HEX #8511AC

RGB 133 17 172

HSL 284.9, 0.82%, 0.37%

LAB 34.73, 64.79, -55.45

 

CMYK 13 / 0 / 90 / 33

HEX #95AC11

RGB 149 172 17

HSL 68.9, 0.82%, 0.37%

LAB 66.47, -25.79, 65.95

 

CMYK 90 / 50 / 0 / 32

HEX #1157AE

RGB 17 87 174

HSL 213.25, 0.82%, 0.37%

LAB 37.83, 13.69, -52.06

 

CMYK 0 / 90 / 49 / 33

HEX #AC1157

RGB 172 17 87

HSL 332.9, 0.82%, 0.37%

LAB 37.59, 61.03, 2.4

 

CMYK 49 / 0 / 90 / 33

HEX #57AC11

RGB 87 172 17

HSL 92.9, 0.82%, 0.37%

LAB 62.99, -49.22, 61.66

 

CMYK 90 / 50 / 0 / 32

HEX #1157AE

RGB 17 87 174

HSL 213.25, 0.82%, 0.37%

LAB 37.83, 13.69, -52.06

 

CMYK 23 / 90 / 0 / 33

HEX #8511AC

RGB 133 17 172

HSL 284.9, 0.82%, 0.37%

LAB 34.73, 64.79, -55.45

 

CMYK 0 / 41 / 90 / 33

HEX #AC6611

RGB 172 102 17

HSL 32.9, 0.82%, 0.37%

LAB 49.87, 22.43, 53.76

 

CMYK 67 / 0 / 90 / 33

HEX #38AC11

RGB 56 172 17

HSL 104.9, 0.82%, 0.37%

LAB 61.99, -57.31, 60.41

 

CMYK 90 / 50 / 0 / 32

HEX #1157AE

RGB 17 87 174

HSL 213.25, 0.82%, 0.37%

LAB 37.83, 13.69, -52.06

 

CMYK 0 / 90 / 5 / 33

HEX #AC11A4

RGB 172 17 164

HSL 303.1, 0.82%, 0.37%

LAB 40.98, 70.05, -40.25

 

CMYK 0 / 41 / 90 / 33

HEX #AC6611

RGB 172 102 17

HSL 32.9, 0.82%, 0.37%

LAB 49.87, 22.43, 53.76

 

CMYK 90 / 0 / 85 / 33

HEX #11AC19

RGB 17 172 25

HSL 123.1, 0.82%, 0.37%

LAB 61.39, -62.42, 57.95

 

Description

Color code: HEX #1157AE | qconv.com Color code: HEX #1157AE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 87 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 87 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 50 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 50% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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