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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1149AE it is the complementary color #EEB651. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1149AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1149AE shade: #1649A9, #275BBC, #386DCF, #497FE2 and #5A91F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1149AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1149AE shade: #1149AE, #00379B, #002588, #001375 and #000162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1149AE shade: #1148AC, #111EAC, #2D11AC, #5711AC and #8111AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1149AE shade: #1148AC, #111EAC and #1111AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1149AE shade matches the following richer shades: #1148AC and #0244BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1149AE shade: #1148AC, #204D9C, #30518D, #3F557E and #4E5A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1149AE shade: #119CAC, #1173AC, #114AAC, #1120AC and #2B11AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1149AE shade: #0A2961, #0D3886, #1148AC, #1558D1 and #266CEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1149AE shade: #1149AE, #9211AC and #88AC11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1149AE shade: #1149AE, #AC114A and #4AAC11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1149AE shade: #1149AE, #9211AC, #AC7311 and #2BAC11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1149AE shade: #1149AE, #AC1197, #AC7311 and #11AC26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 58 / 0 / 32

HEX #1149AE

RGB 17 73 174

HSL 218.6, 0.82%, 0.37%

LAB 33.86, 23.12, -58.5

 

Complementary color

CMYK 0 / 24 / 66 / 7

HEX #EEB651

RGB 238 182 81

HSL 38.6, 0.82%, 0.63%

LAB 77.42, 10.11, 57.66

 

CMYK 87 / 57 / 0 / 34

HEX #1649A9

RGB 22 73 169

HSL 219.18, 0.77%, 0.37%

LAB 33.56, 21.42, -56

 

CMYK 79 / 52 / 0 / 26

HEX #275BBC

RGB 39 91 188

HSL 219.06, 0.66%, 0.45%

LAB 40.48, 18.41, -55.97

 

CMYK 73 / 47 / 0 / 19

HEX #386DCF

RGB 56 109 207

HSL 218.94, 0.61%, 0.52%

LAB 47.34, 16.01, -55.85

 

CMYK 68 / 44 / 0 / 11

HEX #497FE2

RGB 73 127 226

HSL 218.82, 0.73%, 0.59%

LAB 54.12, 14.08, -55.69

 

CMYK 63 / 41 / 0 / 4

HEX #5A91F5

RGB 90 145 245

HSL 218.71, 0.89%, 0.66%

LAB 60.8, 12.5, -55.54

 

CMYK 90 / 58 / 0 / 32

HEX #1149AE

RGB 17 73 174

HSL 218.6, 0.82%, 0.37%

LAB 33.86, 23.12, -58.5

 

CMYK 100 / 65 / 0 / 39

HEX #00379B

RGB 0 55 155

HSL 218.71, 1%, 0.3%

LAB 27.01, 26.96, -58.27

 

CMYK 100 / 73 / 0 / 47

HEX #002588

RGB 0 37 136

HSL 223.68, 1%, 0.27%

LAB 20.44, 31.57, -57.34

 

CMYK 100 / 84 / 0 / 54

HEX #001375

RGB 0 19 117

HSL 230.26, 1%, 0.23%

LAB 14.12, 35.64, -55.74

 

CMYK 100 / 99 / 0 / 62

HEX #000162

RGB 0 1 98

HSL 239.39, 1%, 0.19%

LAB 8.16, 38.69, -53.19

 

CMYK 90 / 58 / 0 / 33

HEX #1148AC

RGB 17 72 172

HSL 218.71, 0.82%, 0.37%

LAB 33.42, 22.99, -58.03

 

CMYK 90 / 83 / 0 / 33

HEX #111EAC

RGB 17 30 172

HSL 234.97, 0.82%, 0.37%

LAB 23.76, 49.04, -73.94

 

CMYK 74 / 90 / 0 / 33

HEX #2D11AC

RGB 45 17 172

HSL 250.84, 0.82%, 0.37%

LAB 23.46, 55.49, -74.39

 

CMYK 49 / 90 / 0 / 33

HEX #5711AC

RGB 87 17 172

HSL 267.1, 0.82%, 0.37%

LAB 27.86, 58.8, -66.97

 

CMYK 25 / 90 / 0 / 33

HEX #8111AC

RGB 129 17 172

HSL 283.35, 0.82%, 0.37%

LAB 34.08, 64.19, -56.54

 

CMYK 90 / 58 / 0 / 33

HEX #1148AC

RGB 17 72 172

HSL 218.71, 0.82%, 0.37%

LAB 33.42, 22.99, -58.03

 

CMYK 90 / 83 / 0 / 33

HEX #111EAC

RGB 17 30 172

HSL 234.97, 0.82%, 0.37%

LAB 23.76, 49.04, -73.94

 

CMYK 90 / 90 / 0 / 33

HEX #1111AC

RGB 17 17 172

HSL 240, 0.82%, 0.37%

LAB 21.94, 54.47, -76.97

 

CMYK 90 / 58 / 0 / 33

HEX #1148AC

RGB 17 72 172

HSL 218.71, 0.82%, 0.37%

LAB 33.42, 22.99, -58.03

 

CMYK 99 / 64 / 0 / 27

HEX #0244BB

RGB 2 68 187

HSL 218.59, 0.98%, 0.37%

LAB 33.42, 31.08, -66.92

 

CMYK 90 / 58 / 0 / 33

HEX #1148AC

RGB 17 72 172

HSL 218.71, 0.82%, 0.37%

LAB 33.42, 22.99, -58.03

 

CMYK 79 / 51 / 0 / 39

HEX #204D9C

RGB 32 77 156

HSL 218.23, 0.66%, 0.37%

LAB 34.01, 14.41, -47.45

 

CMYK 66 / 43 / 0 / 45

HEX #30518D

RGB 48 81 141

HSL 218.71, 0.49%, 0.37%

LAB 34.88, 8.34, -36.93

 

CMYK 50 / 33 / 0 / 51

HEX #3F557E

RGB 63 85 126

HSL 219.05, 0.33%, 0.37%

LAB 36.1, 3.87, -25.74

 

CMYK 30 / 19 / 0 / 56

HEX #4E5A6F

RGB 78 90 111

HSL 218.18, 0.17%, 0.37%

LAB 37.99, 0.7, -13.5

 

CMYK 90 / 9 / 0 / 33

HEX #119CAC

RGB 17 156 172

HSL 186.19, 0.82%, 0.37%

LAB 58.86, -27.44, -17.88

 

CMYK 90 / 33 / 0 / 33

HEX #1173AC

RGB 17 115 172

HSL 202.06, 0.82%, 0.37%

LAB 46.12, -4.92, -37.63

 

CMYK 90 / 57 / 0 / 33

HEX #114AAC

RGB 17 74 172

HSL 217.94, 0.82%, 0.37%

LAB 33.97, 21.63, -57.13

 

CMYK 90 / 81 / 0 / 33

HEX #1120AC

RGB 17 32 172

HSL 234.19, 0.82%, 0.37%

LAB 24.1, 48.04, -73.38

 

CMYK 75 / 90 / 0 / 33

HEX #2B11AC

RGB 43 17 172

HSL 250.06, 0.82%, 0.37%

LAB 23.31, 55.38, -74.65

 

CMYK 90 / 58 / 0 / 62

HEX #0A2961

RGB 10 41 97

HSL 218.62, 0.81%, 0.21%

LAB 17.98, 12.87, -36.31

 

CMYK 90 / 58 / 0 / 47

HEX #0D3886

RGB 13 56 134

HSL 218.68, 0.82%, 0.29%

LAB 25.67, 18.18, -47.51

 

CMYK 90 / 58 / 0 / 33

HEX #1148AC

RGB 17 72 172

HSL 218.71, 0.82%, 0.37%

LAB 33.42, 22.99, -58.03

 

CMYK 90 / 58 / 0 / 18

HEX #1558D1

RGB 21 88 209

HSL 218.62, 0.82%, 0.45%

LAB 40.8, 27.19, -67.64

 

CMYK 84 / 54 / 0 / 8

HEX #266CEA

RGB 38 108 234

HSL 218.57, 0.82%, 0.53%

LAB 48.36, 24.93, -69.53

 

CMYK 90 / 58 / 0 / 32

HEX #1149AE

RGB 17 73 174

HSL 218.6, 0.82%, 0.37%

LAB 33.86, 23.12, -58.5

 

CMYK 15 / 90 / 0 / 33

HEX #9211AC

RGB 146 17 172

HSL 289.94, 0.82%, 0.37%

LAB 36.91, 66.83, -51.81

 

CMYK 21 / 0 / 90 / 33

HEX #88AC11

RGB 136 172 17

HSL 73.94, 0.82%, 0.37%

LAB 65.58, -31.23, 64.86

 

CMYK 90 / 58 / 0 / 32

HEX #1149AE

RGB 17 73 174

HSL 218.6, 0.82%, 0.37%

LAB 33.86, 23.12, -58.5

 

CMYK 0 / 90 / 57 / 33

HEX #AC114A

RGB 172 17 74

HSL 337.94, 0.82%, 0.37%

LAB 37.24, 60.04, 10.27

 

CMYK 57 / 0 / 90 / 33

HEX #4AAC11

RGB 74 172 17

HSL 97.94, 0.82%, 0.37%

LAB 62.51, -52.99, 61.06

 

CMYK 90 / 58 / 0 / 32

HEX #1149AE

RGB 17 73 174

HSL 218.6, 0.82%, 0.37%

LAB 33.86, 23.12, -58.5

 

CMYK 15 / 90 / 0 / 33

HEX #9211AC

RGB 146 17 172

HSL 289.94, 0.82%, 0.37%

LAB 36.91, 66.83, -51.81

 

CMYK 0 / 33 / 90 / 33

HEX #AC7311

RGB 172 115 17

HSL 37.94, 0.82%, 0.37%

LAB 53.03, 15.14, 56.2

 

CMYK 75 / 0 / 90 / 33

HEX #2BAC11

RGB 43 172 17

HSL 109.94, 0.82%, 0.37%

LAB 61.71, -59.72, 60.06

 

CMYK 90 / 58 / 0 / 32

HEX #1149AE

RGB 17 73 174

HSL 218.6, 0.82%, 0.37%

LAB 33.86, 23.12, -58.5

 

CMYK 0 / 90 / 12 / 33

HEX #AC1197

RGB 172 17 151

HSL 308.13, 0.82%, 0.37%

LAB 40.26, 68.19, -33.55

 

CMYK 0 / 33 / 90 / 33

HEX #AC7311

RGB 172 115 17

HSL 37.94, 0.82%, 0.37%

LAB 53.03, 15.14, 56.2

 

CMYK 90 / 0 / 78 / 33

HEX #11AC26

RGB 17 172 38

HSL 128.13, 0.82%, 0.37%

LAB 61.45, -61.65, 54.3

 

Description

Color code: HEX #1149AE | qconv.com Color code: HEX #1149AE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 73 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 73 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 58 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 58% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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