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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1122404C it is the complementary color #EEDDBF4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1122404C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1122404C shade: #16223B4C, #27344E4C, #3846614C, #4958744C and #5A6A874C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1122404C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1122404C shade: #1122404C, #00102D4C, #00001A4C, #0000074C and #0000004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1122404C shade: #112240, #111540, #1A1140, #261140 and #331140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1122404C shade: #112240, #111540 and #111140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1122404C shade matches the following richer shades: #112240, #0B2047 and #041F4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1122404C shade: #112240, #18243A, #1E2633, #25282D and #2C2A26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1122404C shade: #113C40, #112F40, #112240, #111640 and #191140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1122404C shade: #000000, #081120, #112240, #1A3461 and #224582

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1122404C shade: #112240, #391140 and #354011

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1122404C shade: #112240, #401122 and #224011

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1122404C shade: #112240, #391140, #402F11 and #194011

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1122404C shade: #112240, #40113A, #402F11 and #114017

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 14 / 0 / 22

HEX #1122404C

RGBA 17 34 64 0.3

HSLA 218.3, 0.58%, 0.16%, 0.3

LABA 13.43, 4.63, -21.23, 0.3

 

Complementary color

CMYK 0 / 2 / 6 / 2

HEX #EEDDBF4C

RGBA 238 221 191 0.3

HSLA 38.3, 0.58%, 0.84%, 0.3

LABA 88.76, 1.11, 16.84, 0.3

 

CMYK 19 / 13 / 0 / 23

HEX #16223B4C

RGBA 22 34 59 0.3

HSLA 220.54, 0.46%, 0.16%, 0.3

LABA 13.41, 3.78, -17.73, 0.3

 

CMYK 15 / 10 / 0 / 21

HEX #27344E4C

RGBA 39 52 78 0.3

HSLA 220, 0.33%, 0.23%, 0.3

LABA 21.72, 2.82, -17.64, 0.3

 

CMYK 13 / 8 / 0 / 19

HEX #3846614C

RGBA 56 70 97 0.3

HSLA 219.51, 0.27%, 0.3%, 0.3

LABA 29.62, 2.2, -17.67, 0.3

 

CMYK 11 / 7 / 0 / 16

HEX #4958744C

RGBA 73 88 116 0.3

HSLA 219.07, 0.23%, 0.37%, 0.3

LABA 37.22, 1.75, -17.79, 0.3

 

CMYK 10 / 6 / 0 / 14

HEX #5A6A874C

RGBA 90 106 135 0.3

HSLA 218.67, 0.2%, 0.44%, 0.3

LABA 44.56, 1.39, -17.96, 0.3

 

CMYK 22 / 14 / 0 / 22

HEX #1122404C

RGBA 17 34 64 0.3

HSLA 218.3, 0.58%, 0.16%, 0.3

LABA 13.43, 4.63, -21.23, 0.3

 

CMYK 30 / 19 / 0 / 25

HEX #00102D4C

RGBA 0 16 45 0.3

HSLA 218.67, 1%, 0.09%, 0.3

LABA 5.06, 5.19, -20.96, 0.3

 

CMYK 30 / 30 / 0 / 27

HEX #00001A4C

RGBA 0 0 26 0.3

HSLA 240, 1%, 0.05%, 0.3

LABA 0.67, 4.73, -12.88, 0.3

 

CMYK 30 / 30 / 0 / 29

HEX #0000074C

RGBA 0 0 7 0.3

HSLA 240, 1%, 0.01%, 0.3

LABA 0.14, 0.97, -2.65, 0.3

 

CMYK 0 / 0 / 0 / 100

HEX #0000004C

RGBA 0 0 0 0.3

HSLA 0, 0%, 0%, 0.3

LABA 0, 0, 0, 0.3

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 73 / 67 / 0 / 75

HEX #111540

RGB 17 21 64

HSL 234.89, 0.58%, 0.16%

LAB 9.2, 14.65, -28.04

 

CMYK 59 / 73 / 0 / 75

HEX #1A1140

RGB 26 17 64

HSL 251.49, 0.58%, 0.16%

LAB 8.91, 19.46, -28.47

 

CMYK 41 / 73 / 0 / 75

HEX #261140

RGB 38 17 64

HSL 266.81, 0.58%, 0.16%

LAB 10.43, 22.36, -25.94

 

CMYK 20 / 73 / 0 / 75

HEX #331140

RGB 51 17 64

HSL 283.4, 0.58%, 0.16%

LAB 12.45, 25.9, -22.59

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 73 / 67 / 0 / 75

HEX #111540

RGB 17 21 64

HSL 234.89, 0.58%, 0.16%

LAB 9.2, 14.65, -28.04

 

CMYK 73 / 73 / 0 / 75

HEX #111140

RGB 17 17 64

HSL 240, 0.58%, 0.16%

LAB 8.04, 17.67, -29.93

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 85 / 55 / 0 / 72

HEX #0B2047

RGB 11 32 71

HSL 219, 0.73%, 0.16%

LAB 12.98, 8.16, -26.85

 

CMYK 95 / 60 / 0 / 69

HEX #041F4E

RGB 4 31 78

HSL 218.11, 0.9%, 0.16%

LAB 12.96, 11.24, -31.72

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 59 / 38 / 0 / 77

HEX #18243A

RGB 24 36 58

HSL 218.82, 0.41%, 0.16%

LAB 14.18, 2.47, -15.8

 

CMYK 41 / 25 / 0 / 80

HEX #1E2633

RGB 30 38 51

HSL 217.14, 0.26%, 0.16%

LAB 14.96, 0.47, -9.62

 

CMYK 18 / 11 / 0 / 82

HEX #25282D

RGB 37 40 45

HSL 217.5, 0.1%, 0.16%

LAB 16.01, -0.02, -3.73

 

CMYK 0 / 5 / 14 / 83

HEX #2C2A26

RGB 44 42 38

HSL 40, 0.07%, 0.16%

LAB 17.14, 0.01, 2.94

 

CMYK 73 / 6 / 0 / 75

HEX #113C40

RGB 17 60 64

HSL 185.11, 0.58%, 0.16%

LAB 22.73, -13.01, -6.81

 

CMYK 73 / 27 / 0 / 75

HEX #112F40

RGB 17 47 64

HSL 201.7, 0.58%, 0.16%

LAB 18.02, -4.72, -14.01

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 73 / 66 / 0 / 75

HEX #111640

RGB 17 22 64

HSL 233.62, 0.58%, 0.16%

LAB 9.51, 13.88, -27.55

 

CMYK 61 / 73 / 0 / 75

HEX #191140

RGB 25 17 64

HSL 250.21, 0.58%, 0.16%

LAB 8.8, 19.24, -28.66

 

CMYK 75 / 47 / 0 / 87

HEX #081120

RGB 8 17 32

HSL 217.5, 0.6%, 0.08%

LAB 5.03, 1.31, -11.09

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 73 / 46 / 0 / 62

HEX #1A3461

RGB 26 52 97

HSL 218.03, 0.58%, 0.24%

LAB 22.08, 6.99, -29.67

 

CMYK 74 / 47 / 0 / 49

HEX #224582

RGB 34 69 130

HSL 218.13, 0.59%, 0.32%

LAB 29.93, 9.76, -38.09

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 11 / 73 / 0 / 75

HEX #391140

RGB 57 17 64

HSL 291.06, 0.58%, 0.16%

LAB 13.48, 27.61, -20.89

 

CMYK 17 / 0 / 73 / 75

HEX #354011

RGB 53 64 17

HSL 74.04, 0.58%, 0.16%

LAB 25.15, -12.58, 26.28

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 0 / 73 / 47 / 75

HEX #401122

RGB 64 17 34

HSL 338.3, 0.58%, 0.16%

LAB 13.27, 24.56, 0.61

 

CMYK 47 / 0 / 73 / 75

HEX #224011

RGB 34 64 17

HSL 98.3, 0.58%, 0.16%

LAB 23.83, -21.13, 24.47

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 11 / 73 / 0 / 75

HEX #391140

RGB 57 17 64

HSL 291.06, 0.58%, 0.16%

LAB 13.48, 27.61, -20.89

 

CMYK 0 / 27 / 73 / 75

HEX #402F11

RGB 64 47 17

HSL 38.3, 0.58%, 0.16%

LAB 20.69, 3.85, 21.78

 

CMYK 61 / 0 / 73 / 75

HEX #194011

RGB 25 64 17

HSL 109.79, 0.58%, 0.16%

LAB 23.38, -24.4, 23.86

 

CMYK 73 / 47 / 0 / 75

HEX #112240

RGB 17 34 64

HSL 218.3, 0.58%, 0.16%

LAB 13.43, 4.63, -21.23

 

CMYK 0 / 73 / 9 / 75

HEX #40113A

RGB 64 17 58

HSL 307.66, 0.58%, 0.16%

LAB 14.38, 28.43, -15.13

 

CMYK 0 / 27 / 73 / 75

HEX #402F11

RGB 64 47 17

HSL 38.3, 0.58%, 0.16%

LAB 20.69, 3.85, 21.78

 

CMYK 73 / 0 / 64 / 75

HEX #114017

RGB 17 64 23

HSL 127.66, 0.58%, 0.16%

LAB 23.16, -25.89, 20.26

 

Description

Color code: HEX #1122404C | qconv.com Color code: HEX #1122404C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 34 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 34 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 14 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 14% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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