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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #110DA3 it is the complementary color #EEF25C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #110DA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #110DA3 shade: #160D9E, #271FB1, #3831C4, #4943D7 and #5A55EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #110DA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #110DA3 shade: #110DA3, #000090, #00007D, #00006A and #000057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #110DA3 shade: #110DA5, #3A0DA5, #630DA5, #8C0DA5 and #A50D95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #110DA3 shade: #110DA5 and #0D0DA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #110DA3 shade matches the following richer shades: #110DA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #110DA3 shade: #110DA5, #1F1C97, #2D2A88, #3A397A and #48476B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #110DA3 shade: #0D5CA5, #0D33A5, #100DA5, #380DA5 and #610DA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #110DA3 shade: #090759, #0D0A7F, #110DA5, #1510CB and #1E19EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #110DA3 shade: #110DA3, #A50D84 and #48A50D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #110DA3 shade: #110DA3, #A5100D and #0DA510

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #110DA3 shade: #110DA3, #A50D84, #A3A50D and #0DA52E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #110DA3 shade: #110DA3, #A50D57, #A3A50D and #0DA55C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 92 / 0 / 36

HEX #110DA3

RGB 17 13 163

HSL 241.6, 0.85%, 0.35%

LAB 20.25, 53.2, -74.34

 

Complementary color

CMYK 2 / 0 / 62 / 5

HEX #EEF25C

RGB 238 242 92

HSL 61.6, 0.85%, 0.65%

LAB 92.77, -19.61, 69.46

 

CMYK 86 / 92 / 0 / 38

HEX #160D9E

RGB 22 13 158

HSL 243.72, 0.85%, 0.34%

LAB 19.75, 51.9, -72.11

 

CMYK 78 / 82 / 0 / 31

HEX #271FB1

RGB 39 31 177

HSL 243.29, 0.7%, 0.41%

LAB 25.52, 51.13, -73.99

 

CMYK 71 / 75 / 0 / 23

HEX #3831C4

RGB 56 49 196

HSL 242.86, 0.6%, 0.48%

LAB 31.86, 49.28, -74.72

 

CMYK 66 / 69 / 0 / 16

HEX #4943D7

RGB 73 67 215

HSL 242.43, 0.65%, 0.55%

LAB 38.44, 47.17, -74.87

 

CMYK 62 / 64 / 0 / 8

HEX #5A55EA

RGB 90 85 234

HSL 242.01, 0.78%, 0.63%

LAB 45.1, 45.11, -74.74

 

CMYK 90 / 92 / 0 / 36

HEX #110DA3

RGB 17 13 163

HSL 241.6, 0.85%, 0.35%

LAB 20.25, 53.2, -74.34

 

CMYK 100 / 100 / 0 / 44

HEX #000090

RGB 0 0 144

HSL 240, 1%, 0.28%

LAB 15.56, 51.74, -70.47

 

CMYK 100 / 100 / 0 / 51

HEX #00007D

RGB 0 0 125

HSL 240, 1%, 0.25%

LAB 12.48, 46.7, -63.61

 

CMYK 100 / 100 / 0 / 58

HEX #00006A

RGB 0 0 106

HSL 240, 1%, 0.21%

LAB 9.33, 41.52, -56.55

 

CMYK 100 / 100 / 0 / 66

HEX #000057

RGB 0 0 87

HSL 240, 1%, 0.17%

LAB 6.22, 35.52, -49.01

 

CMYK 90 / 92 / 0 / 35

HEX #110DA5

RGB 17 13 165

HSL 241.58, 0.85%, 0.35%

LAB 20.53, 53.77, -75.08

 

CMYK 65 / 92 / 0 / 35

HEX #3A0DA5

RGB 58 13 165

HSL 257.76, 0.85%, 0.35%

LAB 23.35, 55.55, -70.31

 

CMYK 40 / 92 / 0 / 35

HEX #630DA5

RGB 99 13 165

HSL 273.95, 0.85%, 0.35%

LAB 28.53, 59.46, -61.59

 

CMYK 15 / 92 / 0 / 35

HEX #8C0DA5

RGB 140 13 165

HSL 290.13, 0.85%, 0.35%

LAB 35.16, 65.27, -50.49

 

CMYK 0 / 92 / 10 / 35

HEX #A50D95

RGB 165 13 149

HSL 306.32, 0.85%, 0.35%

LAB 38.65, 67.12, -34.96

 

CMYK 90 / 92 / 0 / 35

HEX #110DA5

RGB 17 13 165

HSL 241.58, 0.85%, 0.35%

LAB 20.53, 53.77, -75.08

 

CMYK 92 / 92 / 0 / 35

HEX #0D0DA5

RGB 13 13 165

HSL 240, 0.85%, 0.35%

LAB 20.4, 53.69, -75.3

 

CMYK 90 / 92 / 0 / 35

HEX #110DA5

RGB 17 13 165

HSL 241.58, 0.85%, 0.35%

LAB 20.53, 53.77, -75.08

 

CMYK 90 / 92 / 0 / 35

HEX #110DA5

RGB 17 13 165

HSL 241.58, 0.85%, 0.35%

LAB 20.53, 53.77, -75.08

 

CMYK 79 / 81 / 0 / 41

HEX #1F1C97

RGB 31 28 151

HSL 241.46, 0.69%, 0.35%

LAB 21.42, 43.88, -65.02

 

CMYK 67 / 69 / 0 / 47

HEX #2D2A88

RGB 45 42 136

HSL 241.91, 0.53%, 0.35%

LAB 23.64, 32.05, -52.01

 

CMYK 52 / 53 / 0 / 52

HEX #3A397A

RGB 58 57 122

HSL 240.92, 0.36%, 0.35%

LAB 27.38, 19.77, -37.1

 

CMYK 33 / 34 / 0 / 58

HEX #48476B

RGB 72 71 107

HSL 241.67, 0.2%, 0.35%

LAB 31.68, 9.68, -20.74

 

CMYK 92 / 44 / 0 / 35

HEX #0D5CA5

RGB 13 92 165

HSL 208.82, 0.85%, 0.35%

LAB 38.65, 6.5, -45.4

 

CMYK 92 / 69 / 0 / 35

HEX #0D33A5

RGB 13 51 165

HSL 225, 0.85%, 0.35%

LAB 27.21, 34.14, -64

 

CMYK 90 / 92 / 0 / 35

HEX #100DA5

RGB 16 13 165

HSL 241.18, 0.85%, 0.35%

LAB 20.5, 53.75, -75.14

 

CMYK 66 / 92 / 0 / 35

HEX #380DA5

RGB 56 13 165

HSL 256.97, 0.85%, 0.35%

LAB 23.15, 55.41, -70.65

 

CMYK 41 / 92 / 0 / 35

HEX #610DA5

RGB 97 13 165

HSL 273.16, 0.85%, 0.35%

LAB 28.24, 59.22, -62.08

 

CMYK 90 / 92 / 0 / 65

HEX #090759

RGB 9 7 89

HSL 241.46, 0.85%, 0.19%

LAB 8.41, 32.65, -46.71

 

CMYK 90 / 92 / 0 / 50

HEX #0D0A7F

RGB 13 10 127

HSL 241.54, 0.85%, 0.27%

LAB 14.6, 43.55, -61.35

 

CMYK 90 / 92 / 0 / 35

HEX #110DA5

RGB 17 13 165

HSL 241.58, 0.85%, 0.35%

LAB 20.53, 53.77, -75.08

 

CMYK 90 / 92 / 0 / 20

HEX #1510CB

RGB 21 16 203

HSL 241.6, 0.85%, 0.43%

LAB 26.28, 63.43, -88.14

 

CMYK 87 / 89 / 0 / 7

HEX #1E19EC

RGB 30 25 236

HSL 241.42, 0.85%, 0.51%

LAB 31.87, 69.88, -97.84

 

CMYK 90 / 92 / 0 / 36

HEX #110DA3

RGB 17 13 163

HSL 241.6, 0.85%, 0.35%

LAB 20.25, 53.2, -74.34

 

CMYK 0 / 92 / 20 / 35

HEX #A50D84

RGB 165 13 132

HSL 313.03, 0.85%, 0.35%

LAB 37.76, 64.81, -25.92

 

CMYK 56 / 0 / 92 / 35

HEX #48A50D

RGB 72 165 13

HSL 96.71, 0.85%, 0.35%

LAB 60.17, -51.11, 59.75

 

CMYK 90 / 92 / 0 / 36

HEX #110DA3

RGB 17 13 163

HSL 241.6, 0.85%, 0.35%

LAB 20.25, 53.2, -74.34

 

CMYK 0 / 90 / 92 / 35

HEX #A5100D

RGB 165 16 13

HSL 1.18, 0.85%, 0.35%

LAB 34.8, 55.81, 43.45

 

CMYK 92 / 0 / 90 / 35

HEX #0DA510

RGB 13 165 16

HSL 121.18, 0.85%, 0.35%

LAB 59.01, -61.05, 57.77

 

CMYK 90 / 92 / 0 / 36

HEX #110DA3

RGB 17 13 163

HSL 241.6, 0.85%, 0.35%

LAB 20.25, 53.2, -74.34

 

CMYK 0 / 92 / 20 / 35

HEX #A50D84

RGB 165 13 132

HSL 313.03, 0.85%, 0.35%

LAB 37.76, 64.81, -25.92

 

CMYK 1 / 0 / 92 / 35

HEX #A3A50D

RGB 163 165 13

HSL 60.79, 0.85%, 0.35%

LAB 65.53, -16.27, 66.31

 

CMYK 92 / 0 / 72 / 35

HEX #0DA52E

RGB 13 165 46

HSL 133.03, 0.85%, 0.35%

LAB 59.15, -59.16, 49.11

 

CMYK 90 / 92 / 0 / 36

HEX #110DA3

RGB 17 13 163

HSL 241.6, 0.85%, 0.35%

LAB 20.25, 53.2, -74.34

 

CMYK 0 / 92 / 47 / 35

HEX #A50D57

RGB 165 13 87

HSL 330.79, 0.85%, 0.35%

LAB 35.94, 59.94, -0.18

 

CMYK 1 / 0 / 92 / 35

HEX #A3A50D

RGB 163 165 13

HSL 60.79, 0.85%, 0.35%

LAB 65.53, -16.27, 66.31

 

CMYK 92 / 0 / 44 / 35

HEX #0DA55C

RGB 13 165 92

HSL 151.18, 0.85%, 0.35%

LAB 59.68, -52.72, 27.96

 

Description

Color code: HEX #110DA3 | qconv.com Color code: HEX #110DA3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 13 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 13 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 92 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 92% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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