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Color name
HEX #10F05A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10F05A it is the complementary color #EF0FA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10F05A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10F05A shade: #15F055, #26FF68, #37FF7B, #48FF8E and #59FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10F05A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10F05A shade: #10F05A, #00DE47, #00CC34, #00BA21 and #00A80E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10F05A shade: #0FF059, #0FF01D, #3EF00F, #7BF00F and #B7F00F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10F05A shade: #0FF059, #0FF096, #0FF0D2, #0FD0F0 and #0F94F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10F05A shade matches the following richer shades: #0FF059

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10F05A shade: #0FF059, #24DB60, #39C667, #4DB26E and #629D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10F05A shade: #40F00F, #0FF01B, #0FF056, #0FF092 and #0FF0CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10F05A shade: #0AA23C, #0DC94B, #0FF059, #36F274 and #5DF58F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10F05A shade: #10F05A, #0F7CF0 and #F00F22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10F05A shade: #10F05A, #560FF0 and #F0560F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10F05A shade: #10F05A, #0F7CF0, #F00FA9 and #F0830F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10F05A shade: #10F05A, #0F38F0, #F00FA9 and #F0C70F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 63 / 6

HEX #10F05A

RGB 16 240 90

HSL 139.82, 0.88%, 0.5%

LAB 83.53, -76.81, 57.7

 

Complementary color

CMYK 0 / 94 / 31 / 6

HEX #EF0FA5

RGB 239 15 165

HSL 319.82, 0.88%, 0.5%

LAB 53.39, 83.41, -20.53

 

CMYK 91 / 0 / 65 / 6

HEX #15F055

RGB 21 240 85

HSL 137.53, 0.88%, 0.51%

LAB 83.51, -77.13, 59.74

 

CMYK 85 / 0 / 59 / 0

HEX #26FF68

RGB 38 255 104

HSL 138.25, 1%, 0.57%

LAB 88.42, -78.34, 57.37

 

CMYK 78 / 0 / 52 / 0

HEX #37FF7B

RGB 55 255 123

HSL 140.4, 1%, 0.61%

LAB 88.81, -74.25, 49.39

 

CMYK 72 / 0 / 44 / 0

HEX #48FF8E

RGB 72 255 142

HSL 142.95, 1%, 0.64%

LAB 89.32, -69.21, 41.08

 

CMYK 65 / 0 / 37 / 0

HEX #59FFA1

RGB 89 255 161

HSL 146.02, 1%, 0.67%

LAB 89.96, -63.27, 32.63

 

CMYK 93 / 0 / 63 / 6

HEX #10F05A

RGB 16 240 90

HSL 139.82, 0.88%, 0.5%

LAB 83.53, -76.81, 57.7

 

CMYK 100 / 0 / 68 / 13

HEX #00DE47

RGB 0 222 71

HSL 139.19, 1%, 0.44%

LAB 77.7, -74.13, 58.95

 

CMYK 100 / 0 / 75 / 20

HEX #00CC34

RGB 0 204 52

HSL 135.29, 1%, 0.4%

LAB 71.85, -70.68, 59.86

 

CMYK 100 / 0 / 82 / 27

HEX #00BA21

RGB 0 186 33

HSL 130.65, 1%, 0.36%

LAB 65.93, -66.88, 60.01

 

CMYK 100 / 0 / 92 / 34

HEX #00A80E

RGB 0 168 14

HSL 125, 1%, 0.33%

LAB 59.92, -62.68, 58.88

 

CMYK 94 / 0 / 63 / 6

HEX #0FF059

RGB 15 240 89

HSL 139.73, 0.88%, 0.5%

LAB 83.52, -76.97, 58.1

 

CMYK 94 / 0 / 88 / 6

HEX #0FF01D

RGB 15 240 29

HSL 123.73, 0.88%, 0.5%

LAB 83.18, -81.21, 76.29

 

CMYK 74 / 0 / 94 / 6

HEX #3EF00F

RGB 62 240 15

HSL 107.47, 0.88%, 0.5%

LAB 83.64, -77.24, 78.83

 

CMYK 49 / 0 / 94 / 6

HEX #7BF00F

RGB 123 240 15

HSL 91.2, 0.88%, 0.5%

LAB 85.28, -63.71, 80.85

 

CMYK 24 / 0 / 94 / 6

HEX #B7F00F

RGB 183 240 15

HSL 75.2, 0.88%, 0.5%

LAB 88.17, -43.31, 84.37

 

CMYK 94 / 0 / 63 / 6

HEX #0FF059

RGB 15 240 89

HSL 139.73, 0.88%, 0.5%

LAB 83.52, -76.97, 58.1

 

CMYK 94 / 0 / 38 / 6

HEX #0FF096

RGB 15 240 150

HSL 156, 0.88%, 0.5%

LAB 84.29, -67.65, 30.41

 

CMYK 94 / 0 / 13 / 6

HEX #0FF0D2

RGB 15 240 210

HSL 172, 0.88%, 0.5%

LAB 85.54, -53.87, 1.11

 

CMYK 94 / 13 / 0 / 6

HEX #0FD0F0

RGB 15 208 240

HSL 188.53, 0.88%, 0.5%

LAB 76.98, -30.9, -27.62

 

CMYK 94 / 38 / 0 / 6

HEX #0F94F0

RGB 15 148 240

HSL 204.53, 0.88%, 0.5%

LAB 59.5, 1.27, -54.96

 

CMYK 94 / 0 / 63 / 6

HEX #0FF059

RGB 15 240 89

HSL 139.73, 0.88%, 0.5%

LAB 83.52, -76.97, 58.1

 

CMYK 94 / 0 / 63 / 6

HEX #0FF059

RGB 15 240 89

HSL 139.73, 0.88%, 0.5%

LAB 83.52, -76.97, 58.1

 

CMYK 84 / 0 / 56 / 14

HEX #24DB60

RGB 36 219 96

HSL 139.67, 0.72%, 0.5%

LAB 77.21, -68.4, 47.79

 

CMYK 71 / 0 / 48 / 22

HEX #39C667

RGB 57 198 103

HSL 139.57, 0.55%, 0.5%

LAB 71.03, -57.68, 36.94

 

CMYK 57 / 0 / 38 / 30

HEX #4DB26E

RGB 77 178 110

HSL 139.6, 0.4%, 0.5%

LAB 65.39, -44.79, 26.13

 

CMYK 38 / 0 / 25 / 38

HEX #629D75

RGB 98 157 117

HSL 139.32, 0.23%, 0.5%

LAB 59.88, -28.19, 14.98

 

CMYK 73 / 0 / 94 / 6

HEX #40F00F

RGB 64 240 15

HSL 106.93, 0.88%, 0.5%

LAB 83.68, -76.94, 78.88

 

CMYK 94 / 0 / 89 / 6

HEX #0FF01B

RGB 15 240 27

HSL 123.2, 0.88%, 0.5%

LAB 83.18, -81.28, 76.63

 

CMYK 94 / 0 / 64 / 6

HEX #0FF056

RGB 15 240 86

HSL 138.93, 0.88%, 0.5%

LAB 83.49, -77.29, 59.3

 

CMYK 94 / 0 / 39 / 6

HEX #0FF092

RGB 15 240 146

HSL 154.93, 0.88%, 0.5%

LAB 84.22, -68.42, 32.34

 

CMYK 94 / 0 / 14 / 6

HEX #0FF0CE

RGB 15 240 206

HSL 170.93, 0.88%, 0.5%

LAB 85.44, -54.91, 3.06

 

CMYK 94 / 0 / 63 / 36

HEX #0AA23C

RGB 10 162 60

HSL 139.74, 0.88%, 0.34%

LAB 58.26, -56.89, 42.19

 

CMYK 94 / 0 / 63 / 21

HEX #0DC94B

RGB 13 201 75

HSL 139.79, 0.88%, 0.42%

LAB 71.12, -67.04, 50.1

 

CMYK 94 / 0 / 63 / 6

HEX #0FF059

RGB 15 240 89

HSL 139.73, 0.88%, 0.5%

LAB 83.52, -76.97, 58.1

 

CMYK 78 / 0 / 52 / 5

HEX #36F274

RGB 54 242 116

HSL 139.79, 0.88%, 0.58%

LAB 84.77, -71.15, 47.69

 

CMYK 62 / 0 / 42 / 4

HEX #5DF58F

RGB 93 245 143

HSL 139.74, 0.88%, 0.66%

LAB 86.81, -61.92, 37.43

 

CMYK 93 / 0 / 63 / 6

HEX #10F05A

RGB 16 240 90

HSL 139.82, 0.88%, 0.5%

LAB 83.53, -76.81, 57.7

 

CMYK 94 / 48 / 0 / 6

HEX #0F7CF0

RGB 15 124 240

HSL 210.93, 0.88%, 0.5%

LAB 52.74, 15.89, -65.81

 

CMYK 0 / 94 / 86 / 6

HEX #F00F22

RGB 240 15 34

HSL 354.93, 0.88%, 0.5%

LAB 50.67, 75.72, 52.84

 

CMYK 93 / 0 / 63 / 6

HEX #10F05A

RGB 16 240 90

HSL 139.82, 0.88%, 0.5%

LAB 83.53, -76.81, 57.7

 

CMYK 64 / 94 / 0 / 6

HEX #560FF0

RGB 86 15 240

HSL 258.93, 0.88%, 0.5%

LAB 35.22, 75.29, -94.42

 

CMYK 0 / 64 / 94 / 6

HEX #F0560F

RGB 240 86 15

HSL 18.93, 0.88%, 0.5%

LAB 57.28, 56.77, 64.34

 

CMYK 93 / 0 / 63 / 6

HEX #10F05A

RGB 16 240 90

HSL 139.82, 0.88%, 0.5%

LAB 83.53, -76.81, 57.7

 

CMYK 94 / 48 / 0 / 6

HEX #0F7CF0

RGB 15 124 240

HSL 210.93, 0.88%, 0.5%

LAB 52.74, 15.89, -65.81

 

CMYK 0 / 94 / 30 / 6

HEX #F00FA9

RGB 240 15 169

HSL 318.93, 0.88%, 0.5%

LAB 53.74, 84.02, -22.34

 

CMYK 0 / 45 / 94 / 6

HEX #F0830F

RGB 240 131 15

HSL 30.93, 0.88%, 0.5%

LAB 65.59, 35.53, 69.81

 

CMYK 93 / 0 / 63 / 6

HEX #10F05A

RGB 16 240 90

HSL 139.82, 0.88%, 0.5%

LAB 83.53, -76.81, 57.7

 

CMYK 94 / 77 / 0 / 6

HEX #0F38F0

RGB 15 56 240

HSL 229.07, 0.88%, 0.5%

LAB 36.41, 57.68, -92.57

 

CMYK 0 / 94 / 30 / 6

HEX #F00FA9

RGB 240 15 169

HSL 318.93, 0.88%, 0.5%

LAB 53.74, 84.02, -22.34

 

CMYK 0 / 17 / 94 / 6

HEX #F0C70F

RGB 240 199 15

HSL 49.07, 0.88%, 0.5%

LAB 81.51, -0.05, 81.19

 

Description

Color code: HEX #10F05A | qconv.com Color code: HEX #10F05A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 240 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 240 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 63 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 63% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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