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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10EF52 it is the complementary color #EF10AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10EF52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10EF52 shade: #15EF4D, #26FF60, #37FF73, #48FF86 and #59FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10EF52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10EF52 shade: #10EF52, #00DD3F, #00CB2C, #00B919 and #00A706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10EF52 shade: #11EE52, #11EE16, #47EE11, #82EE11 and #BEEE11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10EF52 shade: #11EE52, #11EE8E, #11EECA, #11D7EE and #119BEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10EF52 shade matches the following richer shades: #11EE52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10EF52 shade: #11EE52, #25DA5B, #3AC563, #4EB16B and #639C74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10EF52 shade: #48EE11, #11EE14, #11EE4F, #11EE8B and #11EEC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10EF52 shade: #0BA138, #0EC845, #11EE52, #37F16E and #5EF48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10EF52 shade: #10EF52, #1183EE and #EE112A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10EF52 shade: #10EF52, #4F11EE and #EE4F11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10EF52 shade: #10EF52, #1183EE, #EE11B0 and #EE7C11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10EF52 shade: #10EF52, #1141EE, #EE11B0 and #EEBE11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 66 / 6

HEX #10EF52

RGB 16 239 82

HSL 137.76, 0.87%, 0.5%

LAB 83.15, -77.38, 60.54

 

Complementary color

CMYK 0 / 93 / 28 / 6

HEX #EF10AD

RGB 239 16 173

HSL 317.76, 0.87%, 0.5%

LAB 53.75, 84.16, -24.69

 

CMYK 91 / 0 / 68 / 6

HEX #15EF4D

RGB 21 239 77

HSL 135.41, 0.87%, 0.51%

LAB 83.14, -77.64, 62.49

 

CMYK 85 / 0 / 62 / 0

HEX #26FF60

RGB 38 255 96

HSL 136.04, 1%, 0.57%

LAB 88.34, -79.25, 60.66

 

CMYK 78 / 0 / 55 / 0

HEX #37FF73

RGB 55 255 115

HSL 138, 1%, 0.61%

LAB 88.72, -75.34, 52.93

 

CMYK 72 / 0 / 47 / 0

HEX #48FF86

RGB 72 255 134

HSL 140.33, 1%, 0.64%

LAB 89.21, -70.46, 44.79

 

CMYK 65 / 0 / 40 / 0

HEX #59FF99

RGB 89 255 153

HSL 143.13, 1%, 0.67%

LAB 89.83, -64.67, 36.43

 

CMYK 93 / 0 / 66 / 6

HEX #10EF52

RGB 16 239 82

HSL 137.76, 0.87%, 0.5%

LAB 83.15, -77.38, 60.54

 

CMYK 100 / 0 / 71 / 13

HEX #00DD3F

RGB 0 221 63

HSL 137.1, 1%, 0.43%

LAB 77.32, -74.58, 61.56

 

CMYK 100 / 0 / 78 / 20

HEX #00CB2C

RGB 0 203 44

HSL 133, 1%, 0.4%

LAB 71.48, -70.97, 62.09

 

CMYK 100 / 0 / 86 / 27

HEX #00B919

RGB 0 185 25

HSL 128.11, 1%, 0.36%

LAB 65.57, -67, 61.65

 

CMYK 100 / 0 / 96 / 35

HEX #00A706

RGB 0 167 6

HSL 122.16, 1%, 0.33%

LAB 59.57, -62.62, 59.75

 

CMYK 93 / 0 / 66 / 7

HEX #11EE52

RGB 17 238 82

HSL 137.65, 0.87%, 0.5%

LAB 82.85, -77.05, 60.21

 

CMYK 93 / 0 / 91 / 7

HEX #11EE16

RGB 17 238 22

HSL 121.36, 0.87%, 0.5%

LAB 82.55, -80.81, 76.87

 

CMYK 70 / 0 / 93 / 7

HEX #47EE11

RGB 71 238 17

HSL 105.34, 0.87%, 0.5%

LAB 83.19, -75.17, 78.31

 

CMYK 45 / 0 / 93 / 7

HEX #82EE11

RGB 130 238 17

HSL 89.32, 0.87%, 0.5%

LAB 84.96, -60.86, 80.49

 

CMYK 20 / 0 / 93 / 7

HEX #BEEE11

RGB 190 238 17

HSL 73.03, 0.87%, 0.5%

LAB 88.03, -39.72, 84.24

 

CMYK 93 / 0 / 66 / 7

HEX #11EE52

RGB 17 238 82

HSL 137.65, 0.87%, 0.5%

LAB 82.85, -77.05, 60.21

 

CMYK 93 / 0 / 40 / 7

HEX #11EE8E

RGB 17 238 142

HSL 153.94, 0.87%, 0.5%

LAB 83.56, -68.42, 33.47

 

CMYK 93 / 0 / 15 / 7

HEX #11EECA

RGB 17 238 202

HSL 170.23, 0.87%, 0.5%

LAB 84.76, -55.08, 4.17

 

CMYK 93 / 10 / 0 / 7

HEX #11D7EE

RGB 17 215 238

HSL 186.24, 0.87%, 0.5%

LAB 78.98, -34.81, -23.51

 

CMYK 93 / 35 / 0 / 7

HEX #119BEE

RGB 17 155 238

HSL 202.53, 0.87%, 0.5%

LAB 61.42, -3.49, -50.8

 

CMYK 93 / 0 / 66 / 7

HEX #11EE52

RGB 17 238 82

HSL 137.65, 0.87%, 0.5%

LAB 82.85, -77.05, 60.21

 

CMYK 93 / 0 / 66 / 7

HEX #11EE52

RGB 17 238 82

HSL 137.65, 0.87%, 0.5%

LAB 82.85, -77.05, 60.21

 

CMYK 83 / 0 / 58 / 15

HEX #25DA5B

RGB 37 218 91

HSL 137.9, 0.71%, 0.5%

LAB 76.86, -68.65, 49.65

 

CMYK 71 / 0 / 50 / 23

HEX #3AC563

RGB 58 197 99

HSL 137.7, 0.55%, 0.5%

LAB 70.69, -57.78, 38.49

 

CMYK 56 / 0 / 40 / 31

HEX #4EB16B

RGB 78 177 107

HSL 137.58, 0.39%, 0.5%

LAB 65.06, -44.67, 27.29

 

CMYK 37 / 0 / 26 / 39

HEX #639C74

RGB 99 156 116

HSL 137.89, 0.22%, 0.5%

LAB 59.61, -27.58, 15.17

 

CMYK 70 / 0 / 93 / 7

HEX #48EE11

RGB 72 238 17

HSL 105.07, 0.87%, 0.5%

LAB 83.21, -74.99, 78.34

 

CMYK 93 / 0 / 92 / 7

HEX #11EE14

RGB 17 238 20

HSL 120.81, 0.87%, 0.5%

LAB 82.55, -80.86, 77.14

 

CMYK 93 / 0 / 67 / 7

HEX #11EE4F

RGB 17 238 79

HSL 136.83, 0.87%, 0.5%

LAB 82.82, -77.35, 61.37

 

CMYK 93 / 0 / 42 / 7

HEX #11EE8B

RGB 17 238 139

HSL 153.12, 0.87%, 0.5%

LAB 83.51, -68.97, 34.91

 

CMYK 93 / 0 / 17 / 7

HEX #11EEC6

RGB 17 238 198

HSL 169.14, 0.87%, 0.5%

LAB 84.66, -56.1, 6.13

 

CMYK 93 / 0 / 65 / 37

HEX #0BA138

RGB 11 161 56

HSL 138, 0.87%, 0.34%

LAB 57.89, -57, 43.58

 

CMYK 93 / 0 / 66 / 22

HEX #0EC845

RGB 14 200 69

HSL 137.74, 0.87%, 0.42%

LAB 70.75, -67.37, 52.25

 

CMYK 93 / 0 / 66 / 7

HEX #11EE52

RGB 17 238 82

HSL 137.65, 0.87%, 0.5%

LAB 82.85, -77.05, 60.21

 

CMYK 77 / 0 / 54 / 5

HEX #37F16E

RGB 55 241 110

HSL 137.74, 0.87%, 0.58%

LAB 84.41, -71.54, 50.03

 

CMYK 61 / 0 / 43 / 4

HEX #5EF48A

RGB 94 244 138

HSL 137.6, 0.87%, 0.66%

LAB 86.46, -62.16, 39.45

 

CMYK 93 / 0 / 66 / 6

HEX #10EF52

RGB 16 239 82

HSL 137.76, 0.87%, 0.5%

LAB 83.15, -77.38, 60.54

 

CMYK 93 / 45 / 0 / 7

HEX #1183EE

RGB 17 131 238

HSL 209.05, 0.87%, 0.5%

LAB 54.58, 10.84, -61.73

 

CMYK 0 / 93 / 82 / 7

HEX #EE112A

RGB 238 17 42

HSL 353.21, 0.87%, 0.5%

LAB 50.39, 75.2, 48.43

 

CMYK 93 / 0 / 66 / 6

HEX #10EF52

RGB 16 239 82

HSL 137.76, 0.87%, 0.5%

LAB 83.15, -77.38, 60.54

 

CMYK 67 / 93 / 0 / 7

HEX #4F11EE

RGB 79 17 238

HSL 256.83, 0.87%, 0.5%

LAB 34.47, 74.08, -94.56

 

CMYK 0 / 67 / 93 / 7

HEX #EE4F11

RGB 238 79 17

HSL 16.83, 0.87%, 0.5%

LAB 55.9, 58.95, 62.79

 

CMYK 93 / 0 / 66 / 6

HEX #10EF52

RGB 16 239 82

HSL 137.76, 0.87%, 0.5%

LAB 83.15, -77.38, 60.54

 

CMYK 93 / 45 / 0 / 7

HEX #1183EE

RGB 17 131 238

HSL 209.05, 0.87%, 0.5%

LAB 54.58, 10.84, -61.73

 

CMYK 0 / 93 / 26 / 7

HEX #EE11B0

RGB 238 17 176

HSL 316.83, 0.87%, 0.5%

LAB 53.72, 84.2, -26.51

 

CMYK 0 / 48 / 93 / 7

HEX #EE7C11

RGB 238 124 17

HSL 29.05, 0.87%, 0.5%

LAB 63.86, 38.31, 68.11

 

CMYK 93 / 0 / 66 / 6

HEX #10EF52

RGB 16 239 82

HSL 137.76, 0.87%, 0.5%

LAB 83.15, -77.38, 60.54

 

CMYK 93 / 73 / 0 / 7

HEX #1141EE

RGB 17 65 238

HSL 226.97, 0.87%, 0.5%

LAB 37.97, 52.1, -88.84

 

CMYK 0 / 93 / 26 / 7

HEX #EE11B0

RGB 238 17 176

HSL 316.83, 0.87%, 0.5%

LAB 53.72, 84.2, -26.51

 

CMYK 0 / 20 / 93 / 7

HEX #EEBE11

RGB 238 190 17

HSL 46.97, 0.87%, 0.5%

LAB 79.07, 3.77, 79.04

 

Description

Color code: HEX #10EF52 | qconv.com Color code: HEX #10EF52 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 239 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 239 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 66 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 66% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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