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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10E5AE it is the complementary color #EF1A51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10E5AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10E5AE shade: #15E5A9, #26F7BC, #37FFCF, #48FFE2 and #59FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10E5AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10E5AE shade: #10E5AE, #00D39B, #00C188, #00AF75 and #009D62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10E5AE shade: #10E5AE, #10E574, #10E53B, #1EE510 and #58E510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10E5AE shade: #10E5AE, #10E2E5, #10A9E5, #1070E5 and #1036E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10E5AE shade matches the following richer shades: #10E5AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10E5AE shade: #10E5AE, #24D1A4, #38BD9B, #4BA991 and #5F9688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10E5AE shade: #10E53B, #10E573, #10E5AC, #10E5E5 and #10ACE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10E5AE shade: #0B9873, #0DBE91, #10E5AE, #2EF0BE and #54F3CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10E5AE shade: #10E5AE, #101EE5 and #E55710

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10E5AE shade: #10E5AE, #AC10E5 and #E5AC10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10E5AE shade: #10E5AE, #101EE5, #E51049 and #E5D710

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10E5AE shade: #10E5AE, #4210E5, #E51049 and #B3E510

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

Complementary color

CMYK 0 / 89 / 66 / 6

HEX #EF1A51

RGB 239 26 81

HSL 344.51, 0.87%, 0.52%

LAB 51.48, 75.71, 27.29

 

CMYK 91 / 0 / 26 / 10

HEX #15E5A9

RGB 21 229 169

HSL 162.69, 0.83%, 0.49%

LAB 81.33, -59.46, 16.58

 

CMYK 85 / 0 / 24 / 3

HEX #26F7BC

RGB 38 247 188

HSL 163.06, 0.93%, 0.56%

LAB 87.27, -60.9, 15.07

 

CMYK 78 / 0 / 19 / 0

HEX #37FFCF

RGB 55 255 207

HSL 165.6, 1%, 0.61%

LAB 90.25, -58.14, 9.51

 

CMYK 72 / 0 / 11 / 0

HEX #48FFE2

RGB 72 255 226

HSL 170.49, 1%, 0.64%

LAB 90.96, -51.66, 0.74

 

CMYK 65 / 0 / 4 / 0

HEX #59FFF5

RGB 89 255 245

HSL 176.39, 1%, 0.67%

LAB 91.79, -44.55, -7.85

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 100 / 0 / 27 / 17

HEX #00D39B

RGB 0 211 155

HSL 164.08, 1%, 0.41%

LAB 75.42, -56.65, 15.69

 

CMYK 100 / 0 / 30 / 24

HEX #00C188

RGB 0 193 136

HSL 162.28, 1%, 0.38%

LAB 69.41, -54.27, 17.47

 

CMYK 100 / 0 / 33 / 31

HEX #00AF75

RGB 0 175 117

HSL 160.11, 1%, 0.34%

LAB 63.3, -51.82, 19.33

 

CMYK 100 / 0 / 38 / 38

HEX #009D62

RGB 0 157 98

HSL 157.45, 1%, 0.31%

LAB 57.07, -49.27, 21.27

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 93 / 0 / 49 / 10

HEX #10E574

RGB 16 229 116

HSL 148.17, 0.87%, 0.48%

LAB 80.41, -69.96, 42.22

 

CMYK 93 / 0 / 74 / 10

HEX #10E53B

RGB 16 229 59

HSL 132.11, 0.87%, 0.48%

LAB 79.88, -76.57, 65.56

 

CMYK 87 / 0 / 93 / 10

HEX #1EE510

RGB 30 229 16

HSL 116.06, 0.87%, 0.48%

LAB 79.81, -77.75, 75.39

 

CMYK 62 / 0 / 93 / 10

HEX #58E510

RGB 88 229 16

HSL 99.72, 0.87%, 0.48%

LAB 80.82, -69.01, 76.64

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 93 / 1 / 0 / 10

HEX #10E2E5

RGB 16 226 229

HSL 180.85, 0.87%, 0.48%

LAB 81.93, -42.61, -14.27

 

CMYK 93 / 26 / 0 / 10

HEX #10A9E5

RGB 16 169 229

HSL 196.9, 0.87%, 0.48%

LAB 65.08, -14.63, -40.09

 

CMYK 93 / 51 / 0 / 10

HEX #1070E5

RGB 16 112 229

HSL 212.96, 0.87%, 0.48%

LAB 48.71, 19.24, -66.17

 

CMYK 93 / 76 / 0 / 10

HEX #1036E5

RGB 16 54 229

HSL 229.3, 0.87%, 0.48%

LAB 34.81, 55.17, -88.96

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 83 / 0 / 22 / 18

HEX #24D1A4

RGB 36 209 164

HSL 164.39, 0.71%, 0.48%

LAB 75.24, -51.97, 10.66

 

CMYK 70 / 0 / 18 / 26

HEX #38BD9B

RGB 56 189 155

HSL 164.66, 0.54%, 0.48%

LAB 69.19, -43.67, 6.93

 

CMYK 56 / 0 / 14 / 34

HEX #4BA991

RGB 75 169 145

HSL 164.68, 0.39%, 0.48%

LAB 63.27, -33.77, 4.01

 

CMYK 37 / 0 / 9 / 41

HEX #5F9688

RGB 95 150 136

HSL 164.73, 0.22%, 0.48%

LAB 58.06, -21.48, 1.64

 

CMYK 93 / 0 / 74 / 10

HEX #10E53B

RGB 16 229 59

HSL 132.11, 0.87%, 0.48%

LAB 79.88, -76.57, 65.56

 

CMYK 93 / 0 / 50 / 10

HEX #10E573

RGB 16 229 115

HSL 147.89, 0.87%, 0.48%

LAB 80.4, -70.12, 42.69

 

CMYK 93 / 0 / 25 / 10

HEX #10E5AC

RGB 16 229 172

HSL 163.94, 0.87%, 0.48%

LAB 81.36, -58.98, 15.06

 

CMYK 93 / 0 / 0 / 10

HEX #10E5E5

RGB 16 229 229

HSL 180, 0.87%, 0.48%

LAB 82.81, -43.93, -12.94

 

CMYK 93 / 25 / 0 / 10

HEX #10ACE5

RGB 16 172 229

HSL 196.06, 0.87%, 0.48%

LAB 65.96, -16.25, -38.71

 

CMYK 93 / 0 / 24 / 40

HEX #0B9873

RGB 11 152 115

HSL 164.26, 0.87%, 0.32%

LAB 55.85, -42.78, 10.11

 

CMYK 93 / 0 / 24 / 25

HEX #0DBE91

RGB 13 190 145

HSL 164.75, 0.87%, 0.4%

LAB 68.72, -50.51, 11.65

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 81 / 0 / 21 / 6

HEX #2EF0BE

RGB 46 240 190

HSL 164.54, 0.87%, 0.56%

LAB 85.31, -57.12, 11.27

 

CMYK 65 / 0 / 17 / 5

HEX #54F3CA

RGB 84 243 202

HSL 164.53, 0.87%, 0.64%

LAB 87.12, -50.87, 7.69

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 93 / 87 / 0 / 10

HEX #101EE5

RGB 16 30 229

HSL 236.06, 0.87%, 0.48%

LAB 31.1, 66.09, -95.13

 

CMYK 0 / 62 / 93 / 10

HEX #E55710

RGB 229 87 16

HSL 20, 0.87%, 0.48%

LAB 55.6, 52.54, 62.1

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 25 / 93 / 0 / 10

HEX #AC10E5

RGB 172 16 229

HSL 283.94, 0.87%, 0.48%

LAB 45.36, 80.96, -71.1

 

CMYK 0 / 25 / 93 / 10

HEX #E5AC10

RGB 229 172 16

HSL 43.94, 0.87%, 0.48%

LAB 73.68, 9.3, 74.79

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 93 / 87 / 0 / 10

HEX #101EE5

RGB 16 30 229

HSL 236.06, 0.87%, 0.48%

LAB 31.1, 66.09, -95.13

 

CMYK 0 / 93 / 68 / 10

HEX #E51049

RGB 229 16 73

HSL 343.94, 0.87%, 0.48%

LAB 48.9, 74.17, 28.45

 

CMYK 0 / 6 / 93 / 10

HEX #E5D710

RGB 229 215 16

HSL 56.06, 0.87%, 0.48%

LAB 84.64, -12.85, 82.96

 

CMYK 93 / 0 / 24 / 10

HEX #10E5AE

RGB 16 229 174

HSL 164.51, 0.87%, 0.48%

LAB 81.4, -58.51, 14.07

 

CMYK 71 / 93 / 0 / 10

HEX #4210E5

RGB 66 16 229

HSL 254.08, 0.87%, 0.48%

LAB 32.23, 71.47, -93.2

 

CMYK 0 / 93 / 68 / 10

HEX #E51049

RGB 229 16 73

HSL 343.94, 0.87%, 0.48%

LAB 48.9, 74.17, 28.45

 

CMYK 22 / 0 / 93 / 10

HEX #B3E510

RGB 179 229 16

HSL 74.08, 0.87%, 0.48%

LAB 84.82, -40.03, 81.53

 

Description

Color code: HEX #10E5AE | qconv.com Color code: HEX #10E5AE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 229 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 229 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 24 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 24% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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