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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10DB40 it is the complementary color #EF24BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10DB40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10DB40 shade: #15DB3B, #26ED4E, #37FF61, #48FF74 and #59FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10DB40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10DB40 shade: #10DB40, #00C92D, #00B71A, #00A507 and #009300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10DB40 shade: #10DA40, #17DA10, #4EDA10, #84DA10 and #BADA10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10DB40 shade: #10DA40, #10DA77, #10DAAD, #10D1DA and #109BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10DB40 shade matches the following richer shades: #10DA40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10DB40 shade: #10DA40, #23C74A, #36B454, #49A15E and #5C8E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10DB40 shade: #4DDA10, #17DA10, #10DA3F, #10DA75 and #10DAAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10DB40 shade: #0B8D2A, #0EB435, #10DA40, #25EF55 and #4CF173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10DB40 shade: #10DB40, #1083DA and #DA1032

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10DB40 shade: #10DB40, #3F10DA and #DA3F10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10DB40 shade: #10DB40, #1083DA, #DA10AB and #DA6810

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10DB40 shade: #10DB40, #1046DA, #DA10AB and #DAA410

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 71 / 14

HEX #10DB40

RGB 16 219 64

HSL 134.19, 0.86%, 0.46%

LAB 76.77, -73.33, 60.64

 

Complementary color

CMYK 0 / 85 / 20 / 6

HEX #EF24BF

RGB 239 36 191

HSL 314.19, 0.86%, 0.54%

LAB 55.46, 83.51, -32.52

 

CMYK 90 / 0 / 73 / 14

HEX #15DB3B

RGB 21 219 59

HSL 131.52, 0.83%, 0.47%

LAB 76.76, -73.48, 62.43

 

CMYK 84 / 0 / 67 / 7

HEX #26ED4E

RGB 38 237 78

HSL 132.06, 0.85%, 0.54%

LAB 82.66, -75.78, 61.63

 

CMYK 78 / 0 / 62 / 0

HEX #37FF61

RGB 55 255 97

HSL 132.6, 1%, 0.61%

LAB 88.54, -77.5, 60.52

 

CMYK 72 / 0 / 55 / 0

HEX #48FF74

RGB 72 255 116

HSL 134.43, 1%, 0.64%

LAB 89, -73, 52.88

 

CMYK 65 / 0 / 47 / 0

HEX #59FF87

RGB 89 255 135

HSL 136.63, 1%, 0.67%

LAB 89.58, -67.54, 44.84

 

CMYK 93 / 0 / 71 / 14

HEX #10DB40

RGB 16 219 64

HSL 134.19, 0.86%, 0.46%

LAB 76.77, -73.33, 60.64

 

CMYK 100 / 0 / 78 / 21

HEX #00C92D

RGB 0 201 45

HSL 133.43, 1%, 0.39%

LAB 70.85, -70.34, 61.16

 

CMYK 100 / 0 / 86 / 28

HEX #00B71A

RGB 0 183 26

HSL 128.52, 1%, 0.36%

LAB 64.92, -66.4, 60.84

 

CMYK 100 / 0 / 96 / 35

HEX #00A507

RGB 0 165 7

HSL 122.55, 1%, 0.32%

LAB 58.91, -62.03, 59.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 93 / 0 / 71 / 15

HEX #10DA40

RGB 16 218 64

HSL 134.26, 0.86%, 0.46%

LAB 76.45, -73.04, 60.31

 

CMYK 89 / 0 / 93 / 15

HEX #17DA10

RGB 23 218 16

HSL 117.92, 0.86%, 0.46%

LAB 76.29, -75.25, 72.44

 

CMYK 64 / 0 / 93 / 15

HEX #4EDA10

RGB 78 218 16

HSL 101.58, 0.86%, 0.46%

LAB 77.16, -67.65, 73.51

 

CMYK 39 / 0 / 93 / 15

HEX #84DA10

RGB 132 218 16

HSL 85.54, 0.86%, 0.46%

LAB 79.09, -52.58, 75.89

 

CMYK 15 / 0 / 93 / 15

HEX #BADA10

RGB 186 218 16

HSL 69.5, 0.86%, 0.46%

LAB 82.17, -32.27, 79.64

 

CMYK 93 / 0 / 71 / 15

HEX #10DA40

RGB 16 218 64

HSL 134.26, 0.86%, 0.46%

LAB 76.45, -73.04, 60.31

 

CMYK 93 / 0 / 45 / 15

HEX #10DA77

RGB 16 218 119

HSL 150.59, 0.86%, 0.46%

LAB 77.03, -65.89, 36.48

 

CMYK 93 / 0 / 21 / 15

HEX #10DAAD

RGB 16 218 173

HSL 166.63, 0.86%, 0.46%

LAB 78.03, -54.51, 9.82

 

CMYK 93 / 4 / 0 / 15

HEX #10D1DA

RGB 16 209 218

HSL 182.67, 0.86%, 0.46%

LAB 76.54, -38.23, -16.48

 

CMYK 93 / 29 / 0 / 15

HEX #109BDA

RGB 16 155 218

HSL 198.71, 0.86%, 0.46%

LAB 60.44, -10.89, -41.28

 

CMYK 93 / 0 / 71 / 15

HEX #10DA40

RGB 16 218 64

HSL 134.26, 0.86%, 0.46%

LAB 76.45, -73.04, 60.31

 

CMYK 93 / 0 / 71 / 15

HEX #10DA40

RGB 16 218 64

HSL 134.26, 0.86%, 0.46%

LAB 76.45, -73.04, 60.31

 

CMYK 82 / 0 / 63 / 22

HEX #23C74A

RGB 35 199 74

HSL 134.27, 0.7%, 0.46%

LAB 70.66, -64.92, 50.06

 

CMYK 70 / 0 / 53 / 29

HEX #36B454

RGB 54 180 84

HSL 134.29, 0.54%, 0.46%

LAB 65.02, -54.6, 38.89

 

CMYK 55 / 0 / 42 / 37

HEX #49A15E

RGB 73 161 94

HSL 134.32, 0.38%, 0.46%

LAB 59.63, -41.47, 27.07

 

CMYK 35 / 0 / 27 / 44

HEX #5C8E68

RGB 92 142 104

HSL 134.4, 0.21%, 0.46%

LAB 54.68, -25.25, 15.04

 

CMYK 65 / 0 / 93 / 15

HEX #4DDA10

RGB 77 218 16

HSL 101.88, 0.86%, 0.46%

LAB 77.14, -67.86, 73.48

 

CMYK 89 / 0 / 93 / 15

HEX #17DA10

RGB 23 218 16

HSL 117.92, 0.86%, 0.46%

LAB 76.29, -75.25, 72.44

 

CMYK 93 / 0 / 71 / 15

HEX #10DA3F

RGB 16 218 63

HSL 133.96, 0.86%, 0.46%

LAB 76.44, -73.13, 60.67

 

CMYK 93 / 0 / 46 / 15

HEX #10DA75

RGB 16 218 117

HSL 150, 0.86%, 0.46%

LAB 77, -66.23, 37.43

 

CMYK 93 / 0 / 22 / 15

HEX #10DAAB

RGB 16 218 171

HSL 166.04, 0.86%, 0.46%

LAB 77.99, -55, 10.82

 

CMYK 92 / 0 / 70 / 45

HEX #0B8D2A

RGB 11 141 42

HSL 134.31, 0.86%, 0.3%

LAB 51.02, -52.21, 42.16

 

CMYK 92 / 0 / 71 / 29

HEX #0EB435

RGB 14 180 53

HSL 134.1, 0.86%, 0.38%

LAB 64.16, -62.98, 51.62

 

CMYK 93 / 0 / 71 / 15

HEX #10DA40

RGB 16 218 64

HSL 134.26, 0.86%, 0.46%

LAB 76.45, -73.04, 60.31

 

CMYK 85 / 0 / 64 / 6

HEX #25EF55

RGB 37 239 85

HSL 134.26, 0.86%, 0.54%

LAB 83.33, -75.76, 59.57

 

CMYK 68 / 0 / 52 / 5

HEX #4CF173

RGB 76 241 115

HSL 134.18, 0.85%, 0.62%

LAB 84.84, -67.82, 48.33

 

CMYK 93 / 0 / 71 / 14

HEX #10DB40

RGB 16 219 64

HSL 134.19, 0.86%, 0.46%

LAB 76.77, -73.33, 60.64

 

CMYK 93 / 40 / 0 / 15

HEX #1083DA

RGB 16 131 218

HSL 205.84, 0.86%, 0.46%

LAB 53.39, 3.11, -52.45

 

CMYK 0 / 93 / 77 / 15

HEX #DA1032

RGB 218 16 50

HSL 349.9, 0.86%, 0.46%

LAB 46.32, 70.58, 38.57

 

CMYK 93 / 0 / 71 / 14

HEX #10DB40

RGB 16 219 64

HSL 134.19, 0.86%, 0.46%

LAB 76.77, -73.33, 60.64

 

CMYK 71 / 93 / 0 / 15

HEX #3F10DA

RGB 63 16 218

HSL 253.96, 0.86%, 0.46%

LAB 30.61, 68.61, -89.57

 

CMYK 0 / 71 / 93 / 15

HEX #DA3F10

RGB 218 63 16

HSL 13.96, 0.86%, 0.46%

LAB 50.09, 58.48, 57.58

 

CMYK 93 / 0 / 71 / 14

HEX #10DB40

RGB 16 219 64

HSL 134.19, 0.86%, 0.46%

LAB 76.77, -73.33, 60.64

 

CMYK 93 / 40 / 0 / 15

HEX #1083DA

RGB 16 131 218

HSL 205.84, 0.86%, 0.46%

LAB 53.39, 3.11, -52.45

 

CMYK 0 / 93 / 22 / 15

HEX #DA10AB

RGB 218 16 171

HSL 313.96, 0.86%, 0.46%

LAB 49.76, 79.83, -30.01

 

CMYK 0 / 52 / 93 / 15

HEX #DA6810

RGB 218 104 16

HSL 26.14, 0.86%, 0.46%

LAB 56.92, 40.47, 62.16

 

CMYK 93 / 0 / 71 / 14

HEX #10DB40

RGB 16 219 64

HSL 134.19, 0.86%, 0.46%

LAB 76.77, -73.33, 60.64

 

CMYK 93 / 68 / 0 / 15

HEX #1046DA

RGB 16 70 218

HSL 223.96, 0.86%, 0.46%

LAB 37.03, 41.99, -79.01

 

CMYK 0 / 93 / 22 / 15

HEX #DA10AB

RGB 218 16 171

HSL 313.96, 0.86%, 0.46%

LAB 49.76, 79.83, -30.01

 

CMYK 0 / 25 / 93 / 15

HEX #DAA410

RGB 218 164 16

HSL 43.96, 0.86%, 0.46%

LAB 70.52, 8.76, 71.94

 

Description

Color code: HEX #10DB40 | qconv.com Color code: HEX #10DB40 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 219 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 219 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 71 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 71% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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