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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10C63C it is the complementary color #EF39C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10C63C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10C63C shade: #15C637, #26D84A, #37EA5D, #48FC70 and #59FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10C63C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10C63C shade: #10C63C, #00B429, #00A216, #009003 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10C63C shade: #10C63C, #15C610, #46C610, #77C610 and #A8C610

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10C63C shade: #10C63C, #10C66D, #10C69E, #10BDC6 and #108CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10C63C shade matches the following richer shades: #10C63C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10C63C shade: #10C63C, #21B545, #33A34E, #449257 and #558160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10C63C shade: #47C610, #16C610, #10C63B, #10C66B and #10C69C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10C63C shade: #0A7A25, #0DA031, #10C63C, #14EC48 and #3AEF66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10C63C shade: #10C63C, #1077C6 and #C6102E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10C63C shade: #10C63C, #3B10C6 and #C63B10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10C63C shade: #10C63C, #1077C6, #C6109C and #C65F10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10C63C shade: #10C63C, #1041C6, #C6109C and #C69610

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

Complementary color

CMYK 0 / 76 / 18 / 6

HEX #EF39C3

RGB 239 57 195

HSL 314.51, 0.85%, 0.58%

LAB 57.29, 79.25, -31.98

 

CMYK 89 / 0 / 72 / 22

HEX #15C637

RGB 21 198 55

HSL 131.53, 0.81%, 0.43%

LAB 70.05, -67.72, 57.01

 

CMYK 82 / 0 / 66 / 15

HEX #26D84A

RGB 38 216 74

HSL 132.13, 0.7%, 0.5%

LAB 76.08, -69.88, 56.09

 

CMYK 76 / 0 / 60 / 8

HEX #37EA5D

RGB 55 234 93

HSL 132.74, 0.81%, 0.57%

LAB 82.08, -71.43, 54.88

 

CMYK 71 / 0 / 56 / 1

HEX #48FC70

RGB 72 252 112

HSL 133.33, 0.97%, 0.64%

LAB 88.05, -72.53, 53.54

 

CMYK 65 / 0 / 49 / 0

HEX #59FF83

RGB 89 255 131

HSL 135.18, 1%, 0.67%

LAB 89.53, -68.13, 46.67

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 100 / 0 / 77 / 29

HEX #00B429

RGB 0 180 41

HSL 133.67, 1%, 0.35%

LAB 64, -64.66, 55.77

 

CMYK 100 / 0 / 86 / 36

HEX #00A216

RGB 0 162 22

HSL 128.15, 1%, 0.32%

LAB 57.94, -60.66, 55.53

 

CMYK 100 / 0 / 98 / 44

HEX #009003

RGB 0 144 3

HSL 121.25, 1%, 0.28%

LAB 51.78, -56.21, 53.82

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 89 / 0 / 92 / 22

HEX #15C610

RGB 21 198 16

HSL 118.35, 0.85%, 0.42%

LAB 69.88, -69.87, 67.06

 

CMYK 65 / 0 / 92 / 22

HEX #46C610

RGB 70 198 16

HSL 102.2, 0.85%, 0.42%

LAB 70.68, -62.9, 68.05

 

CMYK 40 / 0 / 92 / 22

HEX #77C610

RGB 119 198 16

HSL 86.04, 0.85%, 0.42%

LAB 72.46, -49.02, 70.24

 

CMYK 15 / 0 / 92 / 22

HEX #A8C610

RGB 168 198 16

HSL 69.89, 0.85%, 0.42%

LAB 75.3, -30.3, 73.71

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 92 / 0 / 45 / 22

HEX #10C66D

RGB 16 198 109

HSL 150.66, 0.85%, 0.42%

LAB 70.6, -60.92, 33.24

 

CMYK 92 / 0 / 20 / 22

HEX #10C69E

RGB 16 198 158

HSL 166.81, 0.85%, 0.42%

LAB 71.53, -50.33, 8.59

 

CMYK 92 / 5 / 0 / 22

HEX #10BDC6

RGB 16 189 198

HSL 182.97, 0.85%, 0.42%

LAB 69.88, -35.11, -15.67

 

CMYK 92 / 29 / 0 / 22

HEX #108CC6

RGB 16 140 198

HSL 199.12, 0.85%, 0.42%

LAB 55.01, -9.77, -38.57

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 82 / 0 / 62 / 29

HEX #21B545

RGB 33 181 69

HSL 134.59, 0.69%, 0.42%

LAB 64.8, -59.97, 45.63

 

CMYK 69 / 0 / 52 / 36

HEX #33A34E

RGB 51 163 78

HSL 134.46, 0.52%, 0.42%

LAB 59.39, -49.8, 34.97

 

CMYK 53 / 0 / 40 / 43

HEX #449257

RGB 68 146 87

HSL 134.62, 0.36%, 0.42%

LAB 54.53, -37.55, 24.15

 

CMYK 34 / 0 / 26 / 49

HEX #558160

RGB 85 129 96

HSL 135, 0.21%, 0.42%

LAB 50.07, -22.57, 13.18

 

CMYK 64 / 0 / 92 / 22

HEX #47C610

RGB 71 198 16

HSL 101.87, 0.85%, 0.42%

LAB 70.71, -62.68, 68.08

 

CMYK 89 / 0 / 92 / 22

HEX #16C610

RGB 22 198 16

HSL 118.02, 0.85%, 0.42%

LAB 69.89, -69.79, 67.07

 

CMYK 92 / 0 / 70 / 22

HEX #10C63B

RGB 16 198 59

HSL 134.18, 0.85%, 0.42%

LAB 70.05, -67.67, 55.49

 

CMYK 92 / 0 / 46 / 22

HEX #10C66B

RGB 16 198 107

HSL 150, 0.85%, 0.42%

LAB 70.57, -61.28, 34.22

 

CMYK 92 / 0 / 21 / 22

HEX #10C69C

RGB 16 198 156

HSL 166.15, 0.85%, 0.42%

LAB 71.49, -50.83, 9.61

 

CMYK 92 / 0 / 70 / 52

HEX #0A7A25

RGB 10 122 37

HSL 134.46, 0.85%, 0.26%

LAB 44.4, -46.67, 37.19

 

CMYK 92 / 0 / 69 / 37

HEX #0DA031

RGB 13 160 49

HSL 134.69, 0.85%, 0.34%

LAB 57.51, -57.33, 46.18

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 92 / 0 / 69 / 7

HEX #14EC48

RGB 20 236 72

HSL 134.44, 0.85%, 0.5%

LAB 82.17, -77.29, 63.34

 

CMYK 76 / 0 / 57 / 6

HEX #3AEF66

RGB 58 239 102

HSL 134.59, 0.85%, 0.58%

LAB 83.75, -71.55, 52.88

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 92 / 40 / 0 / 22

HEX #1077C6

RGB 16 119 198

HSL 206.04, 0.85%, 0.42%

LAB 48.74, 2.7, -48.52

 

CMYK 0 / 92 / 77 / 22

HEX #C6102E

RGB 198 16 46

HSL 350.11, 0.85%, 0.42%

LAB 42.11, 65.4, 35.13

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 70 / 92 / 0 / 22

HEX #3B10C6

RGB 59 16 198

HSL 254.18, 0.85%, 0.42%

LAB 27.78, 63.37, -82.65

 

CMYK 0 / 70 / 92 / 22

HEX #C63B10

RGB 198 59 16

HSL 14.18, 0.85%, 0.42%

LAB 45.87, 53.46, 53

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 92 / 40 / 0 / 22

HEX #1077C6

RGB 16 119 198

HSL 206.04, 0.85%, 0.42%

LAB 48.74, 2.7, -48.52

 

CMYK 0 / 92 / 21 / 22

HEX #C6109C

RGB 198 16 156

HSL 313.85, 0.85%, 0.42%

LAB 45.33, 74.09, -28.27

 

CMYK 0 / 52 / 92 / 22

HEX #C65F10

RGB 198 95 16

HSL 26.04, 0.85%, 0.42%

LAB 52.09, 37.09, 57.36

 

CMYK 92 / 0 / 70 / 22

HEX #10C63C

RGB 16 198 60

HSL 134.51, 0.85%, 0.42%

LAB 70.05, -67.58, 55.12

 

CMYK 92 / 67 / 0 / 22

HEX #1041C6

RGB 16 65 198

HSL 223.85, 0.85%, 0.42%

LAB 33.92, 37.73, -72.56

 

CMYK 0 / 92 / 21 / 22

HEX #C6109C

RGB 198 16 156

HSL 313.85, 0.85%, 0.42%

LAB 45.33, 74.09, -28.27

 

CMYK 0 / 24 / 92 / 22

HEX #C69610

RGB 198 150 16

HSL 44.18, 0.85%, 0.42%

LAB 64.85, 7.45, 66.75

 

Description

Color code: HEX #10C63C | qconv.com Color code: HEX #10C63C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 198 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 198 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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