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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10A994 it is the complementary color #EF566B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10A994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10A994 shade: #15A98F, #26BBA2, #37CDB5, #48DFC8 and #59F1DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10A994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10A994 shade: #10A994, #009781, #00856E, #00735B and #006148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10A994 shade: #10A893, #10A86A, #10A841, #10A818 and #31A810

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10A994 shade: #10A893, #1094A8, #106BA8, #1042A8 and #1019A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10A994 shade matches the following richer shades: #10A893 and #01B79E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10A994 shade: #10A893, #1E9988, #2D8A7E, #3C7B73 and #4B6D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10A994 shade: #10A840, #10A868, #10A891, #1096A8 and #106EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10A994 shade: #095C51, #0C8272, #10A893, #13CEB4 and #20EACE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10A994 shade: #10A994, #1710A8 and #A85410

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10A994 shade: #10A994, #9110A8 and #A89110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10A994 shade: #10A994, #1710A8, #A81026 and #A0A810

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10A994 shade: #10A994, #4510A8, #A81026 and #73A810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 12 / 34

HEX #10A994

RGB 16 169 148

HSL 171.76, 0.83%, 0.36%

LAB 62.19, -40.89, 0.62

 

Complementary color

CMYK 0 / 64 / 55 / 6

HEX #EF566B

RGB 239 86 107

HSL 351.76, 0.83%, 0.64%

LAB 58.1, 60.16, 20.6

 

CMYK 88 / 0 / 15 / 34

HEX #15A98F

RGB 21 169 143

HSL 169.46, 0.78%, 0.37%

LAB 62.1, -41.96, 3.29

 

CMYK 80 / 0 / 13 / 27

HEX #26BBA2

RGB 38 187 162

HSL 169.93, 0.66%, 0.44%

LAB 68.43, -43.18, 1.97

 

CMYK 73 / 0 / 12 / 20

HEX #37CDB5

RGB 55 205 181

HSL 170.4, 0.6%, 0.51%

LAB 74.71, -44.05, 0.79

 

CMYK 68 / 0 / 10 / 13

HEX #48DFC8

RGB 72 223 200

HSL 170.86, 0.7%, 0.58%

LAB 80.92, -44.67, -0.28

 

CMYK 63 / 0 / 9 / 5

HEX #59F1DB

RGB 89 241 219

HSL 171.32, 0.84%, 0.65%

LAB 87.07, -45.1, -1.25

 

CMYK 91 / 0 / 12 / 34

HEX #10A994

RGB 16 169 148

HSL 171.76, 0.83%, 0.36%

LAB 62.19, -40.89, 0.62

 

CMYK 100 / 0 / 15 / 41

HEX #009781

RGB 0 151 129

HSL 171.26, 1%, 0.3%

LAB 55.8, -39.13, 2.06

 

CMYK 100 / 0 / 17 / 48

HEX #00856E

RGB 0 133 110

HSL 169.62, 1%, 0.26%

LAB 49.38, -36.65, 3.74

 

CMYK 100 / 0 / 21 / 55

HEX #00735B

RGB 0 115 91

HSL 167.48, 1%, 0.23%

LAB 42.79, -34.1, 5.5

 

CMYK 100 / 0 / 26 / 62

HEX #006148

RGB 0 97 72

HSL 164.54, 1%, 0.19%

LAB 36.02, -31.47, 7.39

 

CMYK 90 / 0 / 13 / 34

HEX #10A893

RGB 16 168 147

HSL 171.71, 0.83%, 0.36%

LAB 61.85, -40.73, 0.68

 

CMYK 90 / 0 / 37 / 34

HEX #10A86A

RGB 16 168 106

HSL 155.53, 0.83%, 0.36%

LAB 60.92, -50.84, 22.09

 

CMYK 90 / 0 / 61 / 34

HEX #10A841

RGB 16 168 65

HSL 139.34, 0.83%, 0.36%

LAB 60.34, -57.81, 42.28

 

CMYK 90 / 0 / 86 / 34

HEX #10A818

RGB 16 168 24

HSL 123.16, 0.83%, 0.36%

LAB 60.05, -61.38, 56.99

 

CMYK 71 / 0 / 90 / 34

HEX #31A810

RGB 49 168 16

HSL 106.97, 0.83%, 0.36%

LAB 60.51, -57.43, 59.27

 

CMYK 90 / 0 / 13 / 34

HEX #10A893

RGB 16 168 147

HSL 171.71, 0.83%, 0.36%

LAB 61.85, -40.73, 0.68

 

CMYK 90 / 12 / 0 / 34

HEX #1094A8

RGB 16 148 168

HSL 187.89, 0.83%, 0.36%

LAB 56.2, -24.78, -19.65

 

CMYK 90 / 36 / 0 / 34

HEX #106BA8

RGB 16 107 168

HSL 204.08, 0.83%, 0.36%

LAB 43.44, -1.66, -39.53

 

CMYK 90 / 61 / 0 / 34

HEX #1042A8

RGB 16 66 168

HSL 220.26, 0.83%, 0.36%

LAB 31.43, 25.4, -58.89

 

CMYK 90 / 85 / 0 / 34

HEX #1019A8

RGB 16 25 168

HSL 236.45, 0.83%, 0.36%

LAB 22.42, 50.09, -73.76

 

CMYK 90 / 0 / 13 / 34

HEX #10A893

RGB 16 168 147

HSL 171.71, 0.83%, 0.36%

LAB 61.85, -40.73, 0.68

 

CMYK 99 / 0 / 14 / 28

HEX #01B79E

RGB 1 183 158

HSL 171.76, 0.99%, 0.36%

LAB 66.78, -44.7, 1.74

 

CMYK 90 / 0 / 13 / 34

HEX #10A893

RGB 16 168 147

HSL 171.71, 0.83%, 0.36%

LAB 61.85, -40.73, 0.68

 

CMYK 80 / 0 / 11 / 40

HEX #1E9988

RGB 30 153 136

HSL 171.71, 0.67%, 0.36%

LAB 56.92, -36.1, -0.28

 

CMYK 67 / 0 / 9 / 46

HEX #2D8A7E

RGB 45 138 126

HSL 172.26, 0.51%, 0.36%

LAB 52.11, -29.91, -1.53

 

CMYK 51 / 0 / 7 / 52

HEX #3C7B73

RGB 60 123 115

HSL 172.38, 0.34%, 0.36%

LAB 47.45, -22.37, -1.86

 

CMYK 31 / 0 / 5 / 57

HEX #4B6D68

RGB 75 109 104

HSL 171.18, 0.18%, 0.36%

LAB 43.41, -13.38, -1.13

 

CMYK 90 / 0 / 62 / 34

HEX #10A840

RGB 16 168 64

HSL 138.95, 0.83%, 0.36%

LAB 60.32, -57.94, 42.73

 

CMYK 90 / 0 / 38 / 34

HEX #10A868

RGB 16 168 104

HSL 154.74, 0.83%, 0.36%

LAB 60.88, -51.26, 23.13

 

CMYK 90 / 0 / 14 / 34

HEX #10A891

RGB 16 168 145

HSL 170.92, 0.83%, 0.36%

LAB 61.79, -41.29, 1.72

 

CMYK 90 / 11 / 0 / 34

HEX #1096A8

RGB 16 150 168

HSL 187.11, 0.83%, 0.36%

LAB 56.83, -25.8, -18.69

 

CMYK 90 / 35 / 0 / 34

HEX #106EA8

RGB 16 110 168

HSL 202.89, 0.83%, 0.36%

LAB 44.36, -3.5, -38.07

 

CMYK 90 / 0 / 12 / 64

HEX #095C51

RGB 9 92 81

HSL 172.05, 0.82%, 0.2%

LAB 34.61, -25.65, -0.19

 

CMYK 91 / 0 / 12 / 49

HEX #0C8272

RGB 12 130 114

HSL 171.86, 0.83%, 0.28%

LAB 48.58, -33.46, 0.26

 

CMYK 90 / 0 / 13 / 34

HEX #10A893

RGB 16 168 147

HSL 171.71, 0.83%, 0.36%

LAB 61.85, -40.73, 0.68

 

CMYK 91 / 0 / 13 / 19

HEX #13CEB4

RGB 19 206 180

HSL 171.66, 0.83%, 0.44%

LAB 74.56, -47.73, 1.06

 

CMYK 86 / 0 / 12 / 8

HEX #20EACE

RGB 32 234 206

HSL 171.68, 0.83%, 0.52%

LAB 83.76, -51.73, 0.63

 

CMYK 91 / 0 / 12 / 34

HEX #10A994

RGB 16 169 148

HSL 171.76, 0.83%, 0.36%

LAB 62.19, -40.89, 0.62

 

CMYK 86 / 90 / 0 / 34

HEX #1710A8

RGB 23 16 168

HSL 242.76, 0.83%, 0.36%

LAB 21.51, 53.81, -75.27

 

CMYK 0 / 50 / 90 / 34

HEX #A85410

RGB 168 84 16

HSL 26.84, 0.83%, 0.36%

LAB 45.22, 30.55, 50.23

 

CMYK 91 / 0 / 12 / 34

HEX #10A994

RGB 16 169 148

HSL 171.76, 0.83%, 0.36%

LAB 62.19, -40.89, 0.62

 

CMYK 14 / 90 / 0 / 34

HEX #9110A8

RGB 145 16 168

HSL 290.92, 0.83%, 0.36%

LAB 36.4, 66.13, -50.25

 

CMYK 0 / 14 / 90 / 34

HEX #A89110

RGB 168 145 16

HSL 50.92, 0.83%, 0.36%

LAB 60.44, -3.38, 62.02

 

CMYK 91 / 0 / 12 / 34

HEX #10A994

RGB 16 169 148

HSL 171.76, 0.83%, 0.36%

LAB 62.19, -40.89, 0.62

 

CMYK 86 / 90 / 0 / 34

HEX #1710A8

RGB 23 16 168

HSL 242.76, 0.83%, 0.36%

LAB 21.51, 53.81, -75.27

 

CMYK 0 / 90 / 77 / 34

HEX #A81026

RGB 168 16 38

HSL 351.32, 0.83%, 0.36%

LAB 35.67, 57.26, 31.05

 

CMYK 5 / 0 / 90 / 34

HEX #A0A810

RGB 160 168 16

HSL 63.16, 0.83%, 0.36%

LAB 66.15, -19.06, 66.22

 

CMYK 91 / 0 / 12 / 34

HEX #10A994

RGB 16 169 148

HSL 171.76, 0.83%, 0.36%

LAB 62.19, -40.89, 0.62

 

CMYK 59 / 90 / 0 / 34

HEX #4510A8

RGB 69 16 168

HSL 260.92, 0.83%, 0.36%

LAB 25.15, 56.36, -69.12

 

CMYK 0 / 90 / 77 / 34

HEX #A81026

RGB 168 16 38

HSL 351.32, 0.83%, 0.36%

LAB 35.67, 57.26, 31.05

 

CMYK 32 / 0 / 90 / 34

HEX #73A810

RGB 115 168 16

HSL 80.92, 0.83%, 0.36%

LAB 63.08, -37.81, 62.46

 

Description

Color code: HEX #10A994 | qconv.com Color code: HEX #10A994 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 169 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 169 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 12 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 12% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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