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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10A788 it is the complementary color #EF5877. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10A788. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10A788 shade: #15A783, #26B996, #37CBA9, #48DDBC and #59EFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10A788. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10A788 shade: #10A788, #009575, #008362, #00714F and #005F3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10A788 shade: #10A889, #10A860, #10A837, #12A810 and #3BA810

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10A788 shade: #10A889, #109EA8, #1075A8, #104CA8 and #1023A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10A788 shade matches the following richer shades: #10A889 and #01B791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10A788 shade: #10A889, #1E9980, #2D8A77, #3C7B6E and #4B6D66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10A788 shade: #10A836, #10A85E, #10A887, #10A0A8 and #1078A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10A788 shade: #095C4B, #0C826A, #10A889, #13CEA7 and #20EAC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10A788 shade: #10A788, #1012A8 and #A84A10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10A788 shade: #10A788, #8710A8 and #A88710

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10A788 shade: #10A788, #1012A8, #A81031 and #A8A510

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10A788 shade: #10A788, #3B10A8, #A81031 and #7DA810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 19 / 35

HEX #10A788

RGB 16 167 136

HSL 167.68, 0.83%, 0.36%

LAB 61.24, -43.3, 5.97

 

Complementary color

CMYK 0 / 63 / 50 / 6

HEX #EF5877

RGB 239 88 119

HSL 347.68, 0.83%, 0.64%

LAB 58.66, 60.28, 14.35

 

CMYK 87 / 0 / 22 / 35

HEX #15A783

RGB 21 167 131

HSL 165.21, 0.78%, 0.37%

LAB 61.16, -44.28, 8.65

 

CMYK 79 / 0 / 19 / 27

HEX #26B996

RGB 38 185 150

HSL 165.71, 0.66%, 0.44%

LAB 67.51, -45.46, 7.23

 

CMYK 73 / 0 / 17 / 20

HEX #37CBA9

RGB 55 203 169

HSL 166.22, 0.59%, 0.51%

LAB 73.8, -46.27, 5.95

 

CMYK 67 / 0 / 15 / 13

HEX #48DDBC

RGB 72 221 188

HSL 166.71, 0.69%, 0.57%

LAB 80.02, -46.83, 4.8

 

CMYK 63 / 0 / 13 / 6

HEX #59EFCF

RGB 89 239 207

HSL 167.2, 0.82%, 0.64%

LAB 86.19, -47.19, 3.74

 

CMYK 90 / 0 / 19 / 35

HEX #10A788

RGB 16 167 136

HSL 167.68, 0.83%, 0.36%

LAB 61.24, -43.3, 5.97

 

CMYK 100 / 0 / 21 / 42

HEX #009575

RGB 0 149 117

HSL 167.11, 1%, 0.29%

LAB 54.84, -41.57, 7.53

 

CMYK 100 / 0 / 25 / 49

HEX #008362

RGB 0 131 98

HSL 164.89, 1%, 0.26%

LAB 48.4, -39.06, 9.35

 

CMYK 100 / 0 / 30 / 56

HEX #00714F

RGB 0 113 79

HSL 161.95, 1%, 0.22%

LAB 41.81, -36.47, 11.27

 

CMYK 100 / 0 / 37 / 63

HEX #005F3C

RGB 0 95 60

HSL 157.89, 1%, 0.19%

LAB 35.02, -33.74, 13.34

 

CMYK 90 / 0 / 18 / 34

HEX #10A889

RGB 16 168 137

HSL 167.76, 0.83%, 0.36%

LAB 61.59, -43.45, 5.9

 

CMYK 90 / 0 / 43 / 34

HEX #10A860

RGB 16 168 96

HSL 151.58, 0.83%, 0.36%

LAB 60.75, -52.85, 27.23

 

CMYK 90 / 0 / 67 / 34

HEX #10A837

RGB 16 168 55

HSL 135.39, 0.83%, 0.36%

LAB 60.24, -58.99, 46.62

 

CMYK 89 / 0 / 90 / 34

HEX #12A810

RGB 18 168 16

HSL 119.21, 0.83%, 0.36%

LAB 60.04, -61.56, 58.68

 

CMYK 65 / 0 / 90 / 34

HEX #3BA810

RGB 59 168 16

HSL 103.03, 0.83%, 0.36%

LAB 60.76, -55.35, 59.57

 

CMYK 90 / 0 / 18 / 34

HEX #10A889

RGB 16 168 137

HSL 167.76, 0.83%, 0.36%

LAB 61.59, -43.45, 5.9

 

CMYK 90 / 6 / 0 / 34

HEX #109EA8

RGB 16 158 168

HSL 183.95, 0.83%, 0.36%

LAB 59.33, -29.78, -14.89

 

CMYK 90 / 30 / 0 / 34

HEX #1075A8

RGB 16 117 168

HSL 200.13, 0.83%, 0.36%

LAB 46.53, -7.71, -34.66

 

CMYK 90 / 55 / 0 / 34

HEX #104CA8

RGB 16 76 168

HSL 216.32, 0.83%, 0.36%

LAB 34.2, 18.59, -54.37

 

CMYK 90 / 79 / 0 / 34

HEX #1023A8

RGB 16 35 168

HSL 232.5, 0.83%, 0.36%

LAB 24.13, 45.08, -70.92

 

CMYK 90 / 0 / 18 / 34

HEX #10A889

RGB 16 168 137

HSL 167.76, 0.83%, 0.36%

LAB 61.59, -43.45, 5.9

 

CMYK 99 / 0 / 21 / 28

HEX #01B791

RGB 1 183 145

HSL 167.47, 0.99%, 0.36%

LAB 66.46, -48.16, 8.43

 

CMYK 90 / 0 / 18 / 34

HEX #10A889

RGB 16 168 137

HSL 167.76, 0.83%, 0.36%

LAB 61.59, -43.45, 5.9

 

CMYK 80 / 0 / 16 / 40

HEX #1E9980

RGB 30 153 128

HSL 167.8, 0.67%, 0.36%

LAB 56.7, -38.31, 3.97

 

CMYK 67 / 0 / 14 / 46

HEX #2D8A77

RGB 45 138 119

HSL 167.74, 0.51%, 0.36%

LAB 51.91, -31.85, 2.25

 

CMYK 51 / 0 / 11 / 52

HEX #3C7B6E

RGB 60 123 110

HSL 167.62, 0.34%, 0.36%

LAB 47.3, -23.71, 0.89

 

CMYK 31 / 0 / 6 / 57

HEX #4B6D66

RGB 75 109 102

HSL 167.65, 0.18%, 0.36%

LAB 43.35, -13.87, -0.01

 

CMYK 90 / 0 / 68 / 34

HEX #10A836

RGB 16 168 54

HSL 135, 0.83%, 0.36%

LAB 60.23, -59.09, 47.03

 

CMYK 90 / 0 / 44 / 34

HEX #10A85E

RGB 16 168 94

HSL 150.79, 0.83%, 0.36%

LAB 60.71, -53.23, 28.25

 

CMYK 90 / 0 / 20 / 34

HEX #10A887

RGB 16 168 135

HSL 166.97, 0.83%, 0.36%

LAB 61.54, -43.98, 6.95

 

CMYK 90 / 5 / 0 / 34

HEX #10A0A8

RGB 16 160 168

HSL 183.16, 0.83%, 0.36%

LAB 59.96, -30.75, -13.95

 

CMYK 90 / 29 / 0 / 34

HEX #1078A8

RGB 16 120 168

HSL 198.95, 0.83%, 0.36%

LAB 47.46, -9.47, -33.19

 

CMYK 90 / 0 / 18 / 64

HEX #095C4B

RGB 9 92 75

HSL 167.71, 0.82%, 0.2%

LAB 34.44, -27.47, 3.3

 

CMYK 91 / 0 / 18 / 49

HEX #0C826A

RGB 12 130 106

HSL 167.8, 0.83%, 0.28%

LAB 48.37, -35.74, 4.63

 

CMYK 90 / 0 / 18 / 34

HEX #10A889

RGB 16 168 137

HSL 167.76, 0.83%, 0.36%

LAB 61.59, -43.45, 5.9

 

CMYK 91 / 0 / 19 / 19

HEX #13CEA7

RGB 19 206 167

HSL 167.49, 0.83%, 0.44%

LAB 74.24, -51.12, 7.6

 

CMYK 86 / 0 / 18 / 8

HEX #20EAC1

RGB 32 234 193

HSL 167.82, 0.83%, 0.52%

LAB 83.44, -55.06, 7.01

 

CMYK 90 / 0 / 19 / 35

HEX #10A788

RGB 16 167 136

HSL 167.68, 0.83%, 0.36%

LAB 61.24, -43.3, 5.97

 

CMYK 90 / 89 / 0 / 34

HEX #1012A8

RGB 16 18 168

HSL 239.21, 0.83%, 0.36%

LAB 21.47, 52.94, -75.34

 

CMYK 0 / 56 / 90 / 34

HEX #A84A10

RGB 168 74 16

HSL 22.89, 0.83%, 0.36%

LAB 43.15, 35.79, 48.66

 

CMYK 90 / 0 / 19 / 35

HEX #10A788

RGB 16 167 136

HSL 167.68, 0.83%, 0.36%

LAB 61.24, -43.3, 5.97

 

CMYK 20 / 90 / 0 / 34

HEX #8710A8

RGB 135 16 168

HSL 286.97, 0.83%, 0.36%

LAB 34.7, 64.53, -53.09

 

CMYK 0 / 20 / 90 / 34

HEX #A88710

RGB 168 135 16

HSL 46.97, 0.83%, 0.36%

LAB 57.74, 2.1, 59.91

 

CMYK 90 / 0 / 19 / 35

HEX #10A788

RGB 16 167 136

HSL 167.68, 0.83%, 0.36%

LAB 61.24, -43.3, 5.97

 

CMYK 90 / 89 / 0 / 34

HEX #1012A8

RGB 16 18 168

HSL 239.21, 0.83%, 0.36%

LAB 21.47, 52.94, -75.34

 

CMYK 0 / 90 / 71 / 34

HEX #A81031

RGB 168 16 49

HSL 346.97, 0.83%, 0.36%

LAB 35.82, 57.71, 24.36

 

CMYK 0 / 2 / 90 / 34

HEX #A8A510

RGB 168 165 16

HSL 58.82, 0.83%, 0.36%

LAB 65.96, -13.99, 66.35

 

CMYK 90 / 0 / 19 / 35

HEX #10A788

RGB 16 167 136

HSL 167.68, 0.83%, 0.36%

LAB 61.24, -43.3, 5.97

 

CMYK 65 / 90 / 0 / 34

HEX #3B10A8

RGB 59 16 168

HSL 256.97, 0.83%, 0.36%

LAB 24.09, 55.58, -70.9

 

CMYK 0 / 90 / 71 / 34

HEX #A81031

RGB 168 16 49

HSL 346.97, 0.83%, 0.36%

LAB 35.82, 57.71, 24.36

 

CMYK 26 / 0 / 90 / 34

HEX #7DA810

RGB 125 168 16

HSL 76.97, 0.83%, 0.36%

LAB 63.67, -33.87, 63.19

 

Description

Color code: HEX #10A788 | qconv.com Color code: HEX #10A788 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 167 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 167 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 19 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 19% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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