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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10A381 it is the complementary color #EF5C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10A381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10A381 shade: #15A37C, #26B58F, #37C7A2, #48D9B5 and #59EBC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10A381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10A381 shade: #10A381, #00916E, #007F5B, #006D48 and #005B35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10A381 shade: #10A281, #10A259, #10A232, #16A210 and #3DA210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10A381 shade: #10A281, #109DA2, #1075A2, #104EA2 and #1026A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10A381 shade matches the following richer shades: #10A281 and #02B188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10A381 shade: #10A281, #1F9479, #2D8671, #3B7769 and #4A6962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10A381 shade: #10A232, #10A259, #10A280, #109EA2 and #1077A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10A381 shade: #095745, #0C7D63, #10A281, #14C89E and #1CE9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10A381 shade: #10A381, #1015A2 and #A24610

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10A381 shade: #10A381, #8010A2 and #A28010

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10A381 shade: #10A381, #1015A2, #A21032 and #A29E10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10A381 shade: #10A381, #3710A2, #A21032 and #7BA210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 21 / 36

HEX #10A381

RGB 16 163 129

HSL 166.12, 0.82%, 0.35%

LAB 59.79, -43.46, 7.81

 

Complementary color

CMYK 0 / 62 / 47 / 6

HEX #EF5C7E

RGB 239 92 126

HSL 346.12, 0.82%, 0.65%

LAB 59.44, 59.21, 11.36

 

CMYK 87 / 0 / 24 / 36

HEX #15A37C

RGB 21 163 124

HSL 163.52, 0.77%, 0.36%

LAB 59.72, -44.4, 10.51

 

CMYK 79 / 0 / 21 / 29

HEX #26B58F

RGB 38 181 143

HSL 164.06, 0.65%, 0.43%

LAB 66.09, -45.55, 9.05

 

CMYK 72 / 0 / 19 / 22

HEX #37C7A2

RGB 55 199 162

HSL 164.58, 0.57%, 0.5%

LAB 72.41, -46.32, 7.74

 

CMYK 67 / 0 / 17 / 15

HEX #48D9B5

RGB 72 217 181

HSL 165.1, 0.66%, 0.57%

LAB 78.66, -46.84, 6.56

 

CMYK 62 / 0 / 15 / 8

HEX #59EBC8

RGB 89 235 200

HSL 165.62, 0.78%, 0.64%

LAB 84.85, -47.16, 5.48

 

CMYK 90 / 0 / 21 / 36

HEX #10A381

RGB 16 163 129

HSL 166.12, 0.82%, 0.35%

LAB 59.79, -43.46, 7.81

 

CMYK 100 / 0 / 24 / 43

HEX #00916E

RGB 0 145 110

HSL 165.52, 1%, 0.28%

LAB 53.36, -41.74, 9.42

 

CMYK 100 / 0 / 28 / 50

HEX #007F5B

RGB 0 127 91

HSL 162.99, 1%, 0.25%

LAB 46.89, -39.21, 11.29

 

CMYK 100 / 0 / 34 / 57

HEX #006D48

RGB 0 109 72

HSL 159.63, 1%, 0.21%

LAB 40.25, -36.57, 13.29

 

CMYK 100 / 0 / 42 / 64

HEX #005B35

RGB 0 91 53

HSL 154.95, 1%, 0.18%

LAB 33.43, -33.77, 15.42

 

CMYK 90 / 0 / 20 / 36

HEX #10A281

RGB 16 162 129

HSL 166.44, 0.82%, 0.35%

LAB 59.47, -43.04, 7.35

 

CMYK 90 / 0 / 45 / 36

HEX #10A259

RGB 16 162 89

HSL 150, 0.82%, 0.35%

LAB 58.67, -52.03, 28.25

 

CMYK 90 / 0 / 69 / 36

HEX #10A232

RGB 16 162 50

HSL 133.97, 0.82%, 0.35%

LAB 58.21, -57.64, 46.52

 

CMYK 86 / 0 / 90 / 36

HEX #16A210

RGB 22 162 16

HSL 117.53, 0.82%, 0.35%

LAB 58.08, -59.45, 57.01

 

CMYK 62 / 0 / 90 / 36

HEX #3DA210

RGB 61 162 16

HSL 101.51, 0.82%, 0.35%

LAB 58.85, -52.82, 57.97

 

CMYK 90 / 0 / 20 / 36

HEX #10A281

RGB 16 162 129

HSL 166.44, 0.82%, 0.35%

LAB 59.47, -43.04, 7.35

 

CMYK 90 / 3 / 0 / 36

HEX #109DA2

RGB 16 157 162

HSL 182.05, 0.82%, 0.35%

LAB 58.82, -31.21, -12.27

 

CMYK 90 / 28 / 0 / 36

HEX #1075A2

RGB 16 117 162

HSL 198.49, 0.82%, 0.35%

LAB 46.23, -9.99, -31.6

 

CMYK 90 / 52 / 0 / 36

HEX #104EA2

RGB 16 78 162

HSL 214.52, 0.82%, 0.35%

LAB 34.33, 14.77, -50.57

 

CMYK 90 / 77 / 0 / 36

HEX #1026A2

RGB 16 38 162

HSL 230.96, 0.82%, 0.35%

LAB 24.02, 41.29, -67.47

 

CMYK 90 / 0 / 20 / 36

HEX #10A281

RGB 16 162 129

HSL 166.44, 0.82%, 0.35%

LAB 59.47, -43.04, 7.35

 

CMYK 99 / 0 / 23 / 31

HEX #02B188

RGB 2 177 136

HSL 165.94, 0.98%, 0.35%

LAB 64.35, -48, 10.39

 

CMYK 90 / 0 / 20 / 36

HEX #10A281

RGB 16 162 129

HSL 166.44, 0.82%, 0.35%

LAB 59.47, -43.04, 7.35

 

CMYK 79 / 0 / 18 / 42

HEX #1F9479

RGB 31 148 121

HSL 166.15, 0.65%, 0.35%

LAB 54.92, -37.87, 5.4

 

CMYK 66 / 0 / 16 / 47

HEX #2D8671

RGB 45 134 113

HSL 165.84, 0.5%, 0.35%

LAB 50.45, -31.57, 3.63

 

CMYK 50 / 0 / 12 / 53

HEX #3B7769

RGB 59 119 105

HSL 166, 0.34%, 0.35%

LAB 45.83, -23.21, 1.7

 

CMYK 30 / 0 / 7 / 59

HEX #4A6962

RGB 74 105 98

HSL 166.45, 0.17%, 0.35%

LAB 41.91, -12.93, 0.3

 

CMYK 90 / 0 / 69 / 36

HEX #10A232

RGB 16 162 50

HSL 133.97, 0.82%, 0.35%

LAB 58.21, -57.64, 46.52

 

CMYK 90 / 0 / 45 / 36

HEX #10A259

RGB 16 162 89

HSL 150, 0.82%, 0.35%

LAB 58.67, -52.03, 28.25

 

CMYK 90 / 0 / 21 / 36

HEX #10A280

RGB 16 162 128

HSL 166.03, 0.82%, 0.35%

LAB 59.44, -43.3, 7.88

 

CMYK 90 / 2 / 0 / 36

HEX #109EA2

RGB 16 158 162

HSL 181.64, 0.82%, 0.35%

LAB 59.13, -31.69, -11.8

 

CMYK 90 / 27 / 0 / 36

HEX #1077A2

RGB 16 119 162

HSL 197.67, 0.82%, 0.35%

LAB 46.86, -11.16, -30.62

 

CMYK 90 / 0 / 21 / 66

HEX #095745

RGB 9 87 69

HSL 166.15, 0.81%, 0.19%

LAB 32.49, -26.86, 4.26

 

CMYK 90 / 0 / 21 / 51

HEX #0C7D63

RGB 12 125 99

HSL 166.19, 0.82%, 0.27%

LAB 46.51, -35.47, 6.08

 

CMYK 90 / 0 / 20 / 36

HEX #10A281

RGB 16 162 129

HSL 166.44, 0.82%, 0.35%

LAB 59.47, -43.04, 7.35

 

CMYK 90 / 0 / 21 / 22

HEX #14C89E

RGB 20 200 158

HSL 166, 0.82%, 0.43%

LAB 72.18, -50.93, 9.52

 

CMYK 88 / 0 / 21 / 9

HEX #1CE9B9

RGB 28 233 185

HSL 165.95, 0.82%, 0.51%

LAB 82.93, -56.86, 10.47

 

CMYK 90 / 0 / 21 / 36

HEX #10A381

RGB 16 163 129

HSL 166.12, 0.82%, 0.35%

LAB 59.79, -43.46, 7.81

 

CMYK 90 / 87 / 0 / 36

HEX #1015A2

RGB 16 21 162

HSL 237.95, 0.82%, 0.35%

LAB 21.04, 49.97, -72.41

 

CMYK 0 / 57 / 90 / 36

HEX #A24610

RGB 162 70 16

HSL 22.19, 0.82%, 0.35%

LAB 41.37, 35.43, 46.86

 

CMYK 90 / 0 / 21 / 36

HEX #10A381

RGB 16 163 129

HSL 166.12, 0.82%, 0.35%

LAB 59.79, -43.46, 7.81

 

CMYK 21 / 90 / 0 / 36

HEX #8010A2

RGB 128 16 162

HSL 286.03, 0.82%, 0.35%

LAB 33.07, 62.31, -52.17

 

CMYK 0 / 21 / 90 / 36

HEX #A28010

RGB 162 128 16

HSL 46.03, 0.82%, 0.35%

LAB 55.23, 3.23, 57.67

 

CMYK 90 / 0 / 21 / 36

HEX #10A381

RGB 16 163 129

HSL 166.12, 0.82%, 0.35%

LAB 59.79, -43.46, 7.81

 

CMYK 90 / 87 / 0 / 36

HEX #1015A2

RGB 16 21 162

HSL 237.95, 0.82%, 0.35%

LAB 21.04, 49.97, -72.41

 

CMYK 0 / 90 / 69 / 36

HEX #A21032

RGB 162 16 50

HSL 346.03, 0.82%, 0.35%

LAB 34.56, 56.17, 21.87

 

CMYK 0 / 2 / 90 / 36

HEX #A29E10

RGB 162 158 16

HSL 58.36, 0.82%, 0.35%

LAB 63.49, -13.03, 64.18

 

CMYK 90 / 0 / 21 / 36

HEX #10A381

RGB 16 163 129

HSL 166.12, 0.82%, 0.35%

LAB 59.79, -43.46, 7.81

 

CMYK 66 / 90 / 0 / 36

HEX #3710A2

RGB 55 16 162

HSL 256.03, 0.82%, 0.35%

LAB 22.97, 53.7, -69.13

 

CMYK 0 / 90 / 69 / 36

HEX #A21032

RGB 162 16 50

HSL 346.03, 0.82%, 0.35%

LAB 34.56, 56.17, 21.87

 

CMYK 24 / 0 / 90 / 36

HEX #7BA210

RGB 123 162 16

HSL 76.03, 0.82%, 0.35%

LAB 61.73, -31.9, 61.54

 

Description

Color code: HEX #10A381 | qconv.com Color code: HEX #10A381 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 163 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 163 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 21 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 21% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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