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Color name
HEX #109556

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #109556 it is the complementary color #EF6AA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #109556. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #109556 shade: #159551, #26A764, #37B977, #48CB8A and #59DD9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #109556. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #109556 shade: #109556, #008343, #007130, #005F1D and #004D0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #109556 shade: #109455, #109431, #119410, #359410 and #599410

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #109556 shade: #109455, #109479, #108B94, #106794 and #104494

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #109556 shade matches the following richer shades: #109455 and #02A156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #109556 shade: #109455, #1D8654, #2A7954, #376C53 and #445F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #109556 shade: #129410, #109431, #109454, #109477 and #108D94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #109556 shade: #08492A, #0C6E40, #109455, #13B96B and #17DE80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #109556 shade: #109556, #103594 and #941F10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #109556 shade: #109556, #541094 and #945410

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #109556 shade: #109556, #103594, #94104F and #946E10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #109556 shade: #109556, #121094, #94104F and #919410

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 42 / 42

HEX #109556

RGB 16 149 86

HSL 151.58, 0.81%, 0.32%

LAB 54.32, -47.88, 24.2

 

Complementary color

CMYK 0 / 56 / 29 / 6

HEX #EF6AA9

RGB 239 106 169

HSL 331.58, 0.81%, 0.68%

LAB 62.95, 57.64, -8.42

 

CMYK 86 / 0 / 46 / 42

HEX #159551

RGB 21 149 81

HSL 148.13, 0.75%, 0.33%

LAB 54.29, -48.42, 26.88

 

CMYK 77 / 0 / 40 / 35

HEX #26A764

RGB 38 167 100

HSL 148.84, 0.63%, 0.4%

LAB 60.75, -49.58, 25.16

 

CMYK 70 / 0 / 36 / 27

HEX #37B977

RGB 55 185 119

HSL 149.54, 0.54%, 0.47%

LAB 67.16, -50.27, 23.59

 

CMYK 65 / 0 / 32 / 20

HEX #48CB8A

RGB 72 203 138

HSL 150.23, 0.56%, 0.54%

LAB 73.5, -50.65, 22.17

 

CMYK 60 / 0 / 29 / 13

HEX #59DD9D

RGB 89 221 157

HSL 150.91, 0.66%, 0.61%

LAB 79.77, -50.82, 20.86

 

CMYK 89 / 0 / 42 / 42

HEX #109556

RGB 16 149 86

HSL 151.58, 0.81%, 0.32%

LAB 54.32, -47.88, 24.2

 

CMYK 100 / 0 / 49 / 49

HEX #008343

RGB 0 131 67

HSL 150.69, 1%, 0.26%

LAB 47.8, -46.02, 26.09

 

CMYK 100 / 0 / 58 / 56

HEX #007130

RGB 0 113 48

HSL 145.49, 1%, 0.22%

LAB 41.25, -42.96, 28.17

 

CMYK 100 / 0 / 69 / 63

HEX #005F1D

RGB 0 95 29

HSL 138.32, 1%, 0.19%

LAB 34.55, -39.51, 30.06

 

CMYK 100 / 0 / 87 / 70

HEX #004D0A

RGB 0 77 10

HSL 127.79, 1%, 0.15%

LAB 27.65, -35.44, 31.09

 

CMYK 89 / 0 / 43 / 42

HEX #109455

RGB 16 148 85

HSL 151.36, 0.8%, 0.32%

LAB 53.97, -47.71, 24.29

 

CMYK 89 / 0 / 67 / 42

HEX #109431

RGB 16 148 49

HSL 135, 0.8%, 0.32%

LAB 53.51, -53.31, 41.83

 

CMYK 89 / 0 / 89 / 42

HEX #119410

RGB 17 148 16

HSL 119.55, 0.8%, 0.32%

LAB 53.32, -55.74, 52.84

 

CMYK 64 / 0 / 89 / 42

HEX #359410

RGB 53 148 16

HSL 103.18, 0.8%, 0.32%

LAB 54, -49.84, 53.7

 

CMYK 40 / 0 / 89 / 42

HEX #599410

RGB 89 148 16

HSL 86.82, 0.8%, 0.32%

LAB 55.42, -38.84, 55.48

 

CMYK 89 / 0 / 43 / 42

HEX #109455

RGB 16 148 85

HSL 151.36, 0.8%, 0.32%

LAB 53.97, -47.71, 24.29

 

CMYK 89 / 0 / 18 / 42

HEX #109479

RGB 16 148 121

HSL 167.73, 0.8%, 0.32%

LAB 54.73, -39.23, 5.1

 

CMYK 89 / 6 / 0 / 42

HEX #108B94

RGB 16 139 148

HSL 184.09, 0.8%, 0.32%

LAB 52.63, -26.89, -13.57

 

CMYK 89 / 30 / 0 / 42

HEX #106794

RGB 16 103 148

HSL 200.45, 0.8%, 0.32%

LAB 41.13, -7.05, -31.31

 

CMYK 89 / 54 / 0 / 42

HEX #104494

RGB 16 68 148

HSL 216.36, 0.8%, 0.32%

LAB 30.36, 15.84, -48.53

 

CMYK 89 / 0 / 43 / 42

HEX #109455

RGB 16 148 85

HSL 151.36, 0.8%, 0.32%

LAB 53.97, -47.71, 24.29

 

CMYK 99 / 0 / 47 / 37

HEX #02A156

RGB 2 161 86

HSL 151.7, 0.98%, 0.32%

LAB 58.2, -52.98, 29.21

 

CMYK 89 / 0 / 43 / 42

HEX #109455

RGB 16 148 85

HSL 151.36, 0.8%, 0.32%

LAB 53.97, -47.71, 24.29

 

CMYK 78 / 0 / 37 / 47

HEX #1D8654

RGB 29 134 84

HSL 151.43, 0.64%, 0.32%

LAB 49.44, -41.14, 18.86

 

CMYK 65 / 0 / 31 / 53

HEX #2A7954

RGB 42 121 84

HSL 151.9, 0.48%, 0.32%

LAB 45.37, -33.36, 13.37

 

CMYK 49 / 0 / 23 / 58

HEX #376C53

RGB 55 108 83

HSL 151.7, 0.33%, 0.32%

LAB 41.47, -24.13, 8.61

 

CMYK 28 / 0 / 14 / 63

HEX #445F52

RGB 68 95 82

HSL 151.11, 0.17%, 0.32%

LAB 37.88, -13.14, 4.21

 

CMYK 88 / 0 / 89 / 42

HEX #129410

RGB 18 148 16

HSL 119.09, 0.8%, 0.32%

LAB 53.33, -55.65, 52.85

 

CMYK 89 / 0 / 67 / 42

HEX #109431

RGB 16 148 49

HSL 135, 0.8%, 0.32%

LAB 53.51, -53.31, 41.83

 

CMYK 89 / 0 / 43 / 42

HEX #109454

RGB 16 148 84

HSL 150.91, 0.8%, 0.32%

LAB 53.95, -47.9, 24.81

 

CMYK 89 / 0 / 20 / 42

HEX #109477

RGB 16 148 119

HSL 166.82, 0.8%, 0.32%

LAB 54.68, -39.76, 6.17

 

CMYK 89 / 5 / 0 / 42

HEX #108D94

RGB 16 141 148

HSL 183.18, 0.8%, 0.32%

LAB 53.27, -27.89, -12.6

 

CMYK 89 / 0 / 42 / 71

HEX #08492A

RGB 8 73 42

HSL 151.38, 0.8%, 0.16%

LAB 26.69, -27.75, 13.2

 

CMYK 89 / 0 / 42 / 57

HEX #0C6E40

RGB 12 110 64

HSL 151.84, 0.8%, 0.24%

LAB 40.57, -37.79, 18.43

 

CMYK 89 / 0 / 43 / 42

HEX #109455

RGB 16 148 85

HSL 151.36, 0.8%, 0.32%

LAB 53.97, -47.71, 24.29

 

CMYK 90 / 0 / 42 / 27

HEX #13B96B

RGB 19 185 107

HSL 151.81, 0.81%, 0.4%

LAB 66.44, -56.62, 28.89

 

CMYK 90 / 0 / 42 / 13

HEX #17DE80

RGB 23 222 128

HSL 151.66, 0.81%, 0.48%

LAB 78.45, -65.29, 33.81

 

CMYK 89 / 0 / 42 / 42

HEX #109556

RGB 16 149 86

HSL 151.58, 0.81%, 0.32%

LAB 54.32, -47.88, 24.2

 

CMYK 89 / 64 / 0 / 42

HEX #103594

RGB 16 53 148

HSL 223.18, 0.8%, 0.32%

LAB 26.14, 26.25, -55.4

 

CMYK 0 / 79 / 89 / 42

HEX #941F10

RGB 148 31 16

HSL 6.82, 0.8%, 0.32%

LAB 32.51, 47.17, 38.79

 

CMYK 89 / 0 / 42 / 42

HEX #109556

RGB 16 149 86

HSL 151.58, 0.81%, 0.32%

LAB 54.32, -47.88, 24.2

 

CMYK 43 / 89 / 0 / 42

HEX #541094

RGB 84 16 148

HSL 270.91, 0.8%, 0.32%

LAB 24.93, 53.03, -57.18

 

CMYK 0 / 43 / 89 / 42

HEX #945410

RGB 148 84 16

HSL 30.91, 0.8%, 0.32%

LAB 42.27, 21.88, 46.65

 

CMYK 89 / 0 / 42 / 42

HEX #109556

RGB 16 149 86

HSL 151.58, 0.81%, 0.32%

LAB 54.32, -47.88, 24.2

 

CMYK 89 / 64 / 0 / 42

HEX #103594

RGB 16 53 148

HSL 223.18, 0.8%, 0.32%

LAB 26.14, 26.25, -55.4

 

CMYK 0 / 89 / 47 / 42

HEX #94104F

RGB 148 16 79

HSL 331.36, 0.8%, 0.32%

LAB 32.33, 54.55, -0.67

 

CMYK 0 / 26 / 89 / 42

HEX #946E10

RGB 148 110 16

HSL 42.73, 0.8%, 0.32%

LAB 48.87, 6.91, 51.95

 

CMYK 89 / 0 / 42 / 42

HEX #109556

RGB 16 149 86

HSL 151.58, 0.81%, 0.32%

LAB 54.32, -47.88, 24.2

 

CMYK 88 / 89 / 0 / 42

HEX #121094

RGB 18 16 148

HSL 240.91, 0.8%, 0.32%

LAB 18.53, 47.79, -67.99

 

CMYK 0 / 89 / 47 / 42

HEX #94104F

RGB 148 16 79

HSL 331.36, 0.8%, 0.32%

LAB 32.33, 54.55, -0.67

 

CMYK 2 / 0 / 89 / 42

HEX #919410

RGB 145 148 16

HSL 61.36, 0.8%, 0.32%

LAB 59.19, -15.45, 60.14

 

Description

Color code: HEX #109556 | qconv.com Color code: HEX #109556 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 149 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 149 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 42 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 42% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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