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Color name
HEX #108D56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #108D56 it is the complementary color #EF72A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #108D56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #108D56 shade: #158D51, #269F64, #37B177, #48C38A and #59D59D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #108D56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #108D56 shade: #108D56, #007B43, #006930, #00571D and #00450A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #108D56 shade: #108E57, #108E35, #108E12, #2F8E10 and #518E10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #108D56 shade: #108E57, #108E79, #10828E, #10608E and #103E8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #108D56 shade matches the following richer shades: #108E57 and #039B58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #108D56 shade: #108E57, #1D8155, #297554, #366852 and #435B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #108D56 shade: #108E12, #108E34, #108E55, #108E77 and #10848E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #108D56 shade: #084429, #0C6940, #108E57, #14B36D and #18D984

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #108D56 shade: #108D56, #102F8E and #8E2310

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #108D56 shade: #108D56, #55108E and #8E5510

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #108D56 shade: #108D56, #102F8E, #8E1049 and #8E6F10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #108D56 shade: #108D56, #16108E, #8E1049 and #888E10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 39 / 45

HEX #108D56

RGB 16 141 86

HSL 153.6, 0.8%, 0.31%

LAB 51.65, -44.87, 20.66

 

Complementary color

CMYK 0 / 52 / 29 / 6

HEX #EF72A9

RGB 239 114 169

HSL 333.6, 0.8%, 0.69%

LAB 64.36, 53.91, -6.32

 

CMYK 85 / 0 / 43 / 45

HEX #158D51

RGB 21 141 81

HSL 150, 0.74%, 0.32%

LAB 51.61, -45.44, 23.4

 

CMYK 76 / 0 / 37 / 38

HEX #269F64

RGB 38 159 100

HSL 150.74, 0.61%, 0.39%

LAB 58.16, -46.49, 21.7

 

CMYK 69 / 0 / 33 / 31

HEX #37B177

RGB 55 177 119

HSL 151.48, 0.53%, 0.45%

LAB 64.63, -47.09, 20.18

 

CMYK 63 / 0 / 29 / 24

HEX #48C38A

RGB 72 195 138

HSL 152.2, 0.51%, 0.52%

LAB 71.04, -47.4, 18.8

 

CMYK 58 / 0 / 26 / 16

HEX #59D59D

RGB 89 213 157

HSL 152.9, 0.6%, 0.59%

LAB 77.37, -47.51, 17.54

 

CMYK 89 / 0 / 39 / 45

HEX #108D56

RGB 16 141 86

HSL 153.6, 0.8%, 0.31%

LAB 51.65, -44.87, 20.66

 

CMYK 100 / 0 / 46 / 52

HEX #007B43

RGB 0 123 67

HSL 152.68, 1%, 0.24%

LAB 45.04, -43.11, 22.55

 

CMYK 100 / 0 / 54 / 59

HEX #006930

RGB 0 105 48

HSL 147.43, 1%, 0.21%

LAB 38.4, -40.12, 24.69

 

CMYK 100 / 0 / 67 / 66

HEX #00571D

RGB 0 87 29

HSL 140, 1%, 0.17%

LAB 31.59, -36.75, 26.73

 

CMYK 100 / 0 / 86 / 73

HEX #00450A

RGB 0 69 10

HSL 128.7, 1%, 0.14%

LAB 24.57, -32.75, 28.1

 

CMYK 89 / 0 / 39 / 44

HEX #108E57

RGB 16 142 87

HSL 153.81, 0.8%, 0.31%

LAB 52, -45.04, 20.58

 

CMYK 89 / 0 / 63 / 44

HEX #108E35

RGB 16 142 53

HSL 137.62, 0.8%, 0.31%

LAB 51.51, -50.86, 37.76

 

CMYK 89 / 0 / 87 / 44

HEX #108E12

RGB 16 142 18

HSL 120.95, 0.8%, 0.31%

LAB 51.27, -53.93, 50.57

 

CMYK 67 / 0 / 89 / 44

HEX #2F8E10

RGB 47 142 16

HSL 105.24, 0.8%, 0.31%

LAB 51.82, -49.13, 51.74

 

CMYK 43 / 0 / 89 / 44

HEX #518E10

RGB 81 142 16

HSL 89.05, 0.8%, 0.31%

LAB 53.09, -39.15, 53.34

 

CMYK 89 / 0 / 39 / 44

HEX #108E57

RGB 16 142 87

HSL 153.81, 0.8%, 0.31%

LAB 52, -45.04, 20.58

 

CMYK 89 / 0 / 15 / 44

HEX #108E79

RGB 16 142 121

HSL 170, 0.8%, 0.31%

LAB 52.77, -36.6, 2.27

 

CMYK 89 / 8 / 0 / 44

HEX #10828E

RGB 16 130 142

HSL 185.71, 0.8%, 0.31%

LAB 49.53, -24.32, -14.77

 

CMYK 89 / 32 / 0 / 44

HEX #10608E

RGB 16 96 142

HSL 201.9, 0.8%, 0.31%

LAB 38.6, -5.12, -31.69

 

CMYK 89 / 56 / 0 / 44

HEX #103E8E

RGB 16 62 142

HSL 218.1, 0.8%, 0.31%

LAB 28.14, 17.51, -48.45

 

CMYK 89 / 0 / 39 / 44

HEX #108E57

RGB 16 142 87

HSL 153.81, 0.8%, 0.31%

LAB 52, -45.04, 20.58

 

CMYK 98 / 0 / 43 / 39

HEX #039B58

RGB 3 155 88

HSL 153.55, 0.96%, 0.31%

LAB 56.25, -50.43, 25.63

 

CMYK 89 / 0 / 39 / 44

HEX #108E57

RGB 16 142 87

HSL 153.81, 0.8%, 0.31%

LAB 52, -45.04, 20.58

 

CMYK 78 / 0 / 34 / 49

HEX #1D8155

RGB 29 129 85

HSL 153.6, 0.63%, 0.31%

LAB 47.77, -38.87, 16.04

 

CMYK 65 / 0 / 28 / 54

HEX #297554

RGB 41 117 84

HSL 153.95, 0.48%, 0.31%

LAB 43.99, -31.75, 11.46

 

CMYK 48 / 0 / 21 / 59

HEX #366852

RGB 54 104 82

HSL 153.6, 0.32%, 0.31%

LAB 40.07, -22.61, 7.22

 

CMYK 26 / 0 / 12 / 64

HEX #435B50

RGB 67 91 80

HSL 152.5, 0.15%, 0.31%

LAB 36.47, -11.67, 3.41

 

CMYK 89 / 0 / 87 / 44

HEX #108E12

RGB 16 142 18

HSL 120.95, 0.8%, 0.31%

LAB 51.27, -53.93, 50.57

 

CMYK 89 / 0 / 63 / 44

HEX #108E34

RGB 16 142 52

HSL 137.14, 0.8%, 0.31%

LAB 51.5, -50.99, 38.22

 

CMYK 89 / 0 / 40 / 44

HEX #108E55

RGB 16 142 85

HSL 152.86, 0.8%, 0.31%

LAB 51.96, -45.46, 21.64

 

CMYK 89 / 0 / 16 / 44

HEX #108E77

RGB 16 142 119

HSL 169.05, 0.8%, 0.31%

LAB 52.72, -37.16, 3.35

 

CMYK 89 / 7 / 0 / 44

HEX #10848E

RGB 16 132 142

HSL 184.76, 0.8%, 0.31%

LAB 50.18, -25.35, -13.8

 

CMYK 88 / 0 / 40 / 73

HEX #084429

RGB 8 68 41

HSL 153, 0.79%, 0.15%

LAB 24.78, -25.77, 11.27

 

CMYK 89 / 0 / 39 / 59

HEX #0C6940

RGB 12 105 64

HSL 153.55, 0.79%, 0.23%

LAB 38.81, -35.77, 16.09

 

CMYK 89 / 0 / 39 / 44

HEX #108E57

RGB 16 142 87

HSL 153.81, 0.8%, 0.31%

LAB 52, -45.04, 20.58

 

CMYK 89 / 0 / 39 / 30

HEX #14B36D

RGB 20 179 109

HSL 153.58, 0.8%, 0.39%

LAB 64.56, -54.02, 25.35

 

CMYK 89 / 0 / 39 / 15

HEX #18D984

RGB 24 217 132

HSL 153.58, 0.8%, 0.47%

LAB 76.97, -62.77, 29.84

 

CMYK 89 / 0 / 39 / 45

HEX #108D56

RGB 16 141 86

HSL 153.6, 0.8%, 0.31%

LAB 51.65, -44.87, 20.66

 

CMYK 89 / 67 / 0 / 44

HEX #102F8E

RGB 16 47 142

HSL 225.24, 0.8%, 0.31%

LAB 23.99, 27.97, -55.23

 

CMYK 0 / 75 / 89 / 44

HEX #8E2310

RGB 142 35 16

HSL 9.05, 0.8%, 0.31%

LAB 31.78, 43.81, 37.7

 

CMYK 89 / 0 / 39 / 45

HEX #108D56

RGB 16 141 86

HSL 153.6, 0.8%, 0.31%

LAB 51.65, -44.87, 20.66

 

CMYK 40 / 89 / 0 / 44

HEX #55108E

RGB 85 16 142

HSL 272.86, 0.8%, 0.31%

LAB 24.5, 51.76, -54.17

 

CMYK 0 / 40 / 89 / 44

HEX #8E5510

RGB 142 85 16

HSL 32.86, 0.8%, 0.31%

LAB 41.67, 18.59, 45.81

 

CMYK 89 / 0 / 39 / 45

HEX #108D56

RGB 16 141 86

HSL 153.6, 0.8%, 0.31%

LAB 51.65, -44.87, 20.66

 

CMYK 89 / 67 / 0 / 44

HEX #102F8E

RGB 16 47 142

HSL 225.24, 0.8%, 0.31%

LAB 23.99, 27.97, -55.23

 

CMYK 0 / 89 / 49 / 44

HEX #8E1049

RGB 142 16 73

HSL 332.86, 0.8%, 0.31%

LAB 30.88, 52.48, 1.03

 

CMYK 0 / 22 / 89 / 44

HEX #8E6F10

RGB 142 111 16

HSL 45.24, 0.8%, 0.31%

LAB 48.46, 3.51, 51.34

 

CMYK 89 / 0 / 39 / 45

HEX #108D56

RGB 16 141 86

HSL 153.6, 0.8%, 0.31%

LAB 51.65, -44.87, 20.66

 

CMYK 85 / 89 / 0 / 44

HEX #16108E

RGB 22 16 142

HSL 242.86, 0.8%, 0.31%

LAB 17.89, 46.11, -65.31

 

CMYK 0 / 89 / 49 / 44

HEX #8E1049

RGB 142 16 73

HSL 332.86, 0.8%, 0.31%

LAB 30.88, 52.48, 1.03

 

CMYK 4 / 0 / 89 / 44

HEX #888E10

RGB 136 142 16

HSL 62.86, 0.8%, 0.31%

LAB 56.7, -16.37, 57.81

 

Description

Color code: HEX #108D56 | qconv.com Color code: HEX #108D56 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 141 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 141 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 39 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 39% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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