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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #108735 it is the complementary color #EF78CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #108735. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #108735 shade: #158730, #269943, #37AB56, #48BD69 and #59CF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #108735. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #108735 shade: #108735, #007522, #00630F, #005100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #108735 shade: #108936, #108915, #2C8910, #4C8910 and #6D8910

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #108735 shade: #108936, #108956, #108977, #107A89 and #105A89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #108735 shade matches the following richer shades: #108936 and #049531

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #108735 shade: #108936, #1C7D3A, #29703F, #356444 and #425748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #108735 shade: #2C8910, #108914, #108934, #108955 and #108975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #108735 shade: #073F19, #0C6427, #108936, #14AE44 and #19D353

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #108735 shade: #108735, #104D89 and #89101C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #108735 shade: #108735, #341089 and #893410

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #108735 shade: #108735, #104D89, #891065 and #894D10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #108735 shade: #108735, #102889, #891065 and #897110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 61 / 47

HEX #108735

RGB 16 135 53

HSL 138.66, 0.79%, 0.3%

LAB 49.12, -48.5, 35

 

Complementary color

CMYK 0 / 50 / 15 / 6

HEX #EF78CA

RGB 239 120 202

HSL 318.66, 0.79%, 0.7%

LAB 66.56, 55.63, -21.67

 

CMYK 84 / 0 / 64 / 47

HEX #158730

RGB 21 135 48

HSL 134.21, 0.73%, 0.31%

LAB 49.13, -48.64, 37.43

 

CMYK 75 / 0 / 56 / 40

HEX #269943

RGB 38 153 67

HSL 135.13, 0.6%, 0.37%

LAB 55.68, -50.03, 35.93

 

CMYK 68 / 0 / 50 / 33

HEX #37AB56

RGB 55 171 86

HSL 136.03, 0.51%, 0.44%

LAB 62.18, -50.81, 34.39

 

CMYK 62 / 0 / 44 / 26

HEX #48BD69

RGB 72 189 105

HSL 136.92, 0.47%, 0.51%

LAB 68.6, -51.2, 32.9

 

CMYK 57 / 0 / 40 / 19

HEX #59CF7C

RGB 89 207 124

HSL 137.8, 0.55%, 0.58%

LAB 74.95, -51.34, 31.5

 

CMYK 88 / 0 / 61 / 47

HEX #108735

RGB 16 135 53

HSL 138.66, 0.79%, 0.3%

LAB 49.12, -48.5, 35

 

CMYK 100 / 0 / 71 / 54

HEX #007522

RGB 0 117 34

HSL 137.44, 1%, 0.23%

LAB 42.52, -46.2, 36.46

 

CMYK 100 / 0 / 85 / 61

HEX #00630F

RGB 0 99 15

HSL 129.09, 1%, 0.19%

LAB 35.9, -42.2, 37.24

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 88 / 0 / 61 / 46

HEX #108936

RGB 16 137 54

HSL 138.84, 0.79%, 0.3%

LAB 49.82, -49.04, 35.32

 

CMYK 88 / 0 / 85 / 46

HEX #108915

RGB 16 137 21

HSL 122.48, 0.79%, 0.3%

LAB 49.56, -52.24, 48.23

 

CMYK 68 / 0 / 88 / 46

HEX #2C8910

RGB 44 137 16

HSL 106.12, 0.79%, 0.3%

LAB 50.05, -48.06, 50.16

 

CMYK 45 / 0 / 88 / 46

HEX #4C8910

RGB 76 137 16

HSL 90.25, 0.79%, 0.3%

LAB 51.23, -38.8, 51.63

 

CMYK 20 / 0 / 88 / 46

HEX #6D8910

RGB 109 137 16

HSL 73.88, 0.79%, 0.3%

LAB 53.15, -25.78, 54.03

 

CMYK 88 / 0 / 61 / 46

HEX #108936

RGB 16 137 54

HSL 138.84, 0.79%, 0.3%

LAB 49.82, -49.04, 35.32

 

CMYK 88 / 0 / 37 / 46

HEX #108956

RGB 16 137 86

HSL 154.71, 0.79%, 0.3%

LAB 50.3, -43.32, 18.86

 

CMYK 88 / 0 / 13 / 46

HEX #108977

RGB 16 137 119

HSL 171.07, 0.79%, 0.3%

LAB 51.07, -34.92, 0.97

 

CMYK 88 / 11 / 0 / 46

HEX #107A89

RGB 16 122 137

HSL 187.44, 0.79%, 0.3%

LAB 46.76, -21.86, -16.05

 

CMYK 88 / 34 / 0 / 46

HEX #105A89

RGB 16 90 137

HSL 203.31, 0.79%, 0.3%

LAB 36.42, -3.37, -32.1

 

CMYK 88 / 0 / 61 / 46

HEX #108936

RGB 16 137 54

HSL 138.84, 0.79%, 0.3%

LAB 49.82, -49.04, 35.32

 

CMYK 97 / 0 / 67 / 42

HEX #049531

RGB 4 149 49

HSL 138.62, 0.95%, 0.3%

LAB 53.75, -54.42, 42.08

 

CMYK 88 / 0 / 61 / 46

HEX #108936

RGB 16 137 54

HSL 138.84, 0.79%, 0.3%

LAB 49.82, -49.04, 35.32

 

CMYK 78 / 0 / 54 / 51

HEX #1C7D3A

RGB 28 125 58

HSL 138.56, 0.63%, 0.3%

LAB 45.93, -42.69, 28.66

 

CMYK 63 / 0 / 44 / 56

HEX #29703F

RGB 41 112 63

HSL 138.59, 0.46%, 0.3%

LAB 41.87, -33.99, 20.83

 

CMYK 47 / 0 / 32 / 61

HEX #356444

RGB 53 100 68

HSL 139.15, 0.31%, 0.3%

LAB 38.36, -24.02, 13.28

 

CMYK 24 / 0 / 17 / 66

HEX #425748

RGB 66 87 72

HSL 137.14, 0.14%, 0.3%

LAB 34.89, -11.53, 6.12

 

CMYK 68 / 0 / 88 / 46

HEX #2C8910

RGB 44 137 16

HSL 106.12, 0.79%, 0.3%

LAB 50.05, -48.06, 50.16

 

CMYK 88 / 0 / 85 / 46

HEX #108914

RGB 16 137 20

HSL 121.98, 0.79%, 0.3%

LAB 49.56, -52.3, 48.51

 

CMYK 88 / 0 / 62 / 46

HEX #108934

RGB 16 137 52

HSL 137.85, 0.79%, 0.3%

LAB 49.8, -49.32, 36.27

 

CMYK 88 / 0 / 38 / 46

HEX #108955

RGB 16 137 85

HSL 154.21, 0.79%, 0.3%

LAB 50.28, -43.54, 19.4

 

CMYK 88 / 0 / 15 / 46

HEX #108975

RGB 16 137 117

HSL 170.08, 0.79%, 0.3%

LAB 51.02, -35.49, 2.05

 

CMYK 89 / 0 / 60 / 75

HEX #073F19

RGB 7 63 25

HSL 139.29, 0.8%, 0.14%

LAB 22.55, -27.2, 18.3

 

CMYK 88 / 0 / 61 / 61

HEX #0C6427

RGB 12 100 39

HSL 138.41, 0.79%, 0.22%

LAB 36.63, -38.57, 27.42

 

CMYK 88 / 0 / 61 / 46

HEX #108936

RGB 16 137 54

HSL 138.84, 0.79%, 0.3%

LAB 49.82, -49.04, 35.32

 

CMYK 89 / 0 / 61 / 32

HEX #14AE44

RGB 20 174 68

HSL 138.7, 0.79%, 0.38%

LAB 62.37, -59.06, 43.25

 

CMYK 88 / 0 / 61 / 17

HEX #19D353

RGB 25 211 83

HSL 138.71, 0.79%, 0.46%

LAB 74.46, -68.45, 50.41

 

CMYK 88 / 0 / 61 / 47

HEX #108735

RGB 16 135 53

HSL 138.66, 0.79%, 0.3%

LAB 49.12, -48.5, 35

 

CMYK 88 / 44 / 0 / 46

HEX #104D89

RGB 16 77 137

HSL 209.75, 0.79%, 0.3%

LAB 32.31, 5.1, -38.63

 

CMYK 0 / 88 / 80 / 46

HEX #89101C

RGB 137 16 28

HSL 354.05, 0.79%, 0.3%

LAB 28.83, 48.27, 27.82

 

CMYK 88 / 0 / 61 / 47

HEX #108735

RGB 16 135 53

HSL 138.66, 0.79%, 0.3%

LAB 49.12, -48.5, 35

 

CMYK 62 / 88 / 0 / 46

HEX #341089

RGB 52 16 137

HSL 257.85, 0.79%, 0.3%

LAB 19.67, 46.63, -59.16

 

CMYK 0 / 62 / 88 / 46

HEX #893410

RGB 137 52 16

HSL 17.85, 0.79%, 0.3%

LAB 33.59, 34.54, 38.81

 

CMYK 88 / 0 / 61 / 47

HEX #108735

RGB 16 135 53

HSL 138.66, 0.79%, 0.3%

LAB 49.12, -48.5, 35

 

CMYK 88 / 44 / 0 / 46

HEX #104D89

RGB 16 77 137

HSL 209.75, 0.79%, 0.3%

LAB 32.31, 5.1, -38.63

 

CMYK 0 / 88 / 26 / 46

HEX #891065

RGB 137 16 101

HSL 317.85, 0.79%, 0.3%

LAB 30.95, 54.27, -17.32

 

CMYK 0 / 44 / 88 / 46

HEX #894D10

RGB 137 77 16

HSL 30.25, 0.79%, 0.3%

LAB 39.01, 20.93, 43.33

 

CMYK 88 / 0 / 61 / 47

HEX #108735

RGB 16 135 53

HSL 138.66, 0.79%, 0.3%

LAB 49.12, -48.5, 35

 

CMYK 88 / 71 / 0 / 46

HEX #102889

RGB 16 40 137

HSL 228.1, 0.79%, 0.3%

LAB 21.7, 30.74, -55.87

 

CMYK 0 / 88 / 26 / 46

HEX #891065

RGB 137 16 101

HSL 317.85, 0.79%, 0.3%

LAB 30.95, 54.27, -17.32

 

CMYK 0 / 18 / 88 / 46

HEX #897110

RGB 137 113 16

HSL 48.1, 0.79%, 0.3%

LAB 48.47, -0, 51.13

 

Description

Color code: HEX #108735 | qconv.com Color code: HEX #108735 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 135 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 135 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 61 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 61% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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