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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #107259 it is the complementary color #EF8DA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #107259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #107259 shade: #157254, #268467, #37967A, #48A88D and #59BAA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #107259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #107259 shade: #107259, #006046, #004E33, #003C20 and #002A0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #107259 shade: #107057, #10703D, #107024, #167010 and #307010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #107259 shade: #107057, #106E70, #105470, #103B70 and #102170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #107259 shade matches the following richer shades: #107057 and #067A5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #107259 shade: #107057, #1A6552, #255B4D, #2F5148 and #394643

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #107259 shade: #107023, #10703D, #107056, #107070 and #105670

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #107259 shade: #06271F, #0B4B3B, #107057, #159473 and #1AB890

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #107259 shade: #107259, #101670 and #703010

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #107259 shade: #107259, #561070 and #705610

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #107259 shade: #107259, #101670, #701029 and #706910

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #107259 shade: #107259, #261070, #701029 and #597010

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 22 / 55

HEX #107259

RGB 16 114 89

HSL 164.69, 0.75%, 0.25%

LAB 42.56, -32.98, 6.4

 

Complementary color

CMYK 0 / 41 / 31 / 6

HEX #EF8DA6

RGB 239 141 166

HSL 344.69, 0.75%, 0.75%

LAB 69.58, 40.08, 3.03

 

CMYK 82 / 0 / 26 / 55

HEX #157254

RGB 21 114 84

HSL 160.65, 0.69%, 0.26%

LAB 42.51, -33.76, 9.32

 

CMYK 71 / 0 / 22 / 48

HEX #268467

RGB 38 132 103

HSL 161.49, 0.55%, 0.33%

LAB 49.37, -34.46, 7.87

 

CMYK 63 / 0 / 19 / 41

HEX #37967A

RGB 55 150 122

HSL 162.32, 0.46%, 0.4%

LAB 56.12, -34.81, 6.61

 

CMYK 57 / 0 / 16 / 34

HEX #48A88D

RGB 72 168 141

HSL 163.13, 0.4%, 0.47%

LAB 62.77, -34.93, 5.5

 

CMYK 52 / 0 / 14 / 27

HEX #59BAA0

RGB 89 186 160

HSL 163.92, 0.41%, 0.54%

LAB 69.31, -34.94, 4.5

 

CMYK 86 / 0 / 22 / 55

HEX #107259

RGB 16 114 89

HSL 164.69, 0.75%, 0.25%

LAB 42.56, -32.98, 6.4

 

CMYK 100 / 0 / 27 / 62

HEX #006046

RGB 0 96 70

HSL 163.75, 1%, 0.19%

LAB 35.61, -31.58, 8.05

 

CMYK 100 / 0 / 35 / 69

HEX #004E33

RGB 0 78 51

HSL 159.23, 1%, 0.15%

LAB 28.61, -28.81, 10.13

 

CMYK 100 / 0 / 47 / 76

HEX #003C20

RGB 0 60 32

HSL 152, 1%, 0.12%

LAB 21.34, -25.82, 12.4

 

CMYK 100 / 0 / 69 / 84

HEX #002A0D

RGB 0 42 13

HSL 138.57, 1%, 0.08%

LAB 13.74, -22.38, 14.27

 

CMYK 86 / 0 / 22 / 56

HEX #107057

RGB 16 112 87

HSL 164.38, 0.75%, 0.25%

LAB 41.82, -32.63, 6.55

 

CMYK 86 / 0 / 46 / 56

HEX #10703D

RGB 16 112 61

HSL 148.13, 0.75%, 0.25%

LAB 41.27, -38.79, 21.08

 

CMYK 86 / 0 / 68 / 56

HEX #107024

RGB 16 112 36

HSL 132.5, 0.75%, 0.25%

LAB 40.94, -42.79, 33.87

 

CMYK 80 / 0 / 86 / 56

HEX #167010

RGB 22 112 16

HSL 116.25, 0.75%, 0.25%

LAB 40.89, -43.74, 41.71

 

CMYK 57 / 0 / 86 / 56

HEX #307010

RGB 48 112 16

HSL 100, 0.75%, 0.25%

LAB 41.62, -37.71, 42.64

 

CMYK 86 / 0 / 22 / 56

HEX #107057

RGB 16 112 87

HSL 164.38, 0.75%, 0.25%

LAB 41.82, -32.63, 6.55

 

CMYK 86 / 2 / 0 / 56

HEX #106E70

RGB 16 110 112

HSL 181.25, 0.75%, 0.25%

LAB 41.89, -24.09, -8.44

 

CMYK 86 / 25 / 0 / 56

HEX #105470

RGB 16 84 112

HSL 197.5, 0.75%, 0.25%

LAB 33.18, -9.54, -21.77

 

CMYK 86 / 47 / 0 / 56

HEX #103B70

RGB 16 59 112

HSL 213.13, 0.75%, 0.25%

LAB 24.98, 6.93, -34.74

 

CMYK 86 / 71 / 0 / 56

HEX #102170

RGB 16 33 112

HSL 229.38, 0.75%, 0.25%

LAB 17.31, 25.61, -47.21

 

CMYK 86 / 0 / 22 / 56

HEX #107057

RGB 16 112 87

HSL 164.38, 0.75%, 0.25%

LAB 41.82, -32.63, 6.55

 

CMYK 95 / 0 / 25 / 52

HEX #067A5C

RGB 6 122 92

HSL 164.48, 0.91%, 0.25%

LAB 45.26, -36.45, 8.43

 

CMYK 86 / 0 / 22 / 56

HEX #107057

RGB 16 112 87

HSL 164.38, 0.75%, 0.25%

LAB 41.82, -32.63, 6.55

 

CMYK 74 / 0 / 19 / 60

HEX #1A6552

RGB 26 101 82

HSL 164.8, 0.59%, 0.25%

LAB 38.09, -27.59, 4.26

 

CMYK 59 / 0 / 15 / 64

HEX #255B4D

RGB 37 91 77

HSL 164.44, 0.42%, 0.25%

LAB 34.83, -21.73, 2.7

 

CMYK 42 / 0 / 11 / 68

HEX #2F5148

RGB 47 81 72

HSL 164.12, 0.27%, 0.25%

LAB 31.71, -14.81, 1.4

 

CMYK 19 / 0 / 4 / 73

HEX #394643

RGB 57 70 67

HSL 166.15, 0.1%, 0.25%

LAB 28.53, -5.95, 0.06

 

CMYK 86 / 0 / 69 / 56

HEX #107023

RGB 16 112 35

HSL 131.88, 0.75%, 0.25%

LAB 40.93, -42.91, 34.33

 

CMYK 86 / 0 / 46 / 56

HEX #10703D

RGB 16 112 61

HSL 148.13, 0.75%, 0.25%

LAB 41.27, -38.79, 21.08

 

CMYK 86 / 0 / 23 / 56

HEX #107056

RGB 16 112 86

HSL 163.75, 0.75%, 0.25%

LAB 41.8, -32.9, 7.11

 

CMYK 86 / 0 / 0 / 56

HEX #107070

RGB 16 112 112

HSL 180, 0.75%, 0.25%

LAB 42.56, -25.11, -7.44

 

CMYK 86 / 23 / 0 / 56

HEX #105670

RGB 16 86 112

HSL 196.25, 0.75%, 0.25%

LAB 33.85, -10.75, -20.73

 

CMYK 85 / 0 / 21 / 85

HEX #06271F

RGB 6 39 31

HSL 165.45, 0.73%, 0.09%

LAB 13.16, -14.41, 1.83

 

CMYK 85 / 0 / 21 / 71

HEX #0B4B3B

RGB 11 75 59

HSL 165, 0.74%, 0.17%

LAB 27.9, -23.76, 4.05

 

CMYK 86 / 0 / 22 / 56

HEX #107057

RGB 16 112 87

HSL 164.38, 0.75%, 0.25%

LAB 41.82, -32.63, 6.55

 

CMYK 86 / 0 / 22 / 42

HEX #159473

RGB 21 148 115

HSL 164.41, 0.75%, 0.33%

LAB 54.63, -40.44, 8.4

 

CMYK 86 / 0 / 22 / 28

HEX #1AB890

RGB 26 184 144

HSL 164.81, 0.75%, 0.41%

LAB 66.91, -47.61, 9.64

 

CMYK 86 / 0 / 22 / 55

HEX #107259

RGB 16 114 89

HSL 164.69, 0.75%, 0.25%

LAB 42.56, -32.98, 6.4

 

CMYK 86 / 80 / 0 / 56

HEX #101670

RGB 16 22 112

HSL 236.25, 0.75%, 0.25%

LAB 14.7, 32.82, -51.51

 

CMYK 0 / 57 / 86 / 56

HEX #703010

RGB 112 48 16

HSL 20, 0.75%, 0.25%

LAB 28.37, 26.33, 32.52

 

CMYK 86 / 0 / 22 / 55

HEX #107259

RGB 16 114 89

HSL 164.69, 0.75%, 0.25%

LAB 42.56, -32.98, 6.4

 

CMYK 23 / 86 / 0 / 56

HEX #561070

RGB 86 16 112

HSL 283.75, 0.75%, 0.25%

LAB 22.01, 45.21, -39.21

 

CMYK 0 / 23 / 86 / 56

HEX #705610

RGB 112 86 16

HSL 43.75, 0.75%, 0.25%

LAB 38.09, 3.71, 41.25

 

CMYK 86 / 0 / 22 / 55

HEX #107259

RGB 16 114 89

HSL 164.69, 0.75%, 0.25%

LAB 42.56, -32.98, 6.4

 

CMYK 86 / 80 / 0 / 56

HEX #101670

RGB 16 22 112

HSL 236.25, 0.75%, 0.25%

LAB 14.7, 32.82, -51.51

 

CMYK 0 / 86 / 63 / 56

HEX #701029

RGB 112 16 41

HSL 344.38, 0.75%, 0.25%

LAB 23.59, 41.57, 11.55

 

CMYK 0 / 6 / 86 / 56

HEX #706910

RGB 112 105 16

HSL 55.63, 0.75%, 0.25%

LAB 43.63, -7.41, 46.05

 

CMYK 86 / 0 / 22 / 55

HEX #107259

RGB 16 114 89

HSL 164.69, 0.75%, 0.25%

LAB 42.56, -32.98, 6.4

 

CMYK 66 / 86 / 0 / 56

HEX #261070

RGB 38 16 112

HSL 253.75, 0.75%, 0.25%

LAB 15.24, 37.95, -50.57

 

CMYK 0 / 86 / 63 / 56

HEX #701029

RGB 112 16 41

HSL 344.38, 0.75%, 0.25%

LAB 23.59, 41.57, 11.55

 

CMYK 21 / 0 / 86 / 56

HEX #597010

RGB 89 112 16

HSL 74.38, 0.75%, 0.25%

LAB 43.87, -21.97, 45.51

 

Description

Color code: HEX #107259 | qconv.com Color code: HEX #107259 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 114 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 114 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 22 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 22% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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