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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #106F7F00 it is the complementary color #EF908000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #106F7F00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #106F7F00 shade: #156F7A00, #26818D00, #3793A000, #48A5B300 and #59B7C600

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #106F7F00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #106F7F00 shade: #106F7F00, #005D6C00, #004B5900, #00394600 and #00273300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #106F7F00 shade: #106F7F, #10517F, #10337F, #10157F and #29107F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #106F7F00 shade: #106F7F, #10517F, #10337F, #10157F and #10107F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #106F7F00 shade matches the following richer shades: #106F7F and #04778B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #106F7F00 shade: #106F7F, #1B6774, #275F68, #32565C and #3E4E51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #106F7F00 shade: #107F53, #107F70, #10707F, #10537F and #10357F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #106F7F00 shade: #072F36, #0B4F5A, #106F7F, #148FA4 and #19AFC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #106F7F00 shade: #106F7F, #35107F and #7F6110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #106F7F00 shade: #106F7F, #7F1070 and #707F10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #106F7F00 shade: #106F7F, #35107F, #7F1F10 and #5A7F10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #106F7F00 shade: #106F7F, #56107F, #7F1F10 and #397F10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #106F7F00

RGBA 16 111 127 0

HSLA 188.65, 0.78%, 0.28%, 0

LABA 42.78, -19.47, -16.15, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #EF908000

RGBA 239 144 128 0

HSLA 8.65, 0.78%, 0.72%, 0

LABA 69.37, 34.23, 23.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #156F7A00

RGBA 21 111 122 0

HSLA 186.53, 0.71%, 0.28%, 0

LABA 42.66, -20.76, -13.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #26818D00

RGBA 38 129 141 0

HSLA 186.99, 0.58%, 0.35%, 0

LABA 49.54, -21.9, -14.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3793A000

RGBA 55 147 160 0

HSLA 187.43, 0.49%, 0.42%, 0

LABA 56.31, -22.66, -14.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #48A5B300

RGBA 72 165 179 0

HSLA 187.85, 0.43%, 0.49%, 0

LABA 62.96, -23.17, -15.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #59B7C600

RGBA 89 183 198 0

HSLA 188.26, 0.49%, 0.56%, 0

LABA 69.52, -23.53, -16.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #106F7F00

RGBA 16 111 127 0

HSLA 188.65, 0.78%, 0.28%, 0

LABA 42.78, -19.47, -16.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #005D6C00

RGBA 0 93 108 0

HSLA 188.33, 1%, 0.21%, 0

LABA 35.81, -17.6, -15.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #004B5900

RGBA 0 75 89 0

HSLA 189.44, 1%, 0.17%, 0

LABA 28.78, -14.6, -14.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00394600

RGBA 0 57 70 0

HSLA 191.14, 1%, 0.14%, 0

LABA 21.46, -11.43, -12.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00273300

RGBA 0 39 51 0

HSLA 194.12, 1%, 0.1%, 0

LABA 13.77, -8.04, -11.58, 0

 

CMYK 87 / 13 / 0 / 50

HEX #106F7F

RGB 16 111 127

HSL 188.65, 0.78%, 0.28%

LAB 42.78, -19.47, -16.15

 

CMYK 87 / 36 / 0 / 50

HEX #10517F

RGB 16 81 127

HSL 204.86, 0.78%, 0.28%

LAB 32.98, -1.66, -31.41

 

CMYK 87 / 60 / 0 / 50

HEX #10337F

RGB 16 51 127

HSL 221.08, 0.78%, 0.28%

LAB 23.7, 19.01, -46.32

 

CMYK 87 / 83 / 0 / 50

HEX #10157F

RGB 16 21 127

HSL 237.3, 0.78%, 0.28%

LAB 16.4, 38.68, -58.34

 

CMYK 68 / 87 / 0 / 50

HEX #29107F

RGB 41 16 127

HSL 253.51, 0.78%, 0.28%

LAB 17.34, 42.77, -56.73

 

CMYK 87 / 13 / 0 / 50

HEX #106F7F

RGB 16 111 127

HSL 188.65, 0.78%, 0.28%

LAB 42.78, -19.47, -16.15

 

CMYK 87 / 36 / 0 / 50

HEX #10517F

RGB 16 81 127

HSL 204.86, 0.78%, 0.28%

LAB 32.98, -1.66, -31.41

 

CMYK 87 / 60 / 0 / 50

HEX #10337F

RGB 16 51 127

HSL 221.08, 0.78%, 0.28%

LAB 23.7, 19.01, -46.32

 

CMYK 87 / 83 / 0 / 50

HEX #10157F

RGB 16 21 127

HSL 237.3, 0.78%, 0.28%

LAB 16.4, 38.68, -58.34

 

CMYK 87 / 87 / 0 / 50

HEX #10107F

RGB 16 16 127

HSL 240, 0.78%, 0.28%

LAB 15.56, 41.17, -59.74

 

CMYK 87 / 13 / 0 / 50

HEX #106F7F

RGB 16 111 127

HSL 188.65, 0.78%, 0.28%

LAB 42.78, -19.47, -16.15

 

CMYK 97 / 14 / 0 / 45

HEX #04778B

RGB 4 119 139

HSL 188.89, 0.94%, 0.28%

LAB 45.75, -20.25, -18.79

 

CMYK 87 / 13 / 0 / 50

HEX #106F7F

RGB 16 111 127

HSL 188.65, 0.78%, 0.28%

LAB 42.78, -19.47, -16.15

 

CMYK 77 / 11 / 0 / 55

HEX #1B6774

RGB 27 103 116

HSL 188.76, 0.62%, 0.28%

LAB 39.91, -17.78, -13.86

 

CMYK 63 / 9 / 0 / 59

HEX #275F68

RGB 39 95 104

HSL 188.31, 0.45%, 0.28%

LAB 37.14, -15.3, -10.65

 

CMYK 46 / 7 / 0 / 64

HEX #32565C

RGB 50 86 92

HSL 188.57, 0.3%, 0.28%

LAB 34.2, -11.14, -7.55

 

CMYK 23 / 4 / 0 / 68

HEX #3E4E51

RGB 62 78 81

HSL 189.47, 0.13%, 0.28%

LAB 31.96, -5.49, -3.86

 

CMYK 87 / 0 / 35 / 50

HEX #107F53

RGB 16 127 83

HSL 156.22, 0.78%, 0.28%

LAB 46.86, -40.02, 15.91

 

CMYK 87 / 0 / 12 / 50

HEX #107F70

RGB 16 127 112

HSL 171.89, 0.78%, 0.28%

LAB 47.57, -32.38, -0.04

 

CMYK 87 / 12 / 0 / 50

HEX #10707F

RGB 16 112 127

HSL 188.11, 0.78%, 0.28%

LAB 43.11, -20.01, -15.65

 

CMYK 87 / 35 / 0 / 50

HEX #10537F

RGB 16 83 127

HSL 203.78, 0.78%, 0.28%

LAB 33.62, -2.95, -30.39

 

CMYK 87 / 58 / 0 / 50

HEX #10357F

RGB 16 53 127

HSL 220, 0.78%, 0.28%

LAB 24.29, 17.59, -45.37

 

CMYK 87 / 13 / 0 / 79

HEX #072F36

RGB 7 47 54

HSL 188.94, 0.77%, 0.12%

LAB 17.2, -10.58, -8.4

 

CMYK 88 / 12 / 0 / 65

HEX #0B4F5A

RGB 11 79 90

HSL 188.35, 0.78%, 0.2%

LAB 30.4, -15.46, -12.16

 

CMYK 87 / 13 / 0 / 50

HEX #106F7F

RGB 16 111 127

HSL 188.65, 0.78%, 0.28%

LAB 42.78, -19.47, -16.15

 

CMYK 88 / 13 / 0 / 36

HEX #148FA4

RGB 20 143 164

HSL 188.75, 0.78%, 0.36%

LAB 54.53, -23.32, -19.92

 

CMYK 88 / 13 / 0 / 21

HEX #19AFC9

RGB 25 175 201

HSL 188.86, 0.78%, 0.44%

LAB 65.81, -26.94, -23.5

 

CMYK 87 / 13 / 0 / 50

HEX #106F7F

RGB 16 111 127

HSL 188.65, 0.78%, 0.28%

LAB 42.78, -19.47, -16.15

 

CMYK 58 / 87 / 0 / 50

HEX #35107F

RGB 53 16 127

HSL 260, 0.78%, 0.28%

LAB 18.63, 43.96, -54.56

 

CMYK 0 / 24 / 87 / 50

HEX #7F6110

RGB 127 97 16

HSL 43.78, 0.78%, 0.28%

LAB 42.91, 4.48, 46.07

 

CMYK 87 / 13 / 0 / 50

HEX #106F7F

RGB 16 111 127

HSL 188.65, 0.78%, 0.28%

LAB 42.78, -19.47, -16.15

 

CMYK 0 / 87 / 12 / 50

HEX #7F1070

RGB 127 16 112

HSL 308.11, 0.78%, 0.28%

LAB 29.54, 53.56, -26.73

 

CMYK 12 / 0 / 87 / 50

HEX #707F10

RGB 112 127 16

HSL 68.11, 0.78%, 0.28%

LAB 50.29, -19.39, 51.71

 

CMYK 87 / 13 / 0 / 50

HEX #106F7F

RGB 16 111 127

HSL 188.65, 0.78%, 0.28%

LAB 42.78, -19.47, -16.15

 

CMYK 58 / 87 / 0 / 50

HEX #35107F

RGB 53 16 127

HSL 260, 0.78%, 0.28%

LAB 18.63, 43.96, -54.56

 

CMYK 0 / 76 / 87 / 50

HEX #7F1F10

RGB 127 31 16

HSL 8.11, 0.78%, 0.28%

LAB 28.19, 40.21, 33.42

 

CMYK 29 / 0 / 87 / 50

HEX #5A7F10

RGB 90 127 16

HSL 80, 0.78%, 0.28%

LAB 48.75, -28.95, 49.79

 

CMYK 87 / 13 / 0 / 50

HEX #106F7F

RGB 16 111 127

HSL 188.65, 0.78%, 0.28%

LAB 42.78, -19.47, -16.15

 

CMYK 32 / 87 / 0 / 50

HEX #56107F

RGB 86 16 127

HSL 277.84, 0.78%, 0.28%

LAB 23.28, 48.49, -46.75

 

CMYK 0 / 76 / 87 / 50

HEX #7F1F10

RGB 127 31 16

HSL 8.11, 0.78%, 0.28%

LAB 28.19, 40.21, 33.42

 

CMYK 55 / 0 / 87 / 50

HEX #397F10

RGB 57 127 16

HSL 97.84, 0.78%, 0.28%

LAB 47.09, -40.95, 47.69

 

Description

Color code: HEX #106F7F00 | qconv.com Color code: HEX #106F7F00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 111 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 111 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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