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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #106F2B it is the complementary color #EF90D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #106F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #106F2B shade: #156F26, #268139, #37934C, #48A55F and #59B772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #106F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #106F2B shade: #106F2B, #005D18, #004B05, #003900 and #002700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #106F2B shade: #10702B, #107011, #287010, #427010 and #5C7010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #106F2B shade: #10702B, #107045, #10705F, #106770 and #104D70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #106F2B shade matches the following richer shades: #10702B and #067A27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #106F2B shade: #10702B, #1A6530, #255B34, #2F5138 and #39463D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #106F2B shade: #287010, #107012, #10702B, #107045 and #10705E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #106F2B shade: #06270F, #0B4B1D, #10702B, #159439 and #1AB847

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #106F2B shade: #106F2B, #104170 and #70101B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #106F2B shade: #106F2B, #2B1070 and #702B10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #106F2B shade: #106F2B, #104170, #701054 and #703E10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #106F2B shade: #106F2B, #102570, #701054 and #705B10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 61 / 56

HEX #106F2B

RGB 16 111 43

HSL 137.05, 0.75%, 0.25%

LAB 40.66, -41.51, 30.11

 

Complementary color

CMYK 0 / 40 / 11 / 6

HEX #EF90D4

RGB 239 144 212

HSL 317.05, 0.75%, 0.75%

LAB 71.59, 45.22, -19.58

 

CMYK 81 / 0 / 66 / 56

HEX #156F26

RGB 21 111 38

HSL 131.33, 0.68%, 0.26%

LAB 40.68, -41.51, 32.65

 

CMYK 71 / 0 / 56 / 49

HEX #268139

RGB 38 129 57

HSL 132.53, 0.54%, 0.33%

LAB 47.51, -42.6, 31.15

 

CMYK 63 / 0 / 48 / 42

HEX #37934C

RGB 55 147 76

HSL 133.7, 0.46%, 0.4%

LAB 54.24, -43.09, 29.62

 

CMYK 56 / 0 / 42 / 35

HEX #48A55F

RGB 72 165 95

HSL 134.84, 0.39%, 0.46%

LAB 60.88, -43.23, 28.16

 

CMYK 51 / 0 / 38 / 28

HEX #59B772

RGB 89 183 114

HSL 135.96, 0.39%, 0.53%

LAB 67.43, -43.19, 26.79

 

CMYK 86 / 0 / 61 / 56

HEX #106F2B

RGB 16 111 43

HSL 137.05, 0.75%, 0.25%

LAB 40.66, -41.51, 30.11

 

CMYK 100 / 0 / 74 / 64

HEX #005D18

RGB 0 93 24

HSL 135.48, 1%, 0.18%

LAB 33.76, -39.44, 31.55

 

CMYK 100 / 0 / 93 / 71

HEX #004B05

RGB 0 75 5

HSL 124, 1%, 0.15%

LAB 26.86, -35.17, 32.25

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 86 / 0 / 62 / 56

HEX #10702B

RGB 16 112 43

HSL 136.88, 0.75%, 0.25%

LAB 41.01, -41.87, 30.52

 

CMYK 86 / 0 / 85 / 56

HEX #107011

RGB 16 112 17

HSL 120.63, 0.75%, 0.25%

LAB 40.8, -44.54, 41.28

 

CMYK 64 / 0 / 86 / 56

HEX #287010

RGB 40 112 16

HSL 105, 0.75%, 0.25%

LAB 41.34, -39.96, 42.28

 

CMYK 41 / 0 / 86 / 56

HEX #427010

RGB 66 112 16

HSL 88.75, 0.75%, 0.25%

LAB 42.44, -31.54, 43.69

 

CMYK 18 / 0 / 86 / 56

HEX #5C7010

RGB 92 112 16

HSL 72.5, 0.75%, 0.25%

LAB 44.09, -20.62, 45.79

 

CMYK 86 / 0 / 62 / 56

HEX #10702B

RGB 16 112 43

HSL 136.88, 0.75%, 0.25%

LAB 41.01, -41.87, 30.52

 

CMYK 86 / 0 / 38 / 56

HEX #107045

RGB 16 112 69

HSL 153.13, 0.75%, 0.25%

LAB 41.42, -37.1, 16.66

 

CMYK 86 / 0 / 15 / 56

HEX #10705F

RGB 16 112 95

HSL 169.38, 0.75%, 0.25%

LAB 42.04, -30.37, 2.04

 

CMYK 86 / 8 / 0 / 56

HEX #106770

RGB 16 103 112

HSL 185.63, 0.75%, 0.25%

LAB 39.55, -20.41, -11.98

 

CMYK 86 / 31 / 0 / 56

HEX #104D70

RGB 16 77 112

HSL 201.88, 0.75%, 0.25%

LAB 30.85, -5.18, -25.41

 

CMYK 86 / 0 / 62 / 56

HEX #10702B

RGB 16 112 43

HSL 136.88, 0.75%, 0.25%

LAB 41.01, -41.87, 30.52

 

CMYK 95 / 0 / 68 / 52

HEX #067A27

RGB 6 122 39

HSL 137.07, 0.91%, 0.25%

LAB 44.38, -46.76, 36.25

 

CMYK 86 / 0 / 62 / 56

HEX #10702B

RGB 16 112 43

HSL 136.88, 0.75%, 0.25%

LAB 41.01, -41.87, 30.52

 

CMYK 74 / 0 / 52 / 60

HEX #1A6530

RGB 26 101 48

HSL 137.6, 0.59%, 0.25%

LAB 37.37, -35.34, 23.49

 

CMYK 59 / 0 / 43 / 64

HEX #255B34

RGB 37 91 52

HSL 136.67, 0.42%, 0.25%

LAB 34.24, -27.66, 17.23

 

CMYK 42 / 0 / 31 / 68

HEX #2F5138

RGB 47 81 56

HSL 135.88, 0.27%, 0.25%

LAB 31.29, -18.65, 10.91

 

CMYK 19 / 0 / 13 / 73

HEX #39463D

RGB 57 70 61

HSL 138.46, 0.1%, 0.25%

LAB 28.35, -7.37, 3.69

 

CMYK 64 / 0 / 86 / 56

HEX #287010

RGB 40 112 16

HSL 105, 0.75%, 0.25%

LAB 41.34, -39.96, 42.28

 

CMYK 86 / 0 / 84 / 56

HEX #107012

RGB 16 112 18

HSL 121.25, 0.75%, 0.25%

LAB 40.8, -44.47, 40.97

 

CMYK 86 / 0 / 62 / 56

HEX #10702B

RGB 16 112 43

HSL 136.88, 0.75%, 0.25%

LAB 41.01, -41.87, 30.52

 

CMYK 86 / 0 / 38 / 56

HEX #107045

RGB 16 112 69

HSL 153.13, 0.75%, 0.25%

LAB 41.42, -37.1, 16.66

 

CMYK 86 / 0 / 16 / 56

HEX #10705E

RGB 16 112 94

HSL 168.75, 0.75%, 0.25%

LAB 42.01, -30.66, 2.61

 

CMYK 85 / 0 / 62 / 85

HEX #06270F

RGB 6 39 15

HSL 136.36, 0.73%, 0.09%

LAB 12.76, -18.71, 12

 

CMYK 85 / 0 / 61 / 71

HEX #0B4B1D

RGB 11 75 29

HSL 136.88, 0.74%, 0.17%

LAB 27.27, -30.73, 21.73

 

CMYK 86 / 0 / 62 / 56

HEX #10702B

RGB 16 112 43

HSL 136.88, 0.75%, 0.25%

LAB 41.01, -41.87, 30.52

 

CMYK 86 / 0 / 61 / 42

HEX #159439

RGB 21 148 57

HSL 137.01, 0.75%, 0.33%

LAB 53.64, -51.88, 38.32

 

CMYK 86 / 0 / 61 / 28

HEX #1AB847

RGB 26 184 71

HSL 137.09, 0.75%, 0.41%

LAB 65.71, -61.39, 45.74

 

CMYK 86 / 0 / 61 / 56

HEX #106F2B

RGB 16 111 43

HSL 137.05, 0.75%, 0.25%

LAB 40.66, -41.51, 30.11

 

CMYK 86 / 42 / 0 / 56

HEX #104170

RGB 16 65 112

HSL 209.38, 0.75%, 0.25%

LAB 26.91, 2.76, -31.65

 

CMYK 0 / 86 / 76 / 56

HEX #70101B

RGB 112 16 27

HSL 353.13, 0.75%, 0.25%

LAB 23.32, 40.75, 20.76

 

CMYK 86 / 0 / 61 / 56

HEX #106F2B

RGB 16 111 43

HSL 137.05, 0.75%, 0.25%

LAB 40.66, -41.51, 30.11

 

CMYK 62 / 86 / 0 / 56

HEX #2B1070

RGB 43 16 112

HSL 256.88, 0.75%, 0.25%

LAB 15.77, 38.51, -49.68

 

CMYK 0 / 62 / 86 / 56

HEX #702B10

RGB 112 43 16

HSL 16.88, 0.75%, 0.25%

LAB 27.32, 29.04, 31.55

 

CMYK 86 / 0 / 61 / 56

HEX #106F2B

RGB 16 111 43

HSL 137.05, 0.75%, 0.25%

LAB 40.66, -41.51, 30.11

 

CMYK 86 / 42 / 0 / 56

HEX #104170

RGB 16 65 112

HSL 209.38, 0.75%, 0.25%

LAB 26.91, 2.76, -31.65

 

CMYK 0 / 86 / 25 / 56

HEX #701054

RGB 112 16 84

HSL 317.5, 0.75%, 0.25%

LAB 25.12, 46.06, -15.57

 

CMYK 0 / 45 / 86 / 56

HEX #703E10

RGB 112 62 16

HSL 28.75, 0.75%, 0.25%

LAB 31.64, 18.23, 35.52

 

CMYK 86 / 0 / 61 / 56

HEX #106F2B

RGB 16 111 43

HSL 137.05, 0.75%, 0.25%

LAB 40.66, -41.51, 30.11

 

CMYK 86 / 67 / 0 / 56

HEX #102570

RGB 16 37 112

HSL 226.88, 0.75%, 0.25%

LAB 18.38, 22.78, -45.45

 

CMYK 0 / 86 / 25 / 56

HEX #701054

RGB 112 16 84

HSL 317.5, 0.75%, 0.25%

LAB 25.12, 46.06, -15.57

 

CMYK 0 / 19 / 86 / 56

HEX #705B10

RGB 112 91 16

HSL 46.88, 0.75%, 0.25%

LAB 39.52, 0.73, 42.5

 

Description

Color code: HEX #106F2B | qconv.com Color code: HEX #106F2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 111 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 111 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 61 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 61% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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